Excavations at Stirling Castle 1977-1978

Abstract

An excavation and survey were carried out on the Spur Battery and adjacent areas of Stirling Castle (NS/790940) over three phases of excavation. The subsequent findings conformed with the plans of the 16th-century ‘French Spur’ as illustrated by Slezer and Dury. Further evidence of the 16th-century defences was uncovered in the area adjacent to the Queen Anne Battery.     

On Crystals of Augury

Abstract

Salisbury cathedral is usually seen as a ‘one period’ building, a ‘complete’ 13th-century cathedral. As a result, the later medieval work at Salisbury has rarely been considered in its own right. This neglect has been compounded by the subsequent loss of many of its most important elements: the two eastern chantry chapels, St Osmund’s shrine and half the library. The aim of this paper is to redress this imbalance. Salisbury’s original appearance was transformed dramatically in the early 14th century by the construction of the high tower and spire, and in the later 15th century, following the canonisation of St Osmund, when the east end was substantially remodelled. As at other great churches, the interior was continuously adapted to enable the cathedral to meet the spiritual needs of late medieval society. These were principally the performance of the liturgy, the commemoration of the dead, the augmentation of devotional cults and the promotion of learning. These themes are explored in the discussion of the new library, major monuments, the shrine of St Osmund and the construction of four new chantry chapels. Thus the cathedral evolved significantly in the two and a half centuries after Bishop Ghent’s consecration in 1297.     

An 18th-Century Mansion,a Fishpond,and Post-Medieval Finds from St. Neots,Huntingdonshire

Abstract

The remains of Hall Place, St. Neots, a late 17th- or early 18th-century house facing Church Street, were encountered during the excavation of an Anglo-Saxon settlement in 1961. Hall place had been built over the site of a large timber-lined cutting, perhaps a fishpond, which had been filled up with domestic rubbish and demolition debris during the course of the 16th century. The fishpond contained a large group of finds including both local and imported pottery, metalwork and leather objects. Pits, wells and other late and post-medieval structures and features were also found in the garden areas behind Hall Place and other Church Street houses.     

Obituary Notice

Abstract

St Vitus’s Cathedral, founded in 1344, is a prime example of 14th-century cathedral Gothic, a product of the cooperation between the ingenious architect Peter Parler and his patron, Emperor Charles IV. The unusual layout consisted of a pair of choirs set side by side in the eastern section of the cathedral, an arrangement inspired by the earlier Romanesque double-choir basilica. One was dedicated to St Vitus and was used by the canons, the other to the Virgin Mary and operated by the mansionars. The royal and imperial necropolis was placed in the latter of the two choirs, with Charles IV’s tomb-chest protected by a sculptured canopy and surrounded by the cenotaphs of deceased family members and later kings and queens. The form of two choirs is probably the result of an extensive rearrangement of the earlier project completed in the 1350s, when initial plans to locate the royal burial ground in the canons’ choir were abandoned. The main choir contained a tabernacle of remarkable design, dating from c. 1365. There may originally have been plans for a third choir to be built around the tomb of St Adalbert located in the middle of the nave, the work on which was initiated in 1392.     

Original Documents.-No. I

St Faith’s chapel is situated beyond the south wall of the south transept of the Gothic abbey church, built by King Henry III (r. 1216–72) at Westminster. The chamber’s paintings, corbel heads and the use of Purbeck marble for wall shafts and corbels, together with 13th-century floor tiles, mark it out as a locus of high status. The paper promotes the claims of St Faith’s chapel to have been the sacristy and vestry of the Benedictine church through an examination of its fittings, sculpture and painted decoration.     

Paul’s Euripides,Greek tragedy and Hebrew antiquity in Paradise Regain’d

ABSTRACT

The exchange between Satan and Jesus in Book IV of Paradise Regained is the first substantial account of tragedy in John Milton’s 1671 volume. In his response to Satan’s Athenian temptation, Jesus offers an alternative to the more familiar defence of tragedy in the preface to Samson Agonistes. Here, Jesus invokes the Hebrew prehistory of Attic tragedy, expanding Milton’s tragic archive beyond the antique Athenians themselves, drawing instead upon Clement of Alexandria and Socrates of Constantinople – both of whom support Milton’s idiosyncratic belief that Paul quoted Euripides at I Corinthians 15:33. And where Clement and Socrates support this tragic provenance, they also address the vexed relationship between Christian faith and heathen learning. Far from showing contempt for Athenian art or erudition, Milton invokes these Patristic sources to enable readers to locate Jesus’ critical response in a dynamic relationship to the relevant preface to Samson Agonistes.     

Excavations at Rainbow Quay,an 18th-century whale rendering plant,Rotherhithe, London

Abstract

An excavation was jointly undertaken by Thames Valley Archaeological Services and Pre-Construct Archaeology at Rainbow Quay, Rope Street, Southwark, London, (TQ 3650 7912), during July and August 1996. The proposed development of the site by Fairclough Homes (Southern) Ltd of some 0.82 ha., sandwiched between Greenland Dock and South Dock (see Fig. 1), provided an excellent opportunity to unearth and investigate a sequence of dock related structures dating from c. 1700, when the Howland Great Wet Dock (later known as Greenland Dock) was constructed¹ through to the 1970s when the docks were closed. The scope of this article is to describe the results of the excavation and in particular to discuss the usage of the site during the 18th and early 19th centuries. Of special interest were structures pertaining to the whaling industry, their demolition and subsequent replacement with warehousing facilities.     

The 14th-Century Rebuilding of the Collegiate Church of St Mary’s,Warwick

The 14th-century rebuilding of the collegiate church of St Mary’s by the earls of Warwick has received surprisingly little scholarly consideration, despite the status of its patrons and the distinctiveness of its architecture. This article uses drawings of the building before the fire of 1694, which destroyed its west end, together with the college’s extensive cartulary and other records, to reconstruct the 14th-century church. From this a timeline for the construction of the church is proposed. Regional, national and international stylistic precedents and antecedents are explored and used to test the validity of the ‘centre/periphery’ model of architectural change. The article concludes with a brief discussion of methodological insights drawn from the analysis.     

Greenberg’s self-negation

ABSTRACT

This article explores Clement Greenberg’s idea that abstraction is a form of negation in the context of mid-twentieth century homophobia and Jewish self-hatred. Greenberg presents both as a denial of the self, and so aligns the negation involved in abstraction with the self-liquidation necessary for economic progress in capitalism.     

On the Uniformity of Design and Purpose,in the Works and Customs of the Earliest Settlers in Britain,Evidenced by Comparative Archaeology

Abstract

Within the building and grounds of the Bell Inn, Alveley (Shropshire) there is preserved a group of sculptures, the style of which is unmistakably that of the Herefordshire School. Thought to derive from a 12th-century church in Alveley, the group is the product of at least two hands and includes zoomorphic interlace and other interlace, together with figural scenes of ‘Samson and the Lion’, ‘St Michael and a Serpent’, and a ‘Man in Foliage’. The sculpture is indicative of a lavish decorative scheme at Alveley, in a style that was vigorous, striking and readily associated with the needs of seigneurial patronage.

The sculpture may be dated to the period 1155-early 1160s, a chronology determined not only by stylistic comparisons, but also independently by a detailed examination of the patronage context. In the discussion of the patronage, Guy Lestrange, sheriff of Shropshire, is identified as the likely patron, and as being fairly typical of the kind of patron who generally supported the work of the School. It is further argued that the role of aristocratic affinities in artistic patronage has been over-emphasised and that, as in other aspects of aristocratic activity, neighbourhood was a more influential factor.     

On St. Artemius as ‘Deacon’

Abstract

The publication of an English translation of the 7th-century Miracles of St. Artemios, with facing Greek text and accompanying commentary, is most welcome, and will undoubtedly invite further discussion of the various points of interest raised by this text. Here I wish to focus on the physical appearance of St. Artemios, in particular his alleged appearance as a deacon in miracle 32. In this miracle, a friend tells a certain Menas how St. Artemius had appeared to him as he slept in the Church of St. John the Baptist and had cured his hernia.     

GEOPHYSICAL AND ARCHAEOLOGICAL INVESTIGATIONS AT THE CLEMENT SITE,A CADDO MOUND COMPLEX IN SOUTHEASTERN OKLAHOMA

Abstract

Since the 1960s, few professional archaeological excavations have been conducted at Caddo sites in southeastern Oklahoma. This article summarizes the initial phase of a research program designed to increase our knowledge of this area. Geophysical and archaeological investigations at the Clement site (34Mc8) were conducted during the summer of 2008 by the University of Oklahoma. These revealed deep middens, intact mound stratigraphy, and architecture, and suggest that Clement had multiple Caddo occupations spanning approximately 300 years.     

Remarks on an Ancient Reliquary,in the Possession of MR. George Isaacs

Abstract

This short paper reports the recent discovery of an oyster shell containing paint, within the fabric of the ruined north aisle wall of the Norman nave of St Mary's church, New Shoreham. Microscopic paint analysis has identified the pigment as pure yellow ochre, and subsequent radiocarbon dating has shown the shell itself to be mid- to late Saxon in origin. The shell represents a medieval colour-dish, used as such by a 12th-century artist at the church, prior to the reuse of the dish as mortared rubble in the nave wall. On current evidence, this colour-dish represents the oldest dated example, and the oldest dish found in physical association with a building, from medieval Britain.     

On Carvings in Morse Ivory

Abstract

Recent excavations at Beverley Minster contribute significant new information relating to the development of the minster from the later pre-conquest period until the 12th century, as well as some technical detail relating to the 14th-century nave. This paper provides a brief overview of later 19th- to 20th-century considerations of the minster’s origins and development. Thereafter, the results of recent excavations are presented and the impact of these in re-shaping the history of the minster’s development is then considered within the wider context of the minster as a whole. More specifically, evidence is presented for the existence of an early pre-conquest cemetery, perhaps focused on a church of an alignment slightly different from that of the present. The implication of further burials pre-dating a 12th-century nave is also examined. Evidence relating to a large 12th-century aisled nave is also presented and discussion given to the impact this nave had on the rebuilding of the eastern parts of the church after 1188 as well as to the origin of the eastern elements that preceded these.     

Post-medieval Breton earthenwares in Newfoundland

Abstract

Archaeological investigations of early modern European contexts at Ferryland and St John's, Newfoundland, produced sherds of a previously unidentified coarse earthenware. Petrological study, stylistic matching and ICP–MS/ICP–AES analysis indicate that they come from kilns at Saint-Jean-la-Poterie in south-east Brittany. Pottery from the same centre also reached early modern migratory fishing stations in Newfoundland's Great Northern Peninsula, where sherds closely resembling 17th-century wasters from kilns at Pabu-Guingamp in northern Brittany have also been found. The recovery of earthenwares from these areas is thought-provoking; the archaeological evidence offers a way to trace the intricacies of a vernacular economy which is only fitfully recorded in commercial records.     

Aberglasney: the theory,history and archaeology of a post-medieval landscape

Abstract

Printed and documentary sources, archaeological excavation, dendrochronology and geophysical survey are employed to investigate the history of Aberglasney, a small country house near Llandeilo, Carmarthenshire (SN 5815 2213). Traditions about its garden layout, parapet walkway, a gatehouse and a yew ‘tunnel’ are examined. Circa 1600, Bishop Anthony Rudd (1549–1614) probably built a ‘cwrt’ enclosure aligned north-south. The gatehouse belonged to this or a later house. In 1770 or later, the Dyer family rebuilt the house, probably redesigned and rewalled the entire estate layout, when an earlier farm building was converted into the parapet walkway and stock pens, in an area later known as the ‘cloistered court’. In Victorian times this feature, originally a farmyard, became a pleasure garden, part of a typical Georgian-Victorian complex including a kitchen garden, glasshouses, orchards and fishpond. A yew grove was established, most likely c. 1805, when the Philipps family began planting in a Picturesque style. Abandoned c. 1950, house and garden became dilapidated. The site is now the object of a radical development programme, involving inter alia the stabilization of all buildings fabric, and imposing 16th-/17th-century style formal gardens over the 18th-/19th-century kitchen garden and orchard.     

James Wray’s Carpentry Yard: archaeology of an early Williamsburg industrial craft site

Abstract

The archaeological work at the Wray Carpentry Yard in Williamsburg, Virginia offers a unique venue for the contextualization of 18th-century trades and tradesmen in the British colonies. James Wray’s craftsmen, both enslaved and free, included carpenters, joiners, glaziers and cabinet-makers working in a growing urban centre, providing services to a town that was quite literally under construction. The story these workers tell through the archaeology of their buildings and possessions is distinct in the archaeology of 18th-century Britain and its colonies, as no comparably intensive contextual examination of an urban artisan complex has been undertaken.     

Smoking and health in London's East End in the first half of the 19th century

Abstract

The harmful effects of smoking are now proven, but to what extent can tobacco use be identified in 19th-century skeletal remains? The full osteological analysis of 705 individuals from the cemetery of St Mary and St Michael (open 1843–54) in Whitechapel, London, revealed a high prevalence of pipe smoking amongst the male population. In addition to a lower life expectancy, the smokers were found to have increased levels of skeletal evidence for lung disease when compared to the remainder of the sample. This has implications for the health, social structure and cohesion of this Irish migrant population.