Can't Buy Me Love?

Books reviewed in this article:
Hoffman, Elizabeth Cobbs All You Need is Love: The Peace Corps and the Spirit of the 1960's     

Love: A Common Word between Evangelicals and Muslims?

Abstract

This paper analyses the responses of Evangelical Christians to "A Common Word between Us and You." While many Evangelical leaders warmly welcomed the initiative and have subsequently been involved in various dialogues and conferences, others were more sceptical and refused to take part. This latter reaction refects a general lack of trust in some parts of the Evangelical movement engendered by concerns over Muslim approaches to law, freedom of religion and conscience, the treatment of apostates under shari'a and restrictions on Christian mission in Muslim countries. The debate between these two groups has been sharp and at times acrimonious, refecting deeper tensions within the Evangelical community. Drawing on recent books, articles, blogs and the author's own observations at an international dialogue conference, this paper highlights the tensions and examines some of the underlying causes.     

The Love Wars: Parisian Struggles (1962–68)

Studies of the 1960s continue to be dominated by the focus on the annus mirabilis of 1968. Given the traditional emphasis on key dates in French history—1789, 1848, 1871, 1936—the concentration on 1968 is understandable, but it is has had the regrettable effect of largely neglecting the early sixties. Consequently, this article examines the social/cultural changes that occurred in student dormitories of the Paris region between 1962 and 1968. These six years witnessed changes that comprised increasing tolerance of political activities and of hedonistic pleasures, resulting in the expansion of personal freedoms. Adult society—including Communists, Gaullists, and university administrators—was much less repressive and more tolerant than many students and radicals expected or believed. Historians and other observers have often pointed out that the first decade of Gaullist Fifth Republic witnessed the economic ‘modernization’ of France. Just as significantly, social and cultural mores also changed during this period.     

寻找最真实的自己——Eat,Pray,Love

伊丽莎白·吉尔伯特(Elizabeth Gilbert),具备小说家与新闻记者的双重身份,于2006年发表了《美食、祈祷、爱》(Eat,Pray,Love)。这部记录她离婚以后心路旅程的作品,高居《纽约时报》畅销书排行榜很长时间,先后被翻译成三十多种文字。本书作者拥有现代女性梦想的一切——丈夫、房子、成功的事业。然而,就像很多人一样,她发现自己很迷惘,于是作者开始思索女人的人生价值到底在哪里。这是一本作者为自己而行走、为自己而探寻的旅程写成的一本书,叙述了她在意大利、印度、印尼三个不同的国度寻找自己的旅程。作者用一年的时间,在意大利的美食中追寻快乐、在印度的宗教中理解忠诚、在印度尼西亚找寻平衡,三个地方,对应了作者对自己天性中三个方面的审思,也对应了有趣的书名——《Eat,Pray,Love》(美食、祈祷、爱)。最终作者在巴厘岛邂逅了新的爱情,获得了身心的平衡。     

Does Money Buy Congressional Love? Individual Donors and Legislative Voting

Despite the popular belief that campaign contributions affect policymaking, study after study has suggested that legislative voting is unaffected. We reexamine this question by focusing on the increased dominance of individual contributors. Using data on roll calls associated with the Congressional Cooperative Election Study, we test for senators’ responsiveness to their parties’ national donor class. Several findings emerge. First, responsiveness to national donor opinion is significant, even controlling for the effects of in-state constituents, affluent citizens, activists, senator ideology, and a senator’s personal donors. Moreover, the results hold in specifications that account for the endogeneity of national donor opinion to legislative votes. Second, and consistent with scholarship that argues fundraising is increasingly important for party leadership positions, the relationship depends on the ideological favorability of a state to a senator’s reelection. Also consistent with this perspective, responsiveness to donors is unrelated to a senator’s wealth, time to reelection, or seniority.     

Memes,masculinity and mancession: Love/Hate’s online metatexts

Since it first aired in 2010 on Radió Teilifís Éireann, Ireland’s national public service broadcaster, Irish crime drama series Love/Hate has enjoyed record audience ratings. However, while serious TV critics and the show’s producers have praised it as a complex and incisive commentary on crime in Ireland, the more participatory online cultures of the Journal.ie, Twitter and Facebook have constructed a distinctly less highbrow set of discourses around the show. This analysis of the Journal.ie’s Daily Edge recaps demonstrates how participatory Laddish humour and what Jean Burgess refers to as the “vernacular creativity” of memes have functioned to prioritise a cohesive set of engagements with Love/Hate that are underpinned by fantasies about the recuperation of male power. Moreover, by creating a sense of “in-groupness” around the series, the Daily Edge and its tertiary texts have produced a heavily gendered sense of consensus about who “we” in post-Celtic Tiger Ireland are.     

The Temporality of Eternal Prosperity: Prospero’s Labors of Love in The Tempest

In this essay, I examine the role of providence in Shakespeare’s The Tempest alongside the concept of history that Kierkegaard develops in Philosophical Fragments. I argue that the art of the play is contained in Prospero’s historical and loving engagement with the past. In short, I undertake to show that, in stark contrast to the Greek and Roman conception of time as fate, it is in viewing love as both the temporal origin and the eternal goal of existence that the time of our lives is rendered providential, that is, meaningful and historical.     

A Thematic Analysis of “Love” and “Truth” in Caritas in Veritate

Abstract

The encyclical Caritas in veritate uses love as its guiding theological theme, and this innovation exposes the encyclical to critical reflections from some of the greatest theological minds of the mid-twentieth century. This article attempts to revive these critiques in order to analyze Benedict XVI’s use of caritas. Does Benedict’s use of love differ from his predecessors, and is it in any way more adequate? Are the critiques leveled against a social ethic of love merely the product of a hopelessly cynical age, or is love merely a species of interpersonal amity-inapplicable to broader social contexts? Does the fusion of love with the fundamentally contested notion of truth clarify what the Pope means by caritas, or is this conceptual marriage fraught with imprecision and inconsistencies?     

Gothic memory and forgetfulness in Elizabeth Bowen's A World of Love and ‘The Demon Lover’

Elizabeth Bowen's A World of Love (1954) and ‘The Demon Lover’ (1945) share an uncustomary usage of Gothic conventions: the Anglo-Irish writer invests the Gothic genre with new meaning for the war-torn Irish and the post-World Wars generation by skewing Gothic conventions, reflecting a new Gothic for a new age – one that has seen the effects of two catastrophic wars and not only dead soldiers, but dead-in-life survivors. In A World of Love, Bowen uses not a ghost that haunts the attic, but a nearly forgotten dead World War I soldier; not a male power of place and a fleeing female, but a female power of place and a displaced male; and not a lonely, menacing castle, but a dilapidated farm. In both the novel and the short story, the dead-in-life survivors must remember in order to successfully exorcise the war and the dead soldiers of war, thereby revitalizing themselves. Those who cannot remember are doomed to the past. This article examines the twist on the Gothic novel and its statement about the possibly disastrous effects of forgetting and of remembering incorrectly – anxieties shared by other twentieth-century Irish writers in terms of their eroding cultural identity and past.     

De-censoring an Iranian-American “Memoir”: Authorship and Synchronicity in Shahriar Mandanipour's Censoring an Iranian Love Story

In the literature of the Iranian-American diaspora, the memoir genre has become a predominant lens through which Western audiences “read” contemporary Iran. While many bestselling life narratives have relied on hostage crisis-era tropes of gendered repression and subsequent liberation in exile, new amalgams of style and theme, distortions of perspective, and complicated renderings of the “subject” are now beginning to cross borders. One of these is Shahriar Mandanipour's 2009 novel, Censoring an Iranian Love Story, which this paper examines as an auto-fictional commentary on the memoir genre that both arises from and responds directly to censorship using a self-referential and layered text. Through three central dialectics—ambiguous violence, encoded desire and resistance to diachronic historicization alongside the nation—this paper demonstrates how Mandanipour's auto-fictional and often magical realist attempts elude what Gillian Whitlock terms the transnational “economy of affect” that publicizes, protects and ultimately drives the reception of memoir across borders.     

(Sick) Love and the Older Woman in Marcel Prévost's L’Automne d’une femme

Marcel Prévost, a prolific novelist, journalist, and academician, is best known for works such as Les Demi-Vierges (1894), which demonstrates how Parisian society and education corrupt young women, and Les Vierges fortes (1900), which, according to Louise Lyle, “develop[s] the concept of the secular, self-perpetuating community of female educators only to explode it as an empty ideal” (60). In his 1893 novel, L’Automne d’une femme, Prévost focuses not on virgins but on the older woman, telling the story of forty-year-old Julie, who has languished for over twenty years in an arranged marriage to Antoine Surgère. Despite having the natural ability to ease the suffering of others, Julie shows no interest in nursing her husband when he falls ill, though she eagerly cares for the daughter of one of his colleagues, Claire Esquier, and the son of another associate, Maurice Artoy, who is all too eager to reciprocate when Julie's feelings for him become something more than maternal. Unbeknownst to Julie, however, Maurice and Claire once dabbled in a youthful romance that neither forgot. The glue that holds this tangled web of relationships together is illness, a theme so pervasive that the verb souffrir and its derivatives are employed no fewer than 137 times, along with myriad other terms related to pain. Prévost's creation of a veritable culture of illness in which love cannot possibly flourish for the woman in her “autumn” might be said, in fact, to feed into the Decadent vision of woman as dangerous and corrupting.     

Exploring Poetry with Cognitive Neuroscience: T.S. Eliot's ‘The Love Song of J. Alfred Prufrock’

Research that involves both neuroscience and art often attempts to explain the aesthetic experience of ‘beauty’ in visual art, and to define the function of art in neural terms; less has been written concerning the neural correlates of poetry reading. It is suggested that there are existing areas of study in neuroscience that may help elucidate how we enjoy literature beyond pure neuroaesthetics, such as research in creative problem-solving, knowledge-based pleasure, and music. This essay endeavours to bring together insights from both neuroscience and literature to shed light on how and why we take pleasure in interpreting T.S. Eliot's ‘The Love Song of J. Alfred Prufrock’. It is proposed that the pleasures of reading ‘Prufrock’ are ultimately associated with the ways in which the reader's expectations are confirmed or challenged. While the conclusions of this paper are intentionally constrained to a single poem, they are potentially generalisable.     

‘Science in the Hands of Love’: British Evangelical Missionaries and Colonial Development in Africa,c. 1940–60

During the era of colonial development, the Church Missionary Society (CMS) and the London Missionary Society (LMS) revitalised their work by taking advantage of the 1940 Colonial Development and Welfare Act to uplift British Africa. These evangelical organisations did not simply appropriate governmental ideas of development, but formulated their own concepts based on the incarnational theology of the ‘whole man’ with body and soul. In implementing their developmental policies, these evangelicals promoted Christ's example of a ‘servant’ to guide missionary conduct as they encountered increased African criticism of colonialism following the Second World War. Both organisations shifted to focusing more closely on souls rather than bodies when African independence movements strengthened during the mid and late 1950s in hopes that Christian ideology would steer Africans towards Christian democracies. By 1960, the CMS and LMS stressed their relationship within the ecumenical Church in their efforts to emancipate themselves from their colonial ties. Through examining missionary discourse on colonial development, this article reveals not only the complexity of development discourse, but also the various ways in which evangelical missionary organisations sought relevance within the context of the Cold War, the rise of the welfare and expert state, and decolonisation.     

Did the Priests Plant a Cross in This Woman’s Loins? Love and/or Marriage in the Middle Ages

Brooke, Christopher N.L. The Medieval Idea of Marriage Duby, Georges Love and Marriage in the Middle Ages Sheehan, Michael M. Marriage, Family and Law in Medieval Europe: Collected Studies Laiou, Angeliki, E. (ed.) Consent and Coercion to Sex and Marriage in Ancient and Medieval Societies Elliott, Dyan Spiritual Marriage: Sexual Abstinence in Medieval Wedlock     

‘The True Love of the People and the Motherland’: The concept of socialist patriotism,socialist nation and anti-nationalism in Hungary in the 1960s and 1970s

In the late 1950s, the concept of socialist patriotism in Hungary was reformulated as a basic political concept in the ideology and propaganda of state socialism. The definite appropriation of Leninist contraposition of socialist patriotism and bourgeois nationalism became paramount in the second half of the 1950s because of the nationalist sentiments of the 1956 revolution. I trace the history of the concept of socialist patriotism in the 1960s and 1970s in socialist Hungary. During this period, socialist patriotism served as a slightly undetermined, yet didactic counter-concept to set against ‘bourgeois nationalism’ which was characterised as a xenophobic sense of nation. From the late 1960s, the doctrine of socialist patriotism confronted a new ideological enemy: supra-nationalism or cosmopolitanism. In the mid-1970s, a new ideological equilibrium was elaborated in Hungary between socialist patriotism and proletarian internationalism, which served the economic and political integration of the Eastern bloc countries. In this sense, socialist patriotism was meant to express a link with socialist political order, its achievements and its institutions, in contrast to the ethnic character and revanchist tendencies of nationalism.