NATURE AND MICROSTRUCTURE OF GALLIC IMITATIONS OF SIGILLATA SLIPS FROM THE LA GRAUFESENQUE WORKSHOP*

The red glaze (slip) that characterizes the Terra Sigillata potteries greatly contributed to their success during the Roman period. The colour of the slip can in fact be partially explained by the microstructure (crystalline phases, grain sizes) and the physico‐chemistry (composition) of the ceramics. However, the precise process and the diffusion of this technique are still not fully known. In particular, we do not know yet how the production of sigillata took place in the south of Gaul, and the role that was played by the production under Italian influence (pre‐sigillata) preceding the first local sigillata. In this work, a combination of transmission electron microscopy (TEM) and X‐ray synchrotron diffraction techniques was used to study the microstructure of pre‐sigillata slips from the main southern Gaul workshop (La Graufesenque), in order to compare their characteristics with those of high‐quality sigillata. These first results seem to indicate that the antique potters chose clays adapted to their firing conditions and to the type of coating that they wanted to make. These productions cannot be described as an initial phase for the later sigillata production and, rather, seem to correspond to the intention of developing a specific type of pottery only inspired by the famous Italian sigillata forms.     

MINERO‐PETROGRAPHIC STUDY OF COOKING WARE AND POMPEIAN RED WARE (ROSSO POMPEIANO) FROM CUMA (SOUTHERN ITALY)

Excavations carried out in Cuma by the Centre Jean Bérard archaeologists have uncovered a large quantity of pottery. This study is focused on cooking ware and on internal red‐slip cookware, also known as Pompeian Red Ware (Rosso Pompeiano), dated from the first century bc to the first century ad . A comparison with the minero‐petrographic composition of beach sands collected along the Bay of Naples coastline highlights the provenance of the temper from the Somma‐Vesuvius area, marked by leucite‐bearing scoriae and garnet. Petrochemical analyses allow us to distinguish two main groups of pottery characterized by different technological options based on the amount of temper and on the type of clay. X‐ray diffraction and scanning electron microscope data demonstrate improved accuracy in the production of Rosso Pompeiano, especially with regard to firing control, which was in a prevailing oxidizing atmosphere and in a narrow thermal range, between about 800 and 900°C.     

A SCIENTIFIC INVESTIGATION ON THE PROVENANCE AND TECHNOLOGY OF A BLACK‐FIGURE AMPHORA ATTRIBUTED TO THE PRIAM GROUP*

The restoration of a Greek black‐figure amphora provided an opportunity to study the provenance and production technology of the vase. The composition of the ceramic body, determined by inductively coupled plasma optical emission spectroscopy (ICP–OES), matches that of Attic products. Investigation by X‐ray diffraction and reflectance spectroscopy suggests a maximum firing temperature around 900°C and a body re‐oxidation temperature around 800°C, respectively. The morphology and composition of black, red and dark red surface areas were studied by scanning electron microscopy and X‐ray energy‐dispersive analysis; the black areas show the features of a typical well‐vitrified black gloss, while the red areas were most probably obtained by simple burnishing of the body; the dark red additions, on the other hand, are the likely result of a partial re‐oxidation of a clay–ochre mixture.     

TECHNOLOGY OF PRODUCTION OF GHAZNAVID GLAZED POTTERY FROM BUST AND LASHKAR‐I BAZAR (AFGHANISTAN)

Fifteen fragments of glazed pottery were studied by scanning electron microscopy coupled with energy‐dispersive X‐ray analysis (SEM–EDS). The fragments, dated from between the 11th and the 12th centuries, are part of a group excavated at ancient Bust and Lashkar‐i Bazar (southern Afghanistan) and belonging to the International Museum of Ceramics in Faenza. All the samples are characterized by highly calcareous bodies, and all of them but one is coated with a transparent lead glaze; the last fragment is, instead, coated with a turquoise opaque lead–alkali glaze. With three exceptions, the studied fragments show underglaze decorations featuring white, red, green or black motifs applied on to a white, red or black engobe; one of the remaining glazes is applied on to a monochrome white slip and the other two directly on to the ceramic body. Optical microscopy and SEM images show that engobes and decorations were obtained by deposition of differently coloured clayey slips, the composition of which was characterized by EDS analyses. In particular, black engobes and decorative motifs were obtained by recourse to manganese and iron compounds or to chromium, magnesium and iron compounds; it appears that both possibilities could be exploited for obtaining different decorative motifs on the same object.     

LEAD ISOTOPIC ANALYSIS FOR THE IDENTIFICATION OF LATE BRONZE AGE POTTERY FROM HALA SULTAN TEKKE (CYPRUS)

Lead isotopic compositions were measured for 65 sherds from five pottery wares (Plain White, Coarse, Canaanite, White Slip and Base‐ring) excavated from the Late Bronze Age site of Hala Sultan Tekke (Cyprus). The elemental composition and isotopic signature of the sherds were compared with those of 65 clay samples collected in south‐east Cyprus, mainly in the surroundings (<20 km) of Hala Sultan Tekke. This work shows the effectiveness of using lead isotopic analysis in provenance studies, along with other analytical techniques, such as X‐ray diffraction (XRD) and a scanning electron microscope (SEM) equipped with an energy dispersive X‐ray detection (EDX) facility, to identify the composition of pottery wares and the clay sources used for pottery ware production.     

ARCHAEOMETRIC INVESTIGATIONS OF SGRAFFITO CERAMIC TILES (FIFTEENTH‐SIXTEENTH CENTURIES) RECOVERED FROM EXCAVATIONS IN UDINE (NORTH‐EAST ITALY)*

Most of the Renaissance sgraffito tiles excavated in Udine (Italy) constitute a homogeous group, the tile body having a CaO/MgO molar ratio ?= 3:2. They were produced using a dolomite‐ and calcite‐containing clay fired at 900–950°C. A small group of samples, with a lower firing temperature and a CaO/MgO ratio ?= 2:3, was probably produced in a different factory. Slip and transparent glaze, characterized by optical microscopy and inductively coupled plasma atomic emission spectrometry, are an illite‐rich clay and a lead silicate, respectively.     

SCIENTIFIC ANALYSIS OF SEVENTH‐CENTURY GLASS FRAGMENTS FROM THE CRYPTA BALBI IN ROME*

Inductively coupled plasma emission spectroscopy, reflectance spectroscopy and X‐ray diffraction were used to study seventh‐century AD glass fragments from the Crypta Balbi in Rome. All the samples were found to be silica‐soda‐lime glasses. Iron determines the colour of blue‐green, green and yellow‐green transparent glasses; chemical composition suggests deliberate addition of iron and/or manganese in about half the samples. Copper was found as the main colourant in red, pale blue and blue‐green opaque fragments; elemental copper acts as an opacifier in red glass, and calcium antimonate in white, pale blue and blue‐green glasses. Detection of antimony in transparent fragments suggests recycling of opaque mosaic tesserae.     

Technological Characterization of Campanian Pottery of Type A,B and C and of Regional Products from Ancient Calabria (Southern Italy)

Sherds of Campanian pottery were studied by SEM‐EDX. SEM images show that slips of Campana C are scarcely sintered and are thicker than the well vitrified coatings of Campana A and B and imitations of Campana B. Slips of products with a grey slip on a grey body are very thin and well vitrified. EDX analyses indicate that slips are richer in aluminium and iron, and poorer in silicon and calcium, with respect to the bodies. Higher potassium is also found in all of the coatings except those of Campana A. Here relatively high sodium makes the total alkalis comparable with those of the other products, except Campana C, where it is somewhat lower. Measurement of thermal expansion and X‐ray powder diffractograms suggest that firing temperatures were mostly in excess of 900°C, but some samples of Campana C seem to have been fired below 800°C.     

A PRELIMINARY PETROGRAPHIC ANALYSIS OF CYPRIOT WHITE SLIP II WARE*

Samples of Late Bronze Age White Slip II ware from Cyprus were analysed using optical and scanning electron microscopy in conjunction with energy and wavelength dispersive analyse The slip has a novel granular nature and the coarser aggregates are impressed into the outer surface of the body, indicating that it was applied to a moist surface before the vessels were fired. It has a consistent mineral assemblage (Mg‐chlorite + illite‐smectite + sphene + anatase/rutile ± albite) which is very similar to that of hydrothermally altered zones associated with copper orebodies in the Troodos Massif which were mined in antiquity Our analysis suggests that the raw material for the slip was not found at the ground surface, because the alteration assemblage is unaffected by oxidation and copper carbonate or iron staining. It may, therefore, be a by‐product of sub‐surface ore extraction     

THE DETERMINATION OF BRICK PROVENANCE AND TECHNOLOGY USING ANALYTICAL TECHNIQUES FROM THE PHYSICAL SCIENCES*†

This work applies established analytical techniques from the physical sciences to Irish brick, in order to gather evidence of ceramic technologies, provenance and sources of raw materials. Petrographic microscopy, X‐ray diffractometry and scanning electron microscopy with an energy‐dispersive X‐ray diffraction attachment were used to study the brick of Rathfarham Castle, Dublin, built c. 1618, where clay brick was introduced in 1771. Local clay was fired in the laboratory and analysed in a similar manner. The petrography of the pointing mortar was studied in order to gather evidence of ceramic provenance. This paper concludes that the brick was hand‐ moulded with a silica‐based, predominantly non‐calcareous clay of glacial origin, gathered locally, including fluxes and a high percentage of non‐plastic material. The mineralogy and petrography of the brick, together with the presence of pebbles and a coarse matrix, suggest that the raw clay was probably gathered from a glacial deposit. The presence of abundant pebbles and colour inhomogeneities suggests a lack of processing of the raw clay. The brick was probably fired in clamps at top firing temperatures ranging from 750°C to above 900°C. Transformation of limestone temper involving the breakdown of calcite and the generation of calcium silicates, and the new formation of plagioclase, high‐temperature quartz, hematite and spinel were revealed. The presence of spinel in ‘hot spots’ indicates that fuel was added to the raw clay in order to assist firing.     

Post-depositional surface whitening of ceramic artifacts: alteration mechanisms and consequences

Surfaces on ceramic artifacts that are paler than the main sherd body are commonly interpreted as slips that were intentionally applied by the potter during the manufacturing process. However, due to post-depositional alteration, sherds that were not originally coated with a slip may macroscopically appear with deceptively similar pale surfaces. This paper presents a comparison of two sherds, both with pale to white surfaces, one of which is a real slip and the other a surficial corrosion that occurred during the burial stage. Observations using optical and scanning electron microscopy, as well as electron-probe image- and microanalysis, clearly illustrate the features of the two surfaces, as well as demonstrating their causes and effects. The superimposed slip is clearly delimited from the sherd body by a denser and much finer-grained fabric, in which clay minerals predominate and porosity is reduced by about 20% compared to the body. In the other sample, surface corrosion, due to invading fluids, has led to leaching of calcareous constituents and results in a remarkable increase in porosity close to the rim (ca. 25%). Sometimes called the “espresso crema effect” (Tschegg et al., 2009b), the surface becomes considerably brighter than the core and can easily be confused with intentional slips. This, as a consequence can lead to significant misinterpretations, to erroneous sherd characterizations and classifications, as well as to incorrect assignments to specific ware groups.     

A Study Of The Firing Technique Of Pottery From Kaman‐Kalehöyük,Turkey, by Synchrotron Radiation‐Induced Fluorescence X‐Ray Absorption Near‐Edge Structure (Xanes) Analysis*

Fe K‐XANES spectra of a series of pottery sherds excavated from the archaeological site of Kaman‐Kalehöyük, Turkey, were measured to reveal the firing technique of the pottery. The analysis disclosed relationships among the chemical form of the iron, the firing conditions and the colour of the pottery. The pottery referred to as ‘Grey Ware’ found at this site was classified into two groups according to the chemical form of the iron. Also, it was revealed that the Iron Age pottery referred to as ‘Cream Ware’ was produced first under reducing conditions, and then fired under oxidizing conditions.     

PROVENANCE OF MEDIEVAL PIETRA OLLARE ARTEFACTS FOUND IN ARCHAEOLOGICAL SITES OF CENTRAL–EASTERN ITALY: INSIGHTS INTO THE ALPINE SOAPSTONE TRADE*

Medieval archaeological findings made of pietra ollare (basic and ultrabasic metamorphic rocks belonging to the greenschist facies) and coming from central–eastern Italy have been characterized through a petrological study (modal mineralogy, whole‐rock geochemistry, XRD and SEM–EDS analyses). The pietra ollare artefacts considered in this work consist of fine‐grained, grey to pale‐grey, magnesite‐bearing talc‐schists (i.e., soapstones). In order to determine their production centres, Alpine soapstones quarried in ancient times were selected on the basis of their mineralogical and textural compatibility with the archaeological findings. The mineralogy and chemistry (major and trace elements) contributed to establishing the ancient quarries of the Valchiavenna (central Alps) as the probable provenance area. This archaeometric investigation proves that Alpine artefacts made of pietra ollare spread to the south of the Po Plain during the Middle Ages. It can be inferred that the Alpine soapstone trade towards the Marche and Abruzzo regions was addressed through the main waterways: Lake Como, the Adda and Po Rivers and finally the Adriatic Sea.     

A Multi‐Method Database of the Black and White Marbles of Göktepe (Aphrodisias), Including Isotopic,EPR, Trace and Petrographic Data

A database of the ancient marbles of Göktepe near Aphrodisias is reported, and includes 160 white, black and bichrome samples from 13 quarries and two waste deposits. The quarries are grouped into four districts. Districts 1 and 2, to the north, produced exclusively black or dark grey marbles (nero antico). Districts 3 and 4 produced white statuary marble. Nero antico and a black and white stone were also quarried in district 4, where the black marble surfaces again. The samples were characterized using petrography, isotopic analysis, EPR spectroscopy and trace analysis. The Göktepe white exhibits an unparalleled combination of fine grain, low EPR intensity and high strontium concentration that often allows easy identification. The isotopic values are less distinctive and similar to those for Carrara. In most cases, however, they are tightly grouped and also quite indicative. The black marbles exhibit a much weaker metamorphic overprint. With respect to the white marbles, they show analytical similarities but also notable differences. Therefore, establishing their provenance can be more difficult and may require the support of petrographic analysis. The results suggest that the Göktepe marbles were among the most prized and widespread statuary marbles used in Roman times, particularly from the early second century ad onwards.     

ESTIMATION OF THE AGE OF A PRE‐INDUSTRIAL IRON SITE IN KOREA*

A pre‐industrial iron‐smelting site in Korea, whose period of active use is placed on typological grounds between the eighth and 18th centuries ad , has been dated using accelerator mass spectrometry and thermoluminescence. The ages of two charcoal samples were 77 ± 25 and 81 ± 25 years bp , with the calibrated date for both ranging from ad 1700 to ad 1955, while a clay fragment dated to ad 1650 ± 50. The results from typology and radiocarbon seem insignificant due to the considerable uncertainties involved, but in combination with the thermoluminescence result they place the most probable date of the site at around ad 1700.     

INCISED SLIPWARE PRODUCTION AT CASTELFIORENTINO (FLORENCE): THE ‘VIA BERTINI’ SITE (15TH–17TH CENTURIES)*

This study deals with the physical–chemical and mineralogical–petrographic investigations (OM, SEM–EDS, EPMA, ICP, XRpD, Mössbauer and IR) conducted on first‐ and second‐firing wasters belonging to two types of incised slipware (sgraffito), manufactured at Castelfiorentino between the late 15th and the early 17th centuries. Raw materials, colouring agents and firing products were analysed in order to establish the production technology of the ceramic coatings, by means of detailed microtextural and chemical investigations. The pottery underwent two firing processes: the firing of the white slip‐coated ceramic body and a further firing after application of the glaze. The homogeneity of the raw materials, white slip and glaze is remarkable, and demonstrates the use of well‐established recipes with a constant supply of raw materials from the same places. Highly efficient kiln management during both firings is revealed by body–glaze interface reactions.     

Geochemical and Petrographic Analysis of Late Bronze Age Cypriot Ceramics (White Slip I and II and Monochrome) from Tell Atchana/Alalakh (Hatay) in the Amuq Valley

White Slip ware, both White Slip I and II, and Monochrome ware are Middle to Late Bronze Age Cypriot pottery types found across a large area of the Eastern Mediterranean region. A vast quantity of these wares has also been uncovered in Tell Atchana/ancient Alalakh in Hatay in southern Anatolia. We analysed a total of 56 White Slip (n = 36) and Monochrome potsherds (n = 20) from Tell Atchana using XRF, ICP–MS and petrographic thin‐section methods. The main aim of the study was to explore the compositional characteristics of the wares and to determine whether they are local imitations of the Cypriot White Slip and Monochrome wares or represent Cypriot exports to this region. The analytical results proved that White Slip I and II were produced from raw clay of mafic and ultramafic source rocks exposed in the Troodos Massif, available in the Limassol area of southern Cyprus and traded to Tell Atchana. Examples of Monochrome ware excavated in Tell Atchana were also imported to the region, most probably from east/north‐east Cyprus. These results demonstrate a close trading connection between Tell Atchana/Alalakh and southern Cyprus during the Middle to Late Bronze Age.     

CHARACTERIZATION OF CORAL RED SLIPS ON GREEK ATTIC POTTERY*

Samples of red and black gloss from Greek Attic pottery of the late sixth to fifth centuries bc were examined using scanning electron microscopy (SEM and FIB/STEM). The focus of the study was the chemical and microstructural characterization of the red gloss that was first produced during this period. Two groupings of red gloss were revealed. One red was found to be compositionally similar to the black glosses (labelled ‘LCM coral red’). The other red showed more significant chemical differences, such as higher calcium and magnesium, in comparison to the black (labelled ‘HCM coral red’). The existence of two chemically distinct reds—otherwise identical in colour and texture—suggests that there was more than one source of clay available to the Attic potters for producing red.     

Archaeometric analysis of ceramic production in Tiwanaku state (c.500–1000 ce): An exploratory study

The chemical and mineralogical characterization of seven ceramic fragments produced within Tiwanaku state (c.500–1000 ce ) is reported. The instrumental techniques used included X‐ray elemental and mineralogical chemical analysis, Raman spectroscopy, and scanning and light microscopy. The results indicate there are several clay types, although they show similarities, such as the use of a plant‐based temper. The red colour of the decoration is hematite, and manganese oxides such as jacobsite are present in the black. The white colour is a mixture of gypsum and clay, and the orange is a mixture of hematite and clay. The use of colours, the quality of the clays and the temperatures reached during pottery firing point to expertise in ceramic production and to complex decision‐making processes. The multi‐elemental archaeometric approach documented here could become an important tool to shed a light on ancient ceramic technology and the internal variance of Tiwanaku pottery.     

ON THE INFLUENCE OF DRYING AND FIRING OF CLAY ON THE FORMATION OF TRACE ELEMENT CONCENTRATION PROFILES WITHIN POTTERY*

On experimentally fired briquettes made of five chemically and mineralogically different clays, trace element concentration profiles from the centre to the surface of the briquettes have been measured by Neutron Activation in order to examine if drying and firing of the clays lead to a mobilization and subsequent migration of single components within a sherd. Mineralogical changes during firing have been determined by X‐ray diffraction. Generally, no such migration could be found. For two clays, arsenic was lost from the briquette during firing, forming non‐constant concentration profiles. If NaCl is present in the clay paste, sodium migrates towards the surface. Additionally, in the special case in which the presence of NaCl coincides with that of calcite, the heavier alkali elements evaporate, forming significant concentration profiles within the sherd.