Soinam Bemo and Her Family

WhenIgottotheLanguageLaboftheChinaNationalCenterforTibetanStudiesinBeijing,SoinamBemowasgivingaTibetanlecturetoRepublicofKoreaexperts.SoinamnaturallyspeaksthedialectofLhasa,whichiscovetedbyallwhointendtolearnTibetan.Soinam,inher50s,studiedTibetanmedicinew…     

Sherab Yungdrung and Her Blacksmith Family

<正>The town of Karma is situated at the northern part of Chamdo City,close to Zachu River Bank and neighboring Nangchen County in Yushu,Qinghai Province.The average altitude there is 4,300 meters.It is a town both toward agriculture and animal husbandry.There are a total of ten administrative villages and 43 natural villages,with Letup Administrative Village being the seat of the     

次仁朗杰与朗顿·德珍的创作缘起

几十年携手相伴,如今的次仁朗杰和朗顿·德珍已是享誉世界的藏族当代艺术家,作品先后在纽约鲁宾博物馆、中国美术馆、新加坡余欣美术馆及意大利、德国、法国等地参加个展及联展,多幅作品被国内外博物馆及个人收藏。     

次仁多吉用油彩凝固的时代印记

“美术馆能带动整个社会文化氛围和文化影响力,也标志着这座城市文化规格的提升。过去说每个寺庙都是一座博物馆,因为里面的壁画无比精彩。但没有现代美术馆,许多当代画家的作品都流失了,所以西藏美术馆的成立起到了很大的弥补作用,画家的作品有了展示的场所,这对我们特别有意义。”聊到西藏美术馆的成立时,次仁多吉激动地说。     

曾野绫子的家庭教育小说及其教育思想

一 曾野绫子は今日本で非常に活Sしている女流作家でぁる.昭和二十九年、「远来の客たち」によつて文壇で注目されて以来、明快な知性と素直な文体と清新な作风を以つて目觉しく文壇に活跃し、その知的でスマ一トな活Sによつて、才女时代を生み出し、大いに女流作家のイメ-ジを变うたと思われる.     

My Elder Brother Sakhong Tsering Dorje

Mr. Sakhong Tsering Dorje was born in 1912 in Kanggu Village of Dromo Town of Tibet. About 1951, he made substantial contributions to the peaceful liberation of Tibet and became a well-known patriot. He took the posts of deputy director of the office of Kyika in Dromo, member of the CPPCC of Gyantse County and member of the CPPCC of the Tibet Autonomous Region respectively.     

My Commemoration of Tsering Lhada

I was embraced by a dream:to spend the rest of my life in a paradise with the old folks with whom we had spent our youth in Tibet.In August 2006,my 30th anniversary of entering Tibet.I drove back to the tableland and shared my wish with Tsering Lhada.He agreed and both     

汉万石君族系与祖地研究

本文在对汉代万石君石奋家族研究的基础上,通过对石奋家族相关的先秦诸支石氏进行系统分析和梳理,从而确定东周时期卫国石氏不仅分布时段较长,内容较为丰富,而且还应该是中华石氏的主支脉系。卫国石氏不仅是汉万石君家族的直系祖根,曾属于赵国所有的石城,也应该是卫国石氏封邑以及中华石氏的祖根地。     

Tsering Drolma:Every Painting Is My Child

正On the wall of her room,which is no bigger than twenty square meters,she has hung all her paintings that she has worked out while in a different spirit and state,most of them in a series of a few pictures.The paintings were finished in the past one or two years during her free time after lectures.Pointing at her paintings,she smiled and said,"Each painting is my soul work,to which I have devoted     

论汉晋之际的北地傅氏家族

北地傅氏家族是汉末至西晋时期相当活跃的一支北方大族。东汉时北地郡遭受羌胡侵逼。郡境迁移,人民流散。为了谋求较为优越的发展条件,傅成子孙徙居清河。永嘉之乱后,傅氏家族的两支先后渡江南迁。傅氏家族的化面貌表现为明显的北方大族特征,在家风方面,重视宗法血缘关系,讲究孝道,注重事功而勤于政事。其学风与家风互相渗透和融合,表现出保守趋向。当汉魏易代之际,傅干从舆论宣传方面强烈谴责曹操的篡代行径,他本人也以身殉道;而在曹魏后期司马氏篡权夺国的过程中,傅嘏和傅玄自觉地加入到司马氏阵营。傅氏家族的活动表明,在前后两次皇权转换的过程中,大族势力的政治动向及其所起的作用是迥然不同的。     

XuFengxiang and Her Wooden Hut

Lingshan Mountainwith a height of 2,302 meters is the top of Beijing, where it is cool in summer and it begins to snowin October.     

汉代漆器的剖析

通过制备并分析一系列模拟漆膜样品。建立了有助于鉴定汉代漆器成分的剖析方法。经裂解气相色谱、差热分析、色谱一红外联用等现代分析技术对出土的汉代漆器残片样品的综合分析,证实在西汉漆器制造中已使用桐油或其它的添加剂,并依据剖析的结果,对某些汉代漆器的原材料差异作了初步探讨。     

汉唐吐鲁番康氏述论

吐鲁番作为丝路重镇,诸多民族在此交流,粟特人即是其中之一.笔者在翻阅吐鲁番出土的中古文献时发现康姓是出现最多的姓氏之一,遂撰此小文作一探讨.     

Cering Zholgar and Her Pamdo Hotel

LadmirethePamdoHotel,aSinoGermanyjointventure,andlovetostaytherewheneverIgotoLhasa.Involvingcomparativelysmallinvestment,thehotelissimplyfurnished.However,itdoesagoodbusiness,attractinglotsoftourists,Chineseandforeign.Thoughthishasmuchtodowiththecuriosityofthevisitors,thereisonepointthathastobeadmittedfitsChinesegeneralmanagerCeringZholgaralwaysbearsasmiletypicalofTibetanwomen.DAUGHTEROFTWOFATHERS.Intheearly1950s,MaYongfu,aPLAofficerfromBeijing,fellinlovewithaTibetangirlnamedZh…     

读《中国考古学·秦汉卷》

《中国考古学.秦汉卷》于2010年7月正式出版发行,这是由中国社会科学院考古研究所编著的多卷本《中国考古学》中的又一部巨著。该卷由刘庆柱、白云翔二位先生     

清代家学脉络中的汉、宋关系

清中叶以降,汉学渐兴,考证学风弥漫学界,由经学而扩展至子、史、文辞之学,也吸引了一些宋学家兼采或转治汉学。但宋学的影响却如静水深流,这在家学脉络中较为明显:一些汉学家族的科举成就得益于理学陶冶,今文经学家多汲取、调和宋学,理学传统也潜移默化地导致了汉学世家调融汉、宋的取向。在家学脉络中,清代汉、宋关系呈现出较为复杂的情形,彰显了理学传承的意义。     

田村俊子与她的女性小说

曾流行于大正时期的日本女作家田村俊子虽然作品不多,但在日本女性作家创作史上却占有重要位置。她取材于自身经历的两部代表作《木乃伊的口红》与《炮烙之刑》展示了她那个时代的新女性形象,并因为她自身的强烈个性让人物形象更加饱满,富有张力和感染力。作者提出的因女性的自立自我而产生的两性问题并没有过时,依然存在我们当下的现实生活中,这更凸显出田村俊子这两部作品的可贵。