Algérie: Les retours de la mémoire de la guerre d'indépendance

After independence, the history of national liberation in Algeria was largely managed by the single-party state. Founding figures of Algerian nationalism such as Messali Hadj and Ferhat Abbas were shrouded in silence. Since 1988 a plurality of voices has emerged and a number of historic figures have been rehabilitated. The state of quasi-civil war which has existed since 1992 between government forces and Islamic insurgents has, nevertheless, continued to inhibit discussion of human rights abuses during the war of independence. The recent resurgence in France of the debate over the use of torture during the Algerian war has been largely ignored by the Algerian government. The status of harkis , Algerian Muslims who fought on the side of the French during the war of independence, also remains acutely sensitive in official Algerian circles. Events such as the 'Berber Spring' of 2001 are continuing to press the authorities towards greater openness.     

Baudelaire's “Teacher”: Joseph de Maistre and Le Spleen de Paris

For a total of twenty years (1856–76), Gustave Flaubert corresponded with a woman whom he would never meet and who had first written to him to express her admiration for his novel, Madame Bovary. These forty-five letters are among the most fascinating and important that he was to write, reflecting on his life, on art and esthetics, and on his determined dedication to the practice of writing. The letters to Marie-Sophie Leroyer de Chantepie occupy a central role in Flaubert's Correspondence, between the long series of letters he wrote to two other women, Louise Colet and George Sand. They are all dominated by the idea of the centrality of art, literature, and the activity of writing, and of the subordinate status of all other experiences and interests.     

The rotten apple and the good apples: Orthodox,Catholics, and Turks in Philippe de Mézières' crusading propaganda

The late medieval English gentry are now receiving the attention they deserve. The higher levels of gentry society are, however, the usual (though by no means the exclusive) focus of this attention and this tends to make them appear a social caste aloof from their fellows. This article questions whether the upper gentry were very far removed from their social inferiors. It also supports those historians of later medieval England who have questioned the validity of the ‘county community’, a fashionable concept in recent English historiography, if hitherto primarily the hobbyhorse of several seventeenth-century scholars.     

Mémoire et histoire dans un roman graphique en six volumes: double jeu,infotainment, obsession française?

In October 2012 the sixth and last volume of the graphic novel Il était une fois en France [Once upon a time in France] was released. The six volumes, published at the rate of one per year since September 2007, cover the 60 years of the Jewish protagonist's life. It spans the time from Joseph Joanovici's birth in Kechinev [today's Moldavia] in 1905 to his death, alone and ruined, in Paris in 1965, and covers his four years of collaboration and resistance in Occupied France that saw him become a multi-millionnaire. The series is acclaimed by the public and critics alike. My article demonstrates that this graphic novel cannot belong to what Henry Rousso, in his book Le Syndrome de Vichy, called ‘the French Obsession’, but rather, its narrative qualities, which emphasize the protagonist's ambivalence by using techniques similar to those used in movies like Once upon a time in America and Miller's crossing [both of which are cited by the series' authors in several interviews and are obvious in the visual and narrative style of the series], place this graphic novel in what I see as a new period of infotainment that is closer to the new generation of readers who are immersed in globalization and the spectacularization of history.     

Roland Barthes's Soirées de Paris : An alternative view of Parisian night life

This article concerns Roland Barthes's posthumously published Soirées de Paris , a text comprising a series of diary entries dating from the period shortly before the author's death. The article discusses the critical reception of this work in terms of two extreme positions; the first is that the publication of this text is an immoral act of voyeurism, whilst the second is that this text reveals the 'true' homosexual Barthes who was for so long repressed. The article does not concur with either of these views, but argues instead that Barthes's Soirées de Paris does not break radically with his previously published works, but rather develops and continues many of the main themes of his earlier writings, in particular the autobiographical preoccupations to which he had recently turned.     

La résistance allemande au nazisme,entre histoire et mémoire

Gerd R. Ueberschär (éd.), Der 20.Juli 1944. Bewertung und Rezeption des deutschen Widerstandes gegen das NS‐Regime, Cologne 1994, 348 p.

Peter Steinbach, Widerstand im Widerstreit. Der Widerstand gegen den Nationalsozialismus in der Erinnerung der Deutschen, Paderborn, Munich, Vienne, Zürich, 1994, 298 p.

Peter Steinbach / Johannes Tuchel (éd.), Lexikon des Widerstandes 1933–1945, Munich, 1994, 238 p.

Wolfgang Benz / Walter H. Pehle (éd.), Lexikon des deutschen Widerstandes, Francfort/Main, 1994, 400 p.