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An Imperial State at War: Britain from 1689 to 1815. Edited by Lawrence Stone (London: Routledge, 1994), 374 pp., £40.00 cloth.  相似文献   

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ABSTRACT

This article traces the evolution of the field of race relations by exploring the thinking of Philip Mason, a former agent of the Indian Civil Service who built a second career as the elder statesman of this emerging discipline in Britain. Mason led the well-funded Institute of Race Relations, an independent organisation that brought together academics, public policy analysts, and journalists to address concerns about the integration of black and Asian migrants in Britain from the 1950s. Mason brought his imperial expertise to bear on the new discipline, and imagined the new subject in light of a wide range of shifting international concerns: imperial race relations, the decline of the British Empire, the Cold War, and the persistence of racially-divided states like South Africa and the United States. To address these anxieties, race relations experts suggested that race relations studies should be comparative across several different imperial and post-colonial locales, building towards a master project that would provide suggestions on mollifying racial tensions across the globe. Using the United States as a key referent, Mason and others ushered in a transitional era, moving the discipline from a paternalistic and superior approach to formerly colonised subjects to articulations of liberal inclusion and cultural integration. Tracing the life of the Institute, and Mason's influence on policy and subsequent anti-racist organisations, reveals how the early assumptions of the field positioned Britain's integration problem as temporary, indeterminate, and aided by the imperial, post-imperial, and transatlantic similarities they examined.  相似文献   

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British imperialists in the late 19th century denigrated non‐western cultures in rationalising the partition of Africa, but they also had to assimilate African values and traditions to make the imperial system work. The partisans of empire also romanticised non‐western cultures to convince the British public to support the imperial enterprise. In doing so, they introduced significant African and Asian elements into British popular culture, thereby refuting the assumption that the empire had little influence on the historical development of metropolitan Britain. Robert Baden‐Powell conceived of the Boy Scout movement as a cure for the social instability and potential military weakness of Edwardian Britain. Influenced profoundly by his service as a colonial military officer, Africa loomed large in Baden‐Powell's imagination. He was particularly taken with the Zulu. King Cetshwayo's crushing defeat of the British army at Isandhlawana in 1879 fixed their reputation as a ‘martial tribe’ in the imagination of the British public. Baden‐Powell romanticised the Zulus' discipline, and courage, and adapted many of their cultural institutions to scouting. Baden‐Powell's appropriation and reinterpretation of African culture illustrates the influence of subject peoples of the empire on metropolitan British politics and society. Scouting's romanticised trappings of African culture captured the imagination of tens of thousands of Edwardian boys and helped make Baden‐Powell's organisation the premier uniformed youth movement in Britain. Although confident that they were superior to their African subjects, British politicians, educators, and social reformers agreed with Baden‐Powell that ‘tribal’ Africans preserved many of the manly virtues that had been wiped by the industrial age.  相似文献   

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In this paper we combine infrastructure studies and black radical traditions to foreground how imperial remains deeply inform the logics that bring forth contemporary large-scale infrastructures in Africa. The objective, prompted by the ongoing avid promotion of such architectures on the continent, is to contribute to an analysis that centres race in these projects. Our argument is that these initiatives have to be understood in relation to inherited material and discursive scaffoldings that remain from the colonial period, through what we refer to as imperial remains and imperial invitations. These remains and invitations demonstrate how recent mega infrastructures inhere, in their planning, financing and implementation, a colonial racialism, despite rhetorical claims to the opposite. Empirically, we draw, principally, on China built and financed infrastructure projects from Kenya, and theoretically upon black radical traditions in order to foreground a longer genealogy of black pathologising and resistance to it on the continent.  相似文献   

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Catharine Macaulay’s History of England from the Accession of James I (1763–1783) was intended by its author and received by its audience as, in part, a response to David Hume’s History of England. Macaulay’s writing has been read as a Whig counter to Hume’s Tory interpretation of England’s seventeenth-century history; more recent work has explored whether Macaulay or Hume has a better claim to be considered an “enlightenment historian”. This article will suggest that Macaulay’s views on the role of England’s Protestant belief and practice in the development and maintenance of the nation’s liberties contained, in the earlier volumes of her History, some of her substantive and important refutations of Hume’s arguments, and, further, that Macaulay’s well-argued claim that Protestantism was instrumental in the formation of England’s national character and potential enjoyment of political liberties was received by her readers as a particularly valuable part of her historical argument. Her accounts of Roman Catholic violence against Protestant victims at the Siege of La Rochelle and in the Irish Massacre of 1641 became some of the most quoted parts of her historical writing.  相似文献   

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This article places Armenian nationalist terrorism into the broader sociopolitical context of the final decades of the Ottoman Empire. It considers the agendas and methods of the nationalists and the relationship between their actions, great power intervention and state violence.  相似文献   

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This article examines the travels and appearances of Canadian Mohawk writers, lecturers, and performers E. Pauline Johnson and John Brant‐Sero, who appeared in Britain as self‐identified Mohawks, Canadians, and members of the British Empire during the late‐Victorian and Edwardian years of heightened imperial sentiment. The article draws upon feminist scholarship on performance, imperialism, and culture and consumption for the late‐Victorian and Edwardian period. It argues that, while Johnson and Brant‐Sero challenged stereotypes of Mohawk gender relations, they also were part of imperialist modernity; their gendered ‘performances’– on and off‐stage – must be analysed within the context of the gendered cultures of consumption and performance of late‐Victorian and Edwardian British society.  相似文献   

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