‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

Intellectuels belges en quête d'un nouveau socialisme: l'aventure des Cahiers socialistes (1944–1953)

Summary ?The publication of the first issue of Cahiers socialistes at the very end of the war in 1944 and its nine-year run have to be considered in the framework of the new socialist politic, which combined realism and reformism. It is in answer to the ‘formal, parliamentarian and conformist’ socialism that the collaborators of Cahiers socialistes, mostly trained at the Université Libre de Bruxelles, formulated an alternative left-wing proposition focused on socioeconomic reforms grounded in moral ideals such as freedom and human dignity. Cahiers socialistes were thus the product of an intellectual elite which then had a career in academe or in the civil service. This small group did not have a great impact in the shaping of public opinion but it has left a considerable conceptual legacy for socialist intellectuals.

La parution du premier numéro des Cahiers socialistes dans les derniers jours de guerre en 1944, et la poursuite fructueuse de la publication au cours des neuf années qui suivirent, doivent être vues dans le contexte socio-économique de l'époque et de la ‘nouvelle’ politique socialiste belge, réaliste et réformiste, avec ses points de vue en matière de politique sociale, de politique étrangère et d'intégration européenne. C'est en majeure partie en réaction au socialisme ‘parlementaire, formel et conformiste’ que les collaborateurs des Cahiers socialistes, pour la plupart issus de l'Université Libre de Bruxelles, proposèrent une gauche alternative centrée sur des réformes socio-économiques, situées dans une optique volontariste, même personnaliste, et liées à une série d'idéaux moraux comme la liberté et la diginité humaine. Les Cahiers socialistes étaient le produit d'une élite intellectuelle. Tant le contenu des publications que le profil sociologique de ses collaborateurs—la plupart d'entre eux firent carrière dans l'enseignement, la recherche scientifique ou dans l'administration—en témoignent. Il s'agissait d'un petit groupe d'intellectuels dont l'engagement, s'il était considérable, ne trouva pas vraiment grand écho dans l'opinion publique. Cela n'a toutefois pas empêché la constitution d'un héritage spirituel à long terme destiné aux générations futures d'intellectuels socialistes.     

Paris and Panoramic Vision: Lieux de Mémoire,Lieux Communs

From the totalizing perspectives of the panorama to metonymic fragments of a monumental Paris, what is celebrated is representational tradition and innovation. In an ongoing representation of Paris cityscapes, pictorialism of the nineteenth century offers an insight into (and an example of) what has come to be known as lieux de mémoire, while at the same time questioning the legacy through an interrogation of lieux communs. Through painting and photography in the nineteenth and early to mid-twentieth centuries, this article addresses legacies in pictorialism, both in and of the nineteenth century, exploring how this pictorial legacy is interpreted and develops and how, in Hamon's terms, images of Paris increasingly propose ‘des référents “en raccourci”’. The partiality of the representation (in both senses of the term) is evidence both of the cultural prevalence of the legacy and of its potential for reinterpretation.     

Identity and geopolitics in Hergé's Adventures of Tintin

This is a study of identity and geopolitics in Hergé's Adventures of Tintin, a series of adventure comics created from 1929 to 1976. The Tintin comics became increasingly popular throughout the mid-twentieth century, and their creator, Hergé, is still a subject of intrigue in the press and popular publications. Recent work in popular geopolitics has pioneered the use of comics as a new type of source material in critical geography. Hergé's approach to the comics format combines an iconic protagonist with detailed and textured environments that draw upon some of the geopolitical discourses of the twentieth century. Three forms of geopolitical meaning are identified within the Tintin comics: discourses of colonialism, European pre-eminence and anti-Americanism. These overlapping trends amount to different facets of one single discourse, which places European ideologies at the centre of its world-view. This is highlighted by focusing on three geographical spaces of the Tintin series, and by contextualising the life and selected works of Hergé.     

In Search of the Absolute: the Nouvelle Revue française,and Uses and Meanings of the Orient (1920–1930)

In the intellectual history of the interwar period, the Nouvelle Revue française (NRF) occupies centre-stage. Valéry's essay La crise de l'esprit (1919), published in the review following the Great War, announced a crisis of faith in Western values and traditions. As elsewhere, intellectuals in France looked to the East for new inspirations. This article traces the interest and attraction of the East for certain key NRF writers, including André Malraux, and the teacher and philosopher, Jean Grenier, whose essay Sur l'Inde was published in the review in 1930. The article is informed partly by the correspondence of Jean Paulhan, the editor of the NRF.     

Bringing Counterculture to France: Actuel Magazine and the Legacy of May '68

This article considers the nature and role of counterculture in France in the aftermath of 1968. It engages with recent work by Kristin Ross who has argued that demagogic characterisations of May '68 around notions of ‘youth’ and ‘generation’ serve to depoliticise the event. This emphasis on the ‘cultural effects’ of 1968 is linked in Ross's account with the idea of counterculture, but the link between depoliticisation and counterculture is made without a sustained examination of counterculture's actual instances. A reassessment of the nature of French counterculture is therefore made here via an examination of Actuel magazine (1971–1975), which constituted an important node of youth cultural practice in those years. This article charts the rise and fall of Actuel, analyses how it first created and then related to its constituency, and provides key insights into the development and (de)politicisation of youth cultures in France in the years after 1968.     

Paradoxes,Protests and the Mujeres de Negro of Northern Mexico

On November 25, 2002, thousands of people marched through the streets of Mexico City and demanded, in the name of social justice, an end to the violence against women in northern Mexico. ‘Ni Una Más’ (not one more) was their chant and is also the name of their social justice campaign. Their words referred to the hundreds of women and girls who have died violent and brutal deaths in northern Mexico and to the several hundred more who have disappeared over the last ten years. These Ni Una Más marchers, many working with human rights and feminist organizations in Mexico, are protesting against the political disregard and lack of accountability, at all levels of government, in relation to this surging violence against women. And the symbolic leaders of their movement are the Mujeres de Negro (women wearing black), who are based in Chihuahua City. In this article, I examine how the Mujeres de Negro demonstrate how feminist politics so often plays upon the negotiation of spatial paradoxes in order to open new arenas for women's political agency. For while the Mujeres de Negro of northern Mexico are galvanizing an international human rights movement that is challenging political elites, they are also reinforcing many of the traditional prohibitions against women's access to politics and the public sphere. And I explore how the Mujeres de Negro devise a spatial strategy for navigating this paradox in an increasingly dangerous political environment.     

A Daily Revision of the Past: Fascism,Anti-Fascism,and Memory in Contemporary Italy

Recent cultural and political debate in contemporary Italy, which has often been focused on Fascism and the Resistance, has seen an attempt to reconsider the importance of the constitutive moment of the Republic, namely the Liberazione from Nazism–Fascism, and to equate the memories of Fascism and anti-Fascism. The direct consequence of these confused revisionist approaches is either to rehabilitate many aspects of the Duce's regime, or on the contrary to assign this shady page of history to oblivion. The effect of this would be to marginalize anti-Fascism, and even to depict Fascism as relatively ‘harmless’ or ‘apolitical’. The danger is that this trend may construct an artificial and distorted history and thus a ‘manipulated’ public memory for Italian society. The purpose of this article is not to defend anti-Fascism but to restore the reality of ‘Fascism in action’, and to challenge distorted revisionist perceptions of the past.     

Giordano Bruno's Infinitely Numerous Worlds and ‘Lunar’ Literature

This paper analyses Giordano Bruno's dialogue De l’infinito universo e mondi (The Infinite Universe and Worlds), written during his stay in England (1583–85), in the context of his philosophical works and, particularly, within the context of scientific and imaginative writings such as Cyrano de Bergerac's Other Worlds (published posthumously in 1662) and Francis Godwin's The Man in the Moone (1638). The article also discusses the contemporary speculations of Galileo and Kepler regarding the existence of a plurality of worlds and the presence of creatures on the moon and their rapport with humans. Besides the imaginative, fantastic and pseudoscientific elements, attention is also given to religious implications and attitudes, especially in the case of Godwin, who, like his countryman John Wilkins—author of The Discovery of the Worlde in the Moone (1638)–was a bishop and therefore wanted to avoid any controversy with the church.     

Secular Advice in Erasmus’s Sacred Writings

Research into Erasmus’s political ideas, notably his pacifism, should not be based on sources like Institutio Principis Christiani, Querela Pacis, or Dulce Bellum, which are rhetorical compositions and offer clichés rather than Erasmus’s personal opinions. At the very least, these sources should be checked against Erasmus’s theological writings, in which he presents specific and cogent arguments for his views and allows us to put them into their proper context.     

‘Martial Races’ and ‘Imperial Subjects’: Violence and Governance in Colonial India, 1857–1914

This essay explores the specificity of colonial violence in India. Although imperial and military historians are familiar with several instances of such violence—notably the rebellion in 1857 and the 1919 massacre at the Jallianwalla Bagh in Amritsar—there is a broader, and arguably more significant, history that has largely escaped attention. In contrast to metropolitan European states, where sovereignty derived, at least in principle, from a covenant between subjects and government, the sovereign power of the colonial state was always predicated on the violent subjugation of ‘the natives’. However, while violence was integral to colonialism, such violence was never a purely metropolitan agency: most of those recruited to serve in the colonial military were, themselves, Indian. Exploring the history of the imperial military in South Asia after 1857, the paper outlines the complex and rather ambiguous relationship between the colonial state and its ‘native armies’.

résumé ?Cet article se penche sur la spécificité de la violence coloniale. Malgré des exemples familiers—comme la grande révolte de 1857 en Inde ou le massacre de Jallianwalla Bagh à Amritsar en 1919—il y a une histoire plus large et plus importante qui a échappée à l'attention des historiens. Contrairement aux états européens ou la souveraineté dérivait en principe du moins d'un contrat social entre les acteurs sociaux, le pouvoir souverain de l'état colonial restait fondé sur la subjugation violente des indigènes.     

Airports and air-mindedness: spacing,timing and using the Liverpool Airport, 1929–1939

Some popular texts have associated airports with a lack of identity. It is supposed that people are alienated from these ahistorical and interstitial spaces (Augé 1995 Augé, M. 1995. Non-places: Introduction to an Anthropology of Supermodernity, London: Verso.  [Google Scholar]; Castells 1996 Castells, M. 1996. The Rise of the Network Society, Volume 1: The Information Age: Economy, Society and Culture, Oxford: Blackwell.  [Google Scholar]). Other approaches have tended to ignore their sociality, exploring their role within transport networks rather than what goes on within. Through a discussion of the early beginnings of British airport development and the construction of Liverpool Airport at Speke, I attempt to show how there are other contextual geographies to airports. By using the concept of air-mindedness—a moral geographical concept that promoted the belief in the possibilities of aircraft mobility, this paper discusses how social identities became bound to flight, forming the context to the development of the airport and both local and national belonging. This examination will reveal the embeddedness of airports within the times, spaces and uses from which they are produced and consumed. Archival research provides the material for this discussion.

Les aéroports et le sens des choses de l'air: l'espace, le temps et l'utilisation de l'aéroport de Liverpool, 1929–1939

Un nombre d'écrits populaires ont dressé un parallèle entre les aéroports et un déficit d'identité. Les gens, suppose t'on, se sentent aliénés par ces espaces ahistoriques et interstitiels (Augé 1995 Augé, M. 1995. Non-places: Introduction to an Anthropology of Supermodernity, London: Verso.  [Google Scholar]; Castells 1996 Castells, M. 1996. The Rise of the Network Society, Volume 1: The Information Age: Economy, Society and Culture, Oxford: Blackwell.  [Google Scholar]). Dans d'autres cas, on a fait fi de leur socialité, explorant alors leur rôle au sein de réseaux des transports plutôt que de s'intéresser à ce qui se passe dedans. Une discussion sur les tout débuts de l'expansion des aéroports britanniques et de la construction de l'aéroport de Liverpool à Steke tente de montrer comment les aéroports sont situés dans des contextes géographiques différents. Grâce au concept du sens des choses de l'air—un concept moral en géographie qui renforçait la croyance dans les possibilités de mobilité qu'offre l'avion, cet article traite de la façon dont les identités sociales se rattachent au vol créant ainsi le contexte dans lequel se situe le développement de l'aéroport et de l'appartenance locale et nationale. Dans cette étude, il est question de l'enchâssement des aéroports dans les époques, espaces et usages à partir desquels ils sont produits et consommés. La discussion fait état des résultats d'une recherche en archivistique.

Mots-clefs: aéroports, géographie, contexte, mobilité, identité, sens des choses de l'air.

Aeropuertos y air-mindedness: espacio, tiempo y el uso del aeropuerto de Liverpool 1929–1939

Algunos textos populares asocian los aeropuertos con una falta de identidad. Se supone que la gente se siente distanciada de estos espacios ahistóricos e intersticiales (Augé 1995 Augé, M. 1995. Non-places: Introduction to an Anthropology of Supermodernity, London: Verso.  [Google Scholar]; Castells 1996 Castells, M. 1996. The Rise of the Network Society, Volume 1: The Information Age: Economy, Society and Culture, Oxford: Blackwell.  [Google Scholar]). Los enfoques de otros no tienen en cuenta el aspecto social y exploran el papel del aeropuerto en las redes de transporte en vez de explorar lo que pasa dentro del mismo aeropuerto. Por un estudio de los inicios del desarrollo del Aeropuerto Británico y la construcción del aeropuerto de Liverpool en Speke, pretendo mostrar que, con respecto a los aeropuertos, hay otras geografías contextuales para explorar. Haciendo uso de la idea de ‘air-mindedness’—un concepto geográfico moral que fomentaba confianza en las posibilidades de movilidad aeronáutica—este papel habla de cómo las identidades sociales llegaron a ser vinculadas a la aviación, así formando el contexto para el desarrollo del aeropuerto y un sentido de pertenencia, tanto local como nacional. Este estudio revela hasta qué punto los aeropuertos se han arraigado en los tiempos, espacios y usos de los cuales son producidos y consumidos. Hago uso de investigaciones de archivos para este debate.

Palabras claves: aeropuertos, geografía, contexto, movilidad, identidad, air-mindedness.     

The Scope and Definitions of Heritage: From Tangible to Intangible

Since the adoption of the Venice Charter in 1964, there have been many conservation guidelines in the form of charters, recommendations and resolutions that have been introduced and adopted by international organisations such as UNESCO and ICOMOS. This article focuses on the scope and definition of heritage as promulgated by the various charters across the globe. The term ‘historic monument’ used in the Venice Charter 1964 was reinterpreted by ICOMOS in 1965 ICOMOS. 21–22 June 1965. Report on the Constitutive Assembly 21–22 June, Warsaw, , Poland [Google Scholar] as ‘monument’ and ‘site’; and by UNESCO in 1968 UNESCO. 1968. Recommendation Concerning the Preservation of Cultural Property Endangered by Public or Private Works. 15th Session of the General Conference. 1968, Paris.  [Google Scholar] as ‘cultural property’ to include both movable and immovable. The different terminology between the UNESCO and ICOMOS was reconciled at the World Heritage Convention 1972. At national and regional levels the scope of heritage was broadened to include gardens, landscape and environment, and later reinterpreted and defined quite differently in Europe, Australia, New Zealand, Canada and China. Although the scope of heritage, in general, is now agreed internationally to include ‘tangible’ and ‘intangible’ as well as ‘environments’, the finer terminology of ‘heritage’ has not been streamlined or standardised, and thus no uniformity exists between countries.     

Engaging geographies of public art: indwellers,the ‘Butt Plug Gnome’ and their locale

This paper focuses on particularities of indwellers' perceptions of public art and its locale by drawing on the epistemology of ‘situated knowledges’ (Haraway 1991, Simians, Cyborgs, and Women: The Reinvention of Women. New York: Routledge) and the notion of ‘geographies of engagement’ (Zebracki, Van Der Vaart and Van Aalst 2010, Geoforum 41(5): 786–795). We employ the case of Paul McCarthy's internationally acclaimed public artwork Santa Claus in Rotterdam to illustrate the sundry outlooks on its spatialities, aesthetics and moralities, and its functionalities in relation to place. Santa Claus's alleged sexual nature is highly disputed among local politicians and the local population. This dispute is narratively covered by media sources and inscribed by its popular renaming as the ‘Butt Plug Gnome’. We empirically situate documented media views within the way indwellers perceive Santa Claus and its experienced locale in interrelation with themselves. We try to open up differential vistas on public-art narration in relation to people, time and space, whereby we elaborate on the reflexive idea of ‘social relationality’ (Massey and Rose 2003, Personal Views: Public Art Research Project. Milton Keynes: The Open University) by revealing how socio-spatial differences in public-art narration are negotiated. As such, we examine how public art is geographically reconstituted through the publics, namely those for whom public art is essentially intended yet who have been neglected actors of analysis in public-art research.     

Devonian operculate corals (Calceolidae,Cnidaria) from the Massif Armoricain,France

Wright, A.J., Plusquellec, Y. &; Gourvennec, R., February 2016. Devonian operculate corals (Calceolidae, Cnidaria) from the Massif Armoricain, France. Alcheringa 40, xxx–xxx. ISSN 0311-5518

The operculate coral Calceola gervillei Bayle, 1878 Bayle, E., 1878. Fossiles principaux des terrains de la France. Explication de la Carte Géologique de France 4(1), 1–158. [Google Scholar] is described for the first time on the basis of the type material from the Cotentin region of Normandy (North Armorican Domain), from Early Devonian (likely upper Lochkovian to lower Pragian) strata, and is chosen as the type species of the monotypic new genus Gerviphyllum. The new genus is also present in the l’Armorique Formation (lower Pragian) of the Plougastel Peninsula (Central Armorican Domain) as Gerviphyllum sp. cf. G. gervillei. One locality in the upper Emsian (Polygnathus serotinus Conodont Zone) Le Fret Formation, on the northern coast of the Crozon Peninsula, has yielded operculate coral specimens described here as ?Chakeola sp., the first (tentative) record of the genus outside eastern Australia, south China and Vietnam. The operculate coral Calceola collini sp. nov. is described from six localities in the early Middle Devonian (Eifelian: Polygnathus costatus Conodont Zone) Saint-Fiacre Formation of the Plougastel and Crozon Peninsulas (Central Armorican Domain), despite the fact that knowledge of the internal characters, especially of the operculum, of the type species Calceola sandalina is very limited. From an extensive review of published references to Calceola from France, we conclude that only the record of Collin (1929 Collin, L., 1929. Un nouveau gisement à calcéoles dans le Dévonien de la Presqu’île de Crozon (Finistère). Bulletin de la Société Géologique et Minéralogique de Bretagne 7(3/4), 201–208. [Google Scholar]) is valid.

Anthony Wright (tony.wright@optusnet.com.au), GeoQuEST Research Centre, School of Earth &; Environmental Sciences, University of Wollongong, Wollongong, NSW, 2522, Australia; Yves Plusquellec (yves.plusquellec@univ-brest.fr) and Rémy Gourvennec (remy.gourvennec@univ-brest.fr), Université de Bretagne Occidentale, CNRS-UMR 6538 ‘Domaines océaniques’, Laboratoire de Paléontologie, UFR Sciences et Techniques, 6 avenue Le Gorgeu, CS 98837, F-29283, Brest, France. Received 1.10.2015; revised 8.12.2015; accepted 14.12.2015.     

Mixed messages: youth participation and democratic practice

The article begins by observing that, over the last decade, the idea of youth participation has once more become a popular part of contemporary political talk both in Australia and in many Western societies. Indeed most Western governments now advocate enhanced youth participation as part of a discourse about modern citizenship, so much so that it has become a policy cliché to say ‘increased youth participation’ will ‘empower’ young people, help build community and remedy a range of social problems. It is also noted that, if the idea of participation itself is an old idea central to the liberal democratic tradition, the current ‘rediscovery’ of youth participation is arguably part of that political orthodoxy. Drawing on selected State, national and Commonwealth government youth documents, the question is asked whether the official enthusiasm for youth participation has much to do with democratic practice. It is argued that the recent government enthusiasm for youth participation is problematic for three reasons. First, it fails to recognise the significant obstacles that young people currently experience when trying to participate socially, economically and politically. Second, there is a failure to think through what democratic practice requires. Third, both the conceptualisation and operationalisation of official youth participation policies reveal an agenda that is seriously at odds with the rhetoric of democratic participation. This raises questions about whose voice is actually being heard and to what effect.

A litmus test of any government, however it may describe itself, is its treatment of children. (Yakovlev 2003 Yakovlev A 2003 A Century of Violence in the Soviet Union New Haven, CT: Yale University Press  [Google Scholar], 33)     

National Identity and Everyday Cultures in Contemporary France: Re-Constructing Frenchness through ‘Third Kind’ Representations of the Cités (1960–2000)*

This article examines the role played in France by the culture du quotidien (everyday culture) in establishing a more integrated image of the nation and identity. It suggests that since the 1960s, dominant media discourse in France, and artistic representations of the urban periphery, have often perpetuated an image of the cités as menacing spaces detached from the national community and emblematic of France's postmodern crisis. Focusing on everyday cultural creations about the Grand Ensemble in La Courneuve, it argues that the ‘ordinariness’ of the lives these creations convey, along with the residents’ cultural practices and their continuing sense of belonging, effectively treats geography, culture and history in a way that questions the standard externalising discourse about the cités. Despite their limits in terms of circulation, these cultural artefacts of a ‘third kind’ offer images that contribute to challenging the ‘banlieues myth’ and help re-construct a French identity perceived under threat. 1 ?[1] I express my gratitude to Dr Karima Laachir, Professor Kate Ince and Dr Jackie Clarke for their support, comments and advice, while preparing this article. I am also indebted to the challenging and inspiring contributions made by the participants of the ASMCF conference held in Manchester in September 2008. Finally, my thanks go to the inhabitants of La Courneuve who, like Dr Roger Amar, kindly accepted to discuss their views on French contemporary society.      

From Beyond the Grave and Across the Ocean: Washington Irving and the Problem of Being a Questioning American, 1809–20

This article is a reconsideration of Washington Irving’s early career between the productions of his first two major works: A History of New York (1809) and The Sketch Book (1819–20). His life and writings in that period are treated as a study in the individual problem of being a ‘questioning American,’ specifically a questioning American writer, in the new republic, and as a broader critique of the developing new nation. Specifically it places those writings in dialogue with the dominant Jeffersonian narrative of a glorious national future. It thus rediscovers Irving as a critical alternative witness to this important period in American history and the entwined attempt to critique his country and to come to terms with it as the central, underappreciated theme both in neglected writings (his contributions to the Analectic Magazine (1812–15)) and familiar tales (Rip van Winkle, The Legend of Sleepy Hollow).     

Roman noir et drapeau noir: Didier Daeninckx and the libertarian legacy

Abstract

The crime novelist Didier Daeninckx originally established himself as an author of historical crime fiction. His 1984 Daeninckx, D. (1984) 2011a. Meurtres pour mémoire. Paris: Folio Policier. [Google Scholar] novel, Meurtres pour mémoire, in particular challenged occluded and intertwined memories of the Occupation and the Algerian War of Independence. Since then, and through his subsequent writings and political activities, Daeninckx has been recognised as giving voice to a range of marginalised communities and memories. Much academic study has therefore concentrated on the recovery of the past in Daeninckx’s fiction, approaching his work from the perspective of cultural history and memory studies, considering it a form of memory activism. This article offers a new perspective on Daeninckx’s political engagement. It will examine Daeninckx’s three contributions to Éditions Baleine’s collaboratively authored detective series Le Poulpe: Nazis dans le métro (1996), Éthique en toc (2000) and La Route du Rom (2003). It will argue that they are informed by a memory of France’s broad libertarian tradition which constitutes a hidden referent essential to understanding the formulation of the ethico-political counter-communities to which many of his characters (and his ideal, implied reader) belong. More particularly, it will argue that these communities form the basis of a new model of political engagement beyond party, state and class, suggesting not only the persistence but also the adaptability of libertarian thinking in Daeninckx’s work and the French roman noir.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.