Review articles La justice comme nouvelle scène de la démocratie

Over 50 years have passed since the 17 October 1961 massacre and, though the event has gained wider recognition, it still occupies a tenuous place in French history. Scholars have turned to fictional literary and filmic representations of the massacre that have appeared since the 1980s, but have largely overlooked its commemoration in music. In this essay, the author analyses two works: French rapper Médine's song ‘17 octobre’ (2006), which reimagines the massacre from the perspective of a witness who dies, and an Internet montage video (2008) which sets Médine's song to archival and non-archival video clips. Both the song and montage highlight the limits of official historical discourse through a variety of practices, including manipulating perspective, sampling and putting 17 October into dialogue with other obscured histories. The historical and historiographical work these texts accomplish illustrates the potential of such media to construct a postmemorial archive that blurs boundaries between archive and fiction, creative works and history.     

Memory,Trauma, and the French-Algerian War: Michael Haneke's Caché (2005)

This article examines Michael Haneke's 2005 film Caché and its treatment of the October 1961 massacre in light of recent scholarship about memory and trauma. It argues that the film demands of its viewers a complex, critical position, requiring us not merely to passively re-witness the traumatising events of 17 October, but to take on as spectators a more active role in the work of remembering. The article examines narrative and visual elements in the film in order to demonstrate how Caché illustrates and questions how film and other media forms contribute to the working through of collective trauma and, in so doing, function as potential ‘sites of memory’.     

Acts of severity: colonial settler massacre of amaXhosa and abaThembu on the eastern frontier of the Cape Colony,c.1826–47

Colonial massacre of the amaXhosa and abaThembu on the Cape Colony's eastern frontier between the 1820s and 1840s appears to be neglected compared to the extermination of the Khoisan. Whereas revisionist histories—most of which use an indigenous-resistance framework—have concentrated on Xhosa resistance to settler expansion, little attention has been paid to settler massacre. This article examines selected massacres between 1826 and 1847, considers their etiology, situates them within current debates on colonial settler genocide, and questions the success of Buxton's Select Committee on Aborigines in ending them.     

Surviving in the margins of a genocide case in the making: recognizing the economy of testimony at stake in research on political violence

ABSTRACT

In this article, we aim to draw attention to the hopes, frustrations and disillusions that so-called ‘transitional justice’ projects produce in drastically poor, war-torn, historically marginalized but politicized Indigenous communities. Drawing on extensive ethnographic research we conducted separately between 1982 and 2010 in Guatemala and Mexico, we describe the ways in which the world came to know about Finca San Francisco’s massacre, committed by the Guatemalan army on 17 July 1982, as part of its scorched earth policy. We then look at the various forms of reparations its survivors have been the subject of. In so doing, we focus more specifically on how the Center for Human Rights Legal Action (CALDH), the non-governmental human rights organization that was behind the Ríos Montt genocide case, mobilized Finca San Francisco’s massacre survivors to become participants in the trial. After examining how the survivors of Finca San Francisco responded to CALDH’s mobilization efforts, we reflect on the kind of ‘gift’ these survivors expected in return for their stories of annihilation and destruction. Our goal is to bring to light the ‘economy of testimony’ that human rights activists, journalists or social scientists become entangled in once they ask genocide survivors to testify about the brutal deaths of their loved ones.     

是日本“勇士”,还是杀人恶魔?——对南京大屠杀期间日本报刊报道日军“杀人比赛”的剖析

在1937年11月到12月侵华日军进攻中国首都南京与进行惨绝人寰的大屠杀期间,日军主力第16师团两名法西斯青年军官向井明敏与野田毅对中国战俘与平民进行骇人听闻的所谓"百人斩"杀人比赛。日本《东京日日新闻》等报刊对这两名法西斯分子的疯狂行径,在短短十余天时间中,竟连续四次进行跟踪报道,把这两个杀人恶魔吹捧为"日本勇士",产生了极其恶劣的影响。这个事例典型地说明了战时日本新闻传媒记者中的绝大多数人具备了日本军国主义者的一切思想特征与行为特征,是日本当局对中国实施武力征复与屠杀恐怖政策的宣传鼓动者。他们的战场报道宣扬日本的"侵略有理"与"屠杀有功",充满了法西斯的野蛮、霸道与无耻。     

The shifting evocations of squadrismo: remembering the massacre of Palazzo d’Accursio in Fascist Bologna

The massacre of Palazzo d’Accursio is considered one of the first events in the rise of the Fascist squads. This article analyzes the ways in which the event was described in Bologna during the twenty years that followed it. It is believed that in the first few years, commemorations that emphasized the role of the Fascist squads were not very common. Instead, they concentrated on the life of Giulio Giordani, a murdered lawyer and opposition councilor, who became a martyr. Members of the city’s ruling class, especially lawyers, developed their own rituals of commemoration, but the establishment of the regime led to the acquisition of the commemorations of Giordani by Fascism, reflecting the shift of the local elites towards Fascism. In the 1930s, the massacre began to be described with detailed reference to the violence carried out by the Fascists. This process coincided with a much more incisive occupation of the area of commemoration.     

Gorazde: the peacekeepers' tale

This review article of a double CD–ROM focuses on the siege of the Bosnian 'safe area' of Gorazde during the period 1994–5. Overshadowed by the attack and massacre at Srebrenica, the defence of Gorazde has received little mention. This is rectified by Gillian Sandford and Mike Price's CD–ROM, in which British soldiers of the Duke of Wellington's Regiment and the Royal Welch Fusiliers discuss their personal experiences of the siege as well as the nature of their responsibilities as peacekeepers in this 'safe area'. The soldiers discuss their support of the 'safe area' and how they contributed to averting a massacre by defending Gorazde until Bosnian forces were able to defend it themselves.     

‘In aid of civil power’: The colonial army in Northern India,c.1919–42

India's tribal northeast continues to be a footnote in national and international historiography. Influenced by James C. Scott's recent characterisation of the non-state hill peoples of Zomia and their deliberate evasion of subject status, this article reappraises the 1826 treaty between the British political agent and Khasi leader U Tirot Sing, and the subsequent Nongkhlaw massacre. It further explores a set of British expectations of the hills as a potential site for missionisation and white colonisation. In this way, it asserts the purchase of Scott's theories, but argues for the further potential of micro-history and the colonial archive to render indigenous histories more visible.     

'They . . . shall no more be called Peaquots but Narragansetts and Mohegans': Refugees,Rivalry, and the Consequences of the Pequot War

Abstract

This paper argues for a series of complex dynamics and relationships between major indigenous groups within seventeenth-century New England and the English colonial authorities in the aftermath of the Pequot War, and argues for greater attention to these developments between the Mystic massacre and the outbreak of King Phillip's War almost forty years later.     

Cuerpo y nación a través del poema "Su cuerpo es una isla en escombros" de Domingo de Ramos

This article is devoted mainly to one poem, "Su cuerpo es una isla en escombros," by Domingo de Ramos (1960), and its relationship to the Peruvian armed conflict that lasted from 1980 to 2000. The article focuses on one incident, the Peruvian prison massacre of June 1986. As part of the analysis, poetry by Alejandro Romualdo (1926-2008) and the Andean myth of the Inkarri are also used. The article shows how Domingo de Ramos's poetry, like similar work by other Peruvian poets, participates in a long tradition that uses the body as a space to represent sociohistorical processes.     

Scelus Femineum: Adultery and Revenge in Valerius Flaccus’ Argonautica Book 2 (98–241) and Seneca's Agamemnon

This article makes the case for the importance of Seneca's Agamemnon as a model, in terms of both language and content, for the account of the Lemnian massacre in the second Book of Valerius Flaccus’ Argonautica, an episode which has been much discussed or disputed because of its extensive and digressive character. It will thus become evident that the semantics of adultery and crime, combined with those of vengeance elaborated on in the Agamemnon, have exercised a significant influence on Valerius’ detailed sketching of the slaughter conducted by the Lemnian women as well as on the thematic coherence of the second Book as a whole.     

‘Memory is the strength of our resistance’: an ‘other politics’ through embodied and material commemoration in the San José Peace Community,Colombia

Scholars have shown how memory is an embodied and spatial practice that potentially generates more just possible futures, and that peace is a politicized and contextually specific process, but how does place-based memory performance actually contribute to social movements’ construction of peace? This article explores massacre commemoration pilgrimages and stones painted with victims’ names in the Peace Community of San José de Apartadó, a group of small-scale farmers living in the war-torn region of Urabá, Colombia. Based on 15 months of ethnographic research in Colombia from 2011 to 2014, including participant observation and 49 interviews, I explore the relationship between these spatially embodied practices and the community’s resistance to forced displacement and peace-building project. I argue that these forms of memorialization cultivate key elements for an autonomist ‘other politics’, including solidarity with allies; mobilizing bodies across space to defend life and land; and ongoing reflection, education and strategic planning that strengthen community cohesion and organization. Integrating scholarship on memory performance, peace geographies, and social movements, I illustrate how the San José de Apartadó Peace Community’s massacre commemorations and stones reject vindictive violence and instead build an alternative, transformative and emancipatory politics through internal and external solidarity.     

Skyjackers,jackals and soldiers: British planning for international terrorist incidents during the 1970s

Following the Munich Olympics massacre of September 1972, the British government conducted a series of contingency plans to ensure that Whitehall, police constabularies and the armed forces were prepared for similar crises affecting the UK and its citizens. This article examines the evolution of British counterterrorist planning during the 1970s, which still shapes Whitehall's crisis management procedures for responding to international terrorism, and also procedures for calling for military support in response to hijackings, hostage‐taking and similar incidents both domestically and overseas. It demonstrates that while there are differences in the character of the terrorist threat 40 years ago and today, there are also parallels between the practical and political challenges of counterterrorism in the era of the Baader–Meinhof group and Carlos the Jackal, and the struggle against al‐Qaeda and its affiliates today.     

Stories and Bodies: A Personal Reflection on Alessandro Portelli's The Order Has Been Carried Out

Alessandro Portelli describes the murder of 335 Roman civiliansby the Nazis as an "open wound" in the city's memory. Linenthaluses this image to "dig into" the wound, and comment on contestednarratives and rituals connected with the bodies of those murdered.Shortly after the massacre, stories began to blame the partisansfor the attack and such accusations have become a staple ofneo-Fascist Italian thought. Portelli restores integrity tohistorical narrative by his compelling oral histories of theevent and his careful reading of the enduring cultural aftermathof the massacre. Narrative is grounded in ritual, and the exhumationand burial of bodies the Germans hoped to consign to oblivionrestored these bodies as public deaths to be mourned and recalled,unlike other violent deaths that register either as privatedeaths, or public deaths that do not count.     

“Hugon come erindwards”: Finnegans Wake and Ireland’s Huguenots

This paper analyses the rich variety of allusions to the Huguenots in Finnegans Wake, and considers the reasons for Joyce’s interest in this group of Protestant émigrés. Joyce makes several references to the Saint Bartholomew’s Day massacre, the apotheosis of Huguenot persecution at the hands of the French Catholics, and he draws analogy between their experience and that of other groups of heretics and dissenters. Joyce celebrates the social, commercial, and cultural impact made by the migrants and their descendants, which was disproportionately great for the size of the diaspora. I argue that there are several reasons for Joyce’s engagement with the Huguenots. Their story of sectarian persecution, dispossession, and exile recalls the Irish Catholic experience, but it offers balance to the narrative of Catholic victimhood in depicting a Protestant group that suffered comparable oppression. Most importantly, the remarkable success with which the Huguenots integrated into Irish society offers a positive model for the plurality that Joyce espoused throughout his writing career, culminating in his final work.     

Reconstructing the massacre at Fort William Henry,New York

Fort William Henry, in upstate New York, was the site of a legendary siege and massacre in 1757 during the French and Indian War. As part of the terms of surrender, the British garrison was to retreat with all their arms and possessions, thus denying the Indian allies of the French their spoils of war. Contemporaneous and fictionalized accounts of the resulting massacre have often been regarded as exaggerations of actual events. Five men buried in a mass grave within the fort, known as the crypt, however, were clearly victims of the massacre. These men were among the sick and wounded who were unable to make the 15 mile (24 km) journey to Fort Edward and were left in the care of the French. Four of the five men sustained pre-mortem leg trauma that would have resulted in their hospitalization and prevented them from walking. The other massive perimortem trauma on these remains vividly depicts the results of the massacre. Three of the five men were shot in the knee; two of these three were shot elsewhere as well. One man was decapitated. Both the front and back of all the bodies bear cut marks, probably from the use of both axes and long-bladed knives as weapons. The numerous gashes in the thoracic and pelvic regions indicate the men were mutilated. Our analysis of the remains from this mass grave confirms and enhances the historical accounts of the massacre at Fort William Henry. The skeletons of these five men provide gruesome testimony of the assault to which they were subjected.     

The last ‘never again’? Srebrenica and the making of a memory imperative

Abstract

Controversy overshadowed preparations for the twentieth anniversary of the Srebrenica genocide, as conflict arose over the adoption of a number of commemorative resolutions: while motions in the Parliament of Bosnia-Herzegovina and the United Nations Security Council were blocked, the US House of Representatives and the European Parliament did adopt declarations. The article outlines how the memory of Srebrenica was de-contextualized from particular interpretations of the past and re-contextualized in favour of universal frames of interpretation. Starting from the interpretations pertaining to Srebrenica from the early 1990s, processes of dealing with the massacre in reports have made it possible to process the lessons learnt from the experience as a narration of progress. In parallel with efforts to establish legal accountability and a local memorial for the massacre’s victims, there has been a series of resolutions commemorating Srebrenica contributing to the formation of a Srebrenica memory regime. That regime mirrors the Holocaust-based global cultural memory imperative, a set of norms and rules of behaviour that was re-actualized and expanded on by Srebrenica as a symbol for the unfulfilled hope of a final ‘never again’. The commemoration of Srebrenica has become a universal ethical imperative that has spread far beyond the actors involved in the 1995 events. The 2015 controversy has to be understood as a (local) act of resistance against the recognition of Srebrenica as genocide and against the selective character of the Srebrenica memory regime.     

‘All Signs Indicate that Gestapo Agents Murdered Him’: Soviet Disinformation,the Katyn massacre and the Raoul Wallenberg Case, 1945–7

In the years 1945–52, that is, between Raoul Wallenberg's incarceration in the Lubianka prison in Moscow (6 February 1945) and the first Swedish demand for his return (11 February 1952), more than fifty people provided the Swedish Foreign Ministry with diffuse and often contradictory information about his whereabouts. This article argues that a number of these testimonies may have been part of a Soviet campaign of disinformation aimed at diverting the Swedes' attention away from Moscow and to have them believe that Wallenberg had died in Hungary. The appearance of messages to this effect by February–March 1945 may indicate that the Soviets had already decided at this early point never to let Wallenberg return alive, or at least to construct an option that would allow for such a decision. In August 1947, after twenty-six Swedish diplomatic approaches on account of Wallenberg over the course of two and a half years, the Soviets handed over a note signed by Deputy Foreign Minister Andrei Vyshinskii that declared that Wallenberg had presumably died in Hungary. The note had the desired effect. No Swedish diplomatic approaches on Wallenberg were made for the next five years. This article argues that the Vyshinskii note was an extraordinary measure taken by the Soviets finally to get the message of Wallenberg's death in Hungary through to the Swedes. The Soviet disinformation regarding the 1940 Katyn massacre provides an interesting point of reference for understanding the way in which the Soviets tried to mislead Sweden over Wallenberg.     

Identity challenged: Taiwanese women migrating to Australia

This article investigates the experiences of Taiwanese women who migrated to Australia between 1980 and 2005. It is part of a larger project about the migration experiences of Taiwanese women who moved to Australia and to Canada with the aim of providing a direction for facilitating cultural transition for future female migrants. The article presents some of the findings from 21 semi-structured interviews which were conducted between July and October 2011, shedding light on the role that gender, age at the time of migration and family situation play in debates around cultural identity and the place of Taiwanese women in Australia. Relational-cultural theory serves as the theoretical framework for the central argument that – in spite of the differences between younger women and those in their 30s and 40s in relation to the motivation to migrate and ways to connect – the ability to build new relationships in Australia while maintaining existing ones in Taiwan is essential to establishing a positive view of self, and consequently to successful migration.     

The Stereoscope and Popular Fiction: Imagination and Narrative in the Victorian Home

The stereoscope was a popular parlour toy that provided a powerful psychological viewing experience in the heart of the domestic space. In this article, I consider the stereoscope’s position as an instrument that was experienced, and often represented, in relation to the imaginative narrative processes of memory and fantasy. By reading the stereoscope’s position within popular fiction, the article seeks to uncover the way in which the stereoscope was consumed. The article shows that for many in the mid-Victorian period, the stereoscope operated as an everyday narrative-forming experience with a strong relation to the popular periodical fiction that was read alongside it in the domestic space. The first section of this article considers the cultural and psychological position of the stereoscope within the home, reading this alongside a number of short stories published in the popular periodic press. The second section consists of an analysis of the stereoscope’s involvement with psychological dualism and self-doubling, issues which stem, in particular, from the device’s reliance on photography. These aspects of the device are explored in relation to a nineteenth-century short story which draws a problematic relation between one’s self and one’s portrait. Finally, the article draws these issues together to show the importance of imaginative narratives within the stereoscopic experience. The viewing conditions of the stereoscope encouraged viewers to engage in an anticipatory, open-ended, and imaginative fantasy narrative. It is this unique narrative character of stereoscopic viewing experiences which most prominently distinguishes the device from other visual media.