The Fabulous Tales of the Common People,Part 1: Representing Hadrian’s Wall

Abstract

Hadrian’s Wall is one of the most instantly recognizable ancient monuments in the UK. This paper explores the historical and contemporary visualization practices which have created this iconic image. Moving between the disciplines of archaeology, cultural geography, and heritage and tourism studies, the paper draws upon a variety of data sources such as paintings, photographs, models, and reconstructions to consider how the Wall is visually represented within contemporary public discourse. The paper focuses on digital photography and considers the ways in which images create and sustain particular readings of the Wall’s function and significance. These contemporary representational practices demonstrate strong continuities, and earlier images are used to provide historical context. Emphasis is placed on the monument’s landscape setting in visual representations and the importance of this environmental context for readings of the Wall’s cultural and political significance. The present paper deals primarily with representations of the Wall, but it is argued that these representational practices are also fundamentally embodied. The physical encounters of visitors and archaeologists will be considered in greater detail in the second part of this study (Witcher, forthcoming).     

Heritage and national identity: Exploring the relationship in Romania

Abstract

Within heritage studies the relationship between national heritage and national identity is frequently taken as axiomatic. The construction of a national heritage is an important part of nation‐building, and historic buildings and monuments can be powerful symbols of a nation's aspirations and identity. Yet this relationship has received relatively little empirical investigation. This paper reports an exploratory study of the heritage/national identity relationship in Romania which focuses on just one Roman monument – Trajan's bridge. For many Romanians the monument is a powerful symbol of their identity representing Dacian and Roman origins, Latinity, and the continuity of Romanian settlement in Transylvania. The monument was also seen by some as an important symbol of Romania's attempt to construct a post‐Communist identity, and to forge closer links with western Europe. However, the meanings of the monument are not shared by all Romanians, and in particular are strongly contested by Romania's Hungarian minority.     

Notices of Books

Abstract

The three greatest German buildings of the first half of the eleventh century were of an ambition not to be found elsewhere in contemporary Europe and were modelled directly on Roman Imperial prototypes. They demonstrate a new grandeur of spirit that is typical of German architecture of the time, but in their precise forms, remarkably enough, they remained unique in that country. Archbishop Heribert's huge rotunda at Deutz was partly inspired by the Pantheon, and since Heribert had been Otto III's chief politician and Italian Chancellor for the previous six years the building was an important monument of Otto III's political policy of ‘Renovatio Imperii Romanorum’. The re-creation of Roman Imperial grandeur that these and other German buildings represent is essentially Romanesque and to call them anything else is not to do them justice. The idea of an Ottonian style of architecture has not been helpful.     

Mid- to late-Holocene vegetational and land-use change in the Hadrian's Wall region: a radiocarbon-dated pollen sequence from Crag Lough,Northumberland, England

Pollen, charcoal and sedimentological analyses of a radiocarbon-dated sediment sequence from Crag Lough, by Hadrian's Wall, northern England, are used to reconstruct vegetational and land-use change since ca. 3000 cal BC. Clearance of Quercus and Corylus avellana woodland began at ca. 2600 cal BC, followed by a substantial decline of Alnus glutinosa and spread of Calluna vulgaris at ca. 400 cal BC. Local cereal cultivation occurred sporadically from ca. 2200 cal BC, with a decline (perhaps associated with climatic deterioration) at ca. 900 cal BC, then an increase at ca. 600 cal BC. Secale cereale was grown in the area from approximately the first to fifth centuries AD, followed by a second phase from ca. AD 1250–1700, when it was accompanied by Cannabis sativa.The sequence is interpreted in the light of the archaeological record, particularly in relation to the impact of Roman military activity in the area. The most significant episodes of woodland clearance occurred in the late Neolithic/early Bronze Age period and then in the middle Iron Age, creating a patchwork of woodland, heather moorland, pasture and arable land by the Roman period. The main changes in the Roman period were a decline in the extent of Betula woodland and perhaps the local introduction of Secale cereale cultivation. Local land management practices involving fire seem to have been suspended in the Roman period, but resumed afterwards. The end of the Roman period may have been accompanied by a shift towards pastoral land-use and abandonment of less favourable agricultural land, but the effect was minor compared to that at other sites in the region. Later shifts in land use may relate to climate variability, as reconstructed from several mires in northern England.     

The Making of the Gough Map Reconsidered: a Personal View

ABSTRACT

The claim that the Gough map was originally produced in or about the 1370s, then overwritten and re-inked about fifty years later, is unconvincing. The ‘earlier’ hand seen north of Hadrian's Wall cannot be dated accurately, but is as likely to be from after 1400 as before. Outside one small area of the map, I find almost nothing to indicate rewriting of names or other text, and even in that area the rewriting proves little about date. Nor do I find evidence for the reworking or re-inking of town signs or other pictorial elements. The claimed extensive erasure of earlier writing in the area of the map which is said to be revised is not evident to me. The serious but uneven and erratic fading of the ink on the map, which is not surprising, accounts for most of the anomalies and variations that we see. Dr Solopova's claim, based on her theory of revision, that the map displays contrasting political or ‘ideological’ emphases from two different periods seems unrelated to the actual content of the map. The known history of the development of chorography in medieval Europe indicates that the appearance of a map as advanced as the Gough map in northern Europe before 1400 is almost unimaginable.     

Making an Edgier Interpretation of the Gold Rushes: Contrasting Perspectives from Australia and New Zealand

This article examines the interaction between changing interpretations of history and visitor interpretation provided at heritage tourist sites. Generally, the literature distinguishes between history (which is seen as objective and fixed) and heritage interpretation (which is characterised as biased, selective and serving parochial interests). It is argued that history is actually far more dynamic and subjective and that this requires an ongoing revision of interpretation for visitors as historical interpretations change. To illustrate these processes, Goodman's concept of a new ‘edgier history of Gold’ is applied to interpretation at Sovereign Hill and the Mount Alexander Diggings in Australia and the Central Otago Heritage Trail in New Zealand.     

Music geography in Russia: non-auratic places and institutionalization “in becoming”

ABSTRACT

This paper focuses on the Tsoi Wall in Moscow, an iconic place on Russia's music map that appeared in Moscow in 1990 in memory of the cult Soviet rock musician Viktor Tsoi, to develop a framework for studying non-auratic music place – that is, places that are not connected with the biographies of musicians or musical events, but emerge directly from the experiences of visitors and fans. These places are constantly negotiated and only lightly formalized, but are nevertheless enduring. To analyze this type of place, we propose a concept of institutionalization “in becoming”. The case of the Tsoi Wall reveals that light formalization (vague and changing positions and rules, and openness to different interpretations of a place and ways of using it) leads to the recognition of the place as a significant one and to its popularity. We put institutionalization “in becoming” in a wider context and juxtapose it with well-studied musical places in Europe and the US.     

Stability and conservation of the Maxentius Basilica in the Roman Forum

Abstract

Originally extended over 6500 square metres, the Basilica of Maxentius was one of the biggest and most outstanding buildings of Roman architecture. Only one third of the monument is still standing. In celebration of the Christian Holy Year of 2000 (the Jubilee), the Soprintendenza Archeologica di Roma (SAR) started an extended project with the purpose of restoring the terrace and of studying the structural problems of the monument. CISTeC was appointed to the structural part of the project, including the study of the foundations and the proposal for the consolidation project.

The present paper reports the conclusions of the static and dynamic studies that were carried out both on the present-day Basilica and on the model of the original basilica. The results concluded that the monument could be subjected to seismic risks. Following such conclusions, a provisional consolidation project (which is currently in progress) and three final consolidation proposals were submitted to SAR. The immediate application of the provisional consolidation will give time to SAR to decide which of the final projects is the most Suitable, while still protecting and preserving the monument. The structural studies and the projects are briefly described in this paper.     

Shifting monument production chains and the implications for gravestone design on Prince Edward Island, 1820–2005

This paper examines changing gravestone design in Prince Edward Island (PEI) (1820–2005) and relates these changes to changing modes of production in the monument industry. Information from field surveys, newspaper advertisements and business correspondence reveals how supply-side factors helped shape the morphogenesis of the island's cemetery landscapes. Among these, different sources of raw materials and manufacturing innovations over time resulted in the use of harder, more durable types of stone. With these changes, gravestone production and design moved increasingly away from local monument works towards off-island producers in Vermont, New Brunswick and Nova Scotia. Since the early 20^th century, PEI's gravestone suppliers vertically integrated along Fordist mass-production lines and increased choices available to local monument sellers and their consumers.     

The Asiatic marbles of the Hadrian's Villa at Tivoli

Multi-method provenance studies, including petrographic, isotopic, electron paramagnetic resonance and trace chemical analyses, have been carried out on 20 white, 9 black and 1 red artifacts purposely selected to investigate the use and distribution of sculptural marbles at the Hadrian's Villa. A large fraction of the marbles tested (21 samples, 70%) are shown to be from Asia Minor, mostly originating from the recently discovered site of Göktepe near Aphrodisias (15 or 71%). All the 9 black samples investigated and 6 out of 11 white Asiatic marbles are from Göktepe, the remaining being Docimium marble from Iscehisar (4 samples) and Aphrodisias marble from the city quarries (1 sample). The single red sculpture tested proved to be Carian red marble from the Iasos quarries, whereas non-Asiatic marbles include 3 Carrara and 6 Pentelicon samples. The selection of marbles tested is preliminary and incomplete, but, despite this, the results are noteworthy, especially since the marble of other sculptures from the Villa has already been identified as Göktepe. Together with other published results, the marble distribution at the Hadrian's Villa seems to suggest that the use of sculptural marbles in the Roman world underwent considerable changes around the turn of the 1st and the 2nd century AD. The evidence supporting this hypothesis is briefly summarized in the conclusions.     

Egypt in Rome – an introductory essay II: The Villa Adriana and the beginnings of Egyptology

Abstract

The first part of this review considered the legacy of the Egyptian goddess Isis to European civilisation and discussed obelisks and the significance of the Isaeum Campense in Imperial and later Rome. This concluding part explores the influence on later generations of the Emperor Hadrian's villa at Tivoli, describes the emergence of Egyptology as a serious scholarly discipline, and makes brief mention of the Renaissance gardens of the Villa d'Este.     

Visitor experiences: art,architecture and space at the papal curia c.1200

ABSTRACT

The Lateran Palace in Rome was the main papal residence and the administrative centre of the papacy in the central Middle Ages. The physical setting that confronted visitors to the Roman curia at the Lateran Palace during the pontificate of Innocent III (1198–1216) can be explored by piecing together information from curial material and the few visitors’ accounts about the architecture, art and use of space within this no-longer existent building. The article examines how visitors perceived the palace and the use of space within it, placing particular emphasis on visitors’ admission to the different areas of the palace which determined their access to the pope and other members of the curia. The ways in which the layout and decoration of the palace reflected and reinforced notions of papal authority are also discussed.     

The large Roches moutonnées of upper deeside

EUROPE

Tourist Map of the Cairngorms. 1:63,360. 42 x 33 ¼. Chessington: The Ordnance Survey, 1964. Paper flat 7s. 6d. Paper folded 10s. 6d. Mounted and folded 15s.

Map of Hadrian's Wall. 1:31.680. 31 ¼ x 40 ¾. Chessington: The Ordnance Survey, 1964. 10s. paper folded. 7s. 6d. paper flat.

The Resorts of Western Europe. 1:2,500,000 with insets. Compiled by G. W. S. Robinson with the assistance of M. G. Webb. Drawn by A. C. Clark. 33 x 37 ½. London &; Bude: Geographical Publications Ltd., 1962. 15s.

ASIA

South‐East Asia. 1:5,800,000. 29 ½ x 40. Edinburgh: John Bartholomew &; Son Ltd., 1964. 5s. paper folded. 7s. 6d. cloth folded.

Historischer—Geographisches Kartenwerk: Indien. Entwicklung Seiner Wirtschaft und Kultur. 16 plates. 18 pp. text. Leipzig: Verlag Enzyklopadie, 1958, 55 DM.     

Dimensional variations of Roman masonry subjected to wetting-drying cycles

Abstract

Many Roman monuments made of opus caementicium are subjected to wetting and drying phenomena caused by water or/and humidity from the ground. The action of water impregnation on the hypothetical dimensional changes in this Roman concrete has not been considered in the literature and no experimental data are available.

The purpose of this work was the evaluation of the effect of wetting and drying cycles in a number of cores taken from an ancient Roman monument (Domus Tiberiana in the Palatine, Rome). The concrete samples were made of a pozzolanic mortar with large pieces of tuff, marble and bricks.

In spite of some differences in their composition, the behaviour of the cores was similar and, generally, quite constant during the experimental cycles. On the average, the length variation was about 3–4%,or 3–4mm for each metre and, when related to high structural walls and monuments, the possible dimensional changes were quite impressive.     

The Excavation of a Medieval Bastion at St. Nicholas's Almshouses,King Street,Bristol

SUMMARY

The paper describes the discovery of the lower portion of a bastion of the late 13th century, its construction and destruction. This monument remains to a height of 8 ft. and has three arrow-slits and standins remaining. The bastion was at one time part of the Marsh Wall defences of Bristol. A small but interesting group of pottery including south-western French types is associated with its construction. The method of construction of the Almshouses, which were built above the bastion, required the deposition of considerable domestic rubbish including a large quantity of pottery types, many of which were previously only loosely datable. The opening of the Almshouses in 1656 provides a firm dating for this large and varied collection.     

Mobile Cartographies and Mobilized Ideologies: The Visual Management of Jerusalem

This article analyses a recent ideological shift in the visual management of Jerusalem. Through two case studies in the real estate and tourism industries we show how mobile technologies are shaping both actual settings in, and visual consumption of, Jerusalem. The analysis points at the creation of a “tunnel vision” for consumers and visitors, which promotes Jewish hegemony in the city and simultaneous detachment from Palestinian spaces and histories. This tunnel vision situates the viewers in physical and simulated enclaves within the city, creating a relationship of distance and elevation to promote their embodied identification with Israel's Judaizing mission for the area, primarily the Holy Basin. This mode of viewing Jerusalem is evocative of Israel's post‐second intifada policies and the concurrent rise of right‐wing ideologies, which relegate to the margins alternative readings of the contested urban landscape.     

3D Digital Documentation,Assessment, and Damage Quantifi cation of the Al-Deir Monument in the Ancient City of Petra,Jordan

Abstract

The rock-cut monuments in the ancient city of Petra in Jordan form an outstanding tangible heritage site. Unfortunately, this important part of the world's cultural heritage is gradually being diminished due to weathering and erosion problems. In this research, an approach combining in situ surveying and laboratory analysis is applied in order to provide sufficient and comprehensive data regarding the documentation and evaluation of the status of the Al-Deir monument in Petra. The purpose was not only to quantify the damage, but also to make a first step towards creating a 3D monitoring programme of the deterioration rate. The approach presents a correlation study between the environmental condition and the surface weathering damage, using 2D mapping of the weathering form and accurate 3D realistic modelling from laser scanning and digital photogrammetry. The 2D mapping provides detailed weathering damage information for the entire stone surface of the monument, whereas the 3D modelling provides information on the spatial distribution and texture of the damage. Additionally, the 3D digital model can provide reference data as an exact guide to the restoration needed. In order to support the visual presentation of 3D surface details, a hybrid approach combining data from laser scanning and digital imagery was developed.

Studies of stone texture and spatial distribution of soluble salts were carried out at the monument in order to explain the mechanism of the weathering problem. Relative humidity, temperature, and wind are the main factors in the salt damage process. In order to study the effect of these conditions in the salt crystallization process a series of fieldwork investigations and laboratory work were undertaken. The results show that visible zoning of weathering damage is correlated to different salt concentrations.