Présence de Ferdinand Gonseth dans la pensée de Gaston Bachelard

The purpose of this paper is to analyse the influence of Ferdinand Gonseth's epistemological and philosophical reflection on Gaston Bachelard. This will be done on at least two levels: on the one hand, on the level of direct quotations of Gonseth's texts and notions made by Bachelard; on the other, on the level of an agreement between the two conceptions concerning some central issues— agreement that lets one suppose an influence of Gonseth on Bachelard or an identity between their views. One concludes recalling the notion of «subjectivité quelconque», suggested to Bachelard by the gonsethean idea of «logique comme physique de l'objet quelconque», and seeking to grasp the differences between Bachelard's notion of «sujet quelconque», and Gonseth's one ofhomo phenomenologicus. One could define Bachelard's and Gonseth's epistemologies as two phenomenologies of the man of science: this is their main common feature.     

La scission et le développement dans la tradition de l’écriture féminine de Chen Ran

Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》     

Entre traditions et diffusions: Madagascar dans Comme un vol de papang' de Monique Agénor

In this article, I examine how Monique Agénor uses oral traditions and supernatural practices in her novel Comme un vol de papang' in order to bequeath Malagasy traditions not only to all the Malagasy people who are still living in the red island, Madagascar, but also to those who are now exiled. In her book, the writer tells the history of Madagascar in the wake of its decolonization and the story of Hermina, a young Malagasy descent woman who was born and lives in the island of Réunion, in the Indian Ocean. Thanks to her divine power, Herminia succeeds in spreading the history of an island that she does not know personally. By the agency of numerous rituals, symbolic visions, and the use of traditional rhetorical discourses borrowed from the Malagasy oral traditions, kabary, Agénor transmits the history of Madagascar and ensures its survival.     

Le marché dans l'économie de la grèce antique

The market constitutes the crucial point in the debate which prevailed since the xviii^th century in the history of antique economy. Became particularly complex for the Greek world because many historians and anthropologists (like Karl Polanyi) place there the liberty of the market economy as a break with the previous period. History must abandon too dogmatic a position on this emergence of the market and consider first the levels of the constitution of a market place, the agora, beginning with the end of the archaic period. The Greek city intervenes in the way in the exchanges. In this article, we study these interventions on the conditions of the sale and purchase, the practices, the values and the prices, the supplies, so as to understand the real innovation which that represents.     

Hasard vécu et nécessité subie dans leAnton Reiser de Karl Philipp Moritz

The distinction between literary chance and chance as experience (E. Köhler) allows the originality of Moritz’s autobiographical novel to be disengaged. This study of the motif of chance in book II ofAnton Reiser shows the establishment of a narrative method characterized by repressing the literary treatment of chance and maintaining of chance as a category of lived experience. In this text, the fortunate and unfortunate chances do not found the literary necessity of an exemplary destiny, but are the occasion for throwing light on the double determination, exterior and interior, that affects the character’s existence, an existence that is experienced under the sign of a radical contingency. It is in this first obscurity that psychological analysis operates, not to establish the horizon of Providence, but to disengage the general lessons of an existence, and to give to its hero, at this moment, the consistency of a novelistic character.     

Le Concept de « Démocratie Raciale » dans L’Histoire Intellectuelle Brésilienne

This article aims to reconstruct the history of the term “racial democracy” in Brazilian sociological literature. This term, usually associated with the idea of “myth”, is used in many studies of race relations without little definition or clarity. This article retraces its origins, in particular by showing that the concept is not the invention of Gilberto Freyre. It then examines the evolution of its use with particular emphasis on Unesco’s research in the 1950s and the texts of Florestan Fernandes in the 1960s.     

Le Texte et le corps: la pensée dialectique de Diderot dans Le Supplément au voyage de Bougainville

By using a dialogical method in Le Supplément au voyage de Bougainville (1772), Diderot contrasts two places: the civilized European world and the primitive island of Tahiti. The dialogical structure of his work entails a questioning of the concept of libertinage through the theme of the corporeal. Indeed, the dialectical method he employs in the text unifies his vision on what the body represents. This work will demonstrate that for Diderot the body can be defined as three entities: the text, the physical, and the social. All these three categories are intertwined for him. Using them as a leitmotiv enables him to call into question the moral and social conventions of his own country.     

L'imaginaire masculin et la soumission des vassales dans le Royaume Latin de Jérusalem vers 1200: un jalon supplémentaire dans l'histoire de la violence symbolique envers les femmes

The particular circumstances concerning the survival of the Latin kingdom and the pivotal importance of military matters determined the priorities of its ruler. Above all, he needed to ensure effective and complete feudal service as well as the loyalty of all his vassals. This article reveals the originality of some of the clauses found in the Livre au Roi, a custumal on feudal law composed around 1200, demonstrating that its compiler did not shrink from innovating in this area in his intention of giving the monarchy the juridical basis necessary for political centralisation. By examining closely four specific examples from the Livre, which deal with noblewomen (the service of marriage of unmarried heiresses; the remarriage of widows; the rights of wives of heretical and apostate knights; and the fate of wives of knights suffering from leprosy), this analysis of the Livre au Roi shows how the monarchy of Outremer sought to strengthen its domination over noble families by manipulating the fragile status of vassals in the Latin kingdom. As the discussion sheds light on the notion of symbolic violence against women, it can also reveal much about perceptions and representations of women and of their bodies in the middle ages, as well as how male domination was, as a consequence, reinforced.