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1.
During the period of its publication (1898 to 1936), al‐Manar, under the editorship of Muhammad ‘Abduh and Rashid Rida, received correspondence sent from the Malayo‐Indonesian world for publication in its volumes. This correspondence consists of some 134 requests for legal opinions and 26 articles in the form of: announcements; letters commenting on various matters related to the homeland; letters commenting on previous articles published in al‐Manar; and letters requesting and furnishing advice and information on specific questions.

This correspondence throws light on the dialogue established between the Egyptian reform movement, whose mouthpiece was the magazine al‐Manar, and the reform movement of the Malayo‐Indonesian world in the early decades of this century.  相似文献   


2.
Abstract

Historians reconstruct the Byzantine conquest of Crete in 960?961 based largely on the History of Leo the Deacon and two variants of the continuation of the Chronicle of Symeon the Logothete. However, the account in the continuation is modelled closely, in narrative structure, imagery, vocabulary and ideology, on Prokopios' account of the conquest of North Africa by Belisarios in 533?534. This challenges our knowledge of the campaign but sheds interesting new light on the sophisticated use of classical texts that Byzantine ‘chroniclers’ could make.  相似文献   

3.
Abstract

Just as Karl Marx, in 1842, called the Byzantine empire ‘der schlechteste Staat’, so did Ahmed Midhat Efendi (1844–1913), the protagonist of Ottomanism and at the same time the first Ottoman ‘to make a strong and clear case for the Turkish ancestry of the Ottomans’ (David Kushner), a few decades later. Byzantine history stands, according to Midhat, for the Dark Ages, and the Byzantine empire for corruption, lawlessness, extravagance and frivolity. By contrast, the picture drawn by him of the early Ottomans is one of a community based on high moral values such as decency, concord, obedience and mutual esteem. In his view, the rise of the Ottomans heralds the dawning of the Modern Age. His identification of the Ottomans as the liberators from the Dark Ages of all the peoples previously under Byzantine rule is the central element in his concept of the ‘enlightened and liberating Ottomans,. His Detailed History of Modern Times (Mufassal Tarih-i Kurun-i Cedide), with its section on Byzantine history and institutions, has already been introduced to readers of the last issue of BMGS.  相似文献   

4.
This article examines the importance of the political thought and praxis of politico, ‘reformist’ strategist and intellectual, Sa?id Hajjarian, and his rethinking of the post-revolutionary Iranian state’s sources and bases of legitimacy in the 1990s and 2000s. It also provides an exposition and assessment of a number of his recommendations for the realisation of ‘political development’ (towse?eh-ye siyāsi) in the post-revolutionary order and their contribution to the discourse of eslāhāt during the presidency of Hojjat al-Islam Mohammad Khatami (1997–2005). Moreover, it attempts to situate Hajjarian within a broader spectrum of reformist political opinion and its proponents within the Islamic Republic of Iran’s political class.  相似文献   

5.
Abstract

A welcome and necessary aspect of the renewal of studies of the Byzantine economy has been the analysis, sometimes in both the technical and the broader organisational aspects, of the production and redistribution of particular goods. One only has to think of some recent work concerning mining and metallurgy, minting, silk-production, glass-making, potteries, shipping, and salsamenta, to realise the potential significance of such studies, the need for the historical study of all types of economic activity, and how unilluminating has become the incantation of such statements as that the Byzantine economy was ‘overwhelmingly' rural (almost invariably made with reference to the primary products of a narrowly defined agriculture), or that centres of population were ‘characterised by consumption', or even that commercialised redistribution was ‘feeble’ and stagnant in the Early Byzantine period.  相似文献   

6.
Abstract

Anna Comnena's history the Alexiad has been accorded a high honorary status by Byzantine historians. Her pioneering efforts in philosophy and the thoroughness of her historical methodology are admired, although there is a distinct reluctance to analyse her historical writing. On a superficial level the Alexiad is a straightforward text: an historical panegyric in its organisation, frequently eulogistic in tone, in the manner of court orations, and rhetorically strongly influenced by conventional Byzantine pastiches of Homer. A triumphal mood pervades the biography. A somewhat more careful assessment soon reveals the significant tensions and contradictions which lurk beneath the formalised strength of this epic historical narrative. Ideological and cultural problematics abound. The self-conscious celebratory presentation of Byzantium's cultural elitism is frequently subverted by the author's pessimism. The spatial and temporal terrain of the Alexiad contains many visionary qualities, even though the text purports to narrate the events ‘as they occurred‘. Historical perspectives and idiosyncratic philosophical positions impinge, blend, envelop, and disorganise the text. Among the many themes is Anna's presentation of the ‘Latin West’, and in particular her characterisation of the appearance of crusaders in Byzantine society. A more personalised feature is Anna's self-projection of herself within the Alexiad as ‘a dutiful daughter’ and ‘a loving wife’. Yet the narrative contains elements of gender confusion, for there is an assertive and possessive interest in forms of political power that were usually culturally exclusive to Byzantine men.  相似文献   

7.
The Poema de Fernán González is usually regarded as a hybrid text—while its subject matter is deemed epic, its expression, intentionality, and ideology are considered clerical. This article studies several elements shared by Fernán González and the other poems of the mester de clerecía school: the same stanza (the cuaderna vía) and poetic rules; similar modes of composition, transmission, and reception; and common structural, thematic, and verbal patterns. The article concludes that the Poema de Fernán González fully participates in the common artistry of the mester de clerecía and therefore can be regarded as the attempt to produce epic poetry by this learned clerical school.  相似文献   

8.
Summary

The correspondence in this issue of History of European Ideas has not previously been published. It is the surviving part of the epistolary exchange between Dugald Stewart and the Genevan professor and man of letters Pierre Prevost (1751–1839) from the 1790s to the 1820s. To this are added several closely connected letters to and from their associates. This correspondence is striking evidence of the republic of letters continuing to flourish in the aftermath of the French Revolution, illustrating the transmission of works, the role of go-betweens, the provision of letters of introduction and the formation of intellectual and personal alliances. Not least, the letters tell us much about the ideas of those involved, and about the formation, development, and relation of these ideas to published works. This is particularly significant for Stewart, most of whose letters and papers are lost.  相似文献   

9.
Br/Cl ratios of hydrothermal fluids are widely used as geochemical tracers in marine hydrothermal systems to prove fluid phase separation processes. However, previous results of the liquid–vapour fractionation of bromine are ambiguous. Here we report new experimental results of the liquid–vapour fractionation of bromine in the system H2O–NaCl–NaBr at 380–450°C and 22.9–41.7 MPa. Our data indicate that bromine is generally more enriched than chlorine in the liquid phase. Calculated exchange coefficients KD(Br‐Cl)liquid‐vapour for the reaction Brvapour + Clliquid = Brliquid + Clvapour are between 0.94 ± 0.08 and 1.66 ± 0.14 within the investigated P–T range. They correlate positively with DClliquid‐vapour and suggest increasing bromine–chlorine fractionation with increasing opening of the liquid–vapour solvus, i.e. increasing distance to the critical curve in the H2O–NaCl system. An empirical fit of the form KD(Br‐Cl)liquid‐vapour = a*ln[b*(DClliquid‐vapour?1) + e1/a] yields a = 0.349 and b = 1.697. Based on this empirical fit and the well‐constrained phase relations in the H2O–NaCl system we calculated the effect of fluid phase separation on the Br/Cl signature of a hydrothermal fluid with initial seawater composition for closed and open adiabatic ascents along the 4.5 and 4.8 J g?1 K?1 isentropes. The calculations indicate that fluid phase separation can significantly alter the Br/Cl ratio in hydrothermal fluids. The predicted Br/Cl evolutions are in accord with the Br/Cl signatures in low‐salinity vent fluids from the 9 to 10°N East Pacific Rise.  相似文献   

10.
Abstract

Despite the massive amount of scholarly literature on Iconoclasm and its aftermath, there are really only two major publications that deal specifically and synthetically with ninth-century art. One of these is André Grabar's magisterial L'iconoclasme byzantin, a chronological analysis of monuments and texts; the other is Robin Cormack's short but insightful essay in Iconoclasm, the collection of papers originally presented at Birmingham in 1975, which asks ‘whether the discussion of religious images stimulated by Iconoclasm changed the nature of Byzantine Art’. My aim is rather different. Rather than presenting an encyclopedic overview, this article attempts to crawl into the fabric of Byzantine culture: to see and understand Byzantine art of the ninth century as the Byzantines saw and understood it. It follows that the material presented has not been segregated into the familiar (and often useful) categories of style, iconography, and context, for, to the Byzantines, the three were neither exclusive nor separable. For similar reasons, I have deemphasized any linear progression that might imposed with art historical hindsight on the distant past, and have thereby underplayed the flashes of innovation, novelty and erudition that such detachment allows. These sparks are probably more visible (and certainly more appealing) to twentieth-century art historians than they were to the ninth-century Byzantines, for whom, as we shall see, the power of tradition militated against individual creativity, and artists on the whole remained anonymous artisans. In my attempt to look at Byzantine art from the inside rather than from the outside I have, in other words, concentrated on the fluid interface between objects, and the shifting dialogue between objects and context. This is because what interests me here is how Byzantine ideas about art (their theories), Byzantine perception (how the Byzantines saw), and the artifacts themselves (the practice) come together in the ninth century: how art, that preeminent social construct, worked in the years after Iconoclasm.  相似文献   

11.
Abstract

Much of the evidence for the changes which scholars perceive in the Late Roman-to-Early Byzantine periods (the ‘Late Antique era’) and in the ‘Dark Age’-to-Middle Byzantine periods in the eastern empire, that is, changes occurring between the mid third and the eighth-to-ninth centuries, whether this evidence is textual, archaeological, or topographical, concerns in one way or another what might be called the upper levels of the settlement-system. These levels consist of settlements or sites distinguishable at various times from the undefended rural majority (or what in most areas forms the majority) of settlements by status (i.e., civic, that of a polis), form, size, situation, or associated functions. They may for present purposes be simply categorised as civic urban settlements, non-civic urban settlements, and non-civic nonurban fortifications or fortified settlements. To study the fate of such places, as settlements and as communities, is to confront the cultural, economic, and internal political history of the period in all its complexity, a task which in most respects is inconceivable without recourse to archaeology and topography. The following observations concern the need to rectify some imbalances in the emphases of research which distort some general analyses of the history of Late Antique and also Middle Byzantine settlements, and so distort our view of cultural, economic, and political change in the periods named.  相似文献   

12.
Around 1800, Laplace had an intense correspondence with his colleagues in Gotha on problems in celestial mechanics, especially on the lunar theory. Most of these letters are not included in Roger Hahn's New calendar of the correspondence of P. S. Laplace (1994).  相似文献   

13.
Abstract

Suddenly last summer, research on Byzantine Material Culture, La belle aux bois dormant, was awakened from a prolonged siesta. In the 20th International Congress of Byzantine Studies held in Paris two papers were given in an attempt to chart out the progress made in this particular field in the past decades. T. Kolias assembled the various projects undertaken by individuals or institutions dealing with the different aspects of Byzantine daily life and material culture. M. Mundell Mango focused more on the archaeological evidence at hand and illustrated through the examples of architecture and industrial products how these could be used to detect and explain the interaction between centre and periphery. Just two weeks later, in September 2001 a conference entitled ‘Material Culture and Well-Being in Byzantium (400–1453)’ was organised in Cambridge. A number of suggestions were made during the conference, as for example to initiate a website to host a continuously updateable bibliography and to act as a forum of scholarly exchange in the numerous fields covered by research on material culture. Finally in April 2002 the Spring Symposium at Dumbarton Oaks was devoted to ‘Realities in the Arts of the Medieval Mediterranean’ in an attempt to reposition topics as exchange, influence and impact of the material culture between the Byzantine, the Western and the Islamic world. All the above has made clear the potential that the analysis of material culture has for Byzantine studies.  相似文献   

14.
This paper examines representations of friendship and desire in the writings of the Constantinopolitan author Michael Psellos (1018–c.1078). Within the Byzantine context of strict Christian constraints regarding expressions of sexual desire, Psellos reconfigures the dominant late antique image of friendship as unity, inspired by divine authority, with the subversive model of erôs as the pursuit of bodily pleasures. Therewith, Psellian discourse may be regarded as representative of novel trends in eleventh‐century Byzantium that anticipate the re‐appearance of romantic fiction. As is argued here, such novel trends are to be understood within the context of Byzantium's continuous dialogue with its past, rather than as part of linear historiographical narratives.  相似文献   

15.
This article examines the ways in which multiculturalism as a policy, discourse and practice has been conceptualised, implemented and applied in Indonesia. The post-Suharto democratisation process has allowed new space for the expression of previously oppressed identities. While literature on multiculturalism focuses mainly on ethnic and racial difference, this article endeavours to broaden the scope of the term to include religious difference, and evaluate the possibility of “religious multiculturalism”. It addresses the following questions: What are the different interpretations of multiculturalism? How is multiculturalism different from pluralism? How is multiculturalism understood and implemented in Indonesia? How is the Western discourse of multiculturalism different from Indonesian discourses of diversity (kebhinnekaan or kemajemukan), heterogeneity (keberagaman) and unity-in-diversity (Bhinneka Tunggal Ika)? And lastly, in what ways can the concept of multiculturalism be expanded to accommodate multi-religiosity?  相似文献   

16.
Abstract. This paper examines the construction of a sense of Israeli identity which is not deducible from the public political discourse. It analyses common verbal representations of ‘being an Israeli person’, namely, what people in contemporary Israeli culture repeatedly say about Israelis, and how they position themselves vis‐à‐vis the commonsensical agreements they exchange, assuming that the massive use of such clichés in certain contexts creates a discursive routine that has ‘a life of its own’, through which people constantly negotiate their self‐images and their sense of belonging. It investigates the ways these representations create solidarity or demarcation and how such current popular representations relate to canonical veteran images of Israeli identity, notably that of the pre‐state ‘Native Israeli’ (Sabra) archetype. The analysis is based on 295 anonymous open responses to the question ‘What makes one an Israeli?’ published weekly in the Weekend Supplement of Maariv, the second largest newspaper in Israel, between 1996 and 1998. The analysis has led to the following observations: (1) Instead of the most expected grand ideological (ethnic, national, religious, etc.) issues of conflict, the responses reveal a ‘pursuit of culturedness’, using an implied scale of mastering good manners and possessing a ‘genuine culture’ which form the dominant parameter of judging the ‘Israeli person’. (2) A tension between mainstream and marginalised groups is shaped by a ‘chase and flight’ dynamic of embracing and rejecting the mythological Sabra image (in asymmetry with these groups' assumed political stances), which image is believed to be a symbol of the once hegemonic veteran elite. (3) This tension paradoxically contributes to the persistence of the canonical image of the Sabra that is currently delegitimised by much intellectual discourse.  相似文献   

17.
This article discusses how the values and aspirations of the neo‐liberal competition state (konkurrencestat) and self‐dependent society (selvstændighedssamfund) have affected recently arrived refugees in Denmark. Besides a stricter border regime, the so‐called ‘refugee crisis’ of 2015 also resulted in a new version of ‘integration’ in Denmark that emphasizes the values of responsibility (ansvar), self‐sufficiency (selvforsørgelse) and independence (uafhængighed), as refugees are expected to start working more or less from day one after their arrival. This has led to numerous creative integration programmes in Danish municipalities.  相似文献   

18.
Abstract

The subject of the XXIV Spring Symposium of Byzantine Studies was Byzantine Diplomacy and many of the papers dealt with high-level contacts between Byzantium and other medieval states. But although Byzantines often made use of churchmen and monks as ambassadors and although there was usually a religious dimension to Byzantine diplomacy, it is worth noting that powerful monastic figures and influential houses often engaged in diplomacy on their own account. The theatre of operations was often more geographically limited, but this kind of monastic diplomacy had much in common with its lay counterpart. In both cases, it was Constantinople and the imperial court which was the centre of ‘diplomatic activity’ and, in both cases, negotiations were often delicate and long-protracted. If favours were sought, if confirmations of privileges were required, if difficulties with zealous local officials were to be overcome, then representations needed to be made at the highest level. This often meant a monastic delegation visiting Constantinople and operating in very similar ways to lay missions.  相似文献   

19.
In 1766 Jean-Jacques Rousseau, in exile from France and Switzerland, came to England, where he made the acquaintance of Margaret Cavendish Harley Bentinck, Duchess of Portland. The two began to botanise together and to exchange letters about botany. These letters contain salient statements about Rousseau's views on natural theology, gardens, botanical texts and exotic botany. This exchange entailed not only discussions about plant identifications and other botanical matters, but most important, reciprocal gifts of books and specimens in the manner of gentlemanly scientific correspondence of the period. Rousseau volunteered his services as the Duchess's ‘herborist’ or plant collector, and collected specimens and seeds in her behalf; these were destined for her own extensive herbaria and other natural history collections. Rousseau, who elsewhere denied female talent for science, admired the Duchess's knowledge of natural history, acknowledging his own as inferior. Their correspondence ended when the Duchess sent him the Herbarium amboinense of Georg Rumpf (Rumphius), an important work of exotic botany. Rousseau considered exotic botany to be the antithesis of the domination-free nature from which he derived solace and inspiration.  相似文献   

20.
The relationship between bridewealth and women's autonomy is not only discussed amongst anthropologists, development practitioners and other scholars but also amongst brides themselves. Women continue to embrace such marital exchanges, despite their knowledge of ‘modern’ development discourse about the constraints of the practice on women's status and its links to gender-based violence. This paper provides a visual exploration of contemporary brideprice practices and women's autonomy in Mt Hagen. We draw on scenes from our ethnographic film (An Extraordinary Wedding: Marriage and Modernity in Highlands PNG) to explore deliberations and developments that occurred in the case of a particular marriage that took place in 2012. We argue that the institution of brideprice has the potential to enhance the visibility of some women and the importance of their contribution to their own and husbands' kin groups. Despite current tensions regarding brideprice, it can serve as an avenue for the enhancement of women's political participation. The particular brideprice exchange featured in our film, raised concerns for the participants, which we consider in terms of three questions: Does brideprice commodify women? Does it play a role in gender-based violence? Is it inimical to aspirations for modernist individuality? We discuss the importance of bekim (‘return gift’) and suggest that this practice challenges the notion of brideprice as a commodity transaction. We argue that, while there may be an association between brideprice and gender-based violence, brideprice, in and of itself, is not causative of violence. The marriage represented in the film, and discussed in this paper, reveals the creativity of participants in adjusting the values inherent in the customary practice of brideprice to their contemporary aspirations.  相似文献   

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