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AbstractThe primary objective of the article is to present the relief maps and models of Palestine, Jerusalem and some historical monuments, which are kept in the PEF Archives in London. We will describe each of these objects, try to identify its date, maker, and circumstances of its making. We will present them according to the site represented in them, but suggest also classifying them as (a) artifacts brought as souvenirs from Jerusalem; (b) models and relief maps created by the Fund and its members as a product of their scientific endeavours; and (c) models and relief maps created by scholars who were not directly connected with the PEF. 相似文献
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Denis Cosgrove 《Imago Mundi: The International Journal for the History of Cartography》2013,65(1):35-54
While the history of cartography has freed itself from debilitating debates over the scientific and artistic status of maps, considerations of the relationship between art and cartography have continued to focus largely on pre‐modern maps, avoiding critical examination of twentieth‐century art and science in cartography and leaving intact the impression that these followed distinct paths in the modern period. In this paper, however, I have drawn on theoretical work in Science Studies and taken account of modern art's separation from aesthetics to suggest that an examination of art and cartography in the twentieth century should focus on mapping practices rather than on maps as such. A summary overview of modern‐art movements and selected works indicates a continued, if critical, engagement of avant‐garde artists with cartography, and the examination of more popular newspaper artwork produced in the context of the intensely modern visual culture of mid‐twentieth century Los Angeles indicates a similarly close connection between modernity, art and cartography. 相似文献
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An important component of the administration and control of a colony by an external power is the demarcation and classification of the land and its people. This was certainly the case in Cyprus under British colonial rule (1878–1960), as three case studies demonstrate: the topographical survey of the island by H. H. Kitchener in 1878–83; the cadastral survey of 1909–29; and the work of the Forest Delimitation Commission from 1881 to 1896. This was not achieved without resistance on a variety of levels. Ironically, part of the opposition came from the structure of the colonial demarcation and classification project itself. 相似文献
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本文从拉美现代化模式的地区性研究和国别研究两个角度,对国内学术界前一阶段的主要成果作了简要回顾,认为所谓拉关现代化研究,首先应该是民族国家的现代化研究.应该以民族国家为研究单位,民族国家的现代化是拉美现代化研究的基础;在强调地区一致性的同时.不能忽视了国别差异性,而在国别研究中.要重视比较研究和非经济因素的研究。 相似文献
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Jennifer Wallner 《政策研究杂志》2008,36(3):421-443
Studies of failure typically assess public policies through the lenses of effectiveness, efficiency, and performance. Here I wish to propose a further dimension to the evaluation and assessment of policy failure—legitimacy. The substantive elements of public policies and the procedural steps taken by authoritative decision makers during the policy cycle affect the perception of policy legitimacy held by both stakeholders and the public. In substantive terms, policy content should align with the dominant attitudes of the affected policy community and, ideally, the broader public. Procedurally, factors such as policy incubation, the emotive appeals deployed to gain support for an initiative, and the processes of stakeholder engagement shape the legitimacy of public policies and the governments who promote them. This argument is based on a comparison of education reform in two Canadian provinces during the 1990s. Governments in Alberta and Ontario pursued common agendas of education reform, but while Alberta achieved success, the Ontario government experienced a series of setbacks and lost the support of education stakeholders and the public. The root of Ontario's failures lies in the realm of legitimacy. These findings highlight the fact that the strategies used for enacting policy change may fail to bring about the necessary consensus among societal actors to sustain a new policy direction and calls attention to our need to better understand how governments can achieve meaningful public participation while still achieving legislative success in an efficient fashion. 相似文献
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Sara Saljoughi 《Iranian studies》2012,45(4):519-535
This paper examines the relationship between remediation and intertextuality in Abbas Kiarostami's Shirin (2008), arguing that the act of absorbing and transforming other texts and media within one film creates new conditions for collective vision within the post-revolutionary Iranian discourse of visuality. Focusing on the faces of 114 actresses as they watch a film adaptation of the story of “Khosrow and Shirin,” Kiarostami challenges the post-revolutionary modesty laws and their emphasis on not looking at women and at avoiding a spectator–image relationship based on the fulfillment of the desiring male gaze. By making women the spectators, the film suggests that there is no collective vision without women's vision. 相似文献
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GERALD HORNE 《外交史》2005,29(1):193-198
Carol Anderson , Eyes Off the Prize: The United Nations and the African American Struggle for Human Rights, 1944–1955 . New York : Cambridge University Press , 2003 . 290 pp. 相似文献
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Hirshbein L 《Journal of the history of the neurosciences》2012,21(2):147-169
Electroconvulsive Therapy (ECT) practitioners and anti-ECT activists have divergent interpretations of both the treatment and its history. Despite claims by ECT opponents that practitioners do not acknowledge memory side effects, the published literature on the procedure demonstrates psychiatrists' awareness of this issue. And though current ECT practitioners claim that memory side effects were mostly the result of outmoded methods, investigators continue to publish studies that indicate ongoing memory problems. This article explores the conflict between pro- and anti-ECT groups around the issue of memory side effects in the broader context of changes in American psychiatry and society. 相似文献
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Derek Gregory 《Political Geography》2010,29(5):266-279
In late modern war visuality plays a vital role in both the conduct and the rationalization of military violence. This essay explores the techno-cultural apparatus of US military operations and media briefings in occupied Baghdad from 2003 to 2007. It traces the visual reconfiguration of the city as a space of events rather than purely objects. These digital mappings were an intrinsic part of the US Army’s counterinsurgency strategy, and their performances were punctuated by a dialectical interplay of geopolitical and biopolitical imaginaries that was focal to the abstraction and legitimation of American military intervention. 相似文献
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