Dimensions of remapping: Heinrich Schiffers and his mental map of Africa

ABSTRACT

At the beginning of the 1960s, the Athenäum publishing house in Germany planned a revised and extended edition of Heinrich Schiffers’ (1901–1982) successful book Wilder Erdteil Afrika (English translation: The Quest for Africa). The bestselling author had published several monographs about Africa since the 1930s, and authored and edited numerous works after World War II. Nearly all of these works, whose substantial print runs are testament to their popularity, are characterized by an engaging combination of text, images, and cartographic material, creating narratives and mental maps about Africa, its history, and the colonial past. In his later writings, he stressed the importance of “relearning” with regard to Africa and struggled to remap the imaginative geography of Africa. In this paper, I examine the characteristics of Schiffers’ imaginative geography and the change in his writings and maps. I explore whether his concept of “relearning” was an epistemological decolonization or if there were any continuities found in his imaginative geography. In order to grasp the specifics of his thinking, his geography will be briefly compared with that of his contemporary, Frankfurt zoo director Bernhard Grzimek.     

New books received for review

Abstract

Geological information was first printed in colour on a map in 1820 but serious efforts to print geological maps in multiple colours began in Europe only in the 1840s. Increased geological mapping activity created the need to print more maps by cheaper methods, while general advances in lithographic colour printing provided the means. Better colour registration, transparency, range, permanence and distinctiveness were attained in the 1840s and 1850s by technical innovations and also by new design strategies. Consequently, as printed colour replaced hand colour as the norm, it also influenced the look of the geological map.     

Chronicle for 1999

Abstract

Two German maps of southern Africa, one official, the other private, came to the attention of the British government in the 1890s and raised questions of boundary delineation. In both instances, they provoked a response—diplomatic dispute and internal policy decision—but in neither case did the maps do more. They actively initiated contention but were passive devices thereafter.     

Some reflections on mental maps

ABSTRACT

The point of departure for this essay is a map drawn in 1963 by the writer’s maternal grandfather. It represents the village of Berg, located in northern Sweden, and depicts his activities as a farmer and hunter. But it is also based on grandfather’s collective knowledge of the village. In what follows I will examine mental maps of microspaces that reflect what is important to an individual or to the members of a community. One shows how Aivilik Inuits perceive their local environment; another set of urban maps from Los Angeles, California, are based on the views of residents in different areas. The social divides become strikingly apparent on these mental maps. Among the conspicuous features of my grandfather’s map are the images he drew to supplement the various geographical locations he laid out. In this respect one might compare medieval mappae mundi that is, maps of the world representing compendiums of all things worth knowing. I also consider the appearance of mysterious gaps on grandfather’s map, that is, “the silences”. Many general perspectives on mental mapping are suggested by a consideration of the map my grandfather drew.     

Theory and the history of cartography

Abstract

Cartographic history has been dominated by an empiricism that treats the nature of maps as self‐evident and which denies the presence of any theory. In contrast, this paper argues that theories lie at the root of all empirical study whether or not they are acknowledged. The linear, progressive model of cartographic development, for example, is not a law deduced from historical evidence; if it were it would be easily and quickly dismissed. It derives instead from our cultural beliefs concerning the nature of maps, which is to say from our unexamined theories. Historians of cartography need to be critical of their assumptions and preconceptions. Theoretical discussions in the history of cartography must address not whether we should use theory at all but to which theories we should adhere. It is inadequate simply to knock theories down. We must establish a debate in which old understandings of maps, of their creation, and of their use are replaced by better (that is, more consistent and coherent) theories.     

Ships on Maps: Pictures of Power in Renaissance Europe. By Richard W. Unger

Abstract

In the Reclus-Perron cartographical collection held in the Public Library of Geneva, a recently discovered map by the explorer Henri Coudreau seems to have been essential, together with other published and unpublished cartographic materials, in deciding the 1900 Swiss arbitration of the Franco-Brazilian border dispute. These materials provide an opportunity not only to analyse the political power of maps, but also to explore a different European way of conceiving maps and geography, that of anarchist geographers, which diverged from the uncritical hagiographies of colonialism and geographical discoveries that were typical in European science during the Age of Empire (1875?1914).     

The History of Cartography in Brazil in the 1940s: Jaime Cortesão's Lecture Courses

Abstract

During the Napoleonic Wars the military croquis, or sketch map, played an important role in the spatial management of the various campaigns. Presumably, many of these sketch maps were destroyed or discarded after their immediate use. Those that survive have received little scholarly notice. Attention is drawn in this article to a large and well-documented collection produced during the campaign in Russia in 1812 and subsequently amassed by the Saxon cartographer Ferdinand Heinrich August von Larisch. The operational value of the military croquis is examined and the relationship between cartographic poetics and historical representation considered.     

Übersicht der Tätigkeit internationaler Geographenkongresse auf dem Gebiete der Geschichte der Kartographie

Abstract

This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the MediteiTanean, Atlantic, and Caribbean. Bordon's lost world map of 1508 is discussed in relation to the map‐making activities of Francesco Rosselli, the Florentine miniaturist and engraver who was in Venice in 1504 and 1508, and in relation to a circle of Venetian scholars and patricians interested in Ptolemy's Cosmographia and in the mapping of the New World.     

Der erste Europäische Straßenatlas

ABSTRACT

Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675.     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

Mapping a New Kind of European Boundary: The Language Border between Modern France and Germany

ABSTRACT

During the nineteenth century, Europeans became fascinated with the idea of locating and mapping the borders between their languages. The barrier of language offered a new way of seeing, dividing and organizing European land according to cultural differences. The cartographic techniques that Europeans invented to map their language borders involved a combination of linguistic surveys, on-site observations and collaboration with locals. Once printed, language maps found a broad public audience and helped to structure debates over cultural identity in European borderlands. This article explores the nationalist and regionalist motivations behind linguistic map making along the French-German border, one of the most disputed in modern European history.     

Maps and the assessment of parish rates in nineteenth‐century England and Wales

Abstract

This paper reviews the role of maps in the assessment of rates levied for the relief of poverty in nineteenth‐century England and Wales and examines the relationships between tithe maps and parochial assessment maps both in general terms and with specific reference to Poor Law unions in the county of Kent. An appendix lists 207 parochial assessment maps made in connection with the levy of poor rates which are extant in the public archives and libraries of England and Wales. Other ‘lost’ examples of this genre awaiting discovery in parish churches and vestries will undoubtedly add to this small but important constituent of the corpus of English and Welsh cadastral maps.     

Caspar Vopel's Ventures in Sixteenth-Century Celestial Cartography

ABSTRACT

This paper concerns the undertakings in celestial cartography of the sixteenth-century Cologne cartographer Caspar Vopel. Copies of his printed celestial globe and of the celestial maps included on his world map are also described. Vopel's celestial mappings display his extraordinary interest in astronomical myths through a series of conspicuous iconographic features. In particular, Vopel's introduction of the images of Antinous and Coma Berenices is revealed to have been inspired by a humanist edition of the Ptolemaic star catalogue. Finally, a study of the celestial maps on the copies of Vopel's world map by Valvassore (1558) and by Van den Putte (1570) shows that these represent different editions of Vopel's world map and that the celestial maps on the world map of Matteo Pagano were in turn copied from those on the world map of Valvassore.     

Chronicle for 1993

Abstract

Theory is not a goal in itself but a means of enriching the history of cartography by stimulating new research questions and objectives. In this paper the concept of ‘transparent maps’ (carriers of an image of the external reality of the world) and ‘opaque maps’ is introduced. The notion is approached structurally (standards of graphical representation, drawing, geometry, text); through the sociology of the map (map makers, institutions, the public); and through seeing maps in their cultural and historical context (an approach which raises issues of the definitional boundaries of the history of cartography and which is arguably one of the most stimulating perspectives today as fostered by, in particular, contributors to the History of Cartography). Finally, attention is drawn to three important topics for the research agenda: the links between maps and culture; maps as a language of communication and as instruments of power; and the links between perception, logic and mnemonics.     

Mapping the Contours of Race: Griffith Taylor's Zones and Strata Theory

This article explores the ways in which cartography served as a tool to reinforce racial divisions in the context of late nineteenth and early twentieth century race science. Racial and anthropometric mapping was an endeavour in which both European and new world anthropologists and geographers were involved. The focus here is on the work of Thomas Griffith Taylor – regarded as one of the founders of modern geography in Australia – who deployed a number of cartographic techniques to reinforce his racial theorisations. This article explores Taylor's ‘zones and strata’ portrayal of racial evolution, and other geological‐ style maps of racial difference. These representations are investigated from two standpoints. Firstly, Taylor's theories are situated within the wider context of the Victorian tradition of classifying race, a tradition where physical race type was often correlated with moral and intellectual traits, and which was supported by the acceptance of environmental determinism within geographical circles. Secondly, his maps are considered from the perspective that, as J.B. Harley has argued, maps are social texts that contain power and, as such, can be deconstructed. Taylor's cartographic representations resulted from the manipulation of the internal elements of the map text, such as shading and projection, and were supported by the widely held belief that human racial groups could be delineated through physical anthropometry.     

Beautiful Geography: The Pictorial Maps of Ruth Taylor White

This paper explores the career of Ruth Taylor White, an American cartographic illustrator who published a significant number of pictorial maps from the 1920s into the 1940s. Taylor White’s ‘cartographs’ (as she called them) were characterized by her signature bobble-headed cartoon characters who romped through colourful, attractive landscapes. These visually rich and highly narrative maps simultaneously strove for accuracy and engaged in profound stereotyping with regard to culture, race, gender and class. They reveal not only the aesthetic and conceptual preferences of their maker but also the cultural biases of their middle-class, white American audience.     

Engaging children to voice their sense of place through location-based story making with photo-story maps

ABSTRACT

Sense of place is neither linear nor rooted in time. One way for children to voice their sense of place is through location-based stories with plots structured in space, rather than time. Since mobile devices are already ingrained in the everyday lives of many children in the U.S., a mobile application offers a familiar medium to engage children in location-based story making. Here, we present photo-story maps, our approach to leveraging an existing story-map mobile application as a research tool to collect and analyze children’s stories about sense of place. We found that photo-story maps facilitate the organization of nonlinear location-based stories, promote an inclusive story-making process through a mobile application, support triangulation of varied digital story elements, and provide dynamic interview material. We suggest photo-story maps demonstrate the value of location-based story making and the potential of familiar mobile applications for reducing the barriers to including children in research.