The Order of Sima Chengzhen and Wang Ziqiao: An Inquiry into the History of Shangqing Daoism in the Tiantai Mountains

Though small,this work is important for the study of Taoist history.It throws a better light on one of its major representatives,Sima Chengzhen 司马承祯(647-735),12th patriarch of the Shangqing 上清 tradition,a blooming Taoist school under the Tang (618-907).Ute Engelhardt had certainly already studied him notably with her translation of one of his principal texts on the breath technics;Livia Kohn too has worked on one of his short texts on meditation and Paul Kroll has written several articles on his poetry.But Thomas Jülch brings a new vision of this Taoist and his essential role on the legitimation of imperial power with the moving of the Shangqing tradition center to the Tiantai Mountains 天台山.     

THE EDITORS OF JOURNAL CHINA＇S TIBET IN WEST EUROPE

<正>While visiting England,Ireland and France(from April 16th to 28th.2012).the delegation of editors from the Journal China's Tibet sought to survey the publication and circulation of the journal.With full support of Chinese embassies in the three countries,as well as Chinese societies and associations overseas,the delegation interviewed overseas Chinese,including Chinese media,overseas Tibetans and local readers from all walks of life,received their comments and suggestions to improve the quality of the journal.     

Chinese Socialism as Vernacular Cosmopolitanism

This paper follows the life of an idea, a fundamental concept in modern Chinese intellectual life： socialism. It explores this idea as an alternative form of Chinese cosmopolitanism, drawing from Pheng Cheah＇s identification of two kinds of Chinese cosmopolitanism： mercantile and revolutionary. If part of what we mean by cosmopolitanism is the local use of an external, or international, or otherwise ＂independent＂ （relative to local power and practice） ideology or discourse to promote an agent＇s sense of social good at home and connection to the world, then the ways that socialist thought, ideology and praxis have been employed in China in the twentieth century constitute one such strain of cosmopolitanism. Shehuizhuyi （socialism） meant related but significantly different things to Chinese in the twentieth century. This essay argues that Chinese socialism can be viewed as a version of vernacular cosmopolitanism through two examples： Wang Shiwei in the 1940s and Deng Tuo in the 1960s, as well as the discourse of Pan-Asianism before and after the Mao era. Chinese socialism was as much a terrain of debate and contestation about what it means to be ＂Chinese and modern＂ as it was a shared vocabulary and set of aspirations. All along it has been able to play the role of cosmopolitan thought for some influential Chinese thinkers and doers--connecting China to the world in order to pursue universal values.     

战“疫”时刻让世界见证中国力量与大国担当

At present,the Chinese government and the Chinese people are executing their fullrange of efforts to resist the onslaught brought about by COVID-19.Great progress has already been made,and the results have been rather unprecedented.Since the outbreak of the novel coronavirus pneumonis,Chinese President Xi Jinping has continued to speak with foreign heads of state or government,and international organizations,either via phone,in person or through letters,in which the topics focused on prevention and control of the disease and China's efforts to reduce the impact of the epidemic on its economy.     

战“疫”时刻 让世界见证中国力量与大国担当（英文）

正At present,the Chinese government and the Chinese people are executing their fullrange of efforts to resist the onslaught brought about by COVID-19.Great progress has already been made,and the results have been rather unprecedented.Since the outbreak of the novel coronavirus pneumonis,Chinese President Xi Jinping has continued to speak with foreign heads of state or government,and international organizations,either via phone,in person or through letters,in which the topics focused on prevention and control of the disease and China's efforts to reduce the impact of the epidemic on its economy.During a conference on coordinating epidemic control and socioeconomic development,     

浅析代笔书画

Ghostuwriting is a most complicate and difficult problem in the respect of Chinese calligraphy and painting authcntication because the ghostwriting is the requirement of the painter himself and usually approved by him. The painter will cooperate with the ghostwriter and try to be invulnerable. The author introduces such kind of phenomenou in the Chinese calligraphy and painting history in quite a detail. which is believed to he a great help to the authentieators or collectora.     

New Perspectives on the "Dao" of "Huidaomen": Redemptive Societies and Religion in Modern and Contemporary China

This essay uses research in Chinese religion,and specifically Chinese "redemptive societies," to challenge and enrich the received history of "sects and secret societies" in modern and contemporary Chinese history,and suggests that a future "history of cultivation movements" might be a helpful means to steer between competing narratives of state-building and personal religious experience.The discussion is illustrated with a brief biography of Li Yujie (1901-94),founder of the redemptive society Tiandijiao who devoted his life to cultivation and religion,but also to independent journalism and the Guomindang.     

The Origin of “Chinese Philosophy”

Using the analysis of a single word to launch a conceptual review of (a problem in) cultural history, the Chinese term zhexue 哲學 (wisdom-learning, tetsugaku) is not simply a translation of the word “philosophy”; its inventor, Nishi Amane (1829–97), regarded it as the (Western) counterpart of Oriental learning (Tōyōgaku). The first explicit linkage of “philosophy” with “the East” was at The University of Tokyo, where it played an important role in the work of Katō Hiroyuki (1836–1913) and Inoue Tetsujirō (1855–1944). Inoue’s History of Oriental Philosophy, written under Katō’s inspiration, used Western philosophy to systematize ancient Chinese thought, and transformed “philosophy” (tetsugaku) from a learning of others, or Western learning, into an important component of the spiritual world of the East, and into a kind of universal knowledge. This was completely different from earlier lectures on “China philosophy” (shina tetsugaku) by Nakamura Masanao (1832–91) and Shimada Jūrei (1838–98) which still followed the Chinese underlying structure, and in the background, it had the intent of grasping the power to control East Asian discourse. In China, when young scholars like Wang Guowei (1877–1927) embraced philosophy, they already took its universality as a self-evident premise. This kind of alignment later evolved into a situation where it seemed entirely natural to use Western systems to interpret Chinese thought, and it also induced serious scholars to reflect. However, “Oriental philosophy” and “Chinese philosophy” provide East Asia and especially China with an opportunity to reevaluate its traditional culture. In this connection, “Chinese philosophy” includes: first, using philosophical concepts to re-provision ancient thought (the so-called history of Chinese philosophy); second, the occurrence of “philosophy” and “Chinese philosophy” and their evolution after their arrival in China; third, drawing on philosophy to enrich and develop China’s thinking. When seeking out “philosophy” in the veins and arteries of China’s history, the first and second aspects must be strictly distinguished. As to what the future may hold, the effect of the third aspect is most important.     

民间石雕艺术

Chinese folk stone sculpture has long history in people's material and spiritual life, most of which are made by unknown craftsmen.They are of great value on art and historic culture to display splendid technique, tricky design and admirable creativity of ancient Chinese craftsmen. As to the use of stone sculpture, it can be used as the part and decoration of the architecture, formed to serve the religion or practical utensil for daily use or appreciation, which is might be called a grand book.     

New Books

<正>Chinese Encyclopedia of Intangible Cultural Heritage-Epic Volume Feng Jicai,Deputy Chairman of the Chinese Federation of Literary and Art Circles and Chairman of the Chinese Folk Literature and Art Association,is the chief-editor of this encyclopedia.Norbu Wangdan is the chief-editor of this Epic Volume,which covers knowledge with regard to personal figures,society,     

A COMPARATIVE STUDY OF TIBETAN AND HAN OPERAS

Tibetan opera is an ethnic and unique theatrical genre in the system of Chinese operas. All the ethnic operas in China are directly or indirectly akin to Han operas, so is Tibetan opera. As a member of the big family, Tibetan opera necessarily absorbs some artistic nutrition from other Chinese operas. As a result, it acquires the common style and some common formal characteristics of Chinese national operas as a whole. The generality just lies on the level of cultural genre and overall flavor, however. As for the entity of the theatrical art itself, Tibetan opera is basically and independently derived from Tibetan culture and art except for some indirect influences from Han operas. During Emperor Qiaulong＇s reign, some leaders of the Qing troops stationed in Tibet used to organize soldiers from Shaanxi and Gansu to perform Shaanxi opera in the army In the period of the Republic of China, the office of Commission on Mongolian and Tibetan affairs in Lhasa promoted opera performance to celebrate victory in the Anti-Japanese War, New Year＇s celebrations,     

传统的嬗变——对宋元时期山水画的再认识

This article analyzes styles and various of Chinese traditional wash landscape in the Song and Yuan Dynasries, along the painting history, to disclose the inner stimulus of the form evovement in this period and tries to obtain some new understanding under the base of the aesthetic theores.     

Painting and Photography in Foreigners' Construction of an Image of Qing Dynasty Law

In recent years,with the spread of the internet and the booming auction markets,combined with our new age of so-called "picture-reading," paintings and photographs concerning Qingjustice have overwhelmed our view.Scholars and nonscholars are attracted by them,and believe them to be showing real historical scenes.Pictures seemingly facilitate our grasp of the world more than mere facts do,but they actually demand readers' careful discrimination.The author of the present article has discovered that the initial British construction of a discourse about the cruelty of China's criminal punishments was related to this topic having been exposed by Chinese themselves.The seemingly real images or pictures have an unknown back story,and even contain a serious distortion of the truth.Such imagistic constructions by foreigners in fact directly or indirectly served the establishment and maintenance of foreign extraterritoriality in China.The living images recorded by foreigners' cameras not only constructed Western impressions of China and Chinese people as distant,thus strengthening contemporary Westerners' mental images of Chinese culture,but still urge us Chinese today to interpret the past in the light of such images.An icon of a blood-thirsty Qing legal system constructed through painting and photographic procedures became an objective fact,a collective consciousness that penetrated people's hearts and eventually led to modifications of those Qing laws.The mental construction of an icon influenced actual institutional movement.     

Editors' Note

As FHC enters a new year,we are very pleased to report on the progress the journal has made in the past year.FHC has published articles on a wide range of topics on Chinese history,featuring a variety of approaches.Whether the methodology was mainstream or cutting edge,all have inspired new ways of conceptualizing Chinese history.In addition to one issue that examined the relationships between the Qing government and its neighbor countries and border areas,FHC launched three forums in the past year.One forum asked how we might,through the lens of critical theory,Marxism,and novel approaches to 20th century capitalism,reinterpret 20th century China.Another forum discussed issues of pregnancy,childrearing,and wedding ceremonies to explore how intellectuals re-conceptualized family management by combining traditional expectations with imported,scientific concepts and practices and how scholars,educators,journalists and officials shifted relationships between Chinese families and the state.The final forum focused on state-building and the transformation of politics,society,economy,and culture under Communist rule in the 1950s and early 1960s.     

Beyond Exemplar Tales: Women's Biography in Chinese History

This volume brings together accounts of biographies of women covering a span of history from the Han dynasty to the mid-twentieth century.Its aim is to define and provide interpretive clues on the genre.It is,as the editors Joan Judge and Hu Ying point out,partly a study of epistemology,as many of the authors grapple with the issue of whether or not historians can claim to know the lives,including the inner worlds,of Chinese women through time,using biographical information.That seems to me a bit of a "straw wo/man," for knowledge of historical subjects is always mediated by sources.Nonetheless,the contributors,writing from the perspective of history or literature studies,bring a wide variety of viewpoints to bear on questions of the usefulness of women's biography for understanding changes in society,and in the process introduce some fascinating Chinese women.     

THE WRITER YANGDRON:TIBETAN FEMALES AND MY VIEW OF LITERARY EXPRESSION ON TIBET

正Yangdron,a Tibetan female,graduated from the Chinese Department of Beijing University.Having joined the Association of Chinese Writers in 1997,her short stories won the Literary Creation Prize for Chinese Ethnic Minorities.Some of her works have been included by the Collection of Excellent Works of China's Contemporary Tibetan Writers,Tibet New Stories,and Listen to Tibet,and some were translated into English and published in the USA.In 1994,The Sexless Gods,the first novel written by     

Restituting Church Buildings and Negotiating Church Factions： Missionary Mapmakers and the Making of Local Networks （1712-1716）

At the turn of the 18th century, the Kangxi emperor initiated a large project to map the vast territories of the Qing. The land surveys that ensued were executed by teams of Qing officials and European missionaries, most of them French Jesuits first sent to China in 1685 and actively supported by the French crown. Early 18th century Jesuit publications foster a much-heralded claim that these missionary-mapmakers drew on their status of imperial envoys during the surveys to locally advance the position of the Catholic church. This article strives to explore the format/on of such local networks by these missionaries as they passed through the cities and towns of the Chinese provinces. On the basis of archival material, details emerge of contacts with local Qing administrators and Chinese Christians, and of attempts to purchase and recover local churches. This is then discussed against the background of the Rites Controversy, in an attempt to evaluate how such local networks relate to the rivalry between missionaries of different orders. The article emphasizes that there was （and perhaps is） no such thing as ＂pure science＂ by underscoring that important technical achievements such as the Qing mapping project are often shaped by complex networks and historical contingencies.     

Buddhist Manifestations of Patriotism during the Korean War

A great deal of research on the Korean War has focused on the military, politics, economy and international affairs, and far less on the religious, particularly the Buddhist, perspective. The Korean War exerted a tremendous impact on institutional Buddhism, and consequently Buddhists were heavily involved. This paper examines the history of Chinese Buddhist participation in the ＂Resisting America and Assisting Korea Campaign＂ from Buddhist perspectives such as political propaganda, material donations especially the donation of the ＂Chinese Buddhist Airplane,＂ and the enlistment of young monks into the People＇s Volunteer Army （the PVA）. The paper will then look into social and political factors involved in Buddhist leaders＇ reinterpretation of Buddhist doctrines to justify participation in the campaign, as a response to the surge of patriotism in Chinese society. This kind of investigation may shed light on the relationship between institutional Buddhism and politics in the new socialist society of China after 1949.     

New Books

Tibet during the Qing Dynasty and Bnlukpa The author,Dr.Thalho from the Ethnology and Anthropology Institute of the Chinese Academy of Social Sciences,wrote this book based on his wide-ranging and extensive study of historic literature in Chinese,Tibetan,Manchu and English.He sought to systematically analyze the complicated and uneasy relationship between Tibet during the Qing Dynasty and Bulukpa(today’s Bhutan).He offers a profound analysis of how the tributary system