Swift Creek at a human scale

ABSTRACT

The interpretive potential of Swift Creek pottery, widely produced throughout Georgia, eastern Alabama, and northern Florida during the Middle and Late Woodland periods between ca. cal AD 100 and 800, has been apparent for many years. Much research has been focused on identifying paddle designs from the impressions left on sherds. Less attention has been devoted to the carving of the wooden paddles and its social context. Drawing inferences from our work on Swift Creek pottery in southern Georgia and Florida, and drawing inspiration from the career of Mark Williams, we consider Swift Creek paddle production “at a human scale.” Extrapolating from the number of paddle designs identified in our sample, we argue that paddle manufacture was an infrequent occurrence, probably conducted by specialists and intended to commemorate major life events.     

Swift Creek paddle designs and the imperative to be unique

ABSTRACT

The emergence of the Swift Creek style tradition represents a shift from two or three simple carved paddle designs to many thousands of unique paddle designs by middle Swift Creek then back to merely a few in late and post Swift Creek times. This explosion in designs is a striking phenomenon, in need of consideration. Increased design diversity implicates a rise in creativity, verging on an imperative to be unique, where none previously existed in this medium. In this paper, we offer a revised model of Swift Creek social dynamics by reference to the new-found creativity of paddle makers situated within the context of ethnographic case studies.     

CORE ELEMENTS AND LAYOUT CLASSES IN SWIFT CREEK PADDLE ART

Our work here extends a study in which we identified a set of task models used by early Swift Creek artisans to produce paddle designs. Reconstructed procedures for early bandwork compositions highlighted the importance of the placement of guide points and guidelines to the final product as well as the hierarchal nature of the production sequence, leading to the realization that designs can be profitably classified by the geometry of these initial steps. In this paper, we examine two layout classes defined from observations across some of the more common core elements in the Swift Creek design corpus. We then seriate the most common of the core elements, the Omega, by virtue of variation in its visual characteristics. We draw on the stratigraphic sequence at Fairchild’s Landing (9SE14), Seminole County, Georgia, as a test of the core-element seriation and discuss developmental differences in the Omega between two prolific Swift Creek regions, the lower Chattahoochee River of southwestern Georgia and southeastern Alabama and the lower Ocmulgee and upper Satilla rivers of central and south-central Georgia, on the other.     

The spatial dimension of the woodland period

ABSTRACT

State archaeological site files are a critical component of cultural resource management and information management toolkits. Yet, engagement with these datasets for research purposes can be difficult, at best. We address some of the challenges to a synthesis of spatial data from state site files by examining the Woodland period components of Deptford/Cartersville, Swift Creek, and Weeden Island. We also examine time slices of a large set of radiocarbon dates from contexts reported to be associated with Deptford and Swift Creek. Dates are plotted on a map at the same spatial scale as our site files dataset to evaluate time and space simultaneously. This study reveals important gaps in the radiocarbon dataset that can be rectified with strategic sampling. It also supports some long-held ideas about the spatial distribution of Deptford, Swift Creek, and Weeden Island. For example, Weeden Island is demonstrated to be strongly centered on the Alabama and Florida Gulf Coast, whereas Deptford is concentrated on both the Gulf and the Atlantic Coastal Plains.     

Typological Classification,Attribute Analysis,and Lithic Variability

Abstract

A typological research strategy can distort the analysis of Upper Paleolithic stone tools because it is ill-equipped to distinguish stylistic and functional similarity. This lack can make the significance of formal stone tool types in either culture-historical or behavioral analysis ambiguous. “Attribute analysis,” as it is being developed with French Upper Paleolithic materials, is introduced as an alternative strategy. The stylistic and functional analysis of burins in three Upper Paleolithic cultures, the Perigordian VI, the Proto-Magdalenian , and the Magdalenian II-III, is presented as an example indicating the advantages of one approach over the other.     

Animal Remains from the Carter Creek Site: Late Woodland Adaptive Strategies in the Upland Frontier of West Central Illinois

Abstract

The Carter Creek site (11-Md-817) was a village located at the prairie edge in west central Illinois during the early Late Woodland Weaver phase (Esarey et al. 1984). This occupation represents a frontier upland community (Green 1987, 1993). Animal remains recovered from the Carter Creek site are compared to contemporaneous samples from the region in order to test hypotheses proposed by Green (1987, 1993) and Styles (2000). It is found that the “pioneers” at Carter Creek continued to hunt and fish as their ancestors had (cf. Green 1987, 1993), but with some adjustments to optimize local resources (cf. Styles 2000). There is no evidence of venison trading or tribute found at this or any contemporaneous sites.     

NATUFIAN INTERACTIONS ALONG THE JORDAN VALLEY

Abstract

Building on recent observations made by Belfer-Cohen and Goring-Morris, this study proposes that a zone of intensive interaction existed between communities in the Jordan Valley during much of the Early Natufian period (c. 12,500–11,000 cal bc). Recently published data demonstrate distinctive and even unique links between open-air Jordan Valley sites. Whereas some models have utilised specific types of material culture (e.g. bone artefacts or art items) to identify cultural provinces in the Natufian, this enquiry uses multiple categories of evidence (site types, shared artefact types, artefacts with close stylistic similarities, embodied behavioural practices, and raw material movements) to propose a Natufian sub-region in the Jordan Valley. The likely existence of a post-Lisan “Damya Lake” is suggested as a rationale for extensive north–south contexts south along the Rift Valley, especially for the transport of heavy materials such as basaltic rock. In the future, scientific techniques such as the isotopic analysis of human skeletal remains, elemental characterisation of raw material source, and reliable dating of excavated sites will prove to be decisive in evaluating the model.     

Marine trophic levels targeted between AD 300 and 1500 on the Georgia coast,USA

The marine trophic levels targeted during Swift Creek (AD 300–700) and Savannah (AD 1200–1500) occupations at the Cathead Creek site (9Mc360) and at two sites from the Kings Bay Locality (9CAM171a, 9CAM177), coastal Georgia, USA, differ in a consistent temporal and spatial pattern. Vertebrate and invertebrate remains from these three coastal sites contain similar suites of estuarine animals. However, Swift Creek peoples at these distinct hydrological settings obtained more biomass from fishes and less from molluscs compared to the subsequent Savannah occupants. The two Swift Creek faunal collections are less rich, more diverse, and more equitable than the two subsequent Savannah collections regardless of location. Furthermore, the mean trophic level is higher in the Swift Creek collections compared to the Savannah ones at both locations. These observations apply to both biomass and Minimum Number of Individuals. These differences likely are defining characteristics distinguishing the Swift Creek and the Savannah economies. More research is needed to determine the extent to which these temporal and spatial patterns are attributable to environmental and cultural variables.     

1. PRETEXTURES OF TIME

Textures of Time is a rich and challenging book that raises a host of important and hard questions about historical narrative, form, and style; the sociology of texts; and the core problem of ascertaining historical truth. Two that pertain to the book's main claims are of special interest to nonspecialist readers: Is register or style—“texture”—necessarily and everywhere diagnostic of “history”? Does a new kind of “historical consciousness” emerge in south India beginning in the sixteenth century, indeed as a sign of an Indian early modernity?Textures is not the first book to argue that historical discourse is constitutively marked by a peculiar style, but the claim is beset by difficulties that scholars since Barthes have detailed. Rather than textures of time—accounts of what really happened in history—what these works offer us may be only pretextures of time, textualized forms of a human experience that make claims about its degrees and types of truth through representations of various states of temporality. Instead of assessing, then, whether these works are history or something else like “myth,” we might ask whether they invite us to transcend this very dichotomy, to try, that is, to make sense of historical forms of consciousness rather than to identify forms of historical consciousness. As for modernity, nothing in south Indian historiography from 1500–1800 remotely compares to the conceptual revolution of Europe. But why should we expect the newness of the early modern world to have been experienced the same way everywhere? Modernity across Asia may have shown simultaneity without symmetry. Should this asymmetry turn out to reveal continuity and not rupture, however, no need to lament the fact. There is no shame in premodernity.     

Woodland period ceramic provenance and the exchange of Swift Creek Complicated Stamped vessels in the southeastern United States

Results of instrumental neutron activation analysis (INAA) of Middle and Late Woodland pottery (n = 313) and clay (n = 22) samples from northeastern Florida and southeastern Georgia are presented. Assemblages in this region include Swift Creek Complicated Stamped pottery that preserves unique evidence of social interactions through the inimitable qualities of designs stamped into vessel surfaces. Archaeologists have proffered various hypotheses to explain movement of ceramic vessels or the carved wooden paddles used in the manufacture of these vessels. This study tests these hypotheses and indicates that nonlocal vessels, particularly complicated stamped ones, were deposited almost exclusively in mortuary contexts, a pattern that requires new explanations for the role of pottery in social interactions. These data are being integrated with a larger project that aims to reveal the social processes that were tied to the manufacture, use, and distribution of pottery.     

Religion And Technological Innovation: The steamboat in 1840s France

Summary

Looking beyond the reaction to and the discourses surrounding inventions, it may appear incongruous to link religion with technological innovation, especially considering the underlying religious motivations of the inventive act. Steamship propulsion and the search for an alternative to the paddle wheel in 1840s France implicates three inventors (Frédéric Sauvage, Augustin Normand, Achille de Jouffroy d'Abbans) and three inventions (the continuous propeller, the divided propeller, the flipper apparatus); only Normand's propeller would have a vertiable future. This contest also entails three different types of religious temperaments: a Romantic religiosity, a “bourgeois” or private Catholicism; and a clerical‐legitimist militancy. The question which will be considered here is: were these inventors influenced by the strength of their religious convictions; and if so, how did this affect their scientific reasoning ?     

Artifact Visibility at Open Sites in Western New South Wales,Australia

Abstract

Surface visibility is a significant constraint in archaeological survey, and estimates of surface visibility are a common addition to cultural resource management reports. Despite this, relatively few studies have attempted to identify the factors affecting visibility and quantify their effects. We report the results of such a study based on analysis of surface stone artifacts deposited by prehistoric hunter-gatherers from the Stud Creek area in what is now Sturt National Park, western New South Wales, Australia. While we are able to demonstrate and quantify relationships between high artifact visibility and erosional surfaces, and low visibility and vegetated or depositional surfaces, our findings also indicate a high degree of local variability. This variability sometimes obscures the predicted relationships. The outcome of this research leads us to question the way some sampling designs for archaeological survey are constructed.     

“Looking with intention”: using photographic essays as didactical tool to explore Berlin

ABSTRACT

Although photography has long been acknowledged as an important research method and didactical tool in human geography, we feel the need to redraw attention to this particular form of doing explorative research. Today’s society becomes increasingly “ocularcentral”, yet this trend seems unparalleled with a rise of photography in academic work. Based on 10-year experience of using photographic essays in our graduate course on Urban and Cultural Geography, we show how taking pictures can enhance active and engaged learning, spark feelings of enchantment, and stimulate critical, reflexive and non-discursive thinking by asking students to translate theory to practice and vice versa. Our students have “looked with intention” how certain geographical theories are “congealed” in Berlin’s urban landscape, specifically linking theory to empirical practice and vice versa. Despite the act of photography being inevitably partial, personal, biased, voyeuristic, colonial and possibly unethical, we believe that the enthusiasm and geographical gaze it brings into the classroom outweigh these limitations. The paper illustrates with multiple examples how the embodied practice of photography results in students carefully reflecting on the physical and social world around them and acknowledging the multimodality of the city, not just as built environment but also as a social sphere and lived place.     

An iconographic exploration of the “rattlesnake” gorgets of eastern Tennessee

ABSTRACT

Compared to other gorget styles and themes made during the Mississippian period, the so-called rattlesnake gorgets of eastern Tennessee have been found in fairly large numbers. Stylistically, Muller assigned these gorgets to the temporally related Lick Creek and Citico styles, while Crawford’s recent work has argued for substyles within. While their style has been studied extensively, the idea that these gorgets depict rattlesnakes generally has been accepted without further consideration. In this paper, we present the results of a systematic iconographic study of rattlesnake gorgets. Ultimately, we conclude that the image’s original referent is not just a snake but instead is intended to be a model of the cosmos at night.     

Going West and Going Out: discourses,migrants, and models in Chinese development

Abstract

In 1999 China announced the launching of the Open up the West campaign, sometimes called “Going West,” to help western China finally catch up to the much wealthier eastern, coastal areas after several decades of lagging behind. The same year, China also announced a “Going Out” strategy to encourage Chinese investment abroad. The 15 years since then have witnessed dramatic Chinese government investment in various development activities in western regions of China, as well as around the world. Though rarely considered together, we argue that there are significant parallels in development discourse, the centrality of physical infrastructure, the characteristics of Chinese labor migration and the nature of migrant-local relations, and the application of “models from elsewhere” in Going West and Going Out. Considering these parallels can help shed light on Chinese development discourse and practice, as China becomes increasingly important in the field of development once dominated by Western countries. Finally, we also consider direct connections and convergences between the two strategies in China’s neighboring countries of Asia and in the One Belt One Road initiative.     

Hamashita Takeshi's research on regional Chinese history

ABSTRACT

Challenges to the historical rise of “Western-centrism” in non-Western countries are surfacing: the Japanese scholar Hamashita Takeshi, who supports a “regional concept of China,” is one of the strongest voices in this movement. Hamashita suggests that the theories of the “Asian economic circle” and the “tributary system” can be combined to form a theory of a “regional Asia,” thus reconstructing the perspective of research on Chinese and Asian history. The regional Asia model is a composite of the network model, maritime model, and the regional model. Based on the regional concept of China, Chinese history can be studied from various perspectives, such as China as a network, maritime China, and regional China; one can thus develop a long-term view on Chinese, Asian and global history from a spatial perspective, a peripheral perspective, and an Asian perspective.     

Situated Creativity: A Way out of the Impasse of the Heidegger-Cassirer Debate

Summary

This paper criticizes the dualism of “thrownness” and “spontaneity” in Peter Gordon's interpretation of the Heidegger-Cassirer debate and shows that American pragmatism and other currents of thought offer an alternative in the form of a conception of situated creativity.     

Heretic or Traitor? Spinoza’s Excommunication and the Challenge That Judaism Poses to the Study of Religious Diversity

ABSTRACT

When political theorists talk about “religious diversity,” they usually intend the multiplicity of “religions” in a given society. Yet we now know that the secular, liberal framing of the problematic presupposes a controversial definition of “religion.” My primary goal, in this paper, is to reorient scholarly discussion around what we might call “the critical religion conception of diversity” – not the multiplicity of “religions,” but the myriad ways that the sacred intersects with national and political identity, some of which resist assimilation to the “religious” paradigm. Toward this end, I relate a story about Spinoza’s Hebrew reception in the interwar period. For Zionist intellectuals, Spinoza symbolized the deformations that “religion” imposed on Judaism’s self-understanding and the constraints that it placed on Jewish intellectual horizons. Studying the Zionist critique of “religion” exposes the limitations of received theoretical frameworks, which cannot address the kinds of diversity that were politically consequential for twentieth-century Jews.     

Topoiesis de la recepción literaria

ABSTRACT

This article proposes a particular notion about “topoiesis,” focusing on the text reception point of view. Initially, it establishes a theoretical framework using useful concepts from hermeneutics and post-structuralism, to later discuss the real existence of a dialogue or a “fusion of horizons” in which a “sense of space” of a text would be blended in the meeting point between textuality and the reader. Finally, through this space we propose a categorization of the different types of “topoiesis” of literary reception, establishing correspondences with the concept of “enunciative instances” in the text space, detailed in another article.