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Pascal’s Expériences nouvelles touchant le vide (1647) outlines a physical demonstration that aims to put to an end controversies between plenists and vacuists. The traditional form of the dispute with which Pascal wanted to break, however, finds itself reactivated by Étienne Noël, who takes up again the plenist objections which the Expériences nouvelles only consider as possible the better to refute them. Pascal’s letters Au très révérend père Noël and À Monsieur Le Pailleur on the contrary permit one to define a field of disputation different from the one which Noël perpetuates. Pascal subordinates the dispute to the recognition of common epistemological principles: the antithetical discussion about the vacuum should be governed by methodological criteria accepted by all. In contrast with the model of the learned dispute, Pascal thus defines a radically new model: the scientific dispute.  相似文献   

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Sans résumé Ce texte, rédigé en anglais en octobre 1997, a été traduit ici en fran?ais par Michèle Garlati, avec le soutien financier de l'Académie royale néerlandaise des sciences. Une version préliminaire est parue dansTheory, Culture and Society, vol. XIV, 2 mai 1997, p. 105–122.  相似文献   

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This paper proposes a reconstruction of the Wolffian debate on Leibniz’s idealism arising from the initial response to Leibniz’s Monadology. This reconstruction requires us to revisit some problems central to the debate: an inaccurate translation of a term in the latin Monadology («le composé» is translated as «substantia composita»); status of body as composed substance; status of elements as simple substances from which bodies result (which goes against the Cartesian conception of substance); status of Leibnizian notions of perception, force and pre-established harmony; status of experience as a holistic and systematic process (which goes against its conception and the tabula rasa in Locke) in the Wolffian response and system. A thorough examination of the founding texts of the response (Bilfinger and Wolff) allows us to reconsider the relation between Leibniz and Wolff from a new perspective.  相似文献   

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The market constitutes the crucial point in the debate which prevailed since the xviiith century in the history of antique economy. Became particularly complex for the Greek world because many historians and anthropologists (like Karl Polanyi) place there the liberty of the market economy as a break with the previous period. History must abandon too dogmatic a position on this emergence of the market and consider first the levels of the constitution of a market place, the agora, beginning with the end of the archaic period. The Greek city intervenes in the way in the exchanges. In this article, we study these interventions on the conditions of the sale and purchase, the practices, the values and the prices, the supplies, so as to understand the real innovation which that represents.  相似文献   

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After independence, the history of national liberation in Algeria was largely managed by the single-party state. Founding figures of Algerian nationalism such as Messali Hadj and Ferhat Abbas were shrouded in silence. Since 1988 a plurality of voices has emerged and a number of historic figures have been rehabilitated. The state of quasi-civil war which has existed since 1992 between government forces and Islamic insurgents has, nevertheless, continued to inhibit discussion of human rights abuses during the war of independence. The recent resurgence in France of the debate over the use of torture during the Algerian war has been largely ignored by the Algerian government. The status of harkis , Algerian Muslims who fought on the side of the French during the war of independence, also remains acutely sensitive in official Algerian circles. Events such as the 'Berber Spring' of 2001 are continuing to press the authorities towards greater openness.  相似文献   

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TheTrésor des chartes is probably one of the best preserved single collection of archives of the ancient French monarchy. Paradoxically, however, it was never part of a central record office in the modern sense. This large and confused mass of documentation slowly emerged as a records collection during the XIIIth century. Although it seemed to follow the construction of a State administration, it was already inactive by the middle of the XIVth century. Its records and charters, prestigious and inaccessible, were kept in the Sainte-Chapelle of Paris, close to the relics of the Passion bought by Louis the Ninth. As a record of the past it played a crucial role in the social construction of a notion of «perpetuity» suitable to the domanial and dynastic ideals of the monarchy. The ambiguities of this medieval heritage became obvious in the early modern period. Although there were a large number of inventories and classifications of theTrésor des chartes, it was never able to incorporate the other State records. The Republic inherited a majestic sanctuary which can certainly be described as a piece of shared memory, but which is unable to summarize the genesis of the Nation.  相似文献   

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Liberty is submission only to laws. This idea, according to Turgot, is a very republican one, and it belongs indeed to the classical republican tradition. It is, nonetheless, a mostly modern idea, not necessarily a republican one. It appears in the criticism of absolute monarchy: the importance of making the law is granted, but that anybody could be above the laws is rejected. For Montesquieu, moderate monarchy is the rule of law, of standing laws which provide the individual action with the conditions its rationality requires. But Rousseau makes a republican system of the rule of law, by identifying self-government and autonomy. By linking liberty and law, he stresses the political existence of liberty: since Turgot, it has been objected, inside liberalism, that such a political device jeopardizes natural rights.  相似文献   

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Over 50 years have passed since the 17 October 1961 massacre and, though the event has gained wider recognition, it still occupies a tenuous place in French history. Scholars have turned to fictional literary and filmic representations of the massacre that have appeared since the 1980s, but have largely overlooked its commemoration in music. In this essay, the author analyses two works: French rapper Médine's song ‘17 octobre’ (2006), which reimagines the massacre from the perspective of a witness who dies, and an Internet montage video (2008) which sets Médine's song to archival and non-archival video clips. Both the song and montage highlight the limits of official historical discourse through a variety of practices, including manipulating perspective, sampling and putting 17 October into dialogue with other obscured histories. The historical and historiographical work these texts accomplish illustrates the potential of such media to construct a postmemorial archive that blurs boundaries between archive and fiction, creative works and history.  相似文献   

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This article reflects on the feminist potential of a contemporary form of French female cinema stardom that John Orr (2004) names ‘free-fall’. According to Orr, free-fall is a genre of female stardom that has come to prominence in French cinema at the end of the twentieth century and the start of the twenty-first. The free-fall star embarks on a journey of ‘ontological descent’, self-destruction and Kristevan abjection, but we cannot know her reasons for such actions. This article considers the gendered implications of the free-fall star with reference to her portrayal and modification of past French literary heroines in the genre of heritage cinema. It considers her presence in two film adaptations of Gustave Flaubert's literary ?uvre: Madame Bovary (Chabrol, 1991) with Isabelle Huppert, and Un C?ur simple (Laine, 2008) with Sandrine Bonnaire. The mystique of the free-fall star-text potentially challenges a modernist construction of femininity as the lowbrow Other of highbrow pioneering, but its feminist credentials cannot simply be taken for granted.  相似文献   

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In this article, the author wonders how the research program sketched out by Weber in early 1910 appears to us today, but also how it would appear if we wished to return to it one hundred years later, making the necessary modifications while remaining true to its spirit. To this end, the author envisions each of the three fundamental components of Weber’s program successively (the particular evolution of Western music, Weber’s emphasis on musical “techniques” and the fact that for Weber, the motor of change is rationalisation) and places them in the context of Weber’s work and of our contemporary concerns.  相似文献   

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