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1.
Abstract

The chance assembling of a number of different impressions of Andrew Dury's Map of the present Seat of War between the Russians, Poles, and Turks (1769) in the British Library led the authors to examine the map's carto‐bibliographical history. Nine states of the map, two of which were sometimes sold with printed paste‐ons, have been identified to date. The two earliest states of the map are now in the State Historical Museum, Moscow. Although both are best described as proof, or pre‐publication, impressions, each bears evidence of intensive use at the highest levels of the Russian army command. Indeed, the circumstances leading to the creation of the map by Andrew Dury and Peter Bell and to a succession of different versions over the three decades or so of intermittent Russian‐Turkish hostilities highlight the interplay of international politics, individual initiative and commercial factors in late eighteenth‐century map production in London.  相似文献   

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ABSTRACT

The rediscovery of the Selden Map of China (MS Selden Supra 105) in the Bodleian Library in 2008 provides an opportunity to reassess the history of Chinese cartography and debates about maritime dimensions of the Ming Empire. The map depicts a network of Chinese shipping routes, reaching from Japan to Aceh, Sumatra, and suggests previously unknown map-making techniques. In this article I draw attention to the map's unique components, notably its portrayal of shipping routes and vegetation, consider its sources, and suggest a possible patron and location of composition.  相似文献   

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Abstract

The beginning of the seventeenth century marked the start of a scientific revolution, which had consequences for medicine. Vesalius in anatomy, and Harvey in physiology, were important figures who gave the Hippocratic and Galenic traditions new impulses. In this period of change in medical thought, Nicolaas Tulp (1593–1674) wrote his ‘Observationes Medicae’ (Tulp, 1641). A controversy existed in The Netherlands, concerning the circulation, with many doctors still adhering to the Galenic tradition. The following analysis discusses some of the neurologic cases from Tulp's book, seen in the light of modern medical thought.  相似文献   

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Creating a more complete image of our past requires cooperation among many branches of science. A joint effort by archaeologists, anthropologists and historians allowed us to establish the origin and cause of death of four individuals found in a layer dating to the early modern period ina medieval burial ground in the Market Square in Cracow. In the course of interdisciplinary analyses, it was found that the skeletons were the remains of four males aged between 30 and 50, who probably were soldiers of a Swedish garrison occupying Cracow in the mid‐17th century. The finding was confirmed by archaeological evidence parts of protective codpieces (Lat.suspensus) and burial stratigraphy typical of this period) and specific changes in the skeletons attributable to warfare. At the same time, characteristic traumatic lesions of the cervical vertebrae and traces of binding of the upper and lower limbs indicate that the soldiers had been condemned to death by beheading. Historical sources confirm that Swedish soldiers were executed in Cracow's Market Square in 1657. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

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Abstract

Rene Descartes presented a number of reasons for his choice of the pineal gland as a logical place for the soul to interact with the physical machinery of the body. It is often stated that one of his reasons was that be believed animals do not have pineal glands, whereas humans alone possess a soul and this small structure. This is a misinterpretation of Descartes. The philosopher knew that barnyard and other animals possess pineal glands, having seen this with his own eyes. His point was that the pineal is unique in humans only because of a special function — acting as the seat for the rational soul.  相似文献   

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ABSTRACT

Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675.  相似文献   

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Warwick, a colonial merchantman owned and operated by Sir Robert Rich, Second Earl of Warwick, sank in Castle Harbour, Bermuda, in1619. Between 2010 and 2012, Warwick's hull remains and associated artefacts were excavated and recorded. Built early in the 17th century, Warwick’s structure revealed a traditional shipbuilding style. Covered with two layers of planking and a layer of sheathing, the ship was purpose‐built for extended transatlantic voyages. Not exceeding 200 tons, Warwick was an average‐size vessel with sufficient burthen to bring supplies and passengers to the colonies and return with tobacco.  相似文献   

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Abstract

This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the MediteiTanean, Atlantic, and Caribbean. Bordon's lost world map of 1508 is discussed in relation to the map‐making activities of Francesco Rosselli, the Florentine miniaturist and engraver who was in Venice in 1504 and 1508, and in relation to a circle of Venetian scholars and patricians interested in Ptolemy's Cosmographia and in the mapping of the New World.  相似文献   

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ABSTRACT

This paper concerns the undertakings in celestial cartography of the sixteenth-century Cologne cartographer Caspar Vopel. Copies of his printed celestial globe and of the celestial maps included on his world map are also described. Vopel's celestial mappings display his extraordinary interest in astronomical myths through a series of conspicuous iconographic features. In particular, Vopel's introduction of the images of Antinous and Coma Berenices is revealed to have been inspired by a humanist edition of the Ptolemaic star catalogue. Finally, a study of the celestial maps on the copies of Vopel's world map by Valvassore (1558) and by Van den Putte (1570) shows that these represent different editions of Vopel's world map and that the celestial maps on the world map of Matteo Pagano were in turn copied from those on the world map of Valvassore.  相似文献   

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ABSTRACT

Academic cartographers consistently expressed an interest in the history of map form (design and practice), at least until the 1980s. This essay reviews the formation of academic cartography, primarily in central Europe and the United States, and the scholarly work on the internal history of cartography that was clearly manifested in Imago Mundi. Internal map history catalysed the development of socio-cultural map histories after 1980 but did not itself change along those new lines. This was unfortunate because it is by paying attention to internal questions of the physical and graphic form of maps and the practices of mapping—albeit critically reconfigured as the processes of producing, circulating and consuming maps—that map historians will discover new and fertile intellectual ground.  相似文献   

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ABSTRACT

The claim that the Gough map was originally produced in or about the 1370s, then overwritten and re-inked about fifty years later, is unconvincing. The ‘earlier’ hand seen north of Hadrian's Wall cannot be dated accurately, but is as likely to be from after 1400 as before. Outside one small area of the map, I find almost nothing to indicate rewriting of names or other text, and even in that area the rewriting proves little about date. Nor do I find evidence for the reworking or re-inking of town signs or other pictorial elements. The claimed extensive erasure of earlier writing in the area of the map which is said to be revised is not evident to me. The serious but uneven and erratic fading of the ink on the map, which is not surprising, accounts for most of the anomalies and variations that we see. Dr Solopova's claim, based on her theory of revision, that the map displays contrasting political or ‘ideological’ emphases from two different periods seems unrelated to the actual content of the map. The known history of the development of chorography in medieval Europe indicates that the appearance of a map as advanced as the Gough map in northern Europe before 1400 is almost unimaginable.  相似文献   

18.
Although the close association of word and image in medieval cartography is widely acknowledged, the significance of the relationship after the rediscovery of Ptolemy's Geography and throughout the Renaissance has been overlooked, despite Abraham Ortelius's choice of the term ‘Reader’ for users of the Theatrum orbis terrarum (1570). In this paper, the map of the world, which (as in Ptolemy's Geography) opens Ortelius's Theatrum, is analysed to show how Ortelius's concept of space was very different from Ptolemy's. Attention is drawn to the content of the texts on the map, to Ortelius's notion of geography as the eye of history, and to the importance in the Renaissance of the emblem as a conceit, or device, in the system of acquisition and transmission of knowledge. As in emblems, the words on Ortelius's map are not there to explain or to comment on what is seen but to give the image meaning; the purpose of the map is to invite contemplation of God's world. The map is contradictory, however; for Ortelius's accurate and up‐to‐date presentation of the physical world is qualified by a verbal statement that the world is ‘nothing’, a mere pinpoint in the immensity of the universe. It is concluded that Ortelius was not a geographer in the same way Ptolemy was, and that Ortelius was using geography as a philosopher and his world map as an illustration of his moral and religious thinking.  相似文献   

19.
This article presents an analysis of a group of converts to Roman Catholicism, hitherto largely unknown in historical research, of Scandinavian origin received in the late 17th and early 18th centuries in Rome by Ospizio dei Convertendi. The article provides an overview of the converts and their motives, examining different factors which influenced the complex conversion process. It suggests that the key factors were often of a social rather than a religious nature, and that the conversions as a whole cannot be explained by Queen Christina's example and presence in Rome.  相似文献   

20.
Abstract

The discovery of an unpublished document is here used to propose a new interpretation of the production in Venice of world maps for Ottoman clients. It is suggested that three Ottoman princes had been interested in acquiring maps in Venice in the early 1550s as part of their struggle for succession to Sultan Süleyman the Magnificent, and that these maps were different from the famous Hajji Ahmed map, prepared by Giacomo Gastaldi. It is also suggested that the persons involved in creating these maps did not (as previously asserted) include the Venetian publisher Giustinian, whose later attempt to publish Gastaldi's map was blocked for political, and not only religious, considerations.  相似文献   

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