共查询到7条相似文献,搜索用时 15 毫秒
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Ruth Watson 《Imago Mundi: The International Journal for the History of Cartography》2013,65(2):182-194
The heart‐shaped, or cordiform, maps of the sixteenth century, including those by Oronce Fine, Peter Apian and Gerard Mercator, have long intrigued historians. Most writers have considered the heart shape a product only of mathematics, but some have recently offered other interpretations for the use of the heart. A classificatory system devised by d'Avezac in 1863, however, has impeded our understanding of the cordiform map, particularly in the matter of what is considered to be such a map. The nature of his classification and its reception by other writers since the late nineteenth century are examined in order to elucidate new directions for the study of the use of the heart shape in sixteenth‐century cartography. 相似文献
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Haas Wertheim 《Imago Mundi: The International Journal for the History of Cartography》2013,65(1):41-43
ABSTRACT Imitations of famous Dutch wall maps originally produced in Amsterdam by F. de Wit and W. J. Blaeu have recently been rediscovered in Italy. In Bologna, in the archive of Opera Pia dei Poveri Vergognosi, is a set of Blaeu's four wall maps of the continents, engraved on new plates by Pietro Todeschi and published by Giuseppe Longhi. The value of the discovery lies in the completeness of the exemplars, which also bear the publisher's imprint and date of publication, hitherto unknown: Europe 1677; Africa 1678; Asia 1679; America 1679/1680(?). An undated version of de Wit's world wall map, also published by Longhi, has come to light in the same archive. A copy of the same map, this time published by Giovanni Giacomo de' Rossi in Rome in 1675, was then found in Modena in the Seminario Metropolitano. Comparison of the two copies has provided a date for Longhi's undated issue; Longhi's map came after de' Rossi's, that is after 1675. 相似文献
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Jessica Maier 《Imago Mundi: The International Journal for the History of Cartography》2013,65(1):1-23
Leonardo Bufalini's plan of Rome (1551) was the first printed map of the Eternal City and a landmark in the history of city plans. This article fills several lacunae in the scholarship on the map by reconsidering its intended function and audience and by situating it at the intersection of technical and antiquarian endeavour in sixteenth‐century Rome. At issue are Bufalini's methods for making the map, along with the distinctive combination of practical and scholarly interests that motivated him. The anomalous status of Bufalini's plan in the realm of popular printed imagery of the city signals, moreover, that the Renaissance audience had a marked preference for pictorial city views over maps. 相似文献
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Jean‐Luc Arnaud 《Imago Mundi: The International Journal for the History of Cartography》2013,65(1):46-70
Abstract De manière générale, la cartographie des villes de l'empire ottoman est peu abondante. Au dix‐neuvième siècle, malgré plusieurs réformes administratives, l'autorité publique ne recourait pas à des documents cartographiques pour organiser les travaux d'édilité tandis que les étrangers rencontraient les plus grandes difficultés pour établir des représentations de ces villes. Damas constitue une exception à ce tableau. On dispose de plusieurs cartes antérieures à l'établissement du mandat français (1920) qui sont de qualité inégale. Les auteurs étrangers sont les plus nombreux et les plus fiables; le plus souvent archéologues ou historiens, ils ont dressé des documents partiels par toujours faciles à évaluer. Cependant, et malgré la faiblesse de son volume (sept documents), le corpus des premières cartes de Damas constitue une source essentielle pour l'histoire du développement spatial de la ville entre le milieu du dix‐neuvième siècle et l'établissement du pouvoir mandataire. 相似文献