Muslims in Britain and France

Andrew, D., Mists of Regret: Culture and Sensibility in Classic French Film (Princeton Paperbacks, 1995), xv + 409pp., £19.95, ISBN 0 691 00883 3

Barou, J., and Prado, P., Les Anglais dans nos campagnes (L'Harmattan, 1995), 238pp., 140F., ISBN 2 7384 3352 9

Blanchot, M., The Writing of the Disaster, trans. Ann Smock, new edn. (University of Nebraska Press, [1986] 1995), 153pp., £11.00, ISBN 0 8032 6120 9

Brami, J., Cottentenet‐Hage, M., and Verdaguer, P., eds., Regards sur la France des armies 1980 ‐ Le Roman (Anma Libri, 1994), 260pp., ISBN 0 915838 96 6

Brewer, M.M., Claude Simon: Narrativities Without Narrative (University of Nebraska Press, 1995), 183pp., $38.50, ISBN 0 8032 1261 5

Carroll, D., French Literary Fascism: Nationalism, Anti‐Semitism and the Ideology of Culture (Princeton University Press, 1995), 300pp., £24.95, ISBN 0 691 03723 X

Charle, C., A Social History of France in the Nineteenth Century trans. Mirian Kochan, (Berg, 1994), x + 314pp., hbk, ISBN 0 85496 906 2, pbk, ISBN 0 85496 913 6

Cordelier, S., Poisson, E. et al., L'État de la France 1995–96 (La Découverte, 1995), 635pp., 159F., ISBN 2 7071 2447 8

Crisp, C., The Classic French Cinema 1930–1960 (Indiana University Press, 1994), 485pp., £50.00, ISBN 0 2533 1550 6

Crozier, M., La Crise de l'Intelligence (Interéditions, 1995), 200pp., 110F., ISBN 2 7296 0567 3

Debré, M., Combattre Toujours: Mémoires, 1969–1993 (Albin Michel, 1994), 333pp., 150F., ISBN 2 226 07536 4

Dieudonné, P., ed., Villes reconstruites du dessin au iestin (L'Harmattan, 1994), vol. 1, 382pp., 190F., ISBN 2 7384 2605 0, vol. 2, 384pp., 190F., ISBN 2 7384 2606 9

Domenach, N., and Szarfan, M., De si bons amis (Plon, 1994), 454pp., 110F., ISBN 2 259 18018 3

Duchene, F.L., Jean Monnet: the First Statesman of Interdependence (W. W. Norton, 1994), 410pp., £22.00, ISBN 0 393 03497 6

Dutton, D., ed., Statecraft and Diplomacy in the Twentieth Century (Liverpool University Press, 1995), 180pp., £15.05, ISBN 0 85323 379 9

Eck, J.‐F., La France dans la nouvelle economic mondiale (PUF, 1994), 312pp., 150F., ISBN 2 13 046092 5

Forest, P., Histoire de Tel Quel, 1960–82 (Seuil, 1995), 655pp., 180F., ISBN 2 02 017346 8

Gardies, A., L'Espace au cinéma (Meridiens Klincksieck, 1993)

Gregg, J., Maurice Blanchot and the Literature of Transgression (Princeton University Press, 1994), 241pp., £25.00, ISBN 0 691 03329 3

Habert, P., Perrineau, P., and Ysmal, C., eds., Le Vote Sanction: Les élections législatives des 21 et 28 mars 1993 (Départment des études politiques du Figaro et Presses de la Fondation nationale des sciences politiques, 1993), 347pp., 150F., ISBN 2 7246 0634 5

Kessler, M.‐C., Les Grands corps de l'état (Presses Universitaires de France, 1994), 128pp., 36F., ISBN 2 13 046502 1

Kramer, S.P., Does France Still Count? The French Role in the New Europe (Praeger, 1994), 113pp., £11.95, ‘Washington Papers’ series ISBN 0 275 95061 1.

Lallement, M., ed., Travail et emploi: le temps de métamorphoses (L'Harmattan, 1995), 283pp., 150F., ISBN 2 7384 2559 3

Le Crom, J.‐P., Syndicate nous voilal Vichy et le corporatisme (Les Editions Ouvrières, 1995), 410pp., 190F., ISBN 2 7082 3123 5

Lefait, P., Quatre Ministres etpuis s'en vont (Editions de l'Atelier, 1995), 310pp., 120F., ISBN 2 7082 3105 7

Lepetit, B. et al., Atlas de la Révolution française, vol. 8, Population (Editions EHESS, 1995), 92pp., 120F., ISBN 2 7132 1189 1

Manent, P., An Intellectual History of Liberalism, trans. Rebecca Balinski (Princeton University Press, 1994), pp. 128, £16.95, ISBN 0 691 03437 0

Martelli, R., Le rouge et le bleu. Essai sur le communisme français (Editions de l'Atelier, 1995), 286pp., 120F., ISBN 2 7082 3119 7

Mélenchon, J.‐L., Rocard, le rendezvous manqué (Ramsay, 1994), 237pp., 110F..ISBN2 84114 053 9

Minc, A., La France ie l'an 2000 (Odile Jacob/Documentation Française), 321pp., 60F., ISBN 2 7381 0281 6

Osen, J., Royalist Political Thought during the French Revolution (Greenwood Press, 1995), 154pp., £49.50, ISBN 0 313 29441 0

Outram, D., The Enlightenment (Cambridge University Press, 1995), 141pp., £27.95 hbk, ISBN 0 521 41522 5, £9.96 pbk, ISBN 0 521 42534

Phillips, P., Republican France: Divided Loyalties (Greenwood, 1993), xxiii + 168pp., $49.95, ISBN 0 313 27503 3

Platten, D., Djian: 37° 2 le matin (University of Glasgow French &; German Publications, 1995), 92pp., £3.95, ISBN 085261 368 7

Proudhon, P.‐J., What is Property? (CUP, 1994), 227pp., £55 hbk, £12.95 pbk.

Roberts, M., Civilization Without Sexes: Reconstructing Gender in Postwar France 1917–1927 (University of Chicago Press, 1994), 337pp., £15.25, ISBN 0 226 72122 1

Rosanvallon, P., La nouvelle question sociale (Seuil, 1995), 223pp., 95F., ISBN 2 02 022030

Royal, S., Pays, paysans, pay sages. La reconciliation est‐elle possible? (Laffont, 1993), 228pp., 89F., ISBN 2 221 07046 1

Suleiman, E., Les Ressorts cachés de la réussite française (Seuil, 1995), 377pp., 130F., ISBN 2 02 021841 0

Tindall, G., Célestine. Voices from a French Village (Sinclair‐Stevenson, 1995), ix + 286pp., £17.99, ISBN 1 85619 534 1

Tricot, B., Mémoires (Quai Voltaire, 1994), 503pp., 148F., ISBN 2 87653 209 3

Veillon, D., Vivre et Survivre en France 1939–1947 (Editions Payot, 1995), 371pp., 145F., ISBN 2 228 88875 3

Vigato, J.‐C., L‘Architecture Régionalize. France 1890–1950 (Norma, 1994), 392pp., 160F., ISBN 2 9092832 11 9

Wagstaff, P., ed., Regionalism in Europe (Intellect, 1994), 120pp., £14.95, ISBN 1 871516 84 6

Walker, D.H., Outrage and Insight: Modern French Writers and the ’Fait Divers’ (Berg, 1995), 281pp., £39.95, ISBN 0 85946 780 X

Wilson, H.S., African Decolonisation (Edward Arnold, 1994), 222pp., £12.99, ISBN 0 340 55929 2     

Charity and Political Protest in French Popular Music

This article explores the cultural assumptions expressed in the self-proclaimed ‘alternative’ and ‘protest’ sector of French popular music, and how these become problematic when leading a charity concert. Liberté de circulation (1999) is a small-scale concert set up for the benefit of the Groupe d'Information et de Soutien des Travailleurs Immigrés (GISTI) in support of illegal immigrants, and its participants (artists and organisers) have a confused relationship with contestation and media exposure. While they convincingly wrap their pro-migration discourse in notions of solidarity and universality, they often confine themselves in artistic and production terms to a certain marginality, which fails the objective of raising funds and public awareness for the charity targeted. Drawing on a comparison between Liberté de Circulation and Les Enfoirés, a high-profile, televised charity show supporting the destitute, the article observes the problematic articulation of charity to political commitment and, in so doing, contributes to debate about the formation of cultural identities around the concept of ‘resistance’ in contemporary France. This discussion follows the pluridisciplinary method of popular music studies and includes an analysis of song lyrics, orchestration, artists' declarations in interviews and the media reception of charity concerts.     

Place and Innovation in Popular Music: The Bebop Revolution in Jazz

This paper explores the relationship between place and processes of innovation in popular music, focusing on the example of the bebop style of jazz. Bebop emerged during the 1940s both as a reaction against older jazz styles and as an expression of artistic innovation within a community of younger jazz musicians. The process of its creation and early development was situated in a set of "nested'' locales centered in New York City. This analysis examines the diverse nature of these locales and the distinctive ways in which they fostered interactions among bebop's creators and their various audiences. The analysis reveals that different locales played dissimilar roles during specific stages in bebop's emergence, as it evolved into an increasingly coherent form of cultural expression. Most importantly, certain jazz clubs in Harlem provided a setting for the early experimentation that culminated in the bebop style, but the style's subsequent formalization and popularization depended on its exposure in jazz clubs in midtown Manhattan, at first along 52nd Street and later on nearby sections of Broadway. These findings confirm the importance of place in understanding the dynamic nature of popular music and the processes of innovation integral to it.     

Comparative Historiography: Problems and Perspectives

Just like history, historiography is usually written and analyzed within one spatio-temporal setting, traditionally that of a particular nation-state. As a consequence, historiography tends to localize explanations for historiographical developments within national contexts and to neglect international dimensions. As long as that is the case, it is impossible to assess the general and specific aspects of historiographical case studies. This forum, therefore, represents a sustained argument for comparative approaches to historiography. First, my introduction takes a recent study in Canadian historiography as a point of departure in order to illustrate the problems of non-comparative historiography. These problems point to strong arguments in favor of comparative approaches. Second, I place comparative historiography as a genre in relation to a typology that orders theories of historiography on a continuum ranging from general and philosophical to particular and empirical. Third, I put recent debates on the “fragmentation” of historiography in a comparative perspective. Worries among historians about this fragmentation—usually associated with the fragmentation of the nation and the advent of multiculturalism and/or postmodernism—are legitimate when they concern the epistemological foundations of history as a discipline. As soon as the “fragmentation” of historiography leads to—and is legitimated by—epistemological skepticism, a healthy pluralism has given way to an unhealthy relativism. As comparison puts relativism in perspective by revealing its socio-historical foundations, at the same time it creates its rational antidote. Fourth, I summarize the contributions to this forum; all deal—directly or indirectly—with the historiography of the Second World War. Jürgen Kocka's “Asymmetrical Historical Comparison: The Case of the German Sonderweg” examines the so-called “special path” of Germany's history. Daniel Levy's “The Future of the Past: Historiographical Disputes and Competing Memories in Germany and Israel” offers a comparative analysis of recent historiographical debates in Germany and Israel. Sebastian Conrad's “What Time is Japan? Problems of Comparative (Intercultural) Historiography” analyzes the conceptual linkage between Japanese historiography and specific interpretations of European history. Richard Bosworth's “Explaining ‘Auschwitz’ after the End of History: The Case of Italy” charts in a comparative perspective the changes since 1989 in Italian historiography concerning fascism. All four articles support the conclusion that next to the method of historical comparison is the politics of comparison, which is hidden in the choice of the parameters. Analyses of both method and politics are essential for an understanding of (comparative) historiography.     

英阿马岛战争的地缘政治观

地缘政治对一个国家的影响甚大,许多国家对地缘政治给予了高度重视。1982年发生于英、阿之间的马岛战争与两国不同的地缘政治思想有密切关系。阿根廷视马岛为其国家发展战略的核心,而英国则把马岛置于军事战略的边缘。正是由于英、阿两国对马岛的地缘政治观的差异,导致阿根廷主动发动了以收复主权为目的的战争,英国则被动地接受了挑战。马岛战争之后,英阿两国均调整了对马岛的政策,对马岛的地缘政治观念亦发生了一些变化。     

Artistic identities and professional strategies: Francophone musicians in France and Britain

This article will focus on the ways in which musicians of North African origin—either born in North Africa or in France and living in France and Britain—define their musical and artistic identities in relation to their national origins, place of birth, migration trajectories and location in which they perform their music. In particular, the article will focus on how perceptions of musicians’ national and post-migrant identities vary according to their location on either side of the Channel but also according to how the musicians themselves choose to present their music, depending on whether they are based in France or Britain. In addition to the individual strategies adopted by musicians, the article also considers how the shifting socio-political contexts in post-9/11 France and Britain have affected the choices and opportunities available to artists of North African origin in both national contexts.     

Great Britain and die International Economy: Changing Historical Perspectives

E.H. HUNT. British Labour History 1815–7014. Atlantic Highlands, New Jersey: Humanities Press, 1981. Pp. 428; M.W. KIRBY. The Decline of British Economic Power Since 1870. London: George Allen & Unwin, 1981. Pp. 205; DONALD N. MCCLOSKEY. Enterprise & Trade in Victorian Britain. London: George Allen & Unwin, 1981. Pp. 211; SIDNEY POLLARD. The Integration of the Europe Economy Since 1815. London: George Allen & Unwin, 1981. Pp. 109.