The camera goes down the streets. Dans les rues (Victor Trivas, 1933) and the Paris of the German émigrés

Marcel Carné's important clarion call to 1930s French cinema 'to take the camera down the streets' was uniquely troubled by the arrival of waves of German émigré filmmakers in the French capital. This article uses one émigré film set in Paris, Dans les rues (Victor Trivas, 1933), as a case study to discuss both the place of the city and the place of the outsider in cinematic cultural representation during this decade. It argues that despite right-wing critical discourse linking Jewish culture with the ill effects of city life, a film like Dans les rues can be seen as an important turning point in the on-screen depiction of Paris. Trivas's film may have looked backwards to 19th-century convention, but, at the same time, it responded uniquely to Carné's concerns to produce an important, though largely neglected, early example of poetic realism.     

The nobility of English Gascony: the case of Jourdain de l'Isle

Among the greatest obstacles to effective English authority in Gascony was a criminal element within the nobility. Lawless, acquisitive, and defiant of all authority, such individuals were especially troublesome for Edward II whose control over Gascony would have been tenuous in any event. Among the most notorious in this period was Jourdain de l'Isle, younger son of a powerful Gascon nobleman. Holding extensive territories through both inheritance and marriage, Jourdain was a violent and aggressive man who attacked indiscriminately merchants, clergy, and even his fellow noblemen. Ignoring the efforts of the ducal government to control him, Jourdain appealed to the Capetian Parlement of Paris; but the French like the English had little use for him. His only supporter was his kinsman, Pope John XXII, who sought to assist Jourdain against both ducal and Capetian authorities, after the Gascon's crimes had brought him the enmity of both. While the pope's efforts had no result, neither the English nor the French succeeded in punishing Jourdain until in 1323 he defiantly came to Paris, where he was tried and executed for his sundry crimes. Jourdain's sorry career illustrates the problems that such men created for English rule in Gascony and makes clear that in at least this situation Plantagenet and Capetian authorities were in total agreement.     

The road to modern Jewish politics. Political tradition and political reconstruction in the Jewish community of Tsarist Russia

This article examines how Maoist theory and practice were imported to France during the 1960s. A syncretic phenomenon, as notions developed in the Chinese cultural context were adapted to the very different Gallic situation, French Maoism proved to be especially influential among students at the École normale supérieure at the rue d’Ulm in Paris, where the Marxist theoretician, Louis Althusser, was teaching. Maoist philosophy facilitated critiques of the Moscow-aligned French Communist Party and its student union; it enabled Althusser's rethinking of the Marxist tradition, and it ultimately provided ammunition for his students’ eventual break with his “theoreticism.” Maoism's fecund contribution to French intellectual culture in the 1960s, helping to lay the groundwork for the events of May 1968, derived principally from its dual theoretical and practical nature. This article highlights two specific Maoist tenants—the inevitably violent nature of revolution and the ersatz-empiricist method of the “investigation”—and suggests how, after 1968, French Maoism ultimately surrendered the former as the latter proved more useful to direct democratic politics.     

English Bordeaux in conflict: the execution of Pierre Vigier de la Rouselle and its aftermath, 1312–24

As capital of English Gascony, Bordeaux was critical to the maintenance of Plantagenet authority in the duchy. Unfortunately for those kings, conditions tended to undermine the fragile power they did have over the wealthy rity. First, the independent-minded, affluent ruling class had for years established themselves in rival factions; at the same time ducal officials had to try to retain their goodwill at the same time as they sought to curb their lawlessness. Second, in the later years of Edward I's reign, the French occupied and governed Bordeaux and much of the rest of the duchy as a consequence of their victory over the English in a relatively minor war. With the resumption of Plantagenet rule over Bordeaux shortly before the accession of Edward II, ducal control was very tenuous indeed, as rival factions now fought each other ostensibly over their English or French sympathies.The problem is clearly illustrated in the case of a Francophilic citizen of Bordeaux, Pierre Vigier de la Rouselle, an ex-ducal official executed for his public criticism of the Gascon government. Following his death and the confiscation of his property, Vigier's heirs and sons appealed for redress to theParlement of Paris, the royal court of Edward II's Capetian overlord. The suit, dragging on there for at least twelve years, demonstrated how weak and inept the English authority was. As the French implicated both ducal officials and pro-English citizens of Bordeaux in the crime, the embarrassed Edward and his Gascon officials sought unsuccessfully to intimidate the appellants, fix culpability on scapegoats, and generally to deny any wrong-doing. Though sources provide no indication that the case ever concluded, it seems apparent that in the dispute over Vigier's death the importence of the English in their own ducal capital was only too clear.     

Marring the Memory: The 1967 Vimy Ridge Commemorations and Canada-France Relations

Commemorating Canada's legendary April 1917 battle of Vimy Ridge has normally proven an emotive event of national importance, symbolic of shared Canadian and French wartime trials and given mostly to remembrance of Canada's war dead. Since 1936, the ridge has been graced by the massive Canadian National Vimy Memorial, for decades the site of impressive and solemn annual ceremonies. But Canada's 1967 50th anniversary celebrations of the battle – a showpiece of the national centenary celebrations – became mired in controversy. French President General Charles de Gaulle was deeply offended that Canada had invited Prince Philip to the event without consulting Paris. It was a stunning diplomatic blunder, especially since Canada's relations with France already were tense as a result of de Gaulle's tacit support for the cause of Quebec independence. Consequently, an opportunity to commemorate a signal event in Canadian history devolved into a fractious bilateral debate and led to a shocking and much-deplored French boycott of the ceremonies. This article adds to the history of commemoration as foreign policy and argues that the Vimy incident had major consequences on France–Canada relations and played a role in France's growing encouragement of Quebec separatists.     

American Historical Demography: A Review Essay

Abstract

American historians of modern art routinely assume that after World War II New York replaced Paris as the center of the western art world. An analysis of the illustrations in French textbooks shows that French art scholars disagree: they rate Jean Dubuffet as the most important painter of the era, ahead of Jackson Pollock, and they consider Yves Klein's anthropometries of 1960 as the greatest contribution of a single year, in front of Andy Warhol's innovations in Pop Art. Yet the French texts also show that the French artists' practices and conceptions of art paralleled those of the Americans. Thus, whereas French and American scholars disagree over the relative importance of their nations' artists, there is no disagreement that the most important art of the 1950s was produced by experimental seekers, and that of the 1960s by conceptual finders.     

Benjamin Franklin,Georges‐louis le rouge and the Franklin/Folger chart of the gulf stream

Abstract: While in Paris as minister to the French court, Benjamin Franklin arranged for the production of a French version of his famous chart of the Gulf Stream, which had been based on a sketch by Timothy Folger and first printed in London c. February, 1769. This paper recounts Franklin's collaboration with the Parisian cartographer Georges‐Louis Le Rouge from their first meeting in 1780, and pieces together the history of the Le Rouge chart. Two open questions have been when the chart was engraved, and whether its purpose was primarily military, commercial or scientific. Evidence suggests that it was produced for French merchant and packet captains in the months following the end of the American War of Independence.     

Jean Renoir,The Rules of the Game,Reputation, and Revisionism

Jean Renoir's film La Règle du jeu (The Rules of the Game) was first shown in Paris, in 1939, and is now generally regarded as one of his masterpieces. But there is a strange side to the film. What most critics and reference books say concerning it—and they tend to say much the same thing—does not, to put it bluntly, square with the facts. What they say is that La Règle du jeu is about an aristocratic house-party that is a microcosm of the corruptness and exhaustion of French society on the eve of World War II. Far from perceiving in La Règle du jeu evidence of the “corruption” and “exhaustion” in French society that led to the country's defeat and occupation by the Germans during World War II, however, the author of this essay attempts to see the film for what it is—not for what historicist critics want it to be.     

The Aims of Knowledge: Emile Durkheim's Critique of American Pragmatism

The lectures on American pragmatism given by the French sociologist Emile Durkheim in 1913 in Paris were first published in French in 1955 and finally translated into English and published in 1983 as Pragmatism and Sociology. For obvious reasons they have attracted considerable attention from philosophers and sociologists, especially the latter, in both continental Europe and the English speaking world. Durkheim's motives in giving the lectures have been scrutinized, his interpretations of the pragmatists widely discussed and his criticisms of William James, John Dewey, and F. S. C. Schiller have met with mixed receptions. However, after years of scholarly discourse on his motives, interpretations and criticisms, there is no common agreement on the significance and meaning of Pragmatism and Sociology. We briefly address the disagreement over Durkheim's motives in the introductory section before turning to our interpretation in the body of the article. There we focus on his criticisms of the pragmatists’ views on the aims and nature of knowledge, which is a classic confrontation between French rationalism à la Durkheim and American pragmatism of the James/Dewey variant.     

Detecting Paris: The character of the city in Eugène Sue's Les Mystères de Paris (1842-1843)

Paris has been described as the central character of Eugène Sue's best-seller, Les Mystères de Paris. However, the opening image of la Cité, which evoked the slums as a dark continent for the intrepid bourgeois explorer to discover, has perpetuated the idea that Sue's Paris is limited to a stylised gothic underworld. This article investigates both these perceptions by examining the nature and contrasts of the capital as Sue presents it, and by suggesting some of the ways in which the city facilitates melodrama, intrigue and social comment. It argues that, despite focusing on isolated parts of the capital rather than the city as a whole, Sue's representation of Paris offers wider insights into the workings of the modern city which are often overlooked.     

Fragments of the Modern City: Material Culture and the Rhythms of Everyday Life in Victorian London

This essay analyses the influence of Charles Baudelaire's and Théophile Gautier's fetishist poetics on the early works of Algernon Charles Swinburne. If the crucial role played by the Victorian poet as a cultural ‘passeur’ between France and England has often been highlighted in recent criticism, his aesthetic delight in certain forms of sexual deviance such as podophilia has rarely been explored in relation to the verse of his French mentors. Swinburne, Gautier, and Baudelaire may have indeed shared this erotic fascination with feet: this is a fascination that was partly grounded in these poets' common interest in antique literary models, in particular in Sappho's poetry. Rather than extolling the Hellenic ‘sweetness and light’ which some of his contemporaries set so high, Swinburne indulged in dangerously eroticised Dionysian aesthetics which were perceived as both ‘too Hellenic’ and ‘too French’. I argue that the fetishism of the poetic foot may be read as one of the keys to the Victorian poet's subversive shift away from the serenity often associated with Victorian neoclassicism in favour of a Dionysian energy that anticipates Friedrich Nietzsche's works.     

Louis d'Anjou et le rayonnement de l'art parisien (1360–1380)

The creation, in the early 1360s, of the apanages of Anjou, Berry and Burgundy for the benefit of the younger brothers of King Charles V of France, already pregnant with political consequences, brought about, gradually, the installation in the provincial capitals of Angers, Bourges and Dijon of courts which favoured learning and luxury. The princes, like the king of France, presented themselves as enlightened Maecenases, keen on novelties, ready to protect and encourage skilled men who could create pious representations for their chapels or sumptuous decorations for their castles. Coming from Paris, a town celebrated for its builder's yards, for its teams of renowned artists, and for its know-how, the sons of King John II would indubitably not have found in their new territories, in spite often of the memory of past splendours, the craftsmen capable of satisfying their tastes and their habits. Thus they were forced, in order to create the requisite local facilities, either to innovate on the spot, or to turn to the capital city of Paris or other illustrous centres to import both men and models.To study the beginnings of the installation of one of these apanaged princes in his province, as is done here, raises the question of the influence of Paris on French artistic life in the 1370s.     

Geographers in Their Ivory Tower: Academic Geography and Popular Geography in Paris 1931

Abstract: French academic geography achieved remarkable success during the 1920s making Paris an appropriate location for the XIIIth International Geographical Congress to meet in 1931. These scholarly activities were counterpoised by expressions of an exotic 'popular geography' at the great Exposition Coloniale staged in the French capital at the same time. At the Congress, French academics displayed their research achievements in denudation chronology, rural settlement studies and cartography, extending their work from the Hexagon to parts of the Empire. Patronage by leading professors in Paris and Grenoble clearly played a vital role in shaping the discipline. The location and content of excursions for visiting scholars also highlighted French achievements and suggested what remained to be done. Scrutiny of activities at the XIIIth IGC reveals a profession whose official pronouncements appear isolated from the momentous economic and political changes triggered by global depression at that time.     

Anglophobia and anti-Semitism: The case of Alphonse Toussenel (1803-1885)

Alphonse Toussenel (1803-1885) was a utopian socialist who criticised the economic liberalism of the July Monarchy. He was a follower of Charles Fourier who denounced the ills of civilisation: individualism, egoism and class conflict. However, he was also the founder of modern French anti-Semitism. His writings inspired Edouard Drumont. The present article explores the links between Toussenel's brand of anti-Semitism, rooted in a revolutionary-nationalist reading of French history, and his almost equally aggressive Anglophobia. He described 'Londres-Juda' as an insatiable vampire sucking the lifeblood of France. In Toussenel's hands zoology became a vehicle for social criticism and his natural history books, as much as his political writings, were infused with anti-English sentiments. The English and the Jews represented external and internal threats to French national identity. An examination of Toussenel's writings helps to understand the joint presence of Anglophobia and anti-Semitism within social romanticism.     

Maps,Painting and Lies Portraying Napoleon's Battlefields in Northern Italy

A comparison of Giuseppe Bagetti's landscape sketches, watercolours, oil paintings and engravings with contemporary maps and the existing landscape reveals that in the creation of Bagetti's landscapes, narrative played a role that differed in cartographic and artistic representations. The comparison also demonstrates that his images were powerful constructions that were more successful in reflecting a narrative of glorious conquest than was possible through cartography. This paper offers a critical examination of Bagetti's representations of Napoleon's northern Italian campaign, which he sketched and painted between 1802 and 1809. Bagetti's paintings were neither pacifist nor an expression of Piedmontese patriotism but instead were inspired by, and constructed according to, a narrative about the conquest that reflected the views of the French authorities. The narrative found expression in formal written instructions from the central cartographical office in the Dépôt de la guerre, Paris, in verbal and written instructions from Bagetti's immediate superior, Jean François Martinel, and in letters personally addressed to Bagetti from the officer commanding the Dépôt. It is clear from a careful reading of the correspondence and from a comparison of Bagetti's paintings with both the present landscape and maps made at the time that Bagetti's disputes with his supervisors revolved around protecting his artistic integrity and reputation rather than resisting the authority of a foreign regime.     

French jurisdictional supremacy in Gascony: one aspect of the ducal government's response

As a result of the 1259 treaty of Paris, the king of England resumed a feudal relationship with the French monarch, thus holding his duchy of Gascony as a fief. This meant that Capetian officials could exercise their master's jurisdictional authority in the duchy, in part because of the supreme appellate powers of the royal court, the Parlement of Paris. This they did with enthusiasm and skill, causing considerable disruption to English power in the duchy. Accepting the challenge, ducal officials devised a number of tactics to thwart the exercise of French jurisdiction in Gascony. These methods were altogether illegal or even criminal in nature, but the officials felt they were necessitated by the critical threat of Capetian authority to Plantagenet control of Gascony. Unfortunately, such tactics did little to alleviate their jurisdictional problems. Ducal authorities failed to create any consistent and systematic program for ending permanently Gascon judicial appeals to the French court, and they were hamstrung both theoretically and physically in the haphazard efforts they did make. Far from halting the advancement of Capetian jurisdictional authority in the duchy, the unlawful methods merely underscored the precarious nature of the English position there.     

Thomas Carlyle's Calvinist dialogue with the nineteenth-century periodical press

This article signals at a dearth of critical engagement with Thomas Carlyle's Presbyterian heritage resulting from the received whiggish narrative of his Calvinism as unenlightened, anachronistic, and backward-looking. It proceeds to challenge this view by examining closely Carlyle's creative use of key Calvinist concepts in his cosmopolitan and enlightened dialogue with the contemporary periodical press over British and European cultures. Carlyle is shown to be an adept purveyor both of the Edinburgh Magazine's enlightened idiom and of Blackwood's morally conservative and artistically cosmopolitan agendas, while also making creative capital of the Anti-Jacobin's powerful Gothic imagery and of the critical verve of the Westminster Review. The main addressees of Carlyle's reading of the signs of the times, I argue, are contemporary Whigs. Carlyle's depiction of Macaulay as a ‘spiritual hippopotamus’ spells Carlyle's broader critique of the modern lack of imagination of the spiritual which sponsors deterministic religious and secular readings of reality. Carlyle displays his enlightened Calvinist perspective in discussing the French Revolution through such key Scottish Enlightenment concepts as free will, conscience, civilisational and moral progress, and divine providence. Insightful and creative use of his inherited Scottish Calvinist heritage characterises Carlyle's open, cosmopolitan reading of the signs of the times.     

Mémoire et histoire dans un roman graphique en six volumes: double jeu,infotainment, obsession française?

In October 2012 the sixth and last volume of the graphic novel Il était une fois en France [Once upon a time in France] was released. The six volumes, published at the rate of one per year since September 2007, cover the 60 years of the Jewish protagonist's life. It spans the time from Joseph Joanovici's birth in Kechinev [today's Moldavia] in 1905 to his death, alone and ruined, in Paris in 1965, and covers his four years of collaboration and resistance in Occupied France that saw him become a multi-millionnaire. The series is acclaimed by the public and critics alike. My article demonstrates that this graphic novel cannot belong to what Henry Rousso, in his book Le Syndrome de Vichy, called ‘the French Obsession’, but rather, its narrative qualities, which emphasize the protagonist's ambivalence by using techniques similar to those used in movies like Once upon a time in America and Miller's crossing [both of which are cited by the series' authors in several interviews and are obvious in the visual and narrative style of the series], place this graphic novel in what I see as a new period of infotainment that is closer to the new generation of readers who are immersed in globalization and the spectacularization of history.     

A Once and Future Greatness: Raymond Aron,Charles de Gaulle andthe Politics of Grandeur

Charles de Gaulle devoted his life to cultivating French grandeur, a politics that attempted to carve out an equal and independent role for France among the great powers of the world. One who frequently criticized de Gaulle's ideas of grandeur was the eminent social theorist, Raymond Aron. Although Aron was generally supportive of de Gaulle and supported him ‘every time there was a crisis’, he never hesitated to criticize de Gaulle, sometimes quite sharply. Aron's lifelong friendship with de Gaulle was thus marked by alternating bouts of mutual irritation and respect: Aron worried that de Gaulle's theatrics were sometimes detrimental to French national interests while de Gaulle fretted that Aron's commitment to French greatness was less enthusiastic than it should havebeen.

The purpose of this paper is to evaluate Aron's reaction to de Gaulle's politics of grandeur. Despite his reputation for ‘lucidity’, Aron was often ambivalent about de Gaulle's ambitions for France. We argue that Aron's ambivalence stemmed from his political creed, or from his commitment to a political philosophy that - as de Gaulle sensed - allowed for few settled convictions. This paper reviews Aron's assessment of two issues at the heart of de Gaulle's politics of grandeur, namely, the effort to promote a sense of national unity and the effort to create a nuclear force. In both areas, we witness a remarkably ambivalent Aron, one who struggled to soften the harsher edges of the excesses of what he considered to be the excesses of grandeur and find his way to a more moderate and coherent position.