Emphasizing the Daughter of Pharaoh

ABSTRACT

A woman mentioned as “the daughter of Pharaoh” reappears six times in the OT, five in 1Kings and once in 2Chronicles. Because of her mentioning several times in the OT as King Solomon's woman scholars came to the conclusion that the union between this woman and the King was of a great importance. These scholars, however, have ignored the development concerning her status in King Solomon's palace and the cause for this devel-opment. The changing position of this woman in the palace of King Solomon is one of the indications to a change in power of the kingdom of Israel during the reign of King Solomon.     

'I Thought from Her Appearance That She Was in the Family Way': Detecting Infanticide Cases In Ireland, 1900–1921

Abstract

Between 1900 and 1919 nine hundred cases of infanticide and concealment of birth were recorded as being known to the police in Ireland. There was often no suspect in these cases and many more infanticides must have gone undetected during the first two decades of the 20th century. This article examines the ways in which infanticide cases involving unmarried women came to police attention in Ireland between 1900 and 1921. Many suspected cases of infanticide at the time were investigated by the police because of 'information' they received from members of the public. A considerable number of investigations began even before a body was discovered. It is clear from an examination of these cases that the sexual behaviour of single women, particularly those living in tight-knit rural communities, was closely monitored. This article also explores the ways in which employers, doctors and the relatives of unmarried women responded to suspected cases of infanticide.     

Oxen Can Plow,But Women Can Ruminate: Animal Classification and the Helper in Genesis 2,18-24

ABSTRACT

In describing the finding of a helper for the newly created man in Gen 2,18-24, the author established a contrast between the woman, who is suitable for the role, and various types of animals, which are unsuitable for the role. The author did this to use the characteristics which the Israelites associated with each type of animal, and which disqualified them from being the helper, as a foil to draw the reader's attention to the various characteristics of the woman which qualified her to be the helper. These qualifying characteristics were the woman's terrestrial existence, her physical and helpful association with the man, and her intelligence. In particular, it was intelligence which set the woman apart from the animals and most definitively characterized her as the one who, unlike the animals, was qualified to be the corresponding helper to the man.     

A Byzantine hagiographical parody: Life of Mary the Younger

Abstract

In this paper, it is argued that The Life of Mary the Younger, an anonymous Byzantine text of the eleventh century, has a conscious intertextual dialogue with the oldest Byzantine Life venerating a holy woman, the Life of Macrina written by her brother, Gregory of Nyssa, between 380 and 383. The intertextual relation between these two female Lives takes the form of parody. Following Linda Hutcheon's theory of parody, this article shows how the anonymous hagiographer of Mary reworks Gregory's authoritative text to create a new work, a parody in terms of postmodern literary criticism, whose aim was to criticise old and contemporary customs, conventions and ideologies. In other words, the present article approaches and decodes the literariness, the function and ideology of Mary's Life in the light of Macrina's Life.     

Man,Woman and God in Judg 4

This paper attempts to explain the peculiarities of the Deborah narrative. In contrast to other savior- judges, Deborah is a prophetess, a judiciary, and a woman. Her role as a savior differs from other judges in that she is a high commander, but Barak carries out the actual task of battle. Deborah's rule conveys the lesson that God is responsible for victory. This is why she is presented as a prophet and a messenger of God and her personality is not portrayed in the story at all; rather, she is shown as a well-established judge and therefore an anti-charismatic figure. The emphasis on her status as a woman is meant to prevent her from becoming involved in an actual battle; this is left for Barak to carry out. When Barak demands the presence of Deborah on the battlefield, it might be thought that her presence is necessary to gain victory; then, as in the Ehud narrative, an unhealthy dependency between the people and Deborah might have been produced. Deborah responds with a prophecy that a woman will kill Sisera; in this way she reinforces her prophetic role rather than her personality, rectifying the damage caused by Barak's request.     

Book Reviews

Letters from the Dust Bowl by Caroline Henderson Alvin O. Turner (Ed.), 2001 Norman, OK, University of Oklahoma Press 320 pp., $34.90 hardback ISBN 0-8061-33-3 hardback The American ‘Dust Bowl’ landscape of the 1930s has been etched into the global imagination through powerful narratives: Farm Security Administration photography (1935-43), Per Loretz's film, The Plow that Broke the Plains (1936), and John Steinbeck's Grapes of Wrath (1939). In the last quarter of the twentieth century, historians such as Donald Worster (1979) have constructed their own narratives of this time and place. Caroline Henderson's Letters from the Dust Bowl, edited by Alvin O. Turner, provides a counterpoint, in the form of a first-hand account and a woman's voice, to the news stories, government propaganda, and historians' analyses that construct our understanding of the Dust Bowl. Henderson's letters reveal not only the ‘real’ experience of living in that place during a particularly difficult time, but also the ‘before’ and ‘after’–what led these individuals to the Great Plains and what became of them afterward. Educated at Mt Holyoke, Caroline Henderson ventured out onto the panhandle of Oklahoma to homestead in 1907 as a single woman, who ‘hungered and thirsted for something away from it all and for the out-of-doors’ (p. 33). She met her future husband Will when she hired a crew to dig a well on her land. Letters from the Dust Bowl captures Caroline's transformation from an idealistic young woman to a woman ‘worn by years of struggle with land and life’. Caroline's ‘letters’ are an amalgamation of letters to family and friends, and letters and essays written for publications such as the Atlantic Monthly. Letters begins with Henderson's optimism and delight in both life and landscape. Caroline's early writings capture the excitement of homesteading, of marriage, of being a young mother. Her writings eventually shift from purely personal letters to family and friends to being a source of additional income. Drought and failed crops led Caroline to begin writing for publication in 1913; her first published article was on her first years homesteading. She became a regular contributor to Ladies' World magazine, as their ‘Homestead Lady’, until its demise in 1918.     

Lucy Hutchinson,Lucretius and Soteriological Materialism

Abstract

This article examines Lucy Hutchinson's pervasive materialism, arguing that her use of corporeal imagery – in part shaped by her early translation of Lucretius – contributes to the soteriological purposes of her later works in multiple ways. Criticism on Hutchinson has tended to divorce the materialist imagery of her translation from the Calvinistic themes of her other writings. I argue, however, for the lasting presence of a materialism constructed from the vocabularies of Lucretian Epicureanism, Neoplatonism and John Owen. Focusing especially on the poem Order and Disorder and Hutchinson's theological tract to her daughter, I show how she uses materialism as a “means” to achieving assurance and grace. I suggest that these various responses to physical experience are part of Hutchinson's enduring investigation into the ontology of “Order” and “Disorder”, and her quest for stable spiritual being.     

Zambrano’s poetic reason in the light of Frankfurtian Critical Theory

ABSTRACT

María Zambrano's biggest contribution to intellectual history is, without a doubt, her poetic reason; her unique attempt to overcome the limiting coordinates of the framework of rationality established by the Enlightenment. Having spent forty-five years in exile, the relevance of this Republican thinker has only been acknowledged in recent decades. Since then, the political content of her early work, as well as her engagement with the Republic's cause prior to and during the Spanish Civil War are well known. Nevertheless, although Zambrano still wrote some political books after the Civil War, most notably, Persona y democracia (1958), the political component of her thought after this period has passed largely unnoticed. This article intends to take a wider approach to Zambrano's political engagement by exploring the political significance of her poetic reason. Here I contend, first, that poetic reason, far from being an isolated attempt at developing an alternative rationality, is actually in line with the critique of instrumental reason proposed by the Frankfurt School and, second, that, in fact, there are meaningful parallels between poetic reason and Frankfurtian Critical Theory. Thus, the purpose of this article is to explore such parallels and their significance in revealing the political dimension of Zambrano's thought.     

Margherita of Cortona: Women,Preaching, and the Writing of Hagiography

Abstract

This article examines Margherita of Cortona (1247–97), who took a penitent habit in the late 1270s. In 1290 Margherita was granted permission to rebuild the church of San Basilio near her cell and a secular priest became her confessor. After her death in 1297, her former confessor, the Franciscan Giunta Bevegnati, composed Margherita's Legenda, which provides an account of her life, conversion and penitence, her conversations with Christ, and her charitable works. In addition to the Legenda, there is also an altarpiece, portraying Margherita and scenes from her life, and the seventeenth-century watercolour paintings that reproduce the frescos which once decorated the church of Santa Margherita, the former San Basilio. Following a short introduction to Margherita's life, and a brief examination of preaching for women in the Middle Ages and its prohibitions, the article examines how the biographer, Giunta Bevegnati, represents the relationship of Margherita to preaching and sermons, in particular focusing on passages in Margherita's Legenda, where her efficacious speech or performance has a clear impact on an audience and her biographer does not use the term 'preach' for her utterances. Finally, the extent to which Margherita's biographer uses hagiography for homiletic purposes is discussed.     

The ages of man. A study in medieval writing and thought

It has often been repeated that Wollstonecraft was not read for a century after her death in 1797 due to the negative impact of her husband William Godwin's Memoirs of the Author of a Vindication of the Rights of Woman (1798) on her posthumous reputation. By providing the first full-scale reception history of Wollstonecraft in continental Europe in the long nineteenth century—drawing on rare book research, translations of understudied primary sources, and Wollstonecraft scholarship from the nineteenth century to the present—this article applies a revised Rezeptionsgeschichte approach to tracing her intellectual influence on the woman question and organised feminism in Europe. Although the Memoirs and post-revolutionary politics everywhere dampened and even drove underground the reception of her persona and ideas in the first decades of the nineteenth century, Wollstonecraft's reception in nineteenth-century continental Europe, like the United States, was more positive and sustained in comparison to the public backlash she faced as a ‘fallen woman’ in her homeland of Britain through the bulk of the Victorian era.     

La Quintrala's Confessions: The Contesting of Female Agency and Indigeneity in Two Popular Chilean Visual Narratives

Doña Catalina de los Ríos y Lisperguer, known as ‘La Quintrala,’ a seventeenth-century aristocratic woman of mixed ancestry accused of torture, witchcraft, and murder, has persisted as a recurring figure in the Chilean imaginary. While literary representations of this figure have been well explored, this article contributes an examination of two visual narratives, paying particular attention to the manner in which genre and context influence the repurposing of this violent woman: the 1986 teleserie La Quintrala, produced by Chile's state-owned television station (TVN), and the Chilean newspaper Las últimas noticias's 2008 comic ‘La Quintrala y el Cristo de Mayo.’ The teleserie, a product of the Pinochet era, positions her as an antithesis to the ideal Chilean woman, simultaneously denying her agency and condemning her. The comic echoes the rhetoric of the Concertación governments as it prominently links La Quintrala's downfall and redemption to the genesis of modern Chile at the cost of her distinctive racial and gendered characteristics. Ultimately, each work employs the structure of confession to recall her crimes while rejecting the female agency and racially mixed heritage La Quintrala represents.     

Samuel Butler's Sheep

Alice Stopford Green, widow of proto-social and Teutonic nationalist historian J.R. Green, who went on to become an Irish nationalist historian and campaigner, complicates our view of fin-de-siècle women writers. Surprisingly for an amateur historian in an age of professionalization, she took a consciously separatist position, privileging the particular over the general, and defining her writing as both female and Irish.

This article focuses on Stopford Green's 1915 epilogue to her husband's Short History of the English People (1874), and her startlingly anguished periodical article of 1897 from Nineteenth Century, to demonstrate a separatism both bold and self-aware.‘Woman's Place in the World of Letters’ (1897) prefigures Cixous in its call for an écriture feminine. It views women as utterly alien to the established order of this world. Stopford Green at once acquiesces with female essentialisation – ‘woman’ comes in the singular – and undermines it by insisting that woman's true nature is almost never seen. In the ‘Epilogue’ (1915), which updates her husband's narrative to her war-torn present, Stopford Green voices jingoistic rhetoric, but employs unobtrusive asides to distance herself from these calls to imperialism. Through such surreptitious means, she uses her late-husband's popular textbook as the conduit of subversive ideas, both voicing and subverting his English nationalism.     

Millinery and Old Lace: Miss Jane Clarke of Regent Street

Abstract

Jane Clarke (c. 1794–1859) of Regent Street, London, was well-known as a lace merchant and milliner at prestigious addresses and as an exhibitor at major exhibitions, but her means of livelihood has became a cultural interest which has survived the woman herself. After summarising what is known about Jane Clarke’s family, this biographical article describes the context and the development of her London business and its expansion into Lancashire. It then focuses on Clarke herself — her awards and honours, her lace and antiques collections and her new suburban home. Comparisons are made between Clarke and other London merchants. Jane Clarke’s achievements are of interest to historians considering the careers of Madame Elise, court dressmaker, and Anthony Blackborne, lace merchant, each of whom took over a part of her business in 1859.     

Midwives as expert witnesses in the 18th-century Finnish courts of justice

ABSTRACT

In this article, I will explore how legalized Finnish midwives acted as expert witnesses in court hearings before 1809, how they worded the statements they gave in court, on what grounds they decided a woman was pregnant or had given birth, and what signs they considered as indicating a miscarriage or the birth of a full-term infant. Their work as expert witnesses relied on their midwifery training as well as their learned knowledge of the anatomy of the female body and the physiology of birth. Ultimately, their knowledge was supported by contemporary guidebooks on midwifery and forensic medicine. As expert witnesses, the trained and legalized midwives of the eighteenth century can be seen as having been legally literate women, who had a duty to provide oral or written evidence to the court and other instances who demanded it. Midwives were capable of using understandable medical and legal terminology in terms of the processing of the court case in their testimony. The forensic examinations carried out by legalized midwives and the expert witness statements they gave also demonstrate the professional skills and expertise of these women.. Their testimonies also show that they were familiar with the characteristics of infanticide referred to in the Swedish medical and forensic literature.     

From the Absent Mother to the Oppressive Mother to the New Mother in Lucía Etxebarria's Un milagro en equilibrio

This article examines the transformation of maternal and paternal images that occurs in Lucía Etxebarria's 2004 novel Un milagro en equilibrio. Sandra Schumm argues that the novel engages and transforms the postwar archetype of the “absent mother.” Using Schumm's study as a springboard, my article takes this argument further by showing how Etxebarria rewrites a second maternal archetype, the “oppressive mother,” a figure that symbolizes patriarchal values and the Francoist regime in many postwar narratives by women. At first, protagonist Eva Agulló characterizes her mother, Eva Benayas, as one of these oppressive mothers, a characterization that Etxebarria has also employed in her two most famous novels to date, Amor curiosidad, prozac y dudas and Beatriz y los cuerpos celestes. Un milagro en equilibrio marks a change in Etxebarria's treatment of mothers because, as the novel progresses, Agulló questions and then complicates this portrayal. The Benayas that emerges is a complex woman influenced by personal, familial, and national conflicts. Conversely, Agulló's father comes to assume more culpability for family abuse and dysfunction as Agulló associates him with Francoism. This reassessment of maternal and paternal roles demonstrates Etxebarria's own evolution in maternal representations as it dialogues with and recreates previous works such as Ana María Moix's 1969 novel Julia and Ana María Matute's 1959 Primera memoria and 1969 La trampa—three foundational novels that also employ tyrannical maternal figures. In rejecting the oppressive mother role she had assigned to her mother, Agulló rewrites a long history of maternal figures associated with the Francoist regime in many postwar narratives by women.     

“Vivo sin vivir en mí”: YouTube y la poesía de santa Teresa de Jesús

ABSTRACT

The poetry of Saint Teresa of Jesus has not aroused the same interest from the critics as has her prose. There are several reasons for this. However, her poetry has remained in the memory of anyone who has come in contact with it, as well as in public manifestations, one of which is the phenomenon of new media—in particular, YouTube. Consequently, this article presents an analysis of Teresa de Jesus's poem “Vivo sin vivir en mí” (“Live without living in me”) in the context of new media, specifically YouTube, in order to further analyze the oral-auditory impact of her work as a strategy of representation in the reception of her writing and, therefore, expand the communicative possibilities of her writing style close to the spoken language, beyond her time and context.     

‘Mɔn’ (to marry/to cook): negotiating becoming a wife and woman in the kitchens of a northern Ghanaian Konkomba community

In this article, I consider the kitchen as domestic space that is at once gendered and gendering in its construction and use by women as they negotiate their social position across the life course. Deeply rooted patriarchal values structure Konkomba society in northern Ghana, and a woman's role is to be a wife, to prepare food in support of her husband's family and community. Although the normative definition of woman's role in society stems from a clear-cut division of labor between women and men, a woman must negotiate her social position and ability to fulfill these labor obligations; she becomes a woman and wife by working to gain access to and control over resources and labor. I explore the shifting dynamics of women's work and social position across the life course, emphasizing the transition from young woman to woman-as-wife-as-cook in her husband's community. These negotiations take place in the kitchen – a fiercely feminine space in which a woman becomes a wife when she earns the right to place hearth stones and prepare a ceremonial ‘first meal’ for her husband and his community.     

General Meeting,March 9th, 1849

Abstract

Salisbury Cathedral's cloister has received less scholarly attention than it merits. An important and outstanding issue is that of the structure's date. This has never been securely established, and there is no scholarly consensus on the matter. With reference to documentary and archaeological evidence, this article establishes unequivocally a documented start-date of after 15 June 1263 for the second stage of the project. In so doing it confirms the opinion of Pamela Blum, and corrects mistakes in her article of 1991 on the sequence of the 13th-century building campaigns at Salisbury.     

‘Women—Keep Australia Free!’: Women Voters and Activists in the 1951 Referendum Campaign

Abstract

This article considers three aspects of the women's vote and activism during the 1951 referendum campaign. First, it is argued that the appeal to women was conducted in terms of the democratic right to freedom of expression and protest especially as it connected to domestic issues. Second, women's engagement in this campaign has been overlooked, but was influential, diverse and prominent, as evidenced by the involvement of activists such as Millicent Preston Stanley and Margot Mahood. Finally, the campaign directed at the woman voter points to the increasing appeal by the major parties to women as independent voters.