New Elements in the Iconography of 9th–10th Century Ural-Siberian Silver

On the basis of its technological and stylistic features, a new find of oriental silverware from the Konda River is identified as a work of the Ural-Siberian circle and dated to the 9th–10th centuries. Its scene of gender violence is interpreted using the parallel text of the “Sabha Parva,” which describes the sufferings of Draupadi, Queen of Pandavas, and the actions of Duhshasana who won her in a game of dice. The urban culture of the pre-Arabian Sogd connects the Indian source with the Turkic environment of the Ural region. Here knowledge of the story from the “Sabha Parva” had not yet been recorded but nonetheless existed judging from scenes from the “Virata Parva” which appears among the monumental paintings of Penjikent.     

The Knife’s Edge of the Present: Archaeology in Turkey from the Nineteenth Century to the 1940s

This paper investigates how archaeology functioned in Turkey from the nineteenth century until the end of the 1940s. In the nineteenth-century Ottoman world, an awareness was raised to acknowledge the power of patrimony. Amidst intense reforms to Westernize the empire, archaeological artifacts were used as a means of Europeanness. The Greek, Roman, and Byzantine pasts of the Ottoman lands were the focus of this era. The foundation of the Turkish Republic in 1923 marked the start of a new project to create a modern nation-state out of a centuries’ old Islamic dynasty. This project rewrote the history of Turkish nation in relation to prehistoric civilizations such as the Hittites and the Sumerians. Archaeology became the primary tool of the Republic to validate the renewed history.     

Europe’s mediation junction: technology and consumer society in the 20th century

This article reviews the literature on the relationship between consumption and technological development to understand the character of Europe’s 20th‐century trajectory, i.e. the hidden integration of Europe long before the formal process of unification started. Within the rich historiography, the paper focuses on the intersection between production and consumption, where a range of social actors and institutions sought to represent consumers and mediate consumption. It is at this juncture of mediation that social actors and institutions negotiated the mediated design and the appropriation of new products and technologies. The paper further historicizes the juncture of mediation by introducing the European politics of the state, marketplace, and civil society within the context of economic crises, world wars, revolutionary changes, post‐war reconstruction, and cold war. By looking at the mediation junction, a conceptual frame is offered to understand the connection, the disconnection, or the reconfiguration of technologies and consumer identities in 20th‐century Europe. In a final section, the article suggests new avenues for research to examine the hidden integration of Europe.     

‘Almost Every Miracle is Open to Carping’: Doubts,Relics, Reliquaries and Images of Saints in the Long 12th Century

Many of the great surviving monuments from the middle ages, the cathedrals, churches and objects made for them or for private devotion, testify to the importance of Christian faith in medieval culture. Devotion to the saints was a facet of that belief, vividly recorded in the surviving relics, reliquaries and images of saints as well as in hagiographic literature. Yet medieval sources also contain references to doubts about the nature and power of saints and their relics. The overcoming of doubt or incredulity was a widely used trope in hagiography. However, if we take medieval doubts seriously, they should prompt us to consider whether the images and objects created to celebrate particular saints might sometimes have been designed to bolster dubious claims or help to authenticate disputed material within a rich discourse about both individual saints and relics and about the nature of holy bodies more generally.     

Peverell’s Castle in the Peak

The church at Hardham is a small simple building constructed of sandstone and ironstone rubble interspersed with Roman tiles; originally it was whitewashed. It was built without a tower, but a bell turret was added in Victorian times. There are no features which prove that it was built before the Conquest, but three of the deeply-splayed windows are primitive; one of them has a rebate on the outside for a shutter. Other windows were cut later, the earliest being a double lancet behind the altar which dates from the thirteenth century. The church consists of a nave, 9.6 m x 5.8 m (31 ft 6 in x 19 ft), and chancel, 5.2 m x 4.7 m (17 ft x 15 ft 6 in). The insertion of the lancet window has destroyed the centrepiece of the decorative scheme of paintings which extended over both parts of the church and formed an integrated whole (Johnston 1901a, 74; 1901b, 62; Milner Gulland 1985, 27, 43; Baker 1986, 49–49). In both nave and chancel the theme of the decoration is the contrast between good and evil. Thus, in the nave the Sacrificial Lamb with angels waving censers is placed over the chancel arch and is confronted by a representation of the damned in hell which faces it on the west wall. In the chancel, Christ seated in Majesty, adored by Cherubim and the Elders of the Apocalypse, was painted on the east wall and faced a representation of the Fall of Man and the history of Adam and Eve on the east face of the chancel arch. This scheme interprets the words of St Paul, As in Adam all die, so in Christ shall all be made alive' (I Corinthians xv, v 22). The central part of this composition was destroyed by the insertion of the thirteenth-century window. The theological idea that sin was brought into the world by the disobedience of Adam and Eve, and could only be expunged by the Life and Passion of Christ, is often illustrated in the Middle Ages. This, for instance, is the theme of the illustrations in the St Albans Psalter, which was produced during the first half of the twelfth century (Dodwell et al. 1960, 49; see especially Pacht 1962, 49–53).     

A Ticking Clock? Preservation and Management of Greenland’s Archaeological Heritage in the Twenty-First Century

ABSTRACT

Evaluating the rate of deterioration at archaeological sites in the Arctic presents several challenges. In West Greenland, for example, increasing soil temperatures, perennial thaws, coastal erosion, storm surges, changing microbial communities, and pioneer plant species are observed as increasingly detrimental to the survival of organic archaeological deposits found scattered along the country’s littoral zones and extensive inner fjord systems. This article discusses recent efforts by the REMAINS of Greenland project for developing a standardised protocol that defines the archaeological state of preservation, the preservation conditions, and asset value of organic deposits. Special emphasis is given to the degradation of materials such as bone and wood that are historically observed to be well-preserved in Greenland but now currently at risk. The protocol provides a baseline for monitoring future changes and will assist archaeologists in Greenland with a procedure for documenting and predicting areas of increasing vulnerability due to a warming climate.     

Mapping Spain in the Sixteenth Century: The Escorial Atlas and Pedro de Esquivel’s Notebook

ABSTRACT

The twenty-one maps of Spain that comprise the Escorial atlas (El atlas de El Escorial) and the later notebook compiled by Pedro de Esquivel for another map of Spain have long been confused. Recently identified documents in the Royal Library, Stockholm, have allowed us to recognize the two works as completely separate and to shed new light on each. In this article we describe their respective histories, starting with the Escorial atlas, now known to have been commissioned by Emperor Charles V from the Sevillian cosmographer Alonso de Santa Cruz, who between c.1538 and 1545 produced an index map and 20 regional sheets drawn to the scale of 1:400 000. We then go on to show how, later in the century (between c.1552 and 1565), Pedro de Esquivel was using a version of the topographical methods described in Peter Apian’s Cosmographia to assemble data for the map of Spain commissioned by Philip II before and just after he became king in 1556. Esquivel died in 1565 before all the data had been collected, his map was never drawn, and his notebooks, with all his astronomical measurements and calculations of angles and distances, took a curious journey that ended in Stockholm in the archives of the Royal Library of Sweden.     

Balto,the Alaskan Dog and his Statue in New York’s Central Park: Animal Representation and National Heritage

This article explores the statue of Balto in New York’s Central Park within a framework of discussion of animal representation in creating national heritages. It discusses the reasons for Balto’s statue being sited in New York with reference to the competing demands for different heritage commemorations within the park’s space. In exploring the role of different interests in promoting this particular commemoration the article questions a simplistic notion of heritage being created by bodies of the state and draws analogies with other national animal ‘symbols’ such as Greyfriars Bobby, and ‘The Dog on the Tucker Box’. The article suggests that animal commemoration in everyday space may help create ongoing interest in animal pasts while noting the disjuncture between the represented animal and Balto’s actual existence.     

Cerebral Automatism,the Brain,and the Soul in Bram Stoker’s Dracula

Neither literary critics nor historians of science have acknowledged the extent to which Bram Stoker’s Dracula (1897) is indebted to late-Victorian neurologists, particularly David Ferrier, John Burdon-Sanderson, Thomas Huxley, and William Carpenter. Stoker came from a family of distinguished Irish physicians and obtained an M.A. in mathematics from Trinity College, Dublin. His personal library contained volumes on physiology, and his composition notes for Dracula include typewritten pages on somnambulism, trance states, and cranial injuries.

Stoker used his knowledge of neurology extensively in Dracula. The automatic behaviors practiced by Dracula and his vampiric minions, such as somnambulism and hypnotic trance states, reflect theories about reflex action postulated by Ferrier and other physiologists. These scientists traced such automatic behaviors to the brain stem and suggested that human behavior was “determined” through the reflex action of the body and brain—a position that threatened to undermine entrenched beliefs in free will and the immortal soul. I suggest that Stoker’s vampire protagonist dramatizes the pervasive late-nineteenth-century fear that human beings are soulless machines motivated solely by physiological factors.     

Consumption Strategies and Social Implications in Two Danish Towns in the 13th–16th Centuries

THIS ARTICLE PRESENTS a new contextual model to study the social implications of consumption strategies in an archaeological context. The model can be used to establish a baseline of consumption, against which other consumption strategies can be measured. By analysing and comparing finds from two different urban locations in medieval Denmark, we examine how these urban environments facilitated different consumption strategies, and how these strategies changed over time. We also discuss how the archaeological record can contribute to analysing the negotiation of social identities through consumption patterns and consumer choices as reflected in artefact assemblages. The analysis demonstrates that consumption strategies depend on and are related to the characteristics and social complexity of the town in terms of demographics and networks.