Feminism and its ‘other’: representing the ‘new woman’ of Bangladesh

This essay examines women's oppression and organizing against gender violence in contemporary Bangladesh through the lens of television. I argue that the telefilm Ayna (The Mirror, 2006), written and directed by popular film actor and women's rights activist Kabari Sarwar, offers a window into the changing social and economic landscape of contemporary Bangladesh and the complex negotiations of power and inequality across gender, class and community. Furthermore, it offers an opportunity to unpack the social messages underlying development and modernization initiatives, the new kinds of alliances as well as dependencies engendered by them, and their multiple and uneven consequences. An investigation of the representations of competing and contradictory notions of women's subjectivity and agency in this telefilm allows us to understand how these intersect with shifting notions of local/global patriarchies, feminist solidarity and women's empowerment in Bangladesh today. Further, this essay illuminates the disjunctures between representations of the ‘new woman’ circulated through development and certain feminist advocacy narratives with women's lived realities of oppression, and survival.     

Tehran’s subway: gender,mobility, and the adaptation of the ‘proper’ Muslim woman

Tehran’s subway, the most affordable means of public transportation in the city, offers a useful context to study the relationship between women’s spatial mobility, the construction of self, and social production of space. This study focuses on Line 1 of Tehran’s subway that connects Tehran’s Bala Shahr (Northern Tehran) and Paeen Shahr (Southern Tehran) neighborhoods. This study draws upon 46 semi-structured interviews with women who were using subway Line 1 in the fall and winter of 2012. The average hour-long interviews examine how women’s emotional states as well as their perceptions of self and space vary as they traverse the city on Line 1. Representing a cultural as well as a spatial transect through the city, the perceptions of women on subway’s Line 1 convey the repudiation of the state’s attempt to promote a singular Muslim female identity. The findings suggest that similar to women’s perception of space, their gendered identities are constantly changing through the enhanced mobility that is facilitated by Tehran’s subway system. In contrast to what is presumed in the West, with a simple change in their hijab style or make-up, Iranian women innovatively negotiate contrasting spaces.     

Mothers' business,work/life and the politics of ‘mumpreneurship’

Heralded by some as ‘the new feminism’, the new, internationally widespread phenomenon of ‘the mumpreneur’ represents a hotly contested and contestable subject identity. This article explores the debate, arguing that its themes drive to the heart of current issues regarding changing working practices, locations and gender identities in affluent societies. The analyses of women entrepreneurs' views presented here (n = 330) reveal that practitioners are sharply polarised on ‘the mumpreneur’. This article explores these views and progresses research agendas by asking whether such information and communication technology-enabled transformations in working practices (embodied in the figure of the ‘mumpreneur’) have the potential to deliver greater choice for mothers' labour, or whether, conversely, they re-enable iniquitous gender role expectations and arrangements within families.     

‘Whore-friendly people’: heritage tourism,the media and the place of sex work in Butte,Montana

In 1997, the International Sex Workers Foundation for Arts, Culture and Education (ISWFACE) began the process of purchasing a historic parlor house brothel (the Dumas) in Butte, Montana to create a cultural center and museum. This business transaction drew national and international attention while Butte citizens questioned the presence of ISWFACE in their community. Using media accounts of the Dumas, I examine the framing of sex work and its place in the heritage tourism landscape of the American West. The case of the Dumas captures the complicated relationship between history, a community, tourism and the media on local as well as national/international levels. Sex work is part of the historical landscape of the American West, but is fading from view as communities actively shape their public image, erasing this element from their landscapes.     

‘Science in the Hands of Love’: British Evangelical Missionaries and Colonial Development in Africa,c. 1940–60

During the era of colonial development, the Church Missionary Society (CMS) and the London Missionary Society (LMS) revitalised their work by taking advantage of the 1940 Colonial Development and Welfare Act to uplift British Africa. These evangelical organisations did not simply appropriate governmental ideas of development, but formulated their own concepts based on the incarnational theology of the ‘whole man’ with body and soul. In implementing their developmental policies, these evangelicals promoted Christ's example of a ‘servant’ to guide missionary conduct as they encountered increased African criticism of colonialism following the Second World War. Both organisations shifted to focusing more closely on souls rather than bodies when African independence movements strengthened during the mid and late 1950s in hopes that Christian ideology would steer Africans towards Christian democracies. By 1960, the CMS and LMS stressed their relationship within the ecumenical Church in their efforts to emancipate themselves from their colonial ties. Through examining missionary discourse on colonial development, this article reveals not only the complexity of development discourse, but also the various ways in which evangelical missionary organisations sought relevance within the context of the Cold War, the rise of the welfare and expert state, and decolonisation.     

“Where is the border?” Villagers,environmental consultants and the ‘work’ of the Thai–Burma border

This article examines how Thai–Burma border residents are enrolled and engaged in remaking the political border through their knowledge practices and performances, or their own “borderwork”. Border residents do not perform this work alone, but in connection with other actors including environmental consultants. In order to highlight this co-production of the political border, I bring together border studies scholarship that see borders as process and performance with work in science studies that has highlighted the way that knowledge and order are co-produced. The importance of this approach is that it facilitates an understanding of the multifaceted and contradictory work to remake the border by multiple actors, a way to study “borders from the bottom up” that illustrates how the border is continually enacted. While this article puts forth the notion that the border represents an important site and process of struggle and negotiation in which marginalized communities invest, it also questions the assumption that because residents are engaged in remaking the border, the border is necessarily more ‘democratic’. The discussion and empirical data presented in this article also speak to broader debates in political geography about how borders are remade through practice and performance.     

Printing and Publishing in Greece: ‘flexibility’ and the process of innovation, 1979–1991

Abstract

Since the mid-1960s a large number of innovations has affected printing and publishing throughout the world. At the heart of what is now widely acknowledged as a technological revolution was the switch to photo-composition and offset lithography from ‘hot-metal’ techniques. Two principal developments may be identified-the shift from molten metal to photography pioneered in the USA, and the introduction of electronic-based processes of production and transmission (Moran, 1974: 147–261,309–19; Clair, 1976; Marshall, 1983; Guy and Haywood, 1985). The early photo-setters were costly and were restricted to a relatively small number of sizes and typefaces. Origination remained fragmented and still had to be divided-up into a series of distinct tasks notably keyboarding, photo-typesetting, page paste-up, photographic work and fmal plate-making. Because of this constraint the take-up of electronic typesetting, particularly in small and medium-size printing firms, was slow. However, the arrival of micro-electronic chips paved the way for cheaper and more dependable photo-typesetting systems. Digitalisation of information enables a unification of the origination process and allows an author to prepare high quality graphics and sophisticated art work.     

Choreographing pumping: remaking the ‘ideal’ worker through maternal embodiment in the workplace

The negotiation of employed mothers’ identities as mothers and workers has often been theorized through separation, where women perform their maternal and professional identities differently and distinctly in the home and workplace. However, milk expression in the workplace, as a form of maternal embodiment at work, challenges this separation and the ‘ideal’ worker dedicated entirely to the goals and desires of the firm. This study analyzes how mother-workers negotiate milk expression to suggest that identity practice in the workplace is a choreography between co-workers and supervisors that have the potential to produce hybrid subjectivities outside of the logic of the ‘ideal’ worker or the separation of spheres. Critical moments of performance occur in the movement between spaces within the workplace when maternal and professional work occur simultaneously or maternal embodiment becomes visible to co-workers and supervisors. This paper extends the conversation about gendered organizations to suggest that working mothers are already engaging in the production of hybrid subjectivities in the workplace that have the potential to remake the ‘ideal’ worker.     

Ecocriticism,Joyce, and the politics of trees in the ‘Cyclops’ episode of Ulysses

This article explores the ecological and ideological context of a passage in which two nationalists lament Ireland's treeless state. Although Joyce satirises these professed tree-lovers and the cause of reforestation, the passage alludes to a lively, serious topic in fin de siècle discourse. While Catholic nationalists blamed the loss of the island's once-vast, oak-dominated forests on British colonialism, a history elided by unionists, they shared a belief in the economic benefits of reforestation. Like Joyce, both sides knew little of Ireland's post-Ice Age natural history and did not appreciate the cultural importance of forest ecosystems to ancient Celtic peoples. Today, the Republic's profit-based plantations of conifers enact the materialist ideology of c.1904 reforestation advocates while overlooking the environmental and cultural benefits of restoring the biodiversity of native deciduous forests.     

International law and ‘humanity’ in the making and unmaking of European solidarity, 1830–1915

Abstract

The Janus-faced character of nineteenth-century Europe presents unique challenges to historians. Concurrent to spiralling industrial growth, working-class revolts, transatlantic migration and imperialism, the stark social and economic upheaval of the period has virtually belied the solidarity achieved on the Continent. In recent years, however, a number of superlative scholarly studies have excavated and illuminated the intellectual, legal and technological revolutions that ushered in an era of promise and potential unity. In this article, the author examines the degree of interdependence and interconnectedness across the Continent and the world by melding extant scholarship, introducing primary-source research, and offering new perspectives on the relationship of the increasingly globalized world and the European efforts to harness its potential by attempting to create lasting norms for peace and prosperity through international law and the benchmark concept of ‘humanity’.     

Anton Dumitriu,the ‘Axiomatic Culture’ and the ‘Crisis of the West’

Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.