明朝公祭文文本的政治文化内涵

祭文是祭祀仪式过程中使用的祝祷性文字。明代史籍中保存了大量国家公祭文,按内容可分为常规性祭文与临时性祭文两类。祭文在公祭仪式中被宣读、呈案、焚烧或掩埋,此为祭祀过程的重要环节之一。公祭文文本传递出重要的文化内涵：首先,它以言辞形式传达出祭祀主体之意图,沟通了人神关系;其次,对祭祀主体之身份和统治之正统合法性进行反复强化;再次,表达祈福弥灾,规约官民,震慑鬼类的意图。此外,祭祀文中的各种对象关系展现出时人复杂而微妙的天、神,君、臣、人、鬼观。在祭祀仪式上使用祭文使上述内涵得到彰显,进而增强了群体意识中的“神圣”体悟。     

‘The Sun Always Shines in Perth’: a Post‐Colonial Geography of Identity,Memory and Place

In this paper I explore some of the textual possibilities of post‐colonial geography. Using the conceptual tool of place as a palimpsest, I trace some geographies of memory across selected colonial and post‐colonial texts. By focusing on the relationship between representations of ‘sunny Perth’ and ‘Nyungah Perth’, I tease out some of the more general theoretical issues which pertain to a politics of place and space within this (post)colonial Australian context. The nexus of memory, place and cultural identity is central to my analysis. I give particular attention to the ways in which cultural memories are inscribed in some very specific and very ordinary places, and how these places become site‐markers of the remembering process and of identity itself.     

Autistic culture online: virtual communication and cultural expression on the spectrum

In this article, I examine cultural narratives about the lives and places of women with mental illness in the commercial Hollywood film: Girl Interrupted (1999). In contrast to most of the disability studies literature concerned with cultural representation, this article explicitly examines how the spatiality of ‘mad women's’ lives is constructed through film. Drawing on post-structuralist, and feminist perspectives on disability, and on conceptual ideas from the limited social geographic literature concerned with the lives of persons with mental illness, I explore the contradictory cultural narratives about the lives and places of women with mental illness constructed through this film. This approach recognizes that representations of ‘mad women’ and their places in society and space involve contradictory, tension-laden relationships between spectator and cultural product, complex discursive negotiations of meaning, and gendered processes of meaning-making, in some ways affirming mad women's lives and in others perpetuating negative stereotypes about women with mental illness and where they belong.     

Too Soon for Post-Feminism: The Ongoing Life of Patriarchy in Neoliberal America

In this paper, I seek to bring “patriarchy” back into focus in ways that make sense to a twenty-first century American audience. In the first part of the paper, I discuss the ways in which “feminism” has fallen, or is being pushed, off the contemporary political agenda, leaving a political vacuum with respect to, among other things, patriarchy as a system of power. In the second part of the paper, I use a number of films as texts to show how patriarchy in this sense persists quite vigorously and often brutally in contemporary society, not only as a thing in itself, but also as a form of power that intersects with, and organizes, major institutions of twentieth- and twenty-first-century capitalism: the industrial production site, the military, and the corporation. Finally, I reflect on the films not only as cultural texts, but also as political interventions that at least partially counter the post-feminist tendencies discussed in the first part of the paper.     

The Marriage of Marx and Darwin?

Recent attempts to develop scientific research strategies for cultural evolution have mostly drawn upon evolutionary biology, but within anthropology there is also an influential tradition of non-biological evolutionary thought whose basic principle is adaptation to the environment. This article is mainly concerned with the "cultural materialist" school of Marvin Harris, but also treats the recent attempt of Jared Diamond to create a more radical model of evolutionary ecology. I argue that the ecological tradition does not represent a real alternative to neo-Darwinism and is in fact a pseudo-Darwinist theory. I also suggest that the bias in favor of materialistic explanation in cultural evolution may not be justified.     

The Concept of Reading: Kierkegaard,Irony, and Duality—A Response to Mark Cortes Favis

In a recent article in The European Legacy, Mark Cortes Favis argued that the figure of Kierkegaard expressed a tension between two aspects of writing—the Socratic and the Platonic. While Favis is correct to see a duality in Kierkegaard's writing, his article does not fully answer the problem of how we can account for our interpretation of this tension. Given that the duality within Kierkegaard's writing transgresses the boundaries of author and reader, we cannot easily circumscribe any claims on his writing without considering its effect on our reading. Rather, the characteristic duality of his authority manifests itself in a number of ways in the task of identifying the philosophical meaning of his texts. Kierkegaard's relationship to Socrates is thus symptomatic of a number of figural dualities that pervade interpretations of his work. By surveying the ways in which these interpretations draw on the axiom of duality in order to ascribe an authority to Kierkegaard's texts, I suggest Favis's argument that Kierkegaard's writing expresses both Socratic and Platonic aspects should be placed within the wider duality at work in the interpretation of Kierkegaard's work.     

THEORY AND ESSENTIALISM IN MARXIST GEOGRAPHY

Many Marxist geographers are involved in the current attempt within human geography to create nonessentialist forms of social explanation. This project has been carried forward with great, though uneven, success. I argue that the concept of ‘theory’ is an area of our discourse where essentialism tenaciously persists. I explore some essentialist meanings of ‘theory’ in Marxist geography and offer a nonessentialist alternative meaning, embedded within an explicitly nonessentialist Marxism.     

Woman,Body, Space: Rio Carnival and the politics of performance

The practices and aesthetics of carnival are hotly debated in Brazilian society, as it is taken to be the expression of 'the essence of Brazilianness'. In this paper, an attempt is made to understand the Rio de Janeiro carnival in ways which are not only sensitive to its maps of power and meaning, but also able to explore the subtle ways in which value hierarchies are displaced. To this end, we suggest that cultural categories 'constitute' what they appear to 'describe'. In this way, the mobilisation of categories of 'woman' make women's bodies seemingly both material and intelligible, while foreclosing on the instability of that category. This paper shows that Rio Carnival is a site not only where categories of high and low value are presented and sometimes inverted, but also where the sight of the female body is both made to bear the full weight of contradictory and unstable cultural values, and to disguise and deny those tensions and instabilities. Yet, the performance of 'woman' in Rio Carnival constantly unfolds through power, knowledge and social equivocation about what 'woman' is- or might be. From here, we argue that the performers are not merely dupes to this system of meaning and power, nor do they merely convey cultural norms through their bodies, but are actively performing and masquerading femininity, and this actually renders femininity indeterminate and unknowable, opening up the possibility that the performance can act as a site of resistance .     

“Neptune to the Common-wealth of England” (1652): the “Republican Britannia” and the continuity of interests

ABSTRACT

In the seventeenth century, John Kerrigan reminds us, “models of empire did not always turn on monarchy”. In this essay, I trace a vision of “Neptune’s empire” shared by royalists and republicans, binding English national interest to British overseas expansion. I take as my text a poem entitled “Neptune to the Common-wealth of England”, prefixed to Marchamont Nedham’s 1652 English translation of Mare Clausum (1635), John Selden’s response to Mare Liberum (1609) by Hugo Grotius. This minor work is read alongside some equally obscure and more familiar texts in order to point up the ways in which it speaks to persistent cultural and political interests. I trace the afterlife of this verse, its critical reception and its unique status as a fragment that exemplifies the crossover between colonial republic and imperial monarchy at a crucial moment in British history, a moment that, with Brexit, remains resonant.     

Birthing modernity: spatial discourses of cesarean birth in São Paulo,Brazil

In this article, we explore the ways that spatial discourses inform women’s birth experiences, focusing in particular on urban Brazilian women’s experience of caesarean section. In particular, we draw on interviews conducted in São Paulo with 22 women and five doctors in order to analyse the ways the discourses of modernity, development and nationalism are drawn on and themselves constituted in the way that women narrate their birth experiences. We also explore the meanings that are given to these terms in women’s narrations in order to address the cultural specificity of the way that these discourses play out in the Brazilian context. We argue that spatial referents concretize discourses of modernity, and are employed in mothers’ and doctors’ birth narratives in order to give meaning to birth experiences. In particular, we find that these discourses provide a means of interpreting birth experiences in a positive way and providing spatialized subject positions which confer status and value to both people and places. In exploring these themes, we seek to further understandings of the ways that narratives of place help to frame and give meaning to women’s reproductive lives.     

Ankersmit's Postmodernist Historiography: The Hyperbole of "Opacity"

Ankersmit's articulation of a postmodern theory of history takes seriously both the strengths of traditional historicism and the right of historians to decide what makes sense for disciplinary practice. That makes him an exemplary interlocutor. Ankersmit proposes a theory of historical "representation" which radicalizes the narrative approach to historiography along the lines of poststructuralist textualism. Against this postmodernism but invoking some of his own arguments, I defend the traditional historicist position. I formulate criticisms of the theory of reference entailed in his notion of "narrative substance," of his master analogy of historiography with modern painting, and finally of his characterization of historical hermeneutics. In each case I find him guilty of the hyperbole which he himself cautions against. While it is true that historical narratives cannot be taken to be transparent, in taking them to be opaque Ankersmit puts himself in an untenable position. Finally, Ankersmit seeks to buttress his theoretical case by an interpretation of the new cultural historical texts of authors like Davis and Ginzburg. While this is a concreteness heartily to be welcomed in philosophers of history, I cannot find his construction of this new school's work plausible.     

Beyond the sacred language: on the liberal evolution of Hebrew in Jewish nationality

ABSTRACT. This paper aims to shed light on the evolution of the Jewish national language and to discuss the ways in which the cultural trends in Zionism constantly left room for the creative imagination of its adherents, and functioned in such a way as to erode its sacred dimension, thereby promoting a discourse focusing on the individual. My claim is that the Hebrew language case study may reflect the importance not only of national revisionist accounts for our understanding of the Zionist movement, but also the need for an approach that saves a place for truly creative aspects of civic engagement, and recognises the Israeli nation as one asserting, besides its ethnic ties also patriotic nexuses. Special attention will be given to the phenomenon of Hebrew poetry written by women in the 1920s as a platform from which to examine the unique meaning and evolution of language within the Jewish national movement.     

Heritage in Movement: Rethinking Cultural Borrowings in the Mediterranean

This article investigates heritage in terms of different intertwined temporalities and polyphonic pasts in the Mediterranean. It posits that postcolonial theory has fallen short of perceiving the effects that movements of exchange, circularity and choice have had on Mediterranean societies in colonial times. Further, it explicates that the exploration of these avenues in matters of heritage and material culture would open the path for alternative understandings of the articulations of cultural encounters. Using a biographical approach I concentrate on an historical hotel, the Gezira Palace Hotel in Cairo, and explore the ways in which processes of change occur in intermediary spaces of cultural encounters, exchange and circularity that generate novel cultural expressions.     

Using measures of cost distance in the estimation of polity boundaries in the Postclassic Yautepec valley,Mexico

The reconstruction of polity boundaries is essential for the study of political evolution, but few enhancements to archaeological boundary estimation methods have been proposed in recent years. New techniques of terrain modeling and geographical analysis provide the means to augment traditional methods of boundary estimation. In this paper, I review archaeological methods for estimating the spatial location of boundaries between independent polities and ways to modify these methods to explore the processes of political expansion in the evolution of complex societies. I demonstrate several of these methods using data from Postclassic polities in the Yautepec valley, Morelos, Mexico. Through time, seven independent polities were founded, expanded, and were ultimately incorporated within two levels of regional political administration. I apply new quantitative methods for the estimation of polity territories and explore the processes that resulted in the formation of a regional polity. The resulting boundaries are objective estimates of the location of borders based on energetic efficiency that can be systematically tested against theoretical models. These estimated boundaries provide a basis for exploring the social meaning of territorial divisions. Additionally, energetic boundaries provide a means for delineating local zones for landscape utilization and comparative analyses.     

Meaning in a Changing Context: Towards an Interdisciplinary Approach to Authorial Revision

Summary

In this article, I seek to develop a genetic/diachronic approach to the phenomenon of authorial revision, and to the interpretation of texts that exist in multiple versions. In all such cases, the reconstruction of textual meaning cannot be separated from the reconstruction of the process through which the text in its ‘final’ form came into being; furthermore, an understanding of the author's intentions in (re)writing cannot be entirely separated from an understanding of his/her motives for (re)writing. This article is divided into three sections. In the first section, I consider recent trends in editorial and literary theory that aim at characterising texts in terms of processes rather than products, in order to uphold the equal dignity of each version without losing sight of its connectedness to other stages in the history of the text. In the second section, I discuss how Quentin Skinner's views on meaning and context apply to cases of authorial revision, and I suggest that some key aspects of Skinner's contextualism need to be reconsidered. In the concluding section, I focus on a case study in order to demonstrate the operational value of such a genetic and motive-based approach to authorial revision: more particularly, I seek to show how a close examination of Jean Bodin's rewriting practices in the Methodus (1566–1572) and the République (1576) can throw new light on his shift from a concept of limited sovereignty to one of absolute sovereignty.     

旅游景观形成与演变机制的符号学解释——兼议符号学视角下的旅游城市化与旅游商业化现象

旅游景观形成与演变机制的研究对于旅游景观的建设与保护具有重要意义。本文借助于符号学的相关理论,对旅游景观的形成与演变机制进行分析,并指出:在旅游景观形成与演变过程中,基于旅游景观意义的博弈,旅游文化主体不仅把自在景观符号作为一个整体加以改造而形成旅游景观符号的"能指",而且在此基础上赋予它的新的文化内涵,形成旅游景观符号的"所指",从而完成旅游景观的符号化过程。旅游城市化和旅游商业化现象是这一过程中的必然产物,是基于文化主体意义博弈的旅游景观符号的现代化重构。     

Autobiography and women's travel writings in nineteenth‐century France: Journeys through self‐representation

This analysis of nineteenth‐century travel literature by French and francophone women examines the various mechanisms and strategies at play in women's struggle with self‐representation within the genre of travel writing. Through the works of three women travellers, Henriette d'Angeville, Adèle Hommaire de Hell and Carla Serena, four main voices are identified as representing the plurality of self‐images women writers create in their texts: conventional autobiographical voices where they present themselves in a stereotypically feminine manner; conventional ‘neutral’ scientific voices where they take on the traditionally masculine task of science writing, thus erasing the autobiographical; differentiated scientific voices where they valorize a (private) sphere of knowledge dependent upon their personal experiences and valorized as such; and finally, differentiated autobiographical voices which undermine constraining representations of women by placing them in the valued public sphere. As a result, travel writing becomes a most important medium for women: it questions the traditional limits placed upon their writings and ways of being and allows for a complex feminine subject to emerge (often indirectly) from the texts. Such a process leads to the questioning of gender constructions as a whole.     

"Dead or Banished": A Comparative Reading of the Stories of King Oedipus and King David

The rise and fall of two of the most famous legendary kings, Oedipus and David, seem to bear great resemblance to each other. This is especially the case in the central narrative of Sophocles' Oedipus the King and the Second Book of Samuel where the kings are usurped by a close relative upon the intercession of a violent third party. The article argues that the stories are based on conventions of the rise and fall of a sacred king who restores order to a violent and “plagued” kingdom. It proposes a comparative reading of the texts, in conjunction with an anthropological reading in accordance with the insights of Rene Girard. This will provide not only a way of reading these ancient texts but also give insight into the perspective of and reality referred to in the texts. This is to read the text with appreciation of the dynamics of text and reader through the anthropological perspective opened up by the recognition of the victim.