In/out of Nigeria: transnational research and the politics of identity and knowledge production

Abstract

This article explores the murkiness of fieldwork and writing that often comes with simultaneous positioning as insider/outsider. I engage with two key themes: First, identity, legitimacy and representation and, second, the gray spaces between theory and reality. The first theme examines the contradictions of being perceived as both an insider and outsider; the complexities of identity and language while at ‘home’ in the field, and the challenges of performing the native informant role while back ‘home’ in Canada. The second theme explores the uncomfortable dilemma of engaging with the ‘Rush to Theory’ from the global south. I will examine how the theories are sophisticated and provocative, yet prove unsatisfactory in terms of having practical applications. I conclude the article by positing that, despite the challenges of doing transnational work, transnational subjects invariably contribute to the creation of a new politics of knowledge production and to the attainment of social justice.     

A cohort of trees,photographs, scientists,an artist and a curator: the collaborative study of environmental change

ABSTRACT

I explore how a historic image archive can be re-worked through collaborative artistic-scientific practice, and how photography can be ‘re-performed’ as a strategy to observe an environmental change. The focus is on a project by the photographer Chrystel Lebas, who between 2011 and 2017 worked in collaboration with botanists from the Natural History Museum, London. The collaborators used historic and contemporary photographs for seasonal observations in the field. Their specific interest was in the potential for using historic visual ecological records to investigate environmental change as observed now.

The paper explores the hybridization of technical, aesthetic and embodied knowledge, the application of montage and the tacit creation of a visual framework for observation. It draws attention to the potential inflexibility in interpretation inherent in the accepted systematic practice of placing ecological records within a herbarium in a natural history collection. Secondly, it illustrates the neglected potential of photographic collections within scientific research.     

Departmental relationships and images within the university

Abstract

It is contended that the foremost condition for the survival and ultimate success of departments is the development of qualitatively superior images and relationships within the university, and that excellence at that level must normally precede or accompany significant recognition at regional, national, and international scales. Aggressive participation by geographers is advocated in matters involving relationships with other disciplines, the university decision‐making process, concerns of students, alumni and developmental activities, and creation of a superior curriculum. A series of operational principles, called ‘bewares’, is suggested to guide the internal management of departments that seek excellence at any level.     

The Map,the Other and the public visual image

This article explores the connection between Cartography and Otherness, and intersects map and visual studies with the question of racial/ethnic identity. With the aim of making arguments through images, a visual/verbal text is staged to reflect on the ‘Map-Other’ connection in past and present times. Inspired by the epistemological turn from representation towards practice currently experienced within map theory, the article interrogates the various creative ways in which art, advertising, public communication and related fields enable post-representational ways of portraying maps. Public visual images of cartography can be read not only as an exposure of the firm, ideological meaning of maps, but also as illustrations of how maps work as shared, embodied and empowering objects. The treatment of maps as socialised, performed and relational thereby results in an involvement of Others as protagonists rather than subjects.     

A post COVID-19 future - tourism re-imagined and re-enabled

Abstract

The urgent demands of the present necessitate an interrogation – a re-exploration and a re-envisioning of the future of tourism – of what has to change (and remain constant). Despite the crippling effects of COVID-19, new forms of solidarity are emerging that challenge the prevailing competitiveness ethic. While a transactional economic revival has to remain a top priority, progress will advance, so long as tourism becomes more transformational and transcendent. Discoveries of new methodologies for achieving the Sustainable Development Goals and versions of a Green New Deal, for example, are generating interest, notably ‘mass flourishing’ introduced in ‘anti-fragile’ ways. Utilizing a ‘future-back’ paradigm that demands deep-dive assessments and articulation of purpose, the gaps between ‘what is’ and ‘what could or should be’ are bound to close. Such undertakings represent a ‘coming together’ of all stakeholders, a role that academicians are urged to embrace, especially through action research, curriculum change and creation of ‘daring classrooms’.     

Stable isotope analysis of human bone and ethnohistoric subsistence patterns in Tierra del Fuego

Ethnohistoric records from Tierra del Fuego suggest that precontact Fuegians could be subdivided into three major groups: the Yamana, maritime hunter-gatherers of the Beagle Channel and islands to the south; the Selk’nam, terrestrial hunter-gatherers of southernmost Patagonia; and the Haush, a little-known group that seems to have combined elements of both Yamana and Selk’nam lifeways. However, the observed ethnographic patterns reflect societies whose way of life was significantly altered by European contact, habitat alteration, and exploitation of some of the key resources upon which Fuegian peoples were historically dependent. To test the linkage between ethnohistorically recorded subsistence patterns and prehistoric lifeways in the region, stable carbon and nitrogen isotopes were assayed from human burials that date within the last 1500 years before European contact. Isotopic analyses substantially confirm the ethnohistorically documented patterns, but also reveal some anomalies, such as Yamana populations who may have been more dependent on terrestrial resources (i.e., guanaco). Data from the Haush region suggest primary dependence on marine resources, like the Yamana, while the Selk’nam demonstrate limited use of such resources. Stable isotopic analysis can thus be used to test hypotheses concerning the validity of archaeological and ethnohistoric data.     

From universal homogeneity to essential heterogeneity: On the visual construction of “the Lappish race”

During the second half of the nineteenth century, a radical change took place in the representation of the Saami. Whereas physical variation earlier was insignificant to cultural representation, from then on it became the very essence of their otherness. In this paper I relate the change in the representation of the Saami to the emergence of a modern discourse in which the concept of ‘race’ became central to the organization of knowledge and social practices as well as to the understanding of cultural difference. Moreover, I try to demonstrate how the “success” of the racial discourse was conditioned by new visual technologies.     

Performing post-migration cinema in Italy: Corazones de Mujer by K. Kosoof

Following consideration of the most common representations of migrants in Italian cinema, where they are often portrayed as victimised and minor subjects, this article analyses a film by Davide Sordella and Pablo Benedetti, Corazones de Mujer (2008) as a ‘post-migration alternative’. This film considers a different way of depicting ‘foreigners’, and addresses the complex issues of gender and sexuality as they emerge at the interface between Western and Arab cultures. Within the conceptual framework of Judith Butler's ‘gender performativity’ and Rosi Braidotti's ‘nomadic subject’, this article aims to suggest an alternative way of representing migrants in Italian cinema as agents of social and gender transgressions.     

Common Starting Points,Different Directions

In the late 19th century, political debates emerged in Sweden and Norway as well as in Finland concerning Travelling families – in this article defined as indigenous itinerant families whom the settled population pejoratively designated with terms such as ‘tatere’ (Norway), ‘tattare’ (Sweden) or ‘zigenare’ (Finland). In this article, these debates are compared, and the transfer of ideas and proposals between the three countries is analysed. It is argued that, on a local level, similar politics of ‘territorial exclusion’ were enacted in all three countries. This was, however, challenged by ‘liberal social politics’, a strategy aiming not at exclusion but at forced assimilation by means such as, for example, removing children from their parents. This strategy was proposed in all three countries, and socio-political agents were well aware of the debates in the neighbouring countries. But it was only in Norway that the most far-reaching proposals were realized. This is explained mainly by pointing at the way in which leading agents chose to act when trying to implement their proposals. The article also problematizes some conclusions drawn in earlier research, where the emergence of debates on Travelling families has been explained by pointing at the rise of ethnic nationalism. Instead, the article argues, the emergence of the so-called ‘social question’ in Western Europe in the 19th century should be considered as an at least equally important background factor.     

Travelling ‘Under Concern’: Quakers James Backhouse and George Washington Walker Tour the Antipodean Colonies, 1832–41

In 1832, British Quakers James Backhouse and George Washington Walker travelled ‘under concern’ on a trans-imperial journey that took nine years and spanned the Australian colonies of Van Diemen's Land, New South Wales and Swan River in Western Australia, Mauritius and South Africa's Cape Colony. Backhouse and Walker were fundamental to the creation and expansion of humanitarian networks in the antipodes, where they made major humanitarian interventions in matters concerning Aboriginal peoples, penal reform, slavery and education. This paper first traces the genesis and historical dimensions of their journey to contextualise it within a long transnational tradition of Quakers travelling ‘under concern’. The paper considers the tour through diverse interpretative approaches such as transnationalism and new work on transnational social movements, humanitarian travel writing and textuality, and argues that Backhouse and Walker were not imperial agents, nor were they agitators operating outside empire, but rather occupied a complex position as ‘institutional opponents’ working within imperial political circuits to broker various humanitarian reforms at multiple levels in the furtherance of their particular moral empire.     

Healing images. Gems and medicine

The main purpose of magical gems was to secure divine protection, avert evil influences and heal various diseases. Some body parts are especially addressed, such as the stomach and the uterus. This concern seems to relate to ‘societal diseases’ also found in contemporary literature. How do these ‘healing pictures’ function? The analysis of the pictorial elements reveals different levels of therapeutic efficacy. Some images use visual plays upon words, others combine Egyptian and Graeco‐Roman elements, allowing ‘bilingual’ readings. The mnemonic function of images, charakteres and voces magicae also requires further investigations. Objects could transmit the memory of oral rituals and knowledge. The transfer of magical figures on other media is very rare, but when it occurs, as on a few medical devices, it may help us to understand the mechanism of medico‐magical performance, combining formalism and inventiveness.     

Kaleidoscopism: The Circulation of a Mid-Century Metaphor and Motif

Abstract

This essay traces the mid-century revival of interest in a particular nineteenth-century optical technology – David Brewster’s kaleidoscope – following P. B. Shelley’s coining of the term ‘kalleidoscopism’ to describe the broad popular appeal and enthusiastic uptake of the device in the late 1810s. Through an examination of mid-nineteenth-century fiction, journalism, and scientific writing, this essay explores what it meant to be ‘kaleidoscopic’ in this period and demonstrates how the mechanical structure and physical manipulation of the device informed this meaning. Controlled by the hand of the user, its display offered regulated surprise: a visual environment that did not overwhelm but rather enthralled viewers through its creation of abstracted, symmetrical forms and harmonious colour palettes led by individual taste. Contemporary reference to the kaleidoscope’s display and operation reveals it was increasingly aligned with notions of a stable, controlled, and unified visual environment in which mobility was valued but digression was mechanically impossible; it signalled the mastery of sensory data and the creation of meaning from fractured forms. My discussion uncovers new contexts for its popularity c. 1840–1865 in Victorian fiction, journalism, physiological science, and the fine arts, and discusses two under-studied examples of the kaleidoscopic in the visual art of the Pre-Raphaelites. The essay concludes by exploring Brewster’s speculative application of the kaleidoscope as an early form of cinematic media, contending that this simple optical device provokes a reconsideration of the categorization of Victorian pre-cinematic technologies.     

Hien's shed: (re)framing images of female immigrant home-based clothing workers

Campaigns in support of home-based clothing workers (or ‘outworkers’ as they are more commonly known in Australia) deploy powerful images of the exploitative underside of fashion. The migrant woman huddled over her machine has become the quintessential image of campaigns directed against this exploitation. This article engages critically with the politics of such image-making. By examining how frames simultaneously shrink and magnify the image produced it raises questions about what these images exclude or expel and whether and how this matters. It also offers an alternative frame of the female immigrant outworker – an up-close portrait of Hien, a Vietnamese woman who works at home sewing clothes in her suburban shed. The article introduces Hien through a condensed collection of her self-narratives, before moving on to consider how a trade union and community-based movement against outworker exploitation mobilised images of suffering and injured Vietnamese women to promote its cause. It asks how these images speak for and represent women like Hien and suggests that their political ‘success’ relies to some extent on the women being ‘unseen’ and made to ‘unspeak’. Finally, through the metaphor of space, it proffers an expanded dimension to the already framed images invoking Hien's shed as a space that both produces and disciplines her: ultimately, a ‘transitional space’ between the external and internal worlds that shape and constrain her.     

Indian Objects,English Body: Utopian Yearnings in Elizabeth Gaskell’s North and South

Focusing on the representation of Indian shawls and Indian tea in Elizabeth Gaskell’s North and South, this article has two aims: first, it argues that the novel creates its ideology of domesticity and proper femininity through the creation of a readable object world. It is evident that one of the consequences of the empire was to Indianise its English subjects, thereby making them more cosmopolitan and making the English home a monument to imperial Britain’s success in the global system of commodity production, distribution, and consumption. These links then brought together the materiality of the empire and the Victorian preoccupation with material culture, constituting an imperial culture based on domestic interiority, visual and tactile pleasure, and political economy. Second, the article attempts to show how the ambiguities that enter the text along with these foreign objects unsettle the status quo established by the novel’s middle-class ideology and propose utopian alternatives to it through a mobile, boundary-crossing female body and a more porous domestic setting. These alternatives are entirely speculative, incomplete, and restrained, but significant nonetheless, precisely because they turn this ideology’s emphasis on the middle-class female body inside out, so as to recompose this body and its habitual spaces in new ways.     

The New Militia: War,Politics and Gender in 1750s Britain

This article explores the role of gender in the debates around the creation of a ‘New Militia’ at the beginning of the Seven Years War. The humiliating military defeats of 1756 had precipitated a cultural crisis that focused upon gender distinctions, as the ‘effeminacy’ of men and the ‘boldness’ of women threatened to collapse the social order. In this context, militia service was presented as a cure for the nation's moral, social, political and sexual ills. This article therefore examines a range of textual and visual sources in order to suggest that certain mid‐Georgian political worldviews were fundamentally gendered, since they were predicated upon martial masculine virtues of the citizenry.     

Die Fotografie – ein neues Bildmedium im Wissenschaftspanorama des 19. Jahrhunderts. Einführung in das Symposium

Photography – a novel medium of scientific representation in the XIXth century array of arts and sciences. To delve into various nineteenth century academic disciplines under the heading ‘photography in the arts and sciences’ as did last year's annual conference of the History of Science Society – the interest in such a topic only partly stems from the ‘iconic turn’ that has generally enlarged the scope of the social sciences in recent years. A more poignant feature in any such present day study will probably be a basic scepticism facing the fact that in public use photographs have been manipulated in many respects. Yet, while shying away from any simple success story, a historically minded approach to changing ‘visual paradigms’ (Historische Bildwissenschaft) has begun to emerge. In this context, it has proved of considerable heuristic value to reconsider the role of early photography in an array of science, arts and technology: Since the reliance on the traditional ways of sketching reality persisted, in many an instance where photography was introduced, the thoughts the pioneer photographers had about their new, seemingly automated business, call for close attention. Thus scholarship sets up a parallel ‘discussion room’; the lively debate on the benefit of academic drawings as opposed to photographic portraits is a case in point. Some fairly specialised reports on photographically based analyses, such as electron microscopy, point to a borderline where the very idea of representation as a correspondence of reality and imagination gets blurred. Even though any ‘visual culture’ will have to shoulder the ‘burden of representation’, it is equally likely that it will offer a deeper sensibility for the intricacies entailed in the variegated ways of illustrating or mapping chosen subjects of scientific interest. Scholarship may thus somewhat control the disillusionment that by now has become the epitome of writing on photographic history. Provided with a renewed methodological awareness for the perception process and its photographic transition, historians may strike a better balance between the ever present tendencies of a realistic and an aesthetic way of picturing the world we live in.     

Different typologies of ‘co-working spaces’ and the contemporary dynamics of local economic development in Rome

ABSTRACT

Co-working spaces of different types are emerging as new economic and social intermediaries in the contemporary process of urban regeneration and urban economic growth. Despite their relevance, literature still fails to explore their role in the surrounding local economy. This paper intends to fill that gap, providing empirical evidence from the city of Rome and suggesting new policy perspectives. First, a taxonomy of the different spaces is provided, assessing their role in the related socio-economic ecosystem. Three main typologies have been identified: CWS1 acting as a ‘social incubator’ with an educational role and closer links to local authorities, CWS2 or ‘start-up incubator’ providing economic and technical support to the entrepreneurs-to-be, CWS3 or ‘real estate incubator’ which are mainly a commercial product. Their locational patterns are then discussed, highlighting the planning implication of their settlement in some in-between urban peripheral areas of Rome. Finally, suggestions for the creation of public/private partnerships or ‘social leases’ are proposed, foreseeing the integration of such spaces in the local offer of amenities. The current research paves the way for further discussion on the renewal of cities’ governance tools, processes of urban regeneration and policies tackling the new urban entrepreneurial class.     

Changing philosophies of action? Argentine’s cultural policies in the 21st century

ABSTRACT

How can the many institutional and ideological changes of Argentine cultural policy at the beginning of the 21st century be explained? This paper analyses how representations of culture, programs and public actions are translated into different ‘philosophies of action’ depending on the political stripe of each government and the agents of cultural policy. If the predominant philosophy of action during the whole period is ‘culture as an economic resource’, it coexists with other philosophies: ‘culture as show’, ‘a communication tool’, ‘social inclusion’ and finally ‘a factor of citizenship’.     

The Politico‐Historical construction of the Pintupi Luritja and the Concept of Tribe

This paper explores the history of the emergence of Pintupi Luritja as the dominant language in the Central Australian community of Amunturrngu (Mt Liebig), traced from the people's first encounters with settlement in the 1940s at Haasts Bluff, through to the present. It is a political history, as movement toward settlement demanded a re‐structuring of social relations within a newly settled polity. To elaborate on this polity I examine the concept of a language community through the construction of Pintupi Luritja as a ‘communilect’. The development of this communilect as a lingua franca in these early settlements signals the value of the original term ‘Luritja’ as a trope. The meaning of this original Indigenous term is not only indicative of the regional history, but also of the flexible potential in group formation. The pattern of contact and settlement in this Pintupi Luritja region has compelled a socio‐linguistic re‐configuration, lending a currency to the label Pintupi Luritja that suggests a modern, firmed up, ‘tribe’. This tribe is a ‘secondary phenomenon’ formed through the manipulation of relatively unstructured populations — stateless societies — by the colonial State (Fried 1975). At issue here is the inter‐cultural aspect of this language formation that is the elemental process in the creation of this ‘new’ social formation.     

The disciplining of scientific communities

Abstract

Amidst ongoing concern with training students in the skills and knowledge necessary to contribute towards a knowledge-intensive economy, we explore how particular ‘epistemic subjects’ are produced within specific epistemic communities. We examine how social studies of science have probed the ‘disciplining’ practices that constitute scientific knowledge production, but have tended to overlook how students participate in, and become members of, epistemic communities. We propose that training contexts provide a window onto the disciplining processes through which scientific fields and their practitioners are co-produced. We offer an empirical example of an emerging scientific field that is working to establish community boundaries through the recruitment and training of university students. We explore how newcomers’ practices, values and identities are disciplined through participation in this nascent community whilst remaining open to negotiation and resistance. The conclusion calls for more scholarly attention to educational trajectories as processes through which disciplines and their disciples are produced.