Text as Song: The Oral Aspirations of Anghelos Sikelianos

Abstract

These statements were made by Sikelianos in a talk entitled 'O <inline-graphic href="splitsection11_in1.tif"/>which he delivered in 1938, and in which he postulates a historical progression from text to voice, rather than the reverse process. They are the statements of a literate poet writing in a literate age, but delighting, at the same time, in the ability of radio to ‘reassert the spell of orality’ (Havelock 1986: 31). They subvert the idea of literacy as progress and propose, in its place, an ideal of post-textual orality. The aim of this paper is to explore the relationship between such statements and the poetry of Sikelianos.     

Was Digenes Akrites an Oral Poem?

Abstract

It is often suggested that Digenes is in some way connected with oral poetry, whether the oral folk poetry of the modern ‘acritic’ ballads or the type of oral epic tradition identified by Milman Parry and A. B. Lord in the Homeric poems and in modern Yugoslavia. Some clarification of the possible role of oral tradition in the composition and transmission of Digenes now seems overdue, and in this paper I propose to examine the texts of the poem in the light of recent work on ‘oral literature’, so as to define more precisely in what sense any of these can be described as ‘oral’, and then, more tentatively, to suggest a possible framework for the growth and transmission of the poem which might account for these results.     

Eduard Nielsen's Oral Tradition Sixty Years After

ABSTRACT

When Eduard Nielsen’s Oral Tradition appeared in 1954 the author’s main motivation for writing it was frustration with what was felt to be serious shortcomings in current methods of Old Testament research. Influ-enced by “Scandinavian” scholarship (above all Pedersen, Nyberg, and Engnell), Nielsen wishes to replace historical critical approaches with more adequate, updated methods. In particular, he wants to integrate insights into the oral processes that lead to the creation of the literature of the Hebrew Bi-ble into his exegetical techniques. For comparative purposes, Nielsen utilizes texts from ancient cultures where orality was predominant. He discusses above all Greek, Mesopotamian, and Old Norse sources. In view of the huge interest in orality and memory in academia today it is obvious that Nielsen was far ahead of his time. It is more than regrettable that so little attention has been paid to this pioneering work.     

Historic and symbolic violence in the Romani Fuenteovejuna by TNT-El Vacie: Gender,ethnicity, and interculturalism

Abstract

I address here the performance of Lope de Vega’s Fuenteovejuna undertaken by TNT-El Vacie, giving particular consideration to the ways in which Antonio Álamo’s adaptation, Pepa Gamboa’s direction, and the staging of El Vacie, a company composed exclusively of Roma women, constitute a site of resistance as well as a performance of gender, identity, and place. From this vantage point, I wrestle with issues of agency, dialogism, and intercultural communication to make sense of ontological as well as hermeneutic aspects of the performance text: deletions and additions; orality and authority; meta-theatricality and self-reflexivity; acting and becoming. In addition, I bring to bear the fact that the name of the company, El Vacie, bears witness to the impoverished settlement or shantytown where the women reside, which stands within a mere two hundred yards of the theater where the play is performed. The name of the company signals the identification of the actresses with the marginal space in which they live, enriches the text, and further complicates their reading of Fuenteovejuna by adding levels of referentiality and indexicality that redefine boundaries as well as processes of exclusion and inclusion. While this is not the first collaboration between TNT and El Vacie—it was preceded by the successful and award-winning 2009 staging of La Casa de Bernarda Alba—I consider this performance a particularly important contribution to the construction of a historicized cultural politics of identity that makes the Romani community visible by positioning the women of El Vacie center stage as participants, creators, and interpreters of the national cultural patrimony. Through this cultural intervention, certain spaces and markers of the Roma community acquire visibility as they get inserted into a national historical discourse from which they previously had been historically excluded.     

Resistance politics of non-violence: Jean Paulhan’s ’Fautrier the Enraged’ (1943)

ABSTRACT

The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and traditional subject matter, Paulhan demonstrated that Fautrier’s typically matierist and anti-naturalistic approach was instrumental in ‘suggesting reality’. Fautrier’s individual creative process, Paulhan argued, led to a transparent experience to be shared between viewer and artist not only on an aesthetic level, but also from a political point of view. At the time of ‘Fautrier the Enraged”s writing, Paulhan had indeed been concerned with issues of political engagement, as is evident from his essay ‘The Flowers of Tarbes or Terror in Literature’ (1941), which reflects upon the human condition and is concerned with reconciling poetry, politics and ethics. The author believes that such questions were being addressed in Paulhan’s text on Fautrier and by Fautrier’s art and that an aesthetic reading of Paulhan’s text is inseparable from a political interpretation of Fautrier’s art within the context of the Occupation. Indeed, the aesthetic criteria used in Paulhan’s text as framework to his argument were then loaded with political meaning. For instance, Paulhan considered virtuosity as an essential artistic characteristic to be opposed to the art of imitation based on the technical ability to observe and simulate ‘nature’ as imposed by the occupants. With excerpts from Paulhan’s essay and exchange of letters with Fautrier as well as visual analysis of some of the artworks presented in the exhibition, this paper deals with the wider issues of ‘representation’ in the historical and cultural context of the Second World War in France.     

Unsocial Sociability in the Scottish Enlightenment: Ferguson and Kames on War,Sociability and the Foundations of Patriotism

Summary

This article reconstructs a significant historical alternative to the theories of ‘cosmopolitan’ or ‘liberal’ patriotism often associated with the Scottish Enlightenment. Instead of focusing on the work of Andrew Fletcher, Francis Hutcheson, David Hume or Adam Smith, this study concentrates on the theories of sociability, patriotism and international rivalry elaborated by Adam Ferguson (1723–1816) and Henry Home, Lord Kames (1696–1782). Centrally, the article reconstructs both thinkers' shared perspective on what I have called ‘unsociable’ or ‘agonistic’ patriotism, an eighteenth-century idiom which saw international rivalship, antagonism, and even war as crucial in generating political cohesion and sustaining moral virtue. Placing their thinking in the context of wider eighteenth-century debates about sociability and state formation, the article's broader purpose is to highlight the centrality of controversies about human sociability to eighteenth-century debates about the nature of international relations.     

To Swear or Not to Swear?: Britain,Southeast Asia and the Attempt to Reform the Judicial Committee of the Privy Council, 1964–1971

ABSTRACT

This article seeks to explore the British government’s perception of the role of the Judicial Committee of the Privy Council as a method of strengthening cohesion amongst the Commonwealth community, and in particular delves into the constitutional and diplomatic challenges that the British government faced in its attempt to utilise the Judicial Committee in order to maintain close ties with its former Southeast Asian colonies in the 1960s. Suggestions were made by the Foreign and Commonwealth Office and the Privy Council Office from the mid-1960s that newly-independent republics such as Singapore and Malaysia should be allowed to send its citizens to London as members of the Judicial Committee in order to dilute the prejudice against the Committee as a remnant of colonial rule. However, the proposals were rejected by the Lord Chancellor’s Office on the grounds that Asian judges were of insufficient calibre to sit as members of the Judicial Committee, and that citizens of republics were unable to swear an oath of loyalty to the British monarch as was required for all Privy Counsellors. The Privy Council Office were of the opinion that a new system could be introduced whereby the Judicial Committee member would not have to be a fully-fledged Privy Counsellor and therefore would not have to swear the oath, while the Commonwealth Secretariat put forward its argument that Asian judges were good enough to ensure standards of the Judicial Committee would not be lowered. However, the Lord Chancellor’s Office argued that such non-Privy Counsellors would only be ‘second-class’ constituents of the Judicial Committee whose rulings would be unacceptable to countries such as Australia and instead proposed the creation of a Commonwealth Court of Appeal which the Foreign Office deemed unrealistic. In the end, no judges from the Asian republics were allowed sit on the Judicial Committee, resulting in Malaysia and Singapore abolishing their appeals to the Judicial Committee in 1984 and 1994 respectively.     

The context of the Venice Charter (1964)

Abstract

The Venice Charter has been the benchmark for principles governing architectural conservation/restoration for over thirty years. We asked Jukka Jokilehto to comment on the context in which it was drawn up. Now often referred to simply as the ‘Venice Charter’, the correct full name of this document (of which we print the text in an appendix) is: ‘The International Charter for the Conservation and Restoration of Monuments and Sites’, adopted by the IInd International Congress of Architects and Technicians of Historic Monuments, Venice, 1964.     

Joyce Family Values: Treason,Nationality and the Case of ‘Lord Haw-Haw’s’ Irish Cousin

The conviction and execution of William Joyce (‘Lord Haw-Haw’) for treason to the British crown remains controversial to the present day. He was not, however, the only wartime traitor in the Joyce family. His first cousin, the Irish-born Sergeant Michael Joyce, RAF, also volunteered his services to the Nazis while a prisoner of war in Germany, and arguably compromised himself even more seriously than his more notorious relative. In contrast to the avidity with which William Joyce was pursued, however, Michael Joyce’s crimes — which came to light as the trial of ‘Lord Haw-Haw’ opened at the Old Bailey — were efficiently concealed by prosecutors. The difference in the treatment of the cases of the two Joyce cousins not only sheds new light on the determination of the British authorities to secure a conviction against ‘Lord Haw-Haw’ at all costs, but also reveals the ambiguity and instability of ‘Britishness’ at a moment when, paradoxically, patriotism and national self-confidence were at their twentieth-century zenith.     

María Zambrano’s theory of subjectivity and modal ontology

ABSTRACT

Zambrano is well-known for her critique of the ideal subject, as well as of philosophy and ‘Western’ reason. Despite this critique, notions like the individual and reason in her works has not been thoroughly analysed. Enquist Källgren argues that Zambrano’s texts contains a comprehensive theory of subjectivity. It is shown that Zambrano’s notion of subjectivity presupposes a structure that positions the human being in a modal relation to her surroundings. The human being can be conceived of as a structure of transcendent and transcendental positions in which the individual is the product of an expressive performativity. Zambrano’s theory of subjectivity can be read as an engagement with the thinking of both Aristotle and Kant, placing subjectivity in the tension between embodiment and transcendental capacities. It is concluded that Zambrano’s theory of subjectivity is in fact a modal ontology describing the condition of possibility of human existence. In addition, it is concluded that this modal ontology has important ethical implications since it presupposes the presence of an ‘other’ towards which expressive performativity is directed.     

‘NOW WALKS LIKE OTHERS’: A PRELIMINARY ENQUIRY INTO THE NORTHAMPTON CRIPPLED CHILDREN’S FUND

Abstract

Over recent years scholarly interest in the history of childhood, child health and disability has developed and intensified. However, there are still considerable areas which have not been subjected to extensive historical enquiry, such as the treatment and management of ‘crippled’ children in the UK during the late 19th and early 20th centuries. A key opinion in this study is that of Borsay who has stated that the care of poor ‘crippled children’ and their families in Victorian England were ‘subjected to moral condemnation through a surveillance network funded and managed through the voluntary sector’ (). On-going research using a small case series based on material from Northampton Crippled Children’s Fund (NCCF, 1893–1928), Annual Reports dated from 1905 to 1925 and ledgers of surgical records, compared with the monthly contemporary Northampton Neuromuscular Clinic, will challenge this view as being insufficiently nuanced.     

The Making of the Gough Map Reconsidered: a Personal View

ABSTRACT

The claim that the Gough map was originally produced in or about the 1370s, then overwritten and re-inked about fifty years later, is unconvincing. The ‘earlier’ hand seen north of Hadrian's Wall cannot be dated accurately, but is as likely to be from after 1400 as before. Outside one small area of the map, I find almost nothing to indicate rewriting of names or other text, and even in that area the rewriting proves little about date. Nor do I find evidence for the reworking or re-inking of town signs or other pictorial elements. The claimed extensive erasure of earlier writing in the area of the map which is said to be revised is not evident to me. The serious but uneven and erratic fading of the ink on the map, which is not surprising, accounts for most of the anomalies and variations that we see. Dr Solopova's claim, based on her theory of revision, that the map displays contrasting political or ‘ideological’ emphases from two different periods seems unrelated to the actual content of the map. The known history of the development of chorography in medieval Europe indicates that the appearance of a map as advanced as the Gough map in northern Europe before 1400 is almost unimaginable.     

Literature’s place in the global public health arena: Graham Greene’s fictional translation of leprosy in A Burnt-Out Case

ABSTRACT

This paper traces the engagement of Graham Greene's novel A Burnt-Out Case with traditional discourses of leprosy (the biblical ‘leper’ as a sinner, missionary care, tropical medicine, Albert Schweitzer's hospital in Lambaréné, germ theory), and shows how it suggests an ethics of care which highlights the psychosocial aspects of disease and healing. The paper argues that the reception of the novel opened a discursive space for the re-negotiation of images of leprosy after empire, making visible the structures and agents of global public health communication and their diverging conceptions of explanatory authority, scientific accuracy and the relation of science and literature. The article incorporates archival sources from press reviews to draft versions of the novel and the author's correspondence with prominent leprosy experts. It draws on media and science communication studies, disability studies and on contributions to the sociology of knowledge by Ludwik Fleck, Thomas Kuhn and Bruno Latour.     

The conservation and use of ancient theatres

Abstract

The use of ancient theatres for present-day performances was the subject of a colloquium organized by the Council of Europe in September 1995 which gave rise to the ‘Segesta Declaration’ concerning the protection and proper use of ancient places of performance. These include theatres, amphitheatres, stadia, hippodromes and arenas with origins in the Greek and Roman periods. The following note draws upon a summary of the colloquium, held in Trapani, Segesta and Palermo in Sicily, and reproduces the text of the recommendations of the Segesta Declaration.     

What's (written) history for?: On James C. Scott's Zomia,especially Chapter 6½

What could still trigger a worthwhile anthropological debate now that eight years have passed since the publication of James C. Scott's The art of not being governed in 2009? In this article, the author proposes a reading involving perhaps the most controversial chapter of Scott's book: Chapter 6½ – ‘Orality, writing, and texts’. Scott means to say that the absence of literacy in a society could result from a preference rather than a deficiency. He describes a project that refuses state formation, putting to use the advantages of flexibility and adaptation that an oral tradition has over a written tradition. Drawing on the case of the Hmong, the author proposes that Scott's argument might have been made more solid had he relied less on a geographical and historically rooted definition of Zomia, and more on a discussion of cultural elements such as egalitarianism and orality.     

Anna Comnena's account of the First Crusade: History and politics in the reigns of the emperors Alexius I and Manuel I Comnenus

Abstract

Anna Comnena's history the Alexiad has been accorded a high honorary status by Byzantine historians. Her pioneering efforts in philosophy and the thoroughness of her historical methodology are admired, although there is a distinct reluctance to analyse her historical writing. On a superficial level the Alexiad is a straightforward text: an historical panegyric in its organisation, frequently eulogistic in tone, in the manner of court orations, and rhetorically strongly influenced by conventional Byzantine pastiches of Homer. A triumphal mood pervades the biography. A somewhat more careful assessment soon reveals the significant tensions and contradictions which lurk beneath the formalised strength of this epic historical narrative. Ideological and cultural problematics abound. The self-conscious celebratory presentation of Byzantium's cultural elitism is frequently subverted by the author's pessimism. The spatial and temporal terrain of the Alexiad contains many visionary qualities, even though the text purports to narrate the events ‘as they occurred‘. Historical perspectives and idiosyncratic philosophical positions impinge, blend, envelop, and disorganise the text. Among the many themes is Anna's presentation of the ‘Latin West’, and in particular her characterisation of the appearance of crusaders in Byzantine society. A more personalised feature is Anna's self-projection of herself within the Alexiad as ‘a dutiful daughter’ and ‘a loving wife’. Yet the narrative contains elements of gender confusion, for there is an assertive and possessive interest in forms of political power that were usually culturally exclusive to Byzantine men.     

An Essay on the Context and Formation of Wilhelm von Humboldt's Linguistic Thought

SUMMARY

This essay combines the study of Humboldt's sources with a critique of the treatment of this subject in most studies of Humboldt and his linguistic thought. One crucial issue is the date of his early ‘Über Denken und Sprechen’, which is our first evidence of his mature thinking about language. This text is conventionally dated 1795, thus ruling out that Humboldt might be indebted to the anthropo-linguistic philosophy that he explored in Paris a few years later. But a host of facts make the date untenable and the debt unquestionable, including incontrovertible evidence that ‘Über Denken und Sprechen’ relies on Condillac's argument for the anti-idealist principle that the distinction between subject and object is the absolute precondition for self-awareness and reflection, and thus, by the same token, for the concept of Weltansicht. ‘Über Denken und Sprechen’ also shows that Humboldt was inspired to choose Condillac's and Destutt de Tracy's argument over that of Fichte for what Berkeley disapprovingly called ‘outness’. This analysis exemplifies the critique that is advanced in this essay.     

Order and organisation

Abstract

In this paper we re-examine the relationship and possibilities for discourse between the academic disciplines called ‘sciences’ and those known as ‘arts’. Do they represent one culture or two? An apparent diversity of views emerges in two contemporary writers, George Steiner and Nicholas Lash, the former differentiating the two, the latter insisting that the ‘two cultures’ debate itself is misconstrued. We follow the principal threads of both arguments in the light of an intimate involvement with the practice of science and its communication in public and academic contexts. Visiting aspects of both arts and sciences that distinguish them from other disciplines, the role of theory, and the twin purposes of function and contemplation, we find that much of the pain of discourse between them arises from a failure to recognise common structures and functions. As a result, either function or contemplation may be overemphasised at the expense of the other. We suggest directions in which the tensions might be resolved in both public and academic arenas.