SOUSA VITERBO AND THE IDEA OF INDUSTRIAL ARCHAEOLOGY

Abstract

This paper presents an overview of Sousa Viterbo's contribution to industrial archaeology. This Portuguese historian and archaeologist not only employed and printed both the terms ‘archaeology of industry’ and ‘industrial archaeology’ in the late 19th century, but also left behind a number of writings which secure his place as a true ancestor of the current industrial archaeology. Selected excerpts of three of Viterbo's texts written between 1896 and 1902 are here translated into English for the first time.     

Orphan Heritage: Issues in Managing the Heritage of the Great War in Northern France and Belgium

Abstract

This paper summarises recent developments in the field of Great War archaeology and examines solutions to the issues raised. The Great War is recent enough to be modern, but far enough back to be beyond living memory. As such, its material remains have become the province of archaeology, which raises two issues. Firstly, that the heritage is "owned" by people distant from the territories that contain the material, an issue exacerbated by modernity and derivation through conflict of the material. Secondly, the issue of what kind of archaeology is suitable for dealing with this material, and which archaeologists should do it.     

Writing the History of Archaeology in the Pacific: Voices and Perspectives

ABSTRACT

In histories of world archaeology to date the Pacific is all but missing. There has been some investigation into the history of archaeology in Australia and New Zealand, and other piecemeal work focusing on single countries or biographies of individuals, but much remains to be done. We offer a critical overview of general literature on the history of archaeology in the Pacific and stress the potential for a deeper knowledge of archaeology's histories in the region to transform current archaeological theory and practice. We then suggest important avenues for further investigation, including the historiography of Pacific archaeology, diverse national and linguistic traditions, international linkages between scholars and practitioners, pre-World War II excavations, theories about trans-Pacific contacts, and the often-hidden importance of women and Indigenous scholars and interlocutors in the field. Each of these themes is addressed by one or more of the papers in this special issue.     

Industrial Archaeology: Its Place Within the Academic Discipline,the Public Realm and the Heritage Industry

Abstract

This paper presents a review of industrial archaeology literature and offers some initial thoughts on how this literature relates to my research on public perception and experience of Cornish mining landscapes. A brief summary of the development of industrial archaeology is given, which reflects on its amateur origins, its 'identity crisis' and its slow integration into university archaeology departments. The reasons for the transformation of industrial sites into industrial heritage is then examined and temporal models of change presented which relate to both an acceleration of the past into the commodity heritage as well as an affective progression from disdain to acceptance. The public's attitude to industrial archaeology is then discussed — which raises complex questions over the nature of such sites including, the importance of time and aesthetics as well as the phenomenological nature of perception and experience.     

Tracing the Roots of Municipal Archaeology in St Augustine,Florida: The Story of How ‘The Oldest City’ Connected Archaeology,Local Government,and the Public

Abstract

This article explores the history of public archaeology in St Augustine, Florida, and identi?es lessons that may be useful for archaeologists looking to develop a stronger relationship with the public. The City of St Augustine has developed an archaeology ordinance, it keeps an archaeologist on staff, and it boasts a grassroots non-pro?t organization dedicated to supporting archaeology in the city. This framework is the result of a conversation that has been taking place within the community since the 1930s. As public archaeologists seek new ways of establishing long-term relationships with community groups, this exceptional programme, which only exists because of community support, provides insights into how to build those relationships on a solid foundation.     

Fear of the city 1882-1967: Edward Hopper and the discourse of anti-urbanism

This paper traces the extent to which some of the major cityscape representations of the American 'Realist' painter, Edward Hopper, have contributed to the production and articulation of the discourse of anti-urbanism in American culture. Following an introductory background to this discourse, the paper discusses the development of Realism in American art, and how the urban representations that emerged were a response to the rapidly changing, early twentieth-century American city. A brief biographical account of Edward Hopper is presented to explore the intertextual influences behind his anti-urban sentiments, and how these translated into the unique form of Realism for which Hopper is renowned. This sets the stage for a reading of four key Hopper works that are suggestive of the anti-urban discourse: Night Shadows, Nighthawks, Approaching a City and Sunday . The powers of representation and the artist's popularity have fed into the discourse of anti-urbanism - a discourse that has a material effect on urban life in America.     

Halse Maltings,Somerset

Abstract

In the summer of 1986 The Conservation Section of Taunton Deane Borough Council asked the Somerset Industrial Archaeological Society for advice on a malthouse at Halse which was the subject of a planning application for conversion into two dwellings. The site was surveyed in November 1986, and research into its history revealed an elderly farm worker who could remember it in use and some of the characters associated with it. The archaeology and history of the site are described.     

Domestic material culture and post-medieval archaeology in Greece: a case-study from the Cyclades Islands

Abstract

The Kyklades or Cycladic Islands have always been popular amongst archaeologists working on the Aegean Bronze Age and the 'glorious' Classical Greek past. In contrast, not much light has been shed upon aspects of post-Roman life on the islands. Research into the post-medieval period has been a subject mainly for historians and folklorists. This paper attempts to explore aspects of the lifestyle of the peoples who inhabited this island group throughout the more recent, yet most neglected centuries of Greek history, using archaeological, textual and other sources and methods. My aim is to reconstruct everyday rural life in Greece, by focusing on the domestic sphere and addressing questions concerning society and the domestic material culture of a littoral area that has remained traditional until very recently.

This paper examines some first results of the CY.RE.P. (Cyclades Research Project) and introduces examples concerning the domestic material culture of the late medieval and post-medieval periods (early 13th–late 19th centuries) in the Aegean Islands of the Cyclades, with particular reference to housing, furniture and internal fittings, costumes and embroideries.     

Connecting Things through the Visual Arts: Medieval Crescent Moon Pendants as Horse Ornaments

Medieval archaeology as a discipline is usually defined in relation to written sources and history, while other kinds of sources and scholarly traditions studying the same period are overlooked. With a small group of 14th-century crescent moon pendants of bronze from Finland as its focal point, the present article analyses the way in which archaeology connects with the visual arts and the discipline specialized in studying them, art history. Instead of some shared methodology, the inquiry proceeds along the tensions between the material and the visual. After the artefact and its technical qualities are examined in the framework of medieval material culture, the object is reduced, first, to an iconographical motif and, second, into a represented object. Third, the anthropomorphic features applied on the pendant are extracted and considered against the body of medieval grotesque art. This reveals how the visual is also an effective force in the sphere of material culture and human interaction. In the interdisciplinary work between archaeology and art history, the visual and the material emerge as travelling concepts destabilizing traditional approaches and inspiring new insights.     

Community Archaeology in Proto-Historical Tel Bareqet,Israel: School Children and Agency for Active Public Engagement in Cultural Heritage Projects

Abstract

Community archaeology has become very popular over the past decade, and community archaeology projects are yielding interesting results in many regions around the globe (Merriman, 2004). These projects seem to be gaining academic importance as well, and are considered by some people to be vital to the survival of archaeology as a whole (Marshall, 2002: 218).

Still, community archaeology projects often stir debate regarding their importance, role, and existence. A major theme of these discussions is the role played by the community. In particular, the question is often raised of what role, if any, should be given to non-professional local populations in a project's scientific decision-making.

The current article aims to present the controversy between two types of archaeological practices, 'archaeology from above' and 'archaeology from below' (Faulkner, 2000) through the examination of a community archaeological project in which schoolchildren constitute the community participants. The site of the excavation is Tel Bareqet, a 5000-year-old (Early Bronze Age II, c. 3050–2700 BCE) urban settlement located in central Israel. On the one hand, the excavation strives to maintain the highest scientific standard; on the other hand, it depends upon the participation of unskilled young people in the excavation process.

This article presents obstacles that have been encountered in this excavation, and describes the methodological framework that has been developed in order to overcome these obstacles and continue carrying out a successful community archaeology project.     

A History of Archaeology in the Republic of Armenia

Abstract

This article traces the development of archaeological inquiry in the former Soviet Republic of Armenia, from its antiquarian roots in the 19th century, through the Soviet era, and into modern times. The resurgence of western attention in the region since the end of the Cold War has been driven by collaborative research projects from the United States, Germany, Austria, France, Italy, England, Russia, and Canada, that employ a variety of methods to understand the archaeological heritage of Armenia. Research problems are related to the Palaeolithic, Neolithic, Chalcolithic, Bronze and Iron Ages, as well as to the Urartian, Achaemenid, and Hellenistic periods.

For those unfamiliar with Armenia, this article is meant as a primer to the history of the discipline as it has been practiced in the region. For those already engaged in archaeology there, it is our hope that this discussion will lend an added historical dimension to ongoing field projects.     

Administration of parks with rack art: A symposium and workshop in Jujuy Argentina,December 2003

Abstract

Visits to archaeological sites, within school, a history or archaeology club, or a family group, are the main means for young people to engage with the archaeological historic environment. The majority of archaeological sites easily accessible for such groups are those that have been 'sanitized' for public consumption. These are often devoid of explanation of the archaeological process which made them accessible. This paper looks at the contribution that working archaeological sites can make to young people's understanding of archaeology, with particular reference to visits made by branches of the Young Archaeologists' Club, based in the UK.     

Archaeology and British television

Abstract

The years at the turn of the millennium were a period of high synergy between archaeology and British television, as terrestrial broadcasters struggled to maintain their identity in a more competitive, multi-channel environment. Responding to the public's growing appetite for both history and science, these channels, notably BBC2 and Channel4, rebranded the image of their factual output by investing heavily in archaeological programmes, building on the success of mid-1990s series that had established a healthy core audience for TV archaeology. The broadcasting of archaeological documentaries was to increase threefold between 1998 and 2002, with over 650 transmissions in five years. An analysis of the locations, time periods, subjects and styles of presentation of 590 of these demonstrates that the archaeology that was being presented was largely UK-based, but wide-ranging in periods and subject matter, and that the formats most used were ones that focused on the process of archaeological work. The study concludes that, seen as a whole, TV's portrayal of archaeology in these years was less sensationalized than has previously been acknowledged.     

The contemporary in post-medieval archaeology

SUMMARY: Contemporary archaeology is an emerging field of enquiry within the wider discipline associated with the questioning of temporal boundaries in what we study and why we engage with material remains of the recent past more generally. This article argues that contemporary archaeology should be broadly defined at this stage in its development and therefore can be located in Post-Medieval Archaeology through research that explicitly engages with what it is to conduct contemporary archaeology, but also through those implicitly considering how the past intrudes into the present. We believe that Post-Medieval Archaeology will continue to highlight archaeological studies of the contemporary into the future.     

The Journey of Kalidas Datta and the Construction of Regional History in Pre- and Post-Independent Bengal,India

Abstract

Through the work of amateur archaeologist Kalidas Datta, this paper explores an alternative view of archaeology in India. Datta's writings, produced between the late 1920s and the early 1960s, reconstruct the regional history of the Sundarbans, a region lying in the south 24 Parganas, West Bengal, in eastern India. The late nineteenth and early twentieth centuries saw the crystallization of a nationalist reaction against British colonial rule. Datta's publications, produced outside the institutional structure of the Archaeological Survey of India, the University of Calcutta, and the local societies dedicated to promoting Bengali history and archaeology, can be used to reveal how a geographical region was transformed into a cultural entity in pre- and post-independent Bengal. This paper explores whether this transformation led to the formation of a distinct regional identity and to what extent this regional identity was important when considering the professional institutional efforts to create an overarching Bengali history and identity. These queries are situated in the backdrop of early twentieth-century developments in the intellectual milieu of Bengal. Although framed in regional terms, these developments have wider implications for understanding Indian nationhood, during a period when nation states in much of Asia and the Middle East were emerging.     

?Doing Archaeology?: cultural heritage management and its role in identifying the link between archaeological practice and theory

Using a case study of the recent history of archaeology in Australia, the paper details how Cultural Heritage Management, in addition to protecting the archaeological data base, actually protects archaeological access to it. In offering this protection, archaeologists involved in Cultural Heritage Management become the regulators of archaeological practice and theory. Here archaeology comes into direct contact and conflict with governments and a range of interest groups, notably the Aboriginal community, with a stake in material culture. In effect 'doing' Cultural Heritage Management is 'doing' archaeology.     

Between archives and the site: the 19th-century iron and steel industry in the Monklands,Central Scotland

Abstract

A case is made that attention should shift from the archaeology of process, guided largely by the archival evidence, to the archaeology of practice by scrutinizing the material record. Holistic Context Analysis applied to the industrial soils and finds at Moffat Upper Steam Forge has led to a more coherent and realistic picture of construction and demolition at the site, as well as of its puddling industry, than could be learned from the historical narrative of the iron and steel industry in the Monklands, the most industrialized part of Scotland in the 19th century.     

Crossing disciplinary boundaries: On Gutorm Gjessing's archaeology and his conversion to ethnography

Gutorm Gjessing was one of the most influential investigators in Norwegian archaeology. He is particularly known for his monumental works on the Arctic Stone Age, which proposed an alternative to south‐north diffusionism. In 1947 Gjessing suddenly left archaeology in favour of ethnography at the Oslo Ethnographic Museum, which also led his carrier in a downhill direction. This article is partly biographical and partly analytical and claims that Gjessing's archaelogical works and theories in the 1930s ‐ 40s were only marginally non‐conformist, since they largely reflected current viewpoints in European culture‐historical archaeology. Gjessing's view of culture is located in culture‐historical archaeology and American cultural anthropology and it is compared with the anthropology of the “British School”. Also analyzed is how Gjessing in some respects placed himself on the fringe of the establishment. It is not pretended to give any definite answers, rather it is focused upon questions which can be raised and provides a more nuanced picture of” the mythology which has surrounded Gutorm Gjessing, both as archaeologist and anthropologist.     

Methods and results: A review of two recent publications

In reviewing two new books on archaeology's relationship with the Bible, Thompson points out a series of issues in which he is in agreement with William Dever, particularly in regard to the understanding of the Bible as a composite literary product, a library involving many different genres which was completed in the Hellenistic period, and having a wide range of surviving remnants of the past. These, however, are much more substantial than Dever allows and involve a much more complicated, secondary discourse than Dever recognizes. The central issue with which he disagrees with Dever relates to the origins of an "Israelite ethnicity," especially in regard to the reading of the Merneptah stele and the early settlements of Iron I Palestine. Finally, Thompson concludes that Dever's concentration on the analysis of realia , as the primary value of archaeology for history writing does not respond to the promise of an independence of Palestinian archaeology in history writing. In contrast, Thompson finds Neil Silberman and Israel Finkelstein's book to offer a much more coherent understanding of the problems of integrating the Bible with archaeological results and recognizes their new thesis as valuable. Their discussion of the Omride character of the legends of the United Monarchy brings scholarship much further along the way in the discussion of biblical origins and the Bible's relationship to the history of Palestine. He raises some problems with their dating of the deuteronomistic history to the time of Hezekiah and Josiah and questions their historical evaluation of the supersessionist quality of the biblical texts.     

The current state of post-medieval archaeology in Flanders

Abstract

Post-medieval archaeology in Flanders (Belgium) is a comparatively young archaeological discipline, even in an historically important region with centres such as Antwerp, Bruges and Ghent. Originating in the slipstream of Flemish urban archaeology during the 1970s, the discipline has struggled for recognition ever since. As a result of more than 40 years of fieldwork, the material record of early-modern and modern history has changed drastically. Yet post-medieval archaeology has not reached its apogee. A framework with its own methods, teaching, research questions and theoretical approaches is still under construction. This paper aims not only at historiographical analysis of the field, but chiefly at defining a clear framework for positioning post-medieval archaeology in one of the most important regions in early-modern and modern Europe.