‘Vague Native Rights to Land’: British Imperial Policy on Native Title and Custom in New Zealand, 1837–53

What is often referred to as a common law doctrine of aboriginal or customary title neither underpinned imperial policies towards Māori property rights in the 1830s and 1840s nor was it viewed as a settled or broadly accepted legal doctrine. Rather, critics of imperial policies applying to New Zealand deployed these legal sources in order to challenge and influence the workings of imperial policy on British settlement within New Zealand. The particular emphasis of such policy was on disciplining the extent of such settlement and providing a land fund from crown grants. Imperial policy-makers did not endorse these legal sources despite their use in the decision of the New Zealand Supreme Court in Regina v Symonds (1847). In this context, there was no consensual legal view or approach as to the nature or content of indigenous property rights. Ultimately, in the face of disagreement, diverse views of the nature and extent of Māori property rights persisted. The perceived non-justiciability of such rights meant that political spaces rather than the courts were of ongoing significance to characterising and debating such rights.     

Out of The Shadow of Vasari: Towards A New Model of The ‘Artist’ in Colonial Latin America

Within shifts affecting colonial studies, a ‘life-work model’ employed in colonial art history has been left unexamined. Developed by a contemporary of Michelangelo, Giorgio Vasari (Italy, 1511–1574), this methodology was grounded in particular European social conditions that allowed the creation of the ‘artist’ whose ‘artwork’ was the inalienable product of a single mind and hand. Following the art historical paths laid by Vasari in the viceroyalties leads to dead ends: indigenous artists who efface their individuality; painters who exist with little social or historical context; and artworks whose conservation denies finding the traces of the hands that made them. Because artworks were and are the connective tissue of complex social networks, reconfiguring concepts of ‘artist’ and ‘artwork’ and recasting them in accordance with social practices within Latin America, gains us purchase on how colonial subjects, in their engagement with their material worlds, came to be constructed.

Resemblance to European prototypes is an essential historical reality of colonial artworks: much artwork, particularly the painting, of colonial Latin America ‘looks’ like that of early modern Europe and thus has generated a foundational expectation, laid out in purest form by Manuel Toussaint (Mexico, 1890–1955), that Latin American art history might also look like Europe's. We argue that a mismatch with Europe and its methodologies means that certain, foundational historiographic assumptions about writing art history for Latin America need to be reassessed, in particular the ‘artist’ and ‘artwork.’     

A link in ‘the great chain of Empire friendship’: the Victoria League in New Zealand

With the objective of exploring New Zealand women's part in imperialism, this article focuses on the history of the Victoria League. Through its activities during war and peace, the League promoted New Zealand's place as a loyal part of the British Empire. The League in New Zealand was part of a ‘female imperialism’ whereby elite women in the ‘white’ settler societies performed gendered work to promote the strength and unity of the Empire. Women's work considered suitable for empire friendliness and unity ranged from hospitality and socialising in the ‘private’ female world, to the support of immigration and education. Wartime saw patriotic ‘mothers of empire’ in full force. The article covers the League's work into the second half of the twentieth century when, despite the ‘end of empire’, imperial loyalty endured, entwined with emerging national identities. Maternal imperial identity slowly waned, the legacy of Queen Victoria lasting until local challenges to the process of colonisation became vocal.     

The Influence of Building Attributes on Residents' ‘Images of the Past’ in the Architecture of Salt City,Jordan

This paper presents an empirical study conducted in a small traditional city, Salt, Jordan. An investigation was made to examine residents' ‘images of the past’. The objective was to identify building attributes that influence these residents' images. A survey research design using multiple sorting tasks with open‐ended questions was used to identify these building attributes. The images were elicited through the observation of coloured photographs of a sample of older buildings in the city centre. Images of the past were examined within three content areas: knowledge of the past; date of construction; and character of the past of Salt City. The building attributes investigated were: contour, size, shape, surface quality, signage, visibility, use, and significance. The results of the study suggest that older buildings in the centre of the city evoked similar images of the past focused on public or social buildings along with residential settlement building. Attributes relating to images of the past were original use, date of construction, historic signage, and historic integrity. This study presents an approach for operationalising an image of the past.     

Colonial Servicemen and their British ‘War Brides’: First World War Marriages in the British Empire

This article uses the phenomenon and failure of war marriages between British women and ‘colonial’ servicemen, mostly from the settler dominions, to explore the gendered, classed and racialised conditions of migration after the First World War. Positioning this migration of British war brides as part of the continued normalisation of settler occupation, the article demonstrates the patriarchal social expectations to which white women were subject. Fears of ‘khaki fever’ were extended to the protection of naïve ‘colonial’ soldiers from the manipulative sexuality of white, particularly working-class, women and girls. At the same time, ‘respectable’ women were prepared for frontier life and protected from the indignities of bigamy and desertion. The emphasis on their role as ‘daughters of Empire’ meant ‘undesirable’ matches and marital failure, as reported by the press, had consequences for the closeness of the imperial family and the maintenance of white superiority. The mediation of mobility in cases of mixed-race marriage indicate a more explicit, and sometimes violent, policing of the sexual independence of women and Black and indigenous men of colour. In doing so, the article makes an important contribution to understandings of the legacies of global mobilisation and colonial encounters during the First World War.     

‘The facts stated do not seem to be true’: The Contested Process of Repatriation in British Colonial Nigeria

This article will examine requests for repatriation submitted by Nigerian subjects in the last decade of colonial rule in Nigeria. Requests for repatriation from this time provide insights into the motives, outcomes and impact of a growing trend among Nigerians to travel abroad for work, studies, pilgrimages and adventure. This mobility reflected both easier access to the means to travel and the empowerment of Nigerians to realise their economic, social and cultural aspirations beyond the borders of Nigeria. Once abroad, many became destitute and unable to pay for their return back home, and requests for their repatriation were then made to the colonial administration in Nigeria. A review of the files regarding the process of repatriation exposes divergent perceptions between colonisers and colonised of the rights and obligations structuring the colonial relationship. It will be seen that a very limited range of options was available to the British administration in Nigeria in dealing with those who defied, ignored or reinterpreted rules aimed at monitoring and regulating the identities and movement of Africans. Thus, the history of repatriations reveals both the impotence of the colonial regime in imposing limits on the mobility of its African subjects, and the various ways in which Africans imposed their own notions of flexibility and ambiguity in response to colonial policies.     

The Britishness of ‘British Video Games’

Abstract

British Government policy has much to say about video games, through production support, regulation and recognition (or lack of it) of their cultural nature, with games defined and promoted as part of the creative industries in a manner which owes much to film policy. Yet, the drive to promote both the games industry and games culture, and the inconsistent usage of terms like culture and creativity, produces tensions between different elements of ‘Britishness’, expressed and experienced not only through policy, but also through the creation and consumption of games. In considering the specificity of games’ contribution to British identity, therefore, we must understand how different elements of cultural policy interact with the interests of audiences and creators to define ‘British games’ – games which have the quality of being, or being seen to be, British. Such games might be expected not only to represent British culture within a global marketplace, and to project soft power, but also to address the British nation in some manner. This diversity, of global and local, of present-mindedness and nostalgia, suggests that British games articulate a complex and plural sense of national (cultural) identity.     

The question of ‘the political’ in critical geopolitics: Querying the ‘child soldier’ in the ‘war on terror’

After two decades of scholarship on ‘critical geopolitics’, the question of whether it is largely a discursive critique of prevailing knowledge production and geopolitical texts or critique with an implicit, normative politics of its own remains open. These positions are not incommensurate, and much scholarship on critical geopolitics does both. This paper analyzes critical geopoliticians' concern with this question in the present historical moment and probes the possibility of a post-foundational ethic as the basis for ‘the political’ in critical geopolitics and beyond. Empirically, this paper explores these theoretical tensions within ‘critical geopolitics’ by tracing the disparate fates of two young men, both child soldiers at the time of their capture. ‘Child soldier’ is an unstable category subject to geopolitical valence and stigma during the ‘war on terror’. The deployment of extra-legal tactics and spaces of violence, such as those faced by detainees at Guantanamo Bay, point to the rise of biopolitics combined with geopolitics, illustrating the intersection of sovereignty and governmentality as important political fodder for critical geopolitics two decades after its inception. The stories of Canadian Omar Khadr, one of the youngest prisoners at Guantanamo and the only citizen of a Western state still held there, and Ismael Beah, a rehabilitated soldier who fought as a boy from Sierra Leone, illustrate too how geographical imagination strongly shapes access to provisions of international law and the victimized status of ‘child soldier’ in particular.     

The ‘Other’ on the Other Side of the Ditch? The Conception of New Zealand's Disassociation from Australia

A growing body of work has explored the shared qualities of Australian/New Zealand history and trans-Tasman association. Without denying these links, this article considers New Zealand's simultaneous history of disassociation from Australia and investigates the contours and cultural content of disassociation in the nineteenth and early twentieth centuries.     

The origins of New Zealand’s first government house

SUMMARY: In 1842 the former first government house located at Okiato, New Zealand, burnt to the ground and the site was abandoned. A well on the site was excavated in 1994–95, revealing a base layer of burnt timbers, a Maori digging stick and ceramic sherds with an estimated manufacture date range of 1823–41. We argue that this deposit is derived from the 1842 destruction of the Okiato government house building. An analysis of the wood identified kauri (Agathis australis) and kahikatea (Dacrycarpus dacrydioides), confirming that the building was not a prefabricated imported structure, but rather was constructed on site from locally available timber.     

Ideas from ‘across the ditch’? Wedge politics in the 2005 New Zealand election

The 2005 New Zealand election campaign saw the use by the opposition National Party of a racialised and highly divisive ‘wedge politics’. Tensions between Mäori and Pakeha that had previously been managed through care and compromise were inflamed by talk of a New Zealand mainstream and the need for ‘one law for all’. In the context of a difficult national debate about Mäori rights to foreshore and seabed, this talk had strong echoes of recent Australian political discourse. It also had the effect of dramatically increasing the National Party vote in the election, and this research note speculates that, in a different electoral system, this may have been enough to see National form government.