约曼与英国资本主义启动

农业是英国资本主义的基础,约曼又是农业资本主义的发动者、农村社会的“脊梁”。在英国农业资本主义发生的时候,约曼是先行者。“约曼”经历了由一个带有荣誉感的职业名词向具有经济与社会含义的名词的转变;约曼阶层经历了由采邑制度下的农民向资本主义农场主的演进。约曼是社会转型时期英国农村的精英群体,对经济、政治、教育文化、日常生活等方面都产生了重大而深远的影响,为英国率先成为第一个工业化国家提供了最初的、最基本的经济力量和政治力量,是英国资本主义的启动者。     

Generation and accumulation of oil and condensates in the Wenchang A Sag, western Pearl River Mouth Basin, South China Sea

The Pearl River Mouth (PRM) Basin is one of four Cenozoic basins in the South China Sea, and the Wenchang A Sag is a secondary depression in the western part of the basin. Both the Wenchang and Enping formations contain good source rocks in the western PRM Basin; however, only the latter has been considered a likely source of the discovered oil and gas. New data from fluid inclusions and the analysis of oil–source rock correlations for the WC10-3 oil and gas pools indicate two stages of petroleum charging, the earlier originating from the Wenchang Formation and the later from the Enping Formation. Kinetics of petroleum generation and structural evolution modeling were employed to further investigate the mechanism of formation of the WC10-3 oil and gas pools. It was shown that the crucial condition for the formation of pools is the time of development of the structural trap. The Wenchang Formation source rocks generated oil from 25 to 14 Ma in the possible source area of the WC10-3 oil and gas pools in the Wenchang A Sag, so that only traps formed earlier than this period could capture oil sourced by the Wenchang Formation. The Enping Formation source rock experienced its oil window from 18 Ma to the present with the main stage of oil generation from 15 to 5 Ma. During this period structural traps in the sag continued to form until movements became weak, so that most pools in the Wenchang A Sag originated from the Enping Formation source rock. The likely dissipation of oil and gas from the earlier stage of charging should be taken into account in assessing the oil potential of the Wenchang A Sag.     

和歌文本解构及中译本的意象重构——以《源氏物语》桐壶卷和歌第二首为中心

《源氏物语》古本由散文体叙事部分与韵文体（和歌）抒情部分构成,散韵两部分密接不离,形成了独特的文体美,是古日本和歌文学向物语文学过渡的一种特殊体例。和歌作为整体文本构架间的肌质,将整部小说各部分有机的衔接、融合。由于和歌用典繁复、隐喻深奥,在其千余年的历史受容过程中歧义繁多。本文以桐壶卷和歌第二首为研究对象,从该首和歌的语义受容、文本解构,及不同中文译本生成的对比研究着手,旨在更好地阐释和歌在文本中的话语机能。