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Using Slavic examples, the article looks at the nationalism/security nexus present today between the birth of ethnicities (early middle ages) and the birth of nationalism (eighteenth century). I discuss how Slavic ethnicity emerged in Greek and Roman security thinking. Others were classified in terms of ethnoi and were then interpellated into this self‐understanding. If ethnicity is an identity for the Other, then nationalism is an identity for the Self. It becomes a security concern not to order the Other polity's identity, as did the Byzantines, but to see to it that groups that may threaten your own nationalism – minorities, imperial subjects – cannot embrace nationalism. The policy of denying nationhood to minorities must be understood amongst other things as security policy. The organic understanding of the nation as young and vital demonstrates a third interstice between security and nationalism. If the young and vital nation is to grow and expand at the expense of the old and tired, then the polity that represents itself as a young and vital nation is by dint of that representation alone a security threat against those that they represent as old and tired. Finally, I discuss how this theme is played out in today's Russia  相似文献   

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ABSTRACT. Building on recent literature, this article discusses four ways of studying the relationship between religion and nationalism. The first is to treat religion and nationalism, along with ethnicity and race, as analogous phenomena. The second is to specify ways in which religion helps explain things about nationalism – its origin, its power or its distinctive character in particular cases. The third is to treat religion as part of nationalism, and to specify modes of interpenetration and intertwining. The fourth is to posit a distinctively religious form of nationalism. The article concludes by reconsidering the much‐criticised understanding of nationalism as a distinctively secular phenomenon.  相似文献   

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This article analyses the relationship between religion, secularisation and nationalism in Quebec and the Basque Country using a comparative approach. I will first outline the ethnic‐religious origin of these nationalist movements. Second, I will examine the extent to which the ‘new’ secular and violent nationalism (Euskadi Ta Askatasuna and Front de Libération du Québec) that emerged in the 1960s was fuelled in its origin by a transfer of sacrality. Third, I will address an aspect that has led some theorists to view religion and nationalism as analogous phenomena, in which nationalism is construed as a religion of blood sacrifice. Fourth, I will examine another aspect that leads to this view of religion and nationalism as analogous phenomena, as the latter also provides a framework of transcendent meaning through an imaginary of continuity between the different generations. The article concludes with a series of general considerations on the relations between nationalism, secularisation and religion.  相似文献   

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One approach within the Islamic camp treats Islam, which emphasizes overarching notions such as the ‘Islamic brotherhood’ and ‘ummah’, as incompatible with ethno‐nationalist ideas and movements. It is, however, striking that in the last decades, several Islamic and conservative groups in Turkey have paid increasing attention to the Kurdish issue, supporting their ethnic demands and sentiments. Even more striking, the leftist, secular Kurdish ethno‐nationalists have adopted a more welcoming attitude toward Islam. How can we explain such intriguing developments and shifts? Using original data derived from several elite interviews and a public opinion survey, this study shows that the struggle for Kurdish popular support and legitimacy has encouraged political elites from both camps to enrich their ideological toolbox by borrowing ideas and discourses from each other. Further, Turkish and Kurdish nationalists alike utilize Islamic discourses and ideas to legitimize their competing nationalist claims. Exploring such issues, the study also provides theoretical and policy implications.  相似文献   

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ABSTRACT. The recent and unresolved conflict in Côte d'Ivoire has received little attention in the English‐speaking world. Where it is discussed, the instrumentalist view of ethnic conflict predominates. This is a linear and structural argument. It examines how pre‐given ethnic groups gained political voice in clashes over control of economic resources, and were subsequently manipulated by political elites with personal agendas. This paper questions the coherence of group identity and instead emphasises the agency of individuals. It argues that the meaning of ethnic identity was transformed as social and economic grievances led to conflict between political groupings. This approach accords individual Ivoirians more responsibility for determining the boundaries of ethnic and nationalist exclusion, and for participating in the ensuing violent conflict.  相似文献   

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The scholarly works on ethnicity and nationalism have been highly dominated by binary frameworks. In addition, the normative preference for civic consciousness and the concerns of national disintegration often separate the notions of ethnicity and nationalism. This article suggests that the notions of ethnicity and nationalism cannot be understood exclusively as a choice between maintaining the integrity of the nation and completely rejecting it. Drawing on fieldwork in mother tongue schools in Nepal, the article draws attention to the ways in which school actors discursively positioned ethnic identity as imperative to national identity, the one that bolsters the notion of Nepali nationhood. By paying close attention to the everyday context within which discourses of nationalism are situated, this article argues for an analytical necessity to approach ethnicity and nationalism in relation to each other to appreciate the process of symbolic negotiations in public spaces.  相似文献   

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In this article we argue that the role of intellectuals was essential (1) in the formation of Finnish cultural policy and (2) for the development of national cultural administration and public arts subsidy system in the country in the period leading up to the Second World War. The actions of the intellectuals can be considered as political choices in a contingent socio‐political realm, and arts as an essential part of the signifying system. In Finland, intellectuals remained active in the intertwining areas between the state and civil society. We highlight the impact of their actions especially through a study of archival materials obtained from the State Arts Boards. At these Boards, the intellectuals served as representatives of their own fields of arts in general, and of certain professional and civic associations and societies in particular. These intellectuals acted in various roles depending on the subject matter at hand, and as a result the decisions made by the boards reflected predominantly the interests of some groups over those of others.  相似文献   

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George Woodcock was anarchism's most influential historian and an important public intellectual in Canada. This article focuses on his engagement with Canadian nationalism in the 1960s and 1970s. It argues that a ‘philosophical anarchism’ was at the heart of his intellectual project, and this informed his reading of Canadian cultural development and subsequent political challenge to Pierre Elliott Trudeau's civic nationalism. Woodcock decoupled the concepts of ‘nation’ and ‘state’ in order to develop a radically different model for Canada—the ‘anti-nation’—defined by regionalism, federalism and direct democracy. His reading of Canada's cultural history supporting this position was therefore part of a strategy to repurpose nationalist rhetoric towards anti-state ends.  相似文献   

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Abstract

Two great movie directors were both born in 1930. One of them, Jean-Luc Godard, revolutionized filmmaking during his 30s and declined in creativity thereafter. In contrast, Clint Eastwood did not direct his first movie until he had passed the age of 40 and did not emerge as an important director until after he was 60. This dramatic difference in life cycles was not accidental, but was a characteristic example of a pattern that has been identified across the arts: Godard was a conceptual innovator who peaked early, whereas Eastwood was an experimental innovator who improved with experience. This article examines the goals, methods, and creative life cycles of Godard, Eastwood, and eight other directors who were the most important filmmakers of the second half of the twentieth century. Francis Ford Coppola, Stanley Kubrick, Stephen Spielberg, and François Truffaut join Godard in the category of conceptual young geniuses, while Woody Allen, Robert Altman, John Cassavetes, and Martin Scorsese are classed with Eastwood as experimental old masters. In an era in which conceptual innovators have dominated a number of artistic activities, the strong representation of experimental innovators among the greatest film directors is an interesting phenomenon.  相似文献   

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