The transition from polis to kastron in the Balkans (III-VII cc.): general and regional perspectives

Abstract

Much of the evidence for the changes which scholars perceive in the Late Roman-to-Early Byzantine periods (the ‘Late Antique era’) and in the ‘Dark Age’-to-Middle Byzantine periods in the eastern empire, that is, changes occurring between the mid third and the eighth-to-ninth centuries, whether this evidence is textual, archaeological, or topographical, concerns in one way or another what might be called the upper levels of the settlement-system. These levels consist of settlements or sites distinguishable at various times from the undefended rural majority (or what in most areas forms the majority) of settlements by status (i.e., civic, that of a polis), form, size, situation, or associated functions. They may for present purposes be simply categorised as civic urban settlements, non-civic urban settlements, and non-civic nonurban fortifications or fortified settlements. To study the fate of such places, as settlements and as communities, is to confront the cultural, economic, and internal political history of the period in all its complexity, a task which in most respects is inconceivable without recourse to archaeology and topography. The following observations concern the need to rectify some imbalances in the emphases of research which distort some general analyses of the history of Late Antique and also Middle Byzantine settlements, and so distort our view of cultural, economic, and political change in the periods named.     

A Critical Reappraisal of Eustathios Makrembolites’ Hysmine and Hysminias

Abstract

Despite the massive amount of scholarly literature on Iconoclasm and its aftermath, there are really only two major publications that deal specifically and synthetically with ninth-century art. One of these is André Grabar's magisterial L'iconoclasme byzantin, a chronological analysis of monuments and texts; the other is Robin Cormack's short but insightful essay in Iconoclasm, the collection of papers originally presented at Birmingham in 1975, which asks ‘whether the discussion of religious images stimulated by Iconoclasm changed the nature of Byzantine Art’. My aim is rather different. Rather than presenting an encyclopedic overview, this article attempts to crawl into the fabric of Byzantine culture: to see and understand Byzantine art of the ninth century as the Byzantines saw and understood it. It follows that the material presented has not been segregated into the familiar (and often useful) categories of style, iconography, and context, for, to the Byzantines, the three were neither exclusive nor separable. For similar reasons, I have deemphasized any linear progression that might imposed with art historical hindsight on the distant past, and have thereby underplayed the flashes of innovation, novelty and erudition that such detachment allows. These sparks are probably more visible (and certainly more appealing) to twentieth-century art historians than they were to the ninth-century Byzantines, for whom, as we shall see, the power of tradition militated against individual creativity, and artists on the whole remained anonymous artisans. In my attempt to look at Byzantine art from the inside rather than from the outside I have, in other words, concentrated on the fluid interface between objects, and the shifting dialogue between objects and context. This is because what interests me here is how Byzantine ideas about art (their theories), Byzantine perception (how the Byzantines saw), and the artifacts themselves (the practice) come together in the ninth century: how art, that preeminent social construct, worked in the years after Iconoclasm.     

Monastic diet in Late Antique Egypt: zooarchaeological finds from Kom el-Nana and Tell el-Amarna,Middle Egypt

Abstract

Contemporary literature suggests that meat and fish were not common fare of monastic communities in Egypt during the Late Antique Period (AD 330 to 642). A sizeable assemblage of fishbone from the Monastery at Kom el-Nana has allowed, in conjunction with other zooarchaeological material, a reappraisal of this assumption. In addition, comparative data from the adjacent Pharaonic site at Tell el-Amarna have highlighted distinct cultural differences in the utilisation of the mammal, bird and especially the fish remains between the sites. The difference in size of the catfish Synodontis schall demonstrates that in contrast to the ancient Egyptians the monks were targeting very small fish, most likely for salting in ceramic vessels.     

Plants in Late Medieval festivals and customs in written and pictorial sources from southern central Europe

Abstract

This paper derives from research carried out on plant representations in Late Medieval religious art in southern central Europe. The uses of plants in most important Late Medieval religious festivals and customs in southern central Europe are described. Plants with festive connotations are identified and shown in their cultural contexts. The main goal of this research was to show how visual evidence, interpreted with the help of historical sources, could contribute to archaeobotanical research on Late Medieval plants and their use in festive occasions in the region in the later Middle Ages.     

Trench art between memory and oblivion: a report from Poland (and Syria)

ABSTRACT

This paper summarises some of the results of archaeological research on twentieth century military heritage in the Polish woodlands, namely the discovery of artefacts made, remade, and personalised by soldiers, prisoners of war, and civilians during military conflicts. Such objects are examples of so-called ‘trench art’. I draw attention to the universality of trench art, a phenomenon that is usually associated with the past conflicts such as the Napoleonic Wars and the First and Second World Wars. Nonetheless, trench art is, in its complexity, diversity and affectivity, an integral part of modern warfare, including the recent tragic conflict in Syria. After presenting the project and some examples of trench art documented during the research, I discuss a unique artistic intervention entitled Painting on Death to illustrate the affective, aesthetic, and political value of modern trench art.     

The Constantinopolitan abbot Dius: his life,cult and hagiographical dossier

Abstract

Although one of the founding fathers of Constantinopolitan monasticism, the Syrian ascetic Dius is hardly ever mentioned in secondary literature. The reason for this unfavourable treatment lies in the scarcity of information available for this saint. His Late Antique Life is lost and can only be studied in Middle Byzantine adaptations, three canones, two synaxaria and an unedited encomium. This article offers a discussion of Dius' biography, the development of his cult and his hagiographical dossier on the basis of the surviving material.     

Globalisation of R&D: the Indian experience and implications for developing countries

Abstract

Recently some concerns have been raised about the possibility that a high energy ion–ion colliding beam experiment such as the one which has just begun at Brookhaven National Laboratory in the USA, or a similar one that is planned to begin some years hence at CERN in Geneva, might have cataclysmic consequences, hypothetically amounting to the disappearance of planet earth, although the probability of this happening is of course tiny. In the first part of this paper a review is presented of the motivations for such concerns and of the extent to which they have been studied, and in the context of this treatment the appeasing conclusions of the published studies are examined. In the second part, and in the light of the above example, a brief analysis is provided of some scientific, ethical, political, and sociological issues raised by the dangers associated with human endeavours which might entail a tiny probability of an utterly catastrophic outcome – with special emphasis on related responsibilities of the scientific and technological communities.

First Commandment for experimental physicists: ‘Thou shalt put error bars on all observations.’

First Commandment for theoretical physicists: ‘Thou shall get the sign right.’¹     

The composition of colourless glass: a review

A total of 1496 investigated colourless glass analyses have been collected with the aim of achieving a clear geographical, typological, chronological and compositional overview on this particular type of glass. Based on manganese and antimony contents, four main groups were characterised: naturally colourless, Mn-decoloured, Sb-decoloured and Mn/Sb-decoloured. Main achievements relates to the chronological distribution of manganese and antimony technologies, the former being associated to a long lasting technology which culminated during the Late Antique period while the latter being practically absent after the 8^th century AD, being at its acme during the Roman imperial period. Except for naturally colourless glass, glass-making technology mostly implied the use of impure sands and natron, relegating the other components to a virtually irrelevant ?presence?, except during the  Late Antique and Medieval periods.     

The Role of Theatre in Society: A Comparative Analysis of the Socio-Cultural Theories of Brecht,Benjamin, and Adorno

Abstract

This article analyzes the socio-cultural theories of Adorno, Benjamin, and Brecht through the lens of the theatre, most especially as it pertains to the work of actors. It explores the forces of capitalism that determine how art is produced, distributed, and consumed. Following Adorno’s reading of Marx, actors are here posited as commodities whose labor is separated from the product they create for public consumption. This commodification raises various questions: How does a market economy shape the production and consumption of art? What is technology’s function in the commodification of art? What is art’s sociopolitical role and how does it apply to theatre? To address these questions I juxtapose the cultural theory of Adorno and Benjamin with Brecht’s epic theatre. This comparison exposes the ritualistic potential of the theatre to bring an audience together as a community through sharing a socially enriching event.     

Dental health at the transition from the Late Antique to the early Medieval period on Croatia's eastern Adriatic coast

Dento‐alveolar pathologies: caries, ante mortem tooth loss, abscesses, calculus, alveolar resorption and tooth wear were analysed in two composite skeletal series from Croatia's eastern Adriatic coast (Dalmatia). The first consists of 103 skeletons from seven Late Antique (3rd–6th century AD) sites, the second of 151 skeletons from three Early Medieval (7th–11th centuries AD) sites. As recent bioarhaeological studies (Šlaus, 2008 ) showed a significant increase of disease loads and trauma frequencies in Dalmatia during the Early Medieval period, the aim of this study was to investigate whether dental health was equally adversely affected by the Late Antique/Early Medieval transition. The results of our analyses show that the frequencies of carious lesions, ante mortem tooth loss, abscesses and alveolar resorption increased significantly during the Early Medieval period, as did the degree of heavy occlusal wear on posterior teeth. These data suggest a change in alimentary habits, with a significantly higher dependence on carbohydrates and a greater reliance on hard, fibrous foods requiring vigorous mastication in the Early Medieval diet. The combination of higher calculus and lower caries rates in the Late Antique series similarly suggests more protein in the Late Antique diet and is, therefore, also consistent with the hypothesised change in alimentary habits. In general (the two exceptions are male caries and female alveolar resorption frequencies) lesion frequencies increased uniformly in both sexes suggesting that the deterioration of dental health during the Early Medieval period equally affected males and females. Cumulatively, the collected data suggest that the political, social, economic and religious changes that characterised the Late Antique/Early Medieval transition in Dalmatia resulted in a clear discontinuity, not only from the cultural, but also from the biological point of view with an evident deterioration of oral health during the Early Medieval period. Copyright © 2010 John Wiley & Sons, Ltd.     

Middle Bronze Age Settlement Patterns in the Western Galilee,Israel

Abstract

During the Middle Bronze Age (MB) II period (ca. 1750–1600 B.C.), Tel Kabri, located in the western Galilee, Israel, was the center of a thriving polity with economic and cultural connections to Egypt, Cyprus, and the Aegean. While Kabri and some neighboring sites have been partially excavated, the rise and fall of the polity has not been clearly understood. We present evidence from the Kabri Archaeological Project (KAP) to reconstruct shifting settlement patterns, demography, and aspects of trade in the Kabri hinterland from MB I to Late Bronze Age (LB) I. We argue that Kabri, in the northern part of the Acco plain, follows a different developmental trajectory than does the site of Acco and its hinterland in the southern part of the plain. Acco was urbanized early in MB I and developed a mature hinterland that persisted throughout MB II and into LB I. Kabri did not begin to bloom until late in the MB I period. Its rapid rise during MB II was accompanied by the abandonment of village sites far from the center of the polity and the fortification of nearby settlements. These efforts to consolidate power and to maintain the flow of goods into the center did not last long, and the polity of Kabri soon collapsed.     

Knowledge capture and transfer in rock art studies: Results of a questionnaire on rock art decay in Britain

Abstract

Several thousand prehistoric rock art sites are known in Britain, yet the degree of preservation of these engravings remains a poorly researched and undervalued aspect of the historic environment. Our lack of knowledge has severe implications for how we interpret the rock art sites and how we conserve and manage them. The ongoing ‘Fading Rock Art Landscapes’ project aims to address this gap in our knowledge by gathering information on the rate and nature of decay in prehistoric engravings. As part of the project, a questionnaire was distributed to a number of individuals who, for up to thirty years, have been visiting and recording rock art and who have a detailed knowledge of the sites, how they have changed over time and the types of threat to which they are exposed. In particular, the questionnaire aimed to capture individuals' perceptions of how three groups of agents (physical/chemical, animal, human) influenced the degradation of the engravings. The synthesized results reveal common perceptions of a duality in the rate and nature of decay, with a slow background level of erosion caused by physical and chemical agents, over which is superimposed a rapid, variable degradation from the impact of humans and animals.     

NORTH APULIAN COARSE WARES AND FINE PAINTED WARES: A REAPPRAISAL ACCORDING TO NEW DATA FROM HERDONIA AND CANUSIUM

Late Antique coarse cooking wares and painted fine wares found at Herdonia (second half of the fourth century to mid‐fifth century ad ) and Canusium (late sixth century to early seventh century ad ) have been chemically and mineralogically characterized. A total of 74 samples (40 of coarse ware and 34 of fine painted ware) was investigated through optical microscopy, scanning electron microscopy, X‐ray powder diffraction, inductively coupled plasma optical emission spectrometry, inductively coupled plasma mass spectrometry, neutron activation analysis and X‐ray fluorescence. A new statistical method, namely the classification tree methodology, was used for the treatment of geochemical data. The characterization of the Herdonia and Canusium assemblages was combined with a review of earlier results obtained for San Giusto and Posta Crusta, in order to get an insight on Late Antique ceramic trades in northern Apulia. It appears possible to reconstruct a production pattern organized at multiple production sites, both rural and urban, that exploited similar raw material deposits, specialized in certain productions, and commercialized products at different geographical scales. Imports from outside northern Apulia may be identified for coarse wares. A likely area of production is difficult to establish; however, the northern Adriatic coast and the area of Greece may be suggested.     

North Africa between Christians and Arabs

Vandals, Romans and Berbers. New Perspectives on Late Antique North Africa. Edited by Andy H. Merrills (Aldershot: Ashgate, 2004), xv + 347 pp. £55.00 cloth.     

Kush-e Pildandān,the Anti-Hero: Polemics of Power in Late Antique Iran

This study examines the character of Kush-e Pildandān, the anti-hero of the Kushnāmeh, by arguing that the protagonist of the poem represents the monarchs of the Kushan dynasty. In order to substantiate this claim, the Kushnāmeh is introduced and the process of its formation and its reflections of Kushan history are examined. Then the various components of this image of the enemy are discussed. What is revealed is a polemical strategy of creating an enemy, a unique insight into the political ideology of the Sasanian period. The study offers a glimpse into the ideological discourse of political power in the Late Antique period, and how they drew upon a shared conceptualization of the past.     

A very public affair: art meets science

ABSTRACT

What happens in interdisciplinary practices between the arts and sciences? What determines their successes and failures, and how they should be conducted? Here I propose that we can deepen our understanding of them by looking at the role of one specific and, to my mind, vital aspect of many (most?) successful art/science collaborations, namely their presence in public. More specifically, I suggest that museums, having played a crucial historical role in shaping some specialized disciplinary thought, are now well-placed to encourage an opposite tendency towards trans-disciplinary activity. I elaborate this argument by focusing on three characteristics of museums that have made them ideal places to locate art-science collaborations: the role of exhibitions as units of investigation; the ascendency of artist/curators as unusual enquirers; and the enduring value of middle-sized things in these risky initiatives.     

The Archbishop in the Beleaguered City: An Analysis of the Conflicting Roles and Political Oratory of Makarios

Abstract

In this paper I want to examine the significance of Makarios' combined roles of Archbishop and President of Cyprus for his style of leadership and his political oratory. In so doing I hope to shed some light on certain aspects of ‘The Cyprus Problem’ which has hitherto received scant attention by political scientists and sociologists.     

Intra-Wetland Land Use in the Kankakee Marsh Region of Northwestern Indiana

Abstract

The physical structure and configuration of the landscape play profound roles in how a culture settles and utilizes a region. The following case study in the former Kankakee marsh region of northwestern Indiana exemplifies how subtle topographic variation can have a significant impact on intra-wetland landscape utilization. In the Kankakee marsh landscape, so-called dune islands provided areas of preferential settlement that were reused throughout the prehistory and early history of the region. In particular, these islands were important locales for resource extraction during the Late Archaic period and resource processing and storage during the Middle and Late Woodland and Upper Mississippian periods.     

Take me up,I want to go: Captivity,disorientation and affect in the neurosphere

ABSTRACT

Captivity narratives have been a core American genre for centuries. This paper suggests that some American captivity narratives are opening into emergent attempts to articulate social feeling at a moment of precarity. I treat captivity here not just as a narrative, genre or trope but also as an affect. I explore how neurodivergent young people evoke disorientation and captivity on Tumblr as an expression of identity. I show how the bloggers share a feeling with UFO abduction narratives in creating an atmosphere of difference.