Cosmopolitics,border crossings and the complex museum

Collections documentation systems are powerful frameworks for organising, producing and controlling cultural knowledge. Drawing on the findings from the Australian Research Council Linkage project Reconceptualising Heritage Collections (University of Western Sydney and Powerhouse Museum, Sydney, Australia) and research undertaken using the museum’s Palestinian collections through wikis and focus groups with constituencies in Australia, Israel and Palestine, we illustrate the highly political and fluid nature of the meanings and values existent around objects; and how now, in a networked complex world, non-linear interactions are occurring across transnational borders. These interactions sit uneasily with conventional museum practice. The collections became visible mechanisms to confront the complex relations and politics of borders between the museum and everyday life. ‘Cosmopolitics’, in terms of its political, ethical, cosmological and transnational outlook along with cultural complexity, enables an exploration of the dynamics and the shifting borders of an emerging complex museum. Ideas for the future imaginary of these interactions are further explored through the pathway of chaos theory.     

The educational work of a National Museum: creating knowledgeable young citizens in Ottawa,Canada

ABSTRACT

This article explores the geographies of education at the National Museum of Canada in the first half of the twentieth century. Through an analysis of the spatialization of children’s museum education, we highlight how the museum sought to inculcate in young Canadians knowledges about their country, its people, and natural resources. We situate children’s museum education within the broader context of Canadian nationalism, other museum activities, and public education in the capital. Focusing on the design and material organization of the museum, we highlight how the space of the museum, from the objects on display to the imposing grandeur of the building, sought to impress upon students the importance of the knowledge it conveyed. Finally, we illustrate how the museum’s programming aimed to provide children with knowledge of their national heritage, building citizenship through claims of development as destiny.     

Battlefield Casualty: The Archaeology of a Captured Gun

Abstract

Many artefacts in museums lack adequate information about the context from which they were collected. Not surprisingly, this often applies to artefacts recovered from battlefields, where chaotic conditions can result in uncertainty about their origins. This paper examines the case of a Second World War German 88 mm gun preserved in an Australian museum. The museum had little contextual information for this weapon, except that the Australian Army captured it in North Africa in 1942, probably after the Second Battle of El Alamein. However, an archaeological analysis of the gun, particularly of damage incurred during battle, can link it to photographs taken after the battle and re-establish its historical context and the circumstances of its acquisition. In this way, a museum artefact can become more than a mere exhibit: it can be made to document its own past.     

‘A house for dead people’: memory and spatial transformation in Red Location,South Africa

One of several new South African post-apartheid memory projects, the Red Location Museum in New Brighton, Port Elizabeth opened in 2006, in a century-old informal settlement with strong histories of resistance. The museum was intended to acknowledge the area’s contribution to the liberation struggle, and contribute to dismantling apartheid urban geographies by producing a tourist and cultural economy. However, the project was highly contested from its inception by residents who felt that the priority for the neighbourhood should be housing and service delivery. Major housing-related protests erupted on the museum’s doorstep between 2003 and 2005, and in late 2013 the new cultural precinct was closed down indefinitely. This paper examines the politics and controversies surrounding the Red Location developments between 1997 and 2013, using this case study to consider the ways in which the protests around the museum are rooted in historical and political histories made visible through residents’ radical claiming of ownership of the museum building. The Red Location example offers a useful consideration of the complexities of applying notions of ‘participation’ and ‘community ownership’ in practice in fraught situations where major change is needed, and makes a case for the thorough historicisation of contemporary conflicts over development and spatial change.     

Shared heritage,shared authority,shared accountability? Co-generating museum performance criteria as a means of embedding ‘shared authority’

Abstract

This New Zealand case study presents insights from the perspectives of Māori and non-Māori museum stakeholders. It aimed to understand which activities and responsibilities mattered to stakeholders, in order to develop more meaningful accountability for their shared heritage. Using a participatory mixed method, the research explored how museum stakeholders assess their museum’s performance. Māori and non-Māori generated, sorted and rated 'possible performance statements’. A cultural analysis, using proprietary software, produced concept maps which illustrate differently nuanced museum constructs with different relative importance for constituent elements. Pattern-matching revealed divergent priority accorded certain museum activities, but also commonalities. Both cultural groups prioritised factors not generally featured in compliance-driven approaches to accountability reporting. For Māori, greatest importance was placed on care of taonga (‘treasures’), Māori-specific practice and engagement with Māori, while collections and staff were the key assessment factors for non-Māori. Incorporating stakeholder perspectives in a museum performance framework provides opportunities to report performance on dimensions which matter to wider communities. Where shared authority is taken seriously and stakeholders are involved, accountability becomes meaningful. This collaborative approach to performance framework development offers a tool for embedding the realities of shared authority into planning and delivering the museum’s activities and responsibilities.     

What is a museum for? The Magüta Museum for the Ticuna people,Amazonas, Brazil

Abstract

After working for several years in the Ethnography Section of Brazil's National Museum, Maria JussaraGomes Gruber helped found the Magüta Museum in the town of Benjamin Constant, in Amazonas (close to Brazil's border with Peru and Colombia). Jussara Gruber believed that an ethnographic museum, with objects selected, displayed and explained in ways that made sense to the Ticuna Indians of the area, would help them to sustain social and cultural values in the face of continuing colonization by non-Indian society. The Ticuna are one of Brazil's most populous indigenous groups, with some 95 villages mainly scattered along the banks of the Upper Solimões River and its tributaries. Ticuna efforts to establish land boundaries and reclaim their own territory have met substantial opposition from non-Indian loggers, landowners and storekeepers. In this article (compiled from a letter and subsequent telephone interview translated by Maria Renata Franco Peters and edited by Bill Sillar) Constantino Ramos Lopes explains his role as director of the museum and its significance for the Ticuan people.     

The lesser gods of the Sahara

Abstract

Following a highly publicised expedition in the 1950s, the Tassili-n-Ajjer mountains of the Central Sahara (Algeria) were presented to the world as ‘the greatest museum of prehistoric art in the whole world’. Many of the claims of the expedition's leader, Henri Lhote, were misleading. A number of the paintings were faked, and the copying process was fraught with errors. The ‘discovery’ can only be understood within the political and cultural context of the time, namely the Algerian Revolution, France's attempt to partition Algeria, and the prevailing views of the Abbé Breuil, the archadvocate of foreign influence in African rock art. The expedition's methods caused extensive damage to the rock art while the accompanying looting of cultural objects effectively sterilized the archaeological landscape. Any restitution process must necessarily include a full recognition of what was done and the inappropriateness of those values.     

The cultural biography of a Western Australian war memorial

In common with other western countries, there is resurgence in war commemoration in Australia indicating a serious pursuit of identity and a national story on a collective and personal level. A widespread academic and popular interest in war memory and material culture such as war memorials has emerged. War memorials often find their way on to heritage registers. This paper advances cultural biography as an approach to determine the significance of war memorials arguing that this may give a deeper understanding of its community meaning than present methods. Emerging in archaeology cultural biography considers the way that social interactions between people and objects over time create meaning. Using the Katanning war memorial statue in Western Australia as a case study, this paper argues that a cultural biographical approach may uncover a deeper cultural significance resulting from a focus on relationships than from the traditional focus on the memorial as object.     

Museums,memory and meaning‐creation: (re)constructing the Tajik nation

To overcome the traumas of the 1992–1997 civil war, the Tajik authorities have turned to history to anchor their post‐independence nation‐building project. This article explores the role of the National Museum of Tajikistan, examining how the museum discursively contributes to ‘nationalising’ history and cultural heritage for the benefit of the current Tajik nation‐building project. Three main discursive strategies for such (re)construction of Tajik national identity are identified: (1) the representation of the Tajiks as a transhistorical community; (2) implicit claims of the site‐specificity of the historical events depicted in the museum, by representing these as having taken place within the territory of present‐day Tajikistan, thereby linking the nation to this territory; and (3) meaning‐creation, endowing museum objects with meanings that fit into and reinforce the grand narrative promulgated by the museum. We conclude that the National Museum of Tajikistan demonstrates a rich and promising, although so far largely unexplored, repertoire of representing Tajik nationness as reflected in historical artefacts and objects of culture: the museum is indeed an active participant in shaping discursive strategies for (re)constructing the nation.     

Concrete and non-concrete: exploring the contemporary authenticity of historic replicas through an ethnographic study of the St John’s Cross replica,Iona

ABSTRACT

What do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.     

By the People,for the People. The Case of a Community Museum of Traumatic Greek Heritage

Abstract

This article will delineate the history and activities of the Museum of Political Exiles of Ai Stratis in Greece. The museum was founded in the 1980s by a group of former inmates who were banished in the North Aegean island of Ai Stratis, a site of political confinement between 1920s and 1960s. Since its inception, the museum has aspired to be a platform of communication, a place of healing that is by the people for the people. The aim here is to examine how this was achieved and what lessons have been learned from the endeavours of an organization that deals with a rather traumatic chapter of modern Greek history. Emphasis will be placed especially on what role the subjects of history have assumed in the design of the permanent exhibition and the educational and cultural activities.     

Re-presentar the religious: nation,community and identity in museums 1

This paper examines the roles that museums play as ‘unofficially sacred’ places, underscoring or challenging the religious life of a people and ‘nation’. It focuses on three key questions: (1) Do sub-national and transnational religious formations pose a challenge to or present opportunities for nation-building strategies, and what part do museums play in this struggle? (2) In what ways do re-presentations of religion in museums contest or reinforce religious community and identity? and (3) What challenges do museum displays pose to the understanding of religious meanings? This paper explores these three key questions about the intersection of religion with politics and ideologies, social relations, and cultural interpretations and transformations using an in-depth case study of an exhibition on the Jewish community in Singapore.     

Tourism and Community: An Ecuadorian Village Builds on its Past

An archaeological project and a community museum in Agua Blanca, Ecuador, have helped catalyse a remarkable process of ecological and cultural awareness complemented by economic advances. Some twenty-five years after the museum’s inauguration, as well as visiting the archaeological site and museum, tourists can observe the Machalilla National Park’s distinctive flora and fauna, camp, hike, swim, stay in village homes, buy locally made handcrafts, and eat in the community restaurant. These initiatives have been set up by the village in collaboration with local, national, and overseas agencies, in ways which spread benefits as widely as possible. After the introduction of a new constitution in 2008, which recognizes the multi-ethnic character of Ecuador’s population, Agua Blanca and adjacent communities asked to be officially recognized as ‘Pueblo Manta’ — an identity derived from the area’s pre-Spanish archaeology. Agua Blanca’s experience shows that much can be achieved through confidence in cultural identity, and that locally managed community tourism brings tangible economic benefits to local people, while serving to protect vulnerable archaeological sites from destruction.     

Beyond the everyday? Rethinking place meanings in tourism

ABSTRACT

Existing tourism scholarship on place meanings seems to retain an underlying assumption of a contradiction between tourist places and the mundane world. In contrast, this paper contends that the production of the meanings of tourist places is also closely related to everyday life. To make its case, it interrogates the creation of meanings of two scenic sites of Tianya Haijiao and Nanshan in Sanya, a famous coastal destination in southern China. Although both scenic sites have been recently developed, their significance stems from historical and cultural meanings in traditional Chinese culture, which are frequently communicated in people's daily conversations and practices. Besides, the meanings of the tourist sites are neither fixed by legitimate discourses nor dominated by tourism publicity; they are continuously shaped by wider socio-spatial events in mundane societies and re-interpreted through tourism mobilities in accordance with tourists’ everyday concerns. This paper echoes the ‘new mobilities turn’ in tourism studies and contributes to the discussions of the mundaneness of tourist places.     

Museum salvage: A case study of Mesoamerican artifacts in museum collections and on the antiquities market

Abstract

Museum salvage refers to critical studies of museum collections with little or no provenience information that seek to glean useful archaeological information from these artifacts and examine the nature of their origins and possible connections to the illicit antiquities trade and the art market. Our case study focuses on artifacts from Mesoamerica and objects from the ancient capital of Teotihuacan in particular. We take a multi-scalar approach, including a quantitative analysis of Sotheby’s auction records for Mesoamerican items from 1966 to 2010, a survey of Teotihuacan attributed items in U.S. museums, and a more detailed examination of Teotihuacan-style artifacts in the Denver Museum of Nature & Science collections. The study tracks and attempts to explain diachronic patterns in the Mesoamerican antiquities trade, connections to museum collecting practices, and looting behavior. The study illustrates the potential benefits of museum salvage, while also revealing the clear limitations of research on poorly documented archaeological material.     

‘Miserable San Damian—But What Treasures!’: The Life of Aleš Hrdlička's Peruvian Collection

This article examines the lives of artefacts collected by physical anthropologist Ale? Hrdli?ka during his expeditions to Peru. In 1910 and 1913, Hrdli?ka travelled to the Andean nation to gather materials that could shed light on the peopling of the Americas, health and disease in pre-Columbian societies, and the purported racial ‘types' of the region. The study focuses on cultural artefacts the scientist acquired, beginning with these materials’ collection as specimens meant to reveal the racial prehistory of the Andes, and continuing with their classification, display, and exchange as museum objects at the Smithsonian Institution. My analysis of Hrdli?ka's Peruvian collection draws attention not only to how scientific representations of Peru and the Andes have shifted over time, but also to the way in which a focus on museum objects can elucidate changing notions about the cultural agency of prehistoric populations and their present-day descendants.     

中国博物馆大型原创性特展之展览策划——以南京博物院为例专访龚良院长

21世纪以来,中国博物馆的大型原创性特展工作呈现良好的发展态势。南京博物院龚良院长指出,大型原创性特展作为博物馆为公众提供更好的文化服务的文化产品,既能衡量博物馆的发展活力,也有利于博物馆的可持续发展。博物馆应根据自身的定位和特色完善藏品体系,从而确定展览主题,制订展览规划。高校应该围绕研究公众、服务公众调整博物馆学的课程设置。试行中的理事会制度将有助于推动博物馆为公众提供高品质的文化服务、满足公众更高的精神文化需求。南京博物院近年大力推行策展人制度,鼓励策划大型原创性特展,重视并强调展示文物之间的相互关系。2016年度举办的"法老·王"展是一次用低票价、非营利的方法,举办了一个不用财政资金、为公众提供优质服务的高品质展览,并将展览作为文化创意产品的有益尝试,将为中国博物馆界提供一个可复制的成功案例。     

Place,identity and social conflict in post-industrial England: cases from South Lincolnshire in the 1980s

ABSTRACT

This article examines a case of social conflict in an overlooked corner of England (Lincolnshire) in the late 1980s when self-described ‘local’ people opposed private housing developments and the migration of ‘southerners’, ‘townies’ and ‘commuters’ into their towns and villages. Protestors lamented change and disliked newcomers. This was a reaction to the arrival of affluent, ‘post-industrial’ workers on the back of a booming service sector. They personified a series of complex, interconnected socioeconomic and cultural changes which disrupted patterns of life rooted in disappearing productive industries and destabilised communities amidst factory closures, agricultural mechanisation, job losses and now suburbanisation. This affected meanings ascribed to places and introduced hierarchies and conflicts structured around Britain’s transition towards a service economy. Opposition was expressed through nostalgia, conservationism, inverse snobbery, anti-metropolitanism, attachment to ‘local’ identities, and concerns about declining independence, community and power. This paper argues that these protests demonstrate the emergence of new ideas about social relations, difference and distinction in post-industrial England. The findings also highlight feelings which would slowly seep into a new, reactionary politics foreshadowing the way that many towns and rural areas (including Lincolnshire) embraced a new political right in the first decades of the next millennium.     

The Turtle Garden: Tan Kah Kee’s last spiritual world

Abstract

This paper explores the role of diasporic subjects in China’s heritage-making through a case study of the Turtle Garden built by Tan Kah Kee in Xiamen, China. Tan is the first person with Overseas Chinese background who built museums in the P.R. China and has been regarded as a symbol of Overseas Chinese patriotism. This paper argues that the Turtle Garden, conceptualised as a postcolonial ‘carnivalesque’ space, is more than a civic museum for public education. It reflects the owner’s highly complex and sometimes conflicting museum outlook embedded in his life experience as a migrant, his encounter with (British) colonialism in Malaya, and integrated with his desire and despair about the Chinese Communist Party’s nation-building project in the 1950s. Rather than a sign of devotion to the socialist motherland as simplistically depicted in China’s discourse, the garden symbolises Tan’s last ‘spiritual world’ where he simultaneously engaged with soul-searching as a returned Overseas Chinese and alternative diasporic imagining of Chinese identities and nation. It brings to light the value of heritage-making outside centralised heritage discourses, and offers an invaluable analytical lens to disentangle the contested and ever shifting relationship between diasporic subjects, cultural heritage and nation-(re)building in the Chinese context and beyond.     

Information Retrieval in Cultural Heritage

Abstract

This article discusses the opportunities and challenges of applying modern information retrieval techniques to the cultural heritage domain. Although the field of information retrieval is closely associated with computer science, it originally emerged from library science — also one of the main disciplines concerned with access to cultural heritage material. Hence we are, in a sense, exploring what happens if we bring these strands of research back together again. The article consists of three parts. In the first part, we explain the field of information retrieval and its multidisciplinary nature. In the second part, we discuss how and why the problem of providing access to cultural heritage can be cast naturally as an information retrieval problem. In the third and main part, we present a detailed case study of applying the modern information retrieval approach in practice within a museum.