‘ … por decir Dios Trino y Uno,dijo Dios tres y uno son cuatro’: the Christian Trinity and the multiplicity of Andean Deities: indigenous beliefs and the instruction of the Christian doctrine in Quechua

In this paper I examine how Christian priests in the early colonial period in the Andes tried to communicate the Christian concept of the Trinity to the indigenous population, mainly through textual but also through visual means. On the basis of these sources, I will address the following questions: how did the priests present the concept in Quechua, one of the general languages of the Andes, in morphological, lexico-semantic and argumentative terms; how was the Trinity represented in painting and, could the Indians relate these explanations to something they were familiar with in their own religion? Answering these questions will provide us with hypotheses as to how the indigenous population might have understood this Christian concept, which, in turn may enable us to better understand modern Andean belief forms with respect to the Trinitarian concept, which I shall briefly discuss in the final section. On the whole, the evidence suggests that, whilst the Christians may have thought that they could explain their Trinity to the Andean people better by using the Quechua language, the adoption of Andean concepts and language resources resulted in different reception strategies, such as the accommodation of Christian beliefs in the Andean religious system, but also the creation of new hybrid concepts based on Amerindian as well as Christian belief forms.     

Telling More: Lies,Secrets, and History

This essay argues that secrets and lies are not forms of withholding information but forms by which information is valorized. Lies are constructed: what is to be lied about, what a lie is to consist of, how it is to be told, and whom it is to be told to, all reveal a social imaginary about who thinks what and what constitutes credibility. Secrets are negotiated: continual decisions about whom to tell, how much to tell, and whom not to tell describe social worlds, and the shape and weight of interactions therein. All of this makes lies and secrets extraordinarily rich historical sources. We might not see the truth distorted by a lie or the truth hidden by a secret, but we see the ideas andimaginings by which people disclose what should not be made public, and how they should carry out concealing one narrative with another. Such insights involve a step back from the project of social history, in which an inclusive social narrative is based on experience and individuals' ability to report it with some reliability, and suggests that historians need to look at social imaginings as ways to understand the ideas and concerns about which people lie and with which people construct new narratives that are not true. The study of secrets, however, links the study of social imaginings with the project of social history, as the valorization of information that results in the continual negotiation and renegotiation of secrets shows individuals and publics imagining the experiences labeled as secret because of the imagined power of a specific version of events.     

Emancipation or Enclosement? The Spatialization of Difference and Urban Ethnic Contestation in Colombia

Abstract: The focus of this article is a paradox inherent in the political effects of spatial claims undertaken by multicultural policies in many nation states: though territory is considered as one of the primary means of achieving autonomy and self‐determination, it is at the same time a mechanism that encloses difference. Through a combination of archival and ethnographic research I study the political effects of binding indigenous people's minority rights with indigenous reservations in Colombia. I focus on analyzing the legal ways in which an “ethnic indigenous type” has been attached to an “ethnic indigenous rural topos” in the jurisprudence of the Colombian Constitutional Court. I also examine how ethnic groups in the capital city of Bogotá have questioned the multicultural ideals of indigeneity and the romantic desires of what an indigenous place should look like. Ultimately, my intention is to draw attention both analytically and politically, to the necessity of more thorough analyses of the consequences of strict forms of spatializing ethnicity.     

W. B. Yeats,the Abbey Theatre,and the Cinema, 1909–1939

ABSTRACT

Given the significance of new technologies to the literary and visual cultures of the early-twentieth century, it is surprising how little has been written about W. B. Yeats and cinema. Viewed by some scholars as emphatically resistant to what he termed “the leprosy of the modern,” Yeats has long been a difficult writer to situate in relation the progressive impulses of modernity. Building on Kevin Rockett’s identification of the parallels between the work of Abbey Theatre and a nascent Irish cinema culture, this article argues that Yeats played a prominent role in early attempts to develop an indigenous film industry, and to cultivate representations of Ireland on screen abroad. During the period I consider, the Abbey Theatre and the film industry were similarly affected by state censorship programmes and various forms of cultural nationalism. Exploring the Abbey Theatre Minute Books and archival materials discovered in Trinity College Dublin, I suggest that Yeats’s Abbey was a shaping force in Irish cinema history, despite the fact that most attempts to create a national cinema met with limited success.     

Interspatial gender asymmetries in early Soviet Siberia

The article addresses gendered power asymmetries within indigenous communities of early Soviet Siberia and their shifts during the transitional period between the Russian Empire and the totalitarian Soviet state. The concept of entangled relational spaces is the main analytical tool of this article. Seeking to overcome identity-based essentialisms, the article deconstructs gender identity and demonstrates how it can be articulated and interpreted in different relational spaces. It extends the argument that oppressions are produced by various social categories (intersectionality) by adding that a single social category may beget various forms of oppression and that heterogeneous gender asymmetries are produced and manifested across different relational spaces. Evidence deriving from predominantly indigenous sources authored by women enabled the discussion of gendered power asymmetries in economic, legal, and political spaces produced by corresponding relations. Economic and demographic crises, which the indigenous peoples of Siberia endured in the 1910s–1920s, reduced gendered power asymmetries in economic spaces making women less dependent on men. On women's initiative the shifts then spread to legal spaces and, with the support of the Bolshevik government, affected political spaces. These shifts were closely connected to the early Soviet attempts at dialog with indigenous people, decolonizing Siberia and liberating indigenous women, and gave way to instrumental policies.     

SPATIAL METAPHOR AND THE POLITICS OF EMPOWERMENT: MAPPING A PLACE FOR FEMINISM AND POSTMODERNISM IN GEOGRAPHY?*

Spatial language and constructs are deployed systematically in the writing of many contemporary feminists. Disempowerment is couched in negative spatial terms: as “displacement,” having space denied, or as a negative or non-space. Empowerment, on the other hand, is written as an appropriation of the spatial: creating new spaces, occupying existing spaces, or revalorizing negatively labeled spaces. Furthermore, the map emerges as a common trope in this writing. Rather than transparently communicating the totality of what exists, however, their maps become rhetorical guides to possible worlds. The spatial provides a textual tool with which many contemporary feminists contest existing power relations. Space is viewed as liberating, empowering, and political. Their use of the spatial contrasts with the apolitical (and, not inconsequentially, gendered) conceptualization of space in some postmodern writing. This divergent deployment of spatial textual devices in the writing of some contemporary feminists and that of some postmodernists opens up another window on the knotty nexus of feminist and postmodern thought in geography.     

7. TOWARD A GENEALOGY OF THE RESEARCHER AS SUBJECT IN POST/DECOLONIAL PACIFIC HISTORIES

Recent discussion has drawn out some important differences between postcolonial and decolonial theories. The former are associated primarily with the work of South Asian scholars working in cultural, literary, or historical studies; decolonial scholarship, by contrast, is located in Latin America and has emerged from sociological critiques of dependency theory. Shifting the locus of debate to the Pacific centers another subject in globalizing critiques of colonialism: the historian in indigenous communities. In this article, I examine how the role of the researcher is conceptualized in Linda Tuhiwai Smith's landmark work Decolonizing Methodologies: Research and Indigenous Peoples (1999). Revealing tensions between objectivity and intersubjectivity, on the one hand, and between essentialist identity and hybridity, on the other, I ask why Smith's book hinges on dichotomizing nonindigenous and indigenous researchers, who are by turn enabled or constrained in a colonial present. I situate this late twentieth-century subject in a genealogy of indigenous engagement with history and anthropology in New Zealand and contemporary problems of historical justice.     

EXCHANGING BUSINESS CARDS IN JAPAN: Oh! So you are an …

This article uses the simple example of a Japanese business card as a threefold way to explore identity making, essentialist features, and what it is that anthropologists do. In Japan, the transmission of idealized forms of identity has been explained through numerous processes, such as national discourses or education. Yet, how stereotypical ways of being are reproduced and embedded in insignificant little things – like the worlds that collide on the two faces of a business card – is a subject that has received far less attention. Anthropology has much to gain by focusing on how everyday objects simplify, encapsulate or sanitize identities in ways that disregard the lived experiences of many.     

Six theses on waste,value, and commons

The origins of capitalist value theory lie in transformations of property through enclosure of ‘commons-as-waste’ and practices of ‘commoning’ that supported these. These processes, repeated with difference, remain with us. Capitalist value production becomes a structure of necessity in societies that are profit seeking rather than needs oriented; the history of capitalist value is one of the unrelenting attempts to subordinate needs-oriented forms of value production to its accumulative logic. In the process, it continuously casts certain people, places, and conducts as wasteful, superfluous, or residual. In short, capitalist value constantly battles to assert its normative superiority over and autonomy from other forms of value production that interweaves with it. Waste, immanent to capital's becoming-being, poses a jeopardy to capital accumulation: it is, on the one hand, capitalist value-in-waiting and on the other hand, it is an omnipresent logic of dissipation that evades or exceeds capital's dialectic, threatening its legitimacy and existence.     

Out of The Shadow of Vasari: Towards A New Model of The ‘Artist’ in Colonial Latin America

Within shifts affecting colonial studies, a ‘life-work model’ employed in colonial art history has been left unexamined. Developed by a contemporary of Michelangelo, Giorgio Vasari (Italy, 1511–1574), this methodology was grounded in particular European social conditions that allowed the creation of the ‘artist’ whose ‘artwork’ was the inalienable product of a single mind and hand. Following the art historical paths laid by Vasari in the viceroyalties leads to dead ends: indigenous artists who efface their individuality; painters who exist with little social or historical context; and artworks whose conservation denies finding the traces of the hands that made them. Because artworks were and are the connective tissue of complex social networks, reconfiguring concepts of ‘artist’ and ‘artwork’ and recasting them in accordance with social practices within Latin America, gains us purchase on how colonial subjects, in their engagement with their material worlds, came to be constructed.

Resemblance to European prototypes is an essential historical reality of colonial artworks: much artwork, particularly the painting, of colonial Latin America ‘looks’ like that of early modern Europe and thus has generated a foundational expectation, laid out in purest form by Manuel Toussaint (Mexico, 1890–1955), that Latin American art history might also look like Europe's. We argue that a mismatch with Europe and its methodologies means that certain, foundational historiographic assumptions about writing art history for Latin America need to be reassessed, in particular the ‘artist’ and ‘artwork.’     

Rethinking the Katangese Secession

This article, in analysing the Katangese secession of 1960–63, argues that it should be primarily understood not simply as the result of external machinations but, at least as importantly, as the initiative of indigenous Katangese political leaders. It charts the development of the Katangese national project among self-consciously ‘indigenous’ Katangese leaders, who responded to what they saw as an imposed and illegitimate Congolese nation-state by constructing a national imagery rooted in a mythico-historical reconstruction of a usable Katangese past. The article explains how this was utilised by the Katangese state during the secession to perform an ‘authentic’ Katangese national identity. In so doing, the article draws attention to the parallels between the Katangese nation-state project and attempts by post-colonial states to perform nationhood elsewhere in Africa.     

Indigenous myths and nation building in Latin America

In Latin America, ethnicity is equated with indigenity. It is an objective of this article to review the legacy of Anthony Smith regarding the vitality of the ethnic past and the myth of origin, as the core of his theory of nationalism based on the weight of ethnocentrism. To this end, we address two routes, the use of the ethnic past and ethnicity by nationalists and founders of the state and, how indigenous intellectuals, on the other, have found a reinvention of their identities through various myths of Amerindian origin. Ethnic myths and the use of the ethnic past have been accepted, denied or rejected by nationalists, while indigenous peoples adhere to their own myths or seek to reinvent them. Mythical information is a component of identity but also requires institutions to disseminate such information among the group.     

HISTORY GOES WALKABOUT

Could the methods of history—and not just its objects of study—be decolonized? This essay explores analogous areas of cultural production, such as painting, to determine how historians might begin to produce work that lies outside the Western, Euro‐Christian imaginary. It focuses on the case of Australia and the means by which Aboriginal artists have reanimated and recalibrated traditional forms of knowledge, offering new bases for thinking about the history and temporalities of Australia. The work of the painter Tim Johnson is then presented as an example for history in his demonstration of the ways in which indigenous methods and ways of seeing the world can be deployed by Others. The ethical, theoretical, and practical challenges that accompany such work are detailed, alongside a historiographical account of the way in which these discussions mesh with seminal debates in postcolonialism, subaltern studies, and settler colonialism as they relate to historical theory. Drawing on recent work in History and Theory, the article asks: what might be the consequences for history were it not to develop a meaningful “global turn,” arguing that a critical moment has been reached in which modes of understanding the world that come from outside the West need to be incorporated into historians’ repertoires for thinking and making.     

Hidden Histories in Geography: A politics of inclusion and participation

Many geographers benefit from the support of unheralded teachers whose inspiration leaves important marks on their thinking. This paper considers the legacy of Jan Monk's professional contribution in terms of her fostering of wider structures that support the development of a disciplinary capacity for and commitment to good educational practice, her work in researching and bringing to light the hidden disciplinary roles of women in the development of the discipline, particularly in the USA, and the place and significance of her early work in Australia at the intersection of geography and indigenous studies. It concludes that her insistence on the importance of place and context, her attention to people's own sense of place in shaping their relations with each other and their wider worlds, continues to provide a powerful starting point for benchmarking our work as teachers, mentors and researchers.     

Writing on Stone; Writing on Paper: Myth,History and Memory in NW Amazonia

This paper deals with the relation between different kinds of indigenous speech and music and various iconographic forms such as petroglyphs, house painting, basketry designs and also features of landscape that are understood in graphic terms. It examines how Northwest Amazonian myth-history is structured and memorized, how it can appear in both verbal and non-verbal forms, and how contemporary books, maps and diagrams produced by indigenous organizations as part of programmes of research and education show continuity with these traditional forms. Rather than making firm distinctions between peoples with and without writing, I argue that it is more profitable to focus on how various mnemonic systems—“writing”—work in tandem with different narrative forms—“myth”. When “writing” and “myth” are understood in indigenous terms, contemporary written documents appear in a new light.     

Earth politics: Territory and the subterranean – Introduction to the special issue

The special issue Earth Politics: Territory and the Subterranean explores how and to what political and economic effects people have territorialized the underground. Through studies of a range of activities – from scientific exploration to 3-D geological modeling to laboratory analysis to recreational caving – authors in the issue challenge the idea that the subterranean is a world apart, detached from the sociopolitical worlds of the surface, and instead focus on the complicated relations and processes that remake and weave meaning into often unseen depths. In this introductory article, we situate the issue within expanding literatures on geological materiality, territorial politics, and vertical/volumetric space, and we discuss two overlapping themes running through the issue's articles: the politics of subterranean knowledge production and the politics of subterranean materialities. We conclude by reflecting on the meaning of ‘earth politics’, emphasizing the injustices that derive from – and are sedimented into – dominant modes of knowing and interacting with the matters of the subsurface.     

Police and power in the pre‐war Papua New Guinea highlands

Abstract

In public life Europeans are occupation oriented, which has meant that colonial officials then and European researchers since have tended to think of indigenous servants in terms of their occupations — of a catechist as a Christian missionary, for example, or a man in a police uniform as a policeman. Papua New Guineans are clan or village oriented. In taking European jobs, how far did they change worlds? This article argues that indigenous policemen did acquire new allegiances in police service, making the police almost a clan, but that traditional imperatives and objectives remained key motivations. For space reasons the paper focuses on the period of ‘influence’, of early contact and administration, rather than the succeeding period, of ‘control’. For good discussions of both see Kituai, ‘Innovation’, 156–66, and ‘My gun’.     

Indigenous minorities of Siberia and Russian sociolinguistics of the 1920s: A life apart?

ABSTRACT

In the 1920s, two strong intellectual trends were simultaneously developing in Russia: the studies of languages and cultures of the indigenous population of Siberia and the Far North (led by Vladimir Bogoras, Leo Shternberg, and others), and sociolinguistic studies (led by Evgeniy Polivanov, Afanasiy Selischev, Rosaliya Shor, and others). Sociolinguistics as a new and fashionable branch of knowledge included many topics (sociolinguistic theory, social dialectology, influence of rapid social changes on language), but there never were attempts to study sociolinguistically the languages of indigenous “Northern” minorities. In 1929 Roman Jakobson and Nikolai Trubetskoy, who by that time were both living abroad, launched a project called “Languages of the USSR.” The project could have united the two trends, but it was soon terminated because of the Great Depression in the West and a sharp turn in Stalin's policy in 1929 when many Russian scholars were prosecuted, academia became split in a fight over who represented “the true Marxism”, and international collaboration became dangerous for Russian scholars. Another reason for the lack of interest in sociolinguistic studies of indigenous minority languages was the evolutionist paradigm of Siberianist cultural anthropology of the time. As a result, the Soviet language planning for Northern indigenous minority languages in the1930s and later did not sufficiently take into account the sociolinguistic aspect of the problem; this may be responsible for its many failures and inconsistencies.     

Fraternity in the forest: the creation,control and collapse of woodcutters' unions in Loir-et-Cher 1852–1914

Class consciousness, it has been argued, emerged in France during the nineteenth century, encouraged by the creation of new forms of fraternal association. This paper examines the development and role of unions of woodcutters in Loir-et-Cher between 1852 and 1914, considering especially the extent to which this section of the rural proletariat developed a collective consciousness during this period and the degree to which the spirit of solidarity was either formulated spontaneously by woodcutters themselves or orchestrated by outsiders in attempts at social control. Woodcutters' unions in Loir-et-Cher were products of Prefectoral paternalism, radical socialism, and workers' federalism. The limited successes and ultimate failures of these attempts to create woodcutters' unions are attributed to their lack of spontaneity, to their exogenous rather than indigenous origins.     

Cabot Explorations in North America

Abstract

The map of Tenochtitlan published along with a Latin version of Hernán Cortés's letters (Nuremberg, 1524) was the first picture Europeans had of the Culhua‐Mexica city, the capital of the Aztec empire. The source of this woodcut map is unknown, and the author argues here that it was based on an indigenous map of the city. Once published in Europe, the city map and its companion map of the Gulf Coast, while certainly documentary, also assumed a symbolic function in supporting Cortés's (and thereby Spain's) just conquest of the Amerindian empire.