Areopagitica,freedom of the press,and heterodox religion in the Holy Roman Empire

Milton’s Areopagitica (1644) is widely recognised as a foundational work in the philosophical history of the freedom of the press, although it had little impact upon first publication. However, in 1989 Leo Miller discovered an early German-language critique of Areopagitica from 1647, preserved among the papers of the Anglo-Prussian intelligencer Samuel Hartlib. The present article identifies the critic as the Brandenburg scholar Joachim Hübner, a key member of Hartlib’s networks. Available evidence suggests strongly that Hübner considered translating Milton’s tract in order to promote the printing and distribution of heterodox doctrines of spiritualist Christianity in the Holy Roman Empire. Using the short critique of Areopagitica as a springboard, this article demonstrates through biographical and contextual research the interrelations of political and religious cultures of the period, and that questions of freedom of the press were central to promoters of heterodox religious doctrine not only in England but also on the continent.     

The costs of putting Valencia on the map: the hidden side of regional entrepreneurialism, ‘creative city’ and strategic projects

ABSTRACT

Strategic projects based on culture and sports have been one of the vectors of regional development since the 1990s. Accordingly, local and regional governments have drawn up entrepreneurial strategies to project their image internationally and foster investment and tourism. These developments have been described in Spain as ‘The Calatrava Model’ for putting a city/region on the map and for boosting tourism. However, from the study of the case of Valencia and four strategic projects (The Fifth World Meeting of Families, The America's Cup, Formula 1 and The City of Arts and Sciences), we will show how there is a hidden side to this paradigm, which boils down to an unsustainable, top-down system whose sole purpose is to gain and maintain political hegemony. We will also assess the medium and long term impacts of these projects in terms of: opportunity costs, snowballing debt, corruption, and an utter breakdown of democratic controls as a result of Valencia’s poor regional governance.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Changing tides of industrial democracy: Red Clydeside and the UCS work-in as political heritage

ABSTRACT

Drawing on labour history, critical heritage studies and sociological literature on the entrepreneurial city, this article focuses on the cultural legacy of the famous 1971/72 Upper Clyde Shipbuilders (UCS) work-in apropos Glasgow’s historical reputation as ‘Red Clydeside’. In doing so, the article considers the dispute’s continuing importance as a political resource for present-day debates about workers’ rights, Glasgow’s post-industrial identity, the rise of populist demagoguery and the future of Britain’s industry more generally.     

Jews with Knives: Toronto’s Depression-Era Kosher-Slaughter Infrastructure and the Kehilla Enquiry of 1932

ABSTRACT

In the 1930s, a legal dispute upset Toronto’s kosher-slaughter and kosher-retail industry. The Kehilla, the governing body responsible for regulating the city’s kosher system, was accused of charging exorbitant prices for kosher slaughter. Moreover, several community butchers alleged that they had been ostracized from the Municipal Abattoir and coerced into signing binding agreements with a butchers’ association. The conflict escalated to such adegree that the city’s court mediated the dispute at the request of the Board of Control and City Council. Using foodways as a lens into social and cultural dynamics, this article narrates and examines this kosher controversy to illuminate divisions within the city’s Depression-era Jewish community and the larger metropolis. This examination reveals a stratified yet resilient community—one that fostered severe class conflict, but also one that drew on killing-floor activism and an entrepreneurial spirit to secure an economic base in the face of a worsening depression.     

China’s urban ideology: new towns,creation cities,and contested landscapes of memory

ABSTRACT

This paper argues that “the urban” has emerged as the most significant ideological realm in contemporary China. In developing this argument, I suggest an alternative approach to how we theorize urbanization in China. Seeking to avoid the dichotomized analyses that often characterize scholarship on China’s urbanization, the paper suggests reading “the urban” as an ideological device. Such a reading calls for an analytical distinction between the city as a technology of socialist party-state planning and government and urbanization as a messy social process over which the state struggles for control. It also calls for a recognition of the ways that ideology itself has shifted dramatically in China, from the Mao-era centrality and coherence of class struggle and its overriding goal of proletarianization to a much less coherent post-reform message of “stability”. The paper begins with a brief discussion of ideology and Gramsci’s notion of “common sense” in a Chinese register. It then considers the film 24 City, directed by Jia Zhangke, as a template for understanding urban spaces as sites of conflict between the city as an ideological device and urbanization as a social process. New urban spaces are then explored in an effort to tease out their complex and contradictory ideological renderings. I conclude with an argument about the openness and contradictions of China’s urban spaces and how an ideological analysis can resist the kind of theoretical closure that much work on urbanization in China seems to aim for.     

Reports of the Cook voyages in the Hamburgischer Correspondent

The beginnings of a racialised order in Oceania, and of German involvement in such, reach back a long way. In this article, the author traces elements of this racialisation back to the years before the first formal European settlement on the Australian continent. She examines important aspects of the German journalistic reception of James Cook’s voyages to the Pacific by focusing on one particularly highly networked and very widely distributed newspaper and its reporting in the period 1768–1787. She uses this to show how the editors, and especially London-based German-speaking correspondents, consciously leveraged an Anglophilia that was typical of the Hanseatic city of Hamburg in a way that encouraged their German-speaking readers, wherever they might be, to closely identify with British exploration and even claim ownership of these events themselves. Anglophilia and the German-language reporting of the Cook voyages, therefore, supplied raw materials for an entangled sense of imperial identity.     

This Is Not an Improvisation: Letitia Landon and the Slipperiness of Taxonomy

ABSTRACT

Writing in 2007, in The Wordsworth Circle, Jeffrey Robinson remarked on the “ephemerality” of improvisational poetry, its fundamental resistance to being “preserved.” Printed poetry is typically regarded as “fixed” and static: what any poem represents as improvisation is, at best, only a record, executed in a fixed medium, of a performance whose infinite variability is inherent in the nature of improvisation itself. Partly an homage to Rene Magritte’s This is Not a Pipe (1928–29) and to Michel Foucault’s 1973 essay on that painting, and using as a test case The Improvisatrice (1825), the long poem by Letitia Elizabeth Landon, herself a devotee of interdisciplinary and multimedia performance, this essay considers the physical, structural, and methodological challenges and limitations posed to printed “word art” by works that purport to be, or aspire to the condition of, “improvisations.” The improvisatrice who is the poem’s narrator claims to be both a painter and a songstress, but her “speech,” captured and rendered in printed words by Landon (who ventriloquizes that speech), can neither “be” nor even “represent” a work produced (“performed”) in visual art or vocal song. In her long poem Landon effectively creates a literary trompe l’oeil, an illusion that depends for its “completion” upon the reader’s implied participation in that performative act of completion. In the process, Landon’s poem reveals the fundamental incompatibility of improvisational literary production with the performative nature of improvisation.     

Street music,governance, and cultural policy in San Cristóbal de Las Casas

ABSTRACT

This article takes an ethnographic perspective to explore the changing ways in which the municipal government of San Cristóbal de Las Casas, a city in southern Mexico whose economy is highly dependent on tourism, has regulated street musicians over the last five years. It focuses on permits given to street musicians which served to exert spatial and temporal control over street performance, while giving musicians no substantial rights in practice. Engaging the so-called ‘anarchist turn’ in anthropology, it shows that this policy instrument effectively sidelined non-monetary forms of exchange between musicians and their various publics, and privileged the commercial interests of restaurants and bars. Further, in practice, it pushed some street musicians onto the margins of the city’s economic life, where their performances were often more, rather than less, disruptive. Nonetheless, this situation altered significantly in the wake of social unrest in Summer 2016, which caused a precipitous drop in tourism to the city. The municipal government’s response to the ensuing economic crisis signified a belated recognition of the economic value of street musicianship.     

Italian masculinities

Abstract

After both world wars Italy struggled to have territories in the Upper Adriatic, among them the port city of Trieste, included within its national borders. Italy’s hopes to utilize Trieste as a barrier against incursion from the east and the city’s symbolic importance as an outpost for the defense of italianità are well known, but the city’s role as a conduit to former Habsburg provinces in Central Europe remains overlooked. In fact, regional associations with Mitteleuropa, seen by those on the peninsula as indications that the city was distant or foreign, formed one facet of a regional identity which proved compatible with national expectations. From annexation in 1918, the competing visions of Trieste as a bulwark against the east and as a junction in Central Europe shaped local identity and carved a niche for the city within the national framework.     

Eine Frage der Politik: Wissenschaft und Ideologie im 21. Jahrhundert

A Political Matter: Science and Ideology in the 21^st Century . In the last two decades, history of science and science studies have been quite reluctant to adopt the notion of ideology when analyzing the dynamics of science. This may be an effect of the decreasing popularity of neo‐marxist approaches within this disciplinary field; but it is also due to the fact that alternative approaches have been developed, for example Michel Foucault's notion of problematization, Roland Barthes' semiotic mythology, Bruno Latour's re‐interpretation of the ontological difference between fact and fetish in science, or Donna Haraway's semi‐fictional re‐narrations of the techno‐scientific world. This contribution undertakes to sketch the impact of two strands of 19^th century immanentism on the authors named above, and on their use of concepts related to the notion of ideology, namely fetish, fetishism, myth and mythology respectively. It is argued that in some respect, Marx' concept of commodity fetishism is worth being re‐examined, since it articulates a dialectical relation of ‘reality’ and ‘seeming’, and its impact on Barthes' mythology is deeper than it might appear at first glance.     

No Italian Stalingrads. The C.G.I.L. and the working class in the northern industrial heartlands, 1945-1955

ABSTRACT

This article challenges conventional wisdom on the northern Italian industrial heartlands during the first decade after the Second World War. For there still exists a certain mythology about the post-war proletarian north as a region that was both intensely political and united in purpose. What this article demonstrates is that the ‘industrial triangle’ of Genoa, Milan and Turin was far more divided than historians have assumed. By revisiting the manifold (wildcat) strikes, trade union demonstrations, and factory occupations of the early post-war years, it shows the industrial north to be divided along both social and geographical lines. In doing so, it sheds fresh light on the series of defeats that the main Italian trade union confederation (C.G.I.L.) suffered in the late 1940s and early 1950s. It argues that these defeats were due as much to the explicit politicization of labour struggles and their exclusive focus on the interests of skilled workers as to the hostile socio-political climate in which the C.G.I.L. had to operate.     

Embodiment,linguistics, space: American Sign Language meets geography

ABSTRACT

The relational turn in geography has led to an understanding of space and place as actively produced agents in people’s everyday lives. Geographers have also long recognized the importance of language in understanding the social and relational nature of space. The study of American Sign Language (ASL) presents a unique opportunity to examine how language use and language creation influence the production of linguistic space. For users of ASL, space is incredibly significant. Because of the visual and spatial nature of ASL, the space surrounding a signer’s body is important not only for the signer to communicate, but also for others involved in the conversation to participate. Environments created during conversations in ASL reflect the cultural and linguistic perception of the American Deaf community. By taking a critical perspective on the production of space, it will be shown that those who use ASL, through the medium of bodily performance, create linguistic, and communication spaces that are dynamic and visual. The embodied language of ASL and the Deaf community is a perspective geographers have yet to address.     

Merchant identities,trading nodes,and globalization: Introduction to the Special Issue

ABSTRACT

The contributors to this Special Issue are concerned by the nature of transregional Asian interactions taking place in the field of commerce. They explore this concern through an examination of the experiences, activities, and histories of commodity traders whose life trajectories criss-cross Asia. The articles share a common geographic point of reference: Yiwu – an officially designated ‘international trade city’ located in China’s eastern Zhejiang province. The introduction to the Special Issue analytically locates the individual papers in relationship to a long-standing body of work in anthropology and history on port cities and trading nodes. In so doing it suggests the importance of considering multiple historical processes to understanding Yiwu and its position in China and the world today, as well as, more generally, for the anthropology of ‘globalization from below’.     

Bridging the cultures: architecture,models and computers in 1960s Cambridge

ABSTRACT

In the 1960s a unique research centre was founded in the Department of Architecture at the University of Cambridge. Before that date research in architecture was fragmentary and consisted largely of individual studies of topics in architectural history. Under the direction of Sir Leslie Martin, who had been appointed Professor of Architecture in 1956, a group of young architecture graduates embarked on a programme of research in the newly established centre for Land Use and Built Form Studies. Informed by the interest in the idea of the ‘model’ that was prevalent across the disciplines in Cambridge at this time and by using the power of the University Mathematical Laboratory’s ‘Titan’ mainframe computer, the group developed conceptual and mathematical models that operated across the range of architectural scales from building to city. This paper describes that work and sets it in the context of Leslie Martin’s role in reshaping architectural education in Britain.     

The Nor’-Wester and the Saskatchewan Gold Rush

ABSTRACT

This article explores the phenomenon of how news about the discovery of gold on the North Saskatchewan River in British administrated Rupert's Land was propagated by the press in the early 1860s. It tracks the resonance of gold rush news first in the Nor’-Wester, a newspaper published in the Red River Settlement, and then reveals how this paper's coverage was re-published and transmitted across the Anglophone world. The article shows how news about the Saskatchewan gold rush was highly politicised. In the Red River Settlement, editors of the Nor’-Wester sought to spur on the British parliament to implement responsible government in the colony, issuing dire warnings about the potential repercussions of a mass migration to the region and the need to act precipitously. Likewise, in newspapers across North America, editors republished and endorsed news from the Nor’-Wester about the Saskatchewan gold fields to benefit their own communities. But while editors championed the Saskatchewan gold fields to lure potential gold rushers to the region, no large-scale migration to the Northwest occurred. While news about the Saskatchewan gold fields may have been popular across the Anglophone world, it was not actionable. While news reports conveyed the impression that a gold rush was ongoing on the North Saskatchewan River, the reality on the ground did not match the press coverage.     

The (un)promised land: queer identity and South Africa’s post-apartheid urban landscape

Abstract

In this article, I explore the intersection of photography and contemporary urban topographies in the production of queer identity in post-apartheid South Africa. To do so I examine Thebeautifulonesarehere, a contemporary photo-collage portrait series by Kelebogile Ntladi, which attempts to queer representations of South African cityscapes to reveal the entrenched homophobia and the systematic rejection of queer subjects. Ntladi, inspired by their own experiences of counter-normativity and the omnipresent threat of violence they face as a result, took to the streets to walk through their home city of Johannesburg to photograph the urban and cultural landscape; these photographic prints were then used as the building blocks in the assembly and fabrication of imagined spaces in which they and their fellow queer citizens would be able to live without fear of violence, where they could move freely and without repercussion. Using the trope of the flâneur as a starting point, I draw on Walter Benjamin’s paradoxical experience of Paris: his writing of Paris as the ‘capital of the nineteenth century’ and ‘the promised land’ of the flâneur exists in stark juxtaposition with his own complex experience of anxiety, dislocation and impending doom while living in the city while in exile during World War II. Ntladi’s personal experience of post-1994 Johannesburg echoes the paradoxical experience.     

How ‘creative’ is remembering? Culture-led regeneration and the politics of memory in Bogota,Colombia

ABSTRACT

Recently, Colombia’s post-conflict transition has experienced strong international attention. In Bogota, commemorative politics of the conflict insert themselves in complex processes of place branding: employing culture to rescale the city image from unsafe and violent to culturally vibrant. However, how to reckon with the country’s violent past in the culture-led renaissance of Bogota? Based on the author’s four-month of in-depth qualitative fieldwork on the main street Avenida 26 – at the center of both branding strategies and politics of memory – this paper shows the failure of institutional efforts to promote a brand of Bogota as a ‘City of Memory’. Socio-political divisions over the interpretations of the country’s past result in multi-scalar conflictive negotiations between politics and practices on the street: they reveal the tight link between memory, social justice, and urban segregation while denouncing the exclusionary visions of citizenship bared in political efforts to display memory as a territorial mark.     

The Capture and Curation of the Cannibal ‘Vendovi’: Reality and Representation of a Pacific Frontier

ABSTRACT

The United States Exploring Expedition into the Pacific launched in 1838 was marked, like the continental expansion westward, by violent encounters with Native peoples. By examining the record of the expedition's kidnapping of the Fijian Ro Veidovi, the fate of his body after death, and the ways his story came to be invoked in the official narrative of the expedition, the popular press, the ‘National Gallery’ and, more recently, the Fijian press, this paper demonstrates how violent contacts on the Pacific frontier were remembered, effaced, and reconceived. The changing story of Ro Veidovi permanently bridged distant locales in an emerging ‘Pacific World’, setting in motion transcultural negotiations that continue to this day.