Voices from the Margins: Gendered images of ‘Otherness’ in colonial Morocco

The main goal of this essay is to study a book- El Marroc sensual i fanatic - of travel writings written by a Catalan woman traveller, and to put it within the context of the recent scholarship that relates, on the one hand, travel narrative with Orientalism and gender and, on the other, geography and colonialism. The contradictory nature of the contents of the book leads us to challenge the notion of simple 'Othering' as presented in Said's works where the heterogeneity of colonial power is neglected in a totalising dichotomy between the colonising Self and the colonising Other. The contemporary Spanish official discourse was indeed pro-colonial and paternalistic and often drew on notions of shared history and geographical proximity in order to legitimise an 'altruistic' colonial presence. The author's position is very different from this official discourse, but is deeply ambivalent. Her ambivalence arises from her gender which allows her to live the last Spanish colonial adventure as an outsider, and also from her positioning in Spanish politics. The confrontation between different cultures and traditions is sharply delineated in her accounts on Moroccan women, the primary aim of her travel. The (cultural) impermeability of the Others, with whom she would like to identify deeply, yet with whom she cannot really communicate, forces her to construct her own vision of the identity of these Others, projecting her own view of (Western) feminism. The essay demonstrates the importance of focusing on narratives that come from the margins (and particularly from female authors). These provide new perspectives which can destabilise established conceptions of the colonial relationship and, at the same time they can broaden the conceptual and factual history of our disciplines.     

Land reform in South Africa and the colonial present

This paper develops Derek Gregory's concept of the ‘colonial present’ by demonstrating how the colonial present in rural South Africa in general and around land reform in particular has conditioned land reform outcomes. My development of the concept departs from Gregory's in two key respects. I argue first that, by viewing it in relation to the geopolitics of capitalism, it can be applied to places beyond the immediate influence of US military power; and, second, that social forces which might begin to undermine the colonial present should be examined. My empirical materials draw upon primary research on the emergence of government-sponsored partnerships between restitution beneficiaries and agribusinesses in northern Limpopo. I use the materials to argue that partnerships have emerged given white farmers’ near-monopoly on skills and the persistent power of traditional leaders, two features of South Africa's colonial past whose importance today is suggestive of a colonial present.     

The Corporeal Empire: Physical Education and Politicising Children's Bodies in Late Colonial Bengal

This article deploys children's bodies as an analytical lens to examine the political significance of knowledge production and childhood in British colonial projects in late colonial India. Scholars have theorised the ‘body as method’ of history to argue that bodies are imbued with meanings, become stakes in power struggles and are sites of knowledge and power. I examine this theme by investigating a key locus of knowledge production for children – the colonial school and its curriculum, specifically physical education. To underline the multi‐stranded processes and loci of colonial knowledge production, I examine nationalist pedagogies of two Bengali children's magazines (Amaar Desh and Mouchak) as a form of informal schooling. I argue that the colonial state's engagement with physical education in schools stemmed from anxieties to both discipline native children's bodies, and to discourage students’ ‘seditious’ political activism. Second, I demonstrate that for Bengali educated elites, children embodied a political space for contestation and undertaking their projects of re‐masculinising the youth. These nation‐building projects placed a premium on masculinity, influenced boy cultures to imitate adult male cultures, and inscribed gender roles on the bodies of Bengali boys and girls. By doing so, these colonial encounters restructured and redefined childhood in crucial ways.     

Relational alterity: Constructing dungan (hui), uygur,and Kazakh identities across china,central Asia,and Turkey

Reaching wide and diverse audiences, magic lantern shows and postcards played an important role in the dissemination of visual knowledge of other cultures in the British colonial era. Fakirs were a popular subject of postcards and lantern slides representing India. This reflected the official attention paid to religious ascetics who were seen as representative of everything that was problematic and in need of improvement in the country in colonial texts. Images of fakirs stood in a tradition of the representation of the “type”. However, following Barthes, it is important to analyse the connection between image and text. Lantern shows came with readings, which were more often preserved than images, but specific examples of images and texts together are taken from Harold Mackinder's and John Stoddard's lectures on India. The lectures are evidently anchored in the colonial discourse, while the images of postcards and slides evade the boundaries set by the text.     

BodiesTouchingBodies: Jenny Saville's over-life-sized paintings and the ‘morpho-logics’ of fat,female bodies

Recent work in geography on materiality and embodiment has drawn attention to the ways that the varied materials of bodies, their capacities to leak and flow, to grow and shrink and endure and disappear, are central to an understanding of the spatialities of bodily experience. This article seeks to contribute to this work by considering how bodies touch themselves, or what I have termed ‘intra-body touching’, through an interrogation of two over-life-sized paintings (Branded and Propped) by the artist Jenny Saville. Her paintings present the topographies of a female fleshy body through detailed observations of bodily surfaces and orifices which include breasts hanging, hands grabbing and fat rolling and pressing upon itself. In drawing upon Luce Irigaray's critical engagement with Merleau-Ponty's account of hands touching, the article seeks to utilise her notion of the mucous for highlighting the ‘morpho-logics’ of sexed and sized bodies as they are produced through the example of intra-body touching. A focus upon the embodied spatialities of intra-body touching challenges accounts of the female body that centre upon women being located in a position of estrangement and distance from its varied materialities. Instead it will suggest that Saville's bodies are centred upon distinctly geographical relations of proximity and intimacy in ways which surprise and challenge our understandings of what a fleshy body can do.     

Tocqueville and the End of History

Abstract

We argue for the relevance of a contemporary return to Shakespeare because his work prompts thinking about the “Body Politic,” perhaps the most vivid and enduring image in speech describing political community ever proposed. Shakespeare's meditation on this image invites us to reflect on the conditions under which a body politic can be made whole; that the constitution of any formal commonwealth requires a self-conscious articulation of the body politic and that this articulation could not happen without the parts themselves being aware of their partial character within the whole political order. The need for the consent of those parts in the political order to which they would belong thus becomes suddenly more evident. Shakespeare's plays show that this need for consent always emerges within discrete political communities. As such, the constituent parts of those communities must grant consent, exercise and enjoy their rights, and participate in the whole within the limitations circumscribed by their political boundaries and borders. His dramatic works thus help us reconsider contemporary attacks on the nation-state and illuminate the body politic as an essential means for bringing into being the preconditions and framework required for healthy political life, including liberal democracy, to flourish.     

Celebrating the Ordinary: Church,Empire and Gender in the Life of Mère Marie‐Michelle Dédié(Senegal,Congo, 1882–1931)

Member of the congregation of the Sisters of Saint Joseph of Cluny, Mère Marie‐Michelle Dédié worked within a highly gendered institution, the Catholic church and within a highly gendered colonial society. Although at considerable personal cost, she successfully achieved her goals – the training of African girls and women in the Christian life – by working within prescribed boundaries rather than contesting them. She was lauded by churchmen for her dedication and fortitude, and celebrated by colonial men, who found and imagined in her the kinder face of the imperial enterprise. Mère Marie's life suggests a study of the lives of missionary nuns in the outposts of empire may add to our understanding of the contradictions of empire and the complexities of colonial society, as well as the predicaments and successes of religious women.     

Expulsion from Chagos: Regaining Paradise

Dame Margery Perham, acclaimed as the foremost academic expert on British colonial administration, also gained much experience and showed much interest in its French counterpart. Her thoughts on this, however, were never published in her lifetime. This article, based her diaries (published posthumously under the editorship of the article's author) and other previously little-known material, reconstructs her views on French colonial rule and how she felt the two colonial services compared with one another. It also summarises the author's own perspectives on the latter issue.     

PUTTING WOMEN IN THEIR PLACE: THE CARNIVAL AT GREENHAM COMMON*

In this paper I examine reactions to the Greenham Common Women's Peace Camp. I argue that the media, local and government responses to the Greenham women reveal geographical assumptions about “normality.” The peace women, by living away from home, on the edge of a military (and therefore masculine) establishment challenged accepted patriarchal understandings of “women's place” and were thus described as “out of place.” More specifically, the women were referred to in terms of hygiene, inadequate culinary ability, sexuality and hysteria. Each of these implies a gendered form of disorder in which social, cultural and geographical boundaries have been transgressed. These reactions are placed within the context of Bakhtin's formulations of the carnivalesque and grotesque realism. I suggest that the women, through their highly visible opposition to a patriarchal military establishment, represent a threat to neatly bounded official culture which finds its geographical expression in the formal territories of the courtroom and the air base. In conclusion this illustration is placed in the wider context of cultural/political protest. I argue that transgression, while serving to reveal normally assumed hegemonic landscapes, is restrained by already existing boundaries.     

Alice through the looking glass: emotion,personal connection,and reading colonial archives along the grain

This is a paper about Alice Ravenhill, an under-scrutinized early twentieth-century colonial settler in British Columbia, Canada. It is also a paper about the relationship and deep connections that I developed with her through archival research, a relationship and set of connections that I suggest open new spaces to (re)consider present-day colonial power in British Columbia. Specifically, I propose that ‘against the grain’ archival readings of BC’s past, with an emphasis on finding evidence of resistance to colonial power, can serve to distance the present from the past, thus positioning both contemporary geographies and researchers at work in the province today as existing in a different time and place than those of Alice Ravenhill and other colonial subjects. If, by reading ‘along the archival grain’ as I attempt to do in this paper, we (particularly those of us who live and work in BC today) instead understand ourselves as deeply and emotionally connected to colonial settlers like Alice Ravenhill, and if we understand their lives and work as similar to our own, there is a chance we might avoid some of their more egregious undertakings.     

Power and Historical Figuring: Rachael Pringle Polgreen's Troubled Archive

Rachael Pringle Polgreen, a freed‘mulatto’ woman who owned an infamous brothel/hotel in Bridgetown, Barbados during the 1770s and 1780s became known to her contemporaries through her role in the (sexual) entertainment of transient naval officers and the visits of Prince William of England. Piecing together ‘evidence’ from her will, estate inventory, a nineteenth‐century novel, a lithograph and an interview with a British officer, I engage Polgreen's complicated and fragmented archive, revealing how Polgreen represents an example of the problems with sources depicting women of African descent who lived in a slave society and the silences that inundate their archive. The first part of this article critically re‐examines pieces of her archive, through which an image of Polgreen emerges incommensurable with narratives of her triumphs. Next, through an analysis of the processes by which Polgreen is historically confined by powerful archival and subsequent historical representations, I challenge previous assumptions about her life. Finally, introducing material from the British parliamentary debates in which an incident involving Polgreen is described and new material from Barbados deeds left by Polgreen's former slave, I expose the nuances of Polgreen's ‘agency’ in a slave society – that which depended upon her sexual subjugation of other women of African descent.     

Intimacy and angst in the field

This article explores the paradoxes of angst and intimacy in ‘the field.’ One aim of feminist research is to attend to overlooked day-to-day practices through which difference and power work. Yet, this focus on intimate and submerged experience is also risky, potentially asking that people share their most intimate experiences with the researcher. How does such attention to the personal lives of others intersect with ethical demands and postcolonial critiques of representation? A desire to understand the submerged life of the geopolitical in women's day-to-day life in India's Ladakh region has driven my research on the politics of marriage and contraceptive choices. Taken by a feminist approach to the geopolitical, I sought out the ways that intimate life was inflected by territorial struggles, without adequately comprehending either the promise or the risks of making intimacy and the body a subject of research. This work was complicated and enriched by my status as a foreigner married into a local family, which provides a not-quite-outsider positionality. This article reflects on the role of intimacy in fieldwork in two senses: doing research on intimacy, and navigating intimacies in and after the field. I argue that intimate fieldwork is full of both promise and peril for feminist researchers. I call then for careful engagement with such topics, and for a rethinking of the boundaries of the field as they relate to the researcher, who carries these boundaries in his or her own body when navigating social relations in the field.     

Chopsticks,phone bells and farms: Fuyuko Taira's diasporic spatial practice

In this article, I revisit my earlier project on local poetry practices by Japanese ‘war brides’ from the Second World War and explore a creative, transnational home-making activity by focusing on one of my informants, Fuyuko Taira's senryu poetry. Drawing on theories of global space and diasporic home-making practices, I suggest that her engagement in senryu involves a transnational spatial practice through the use of familiar everyday language. While the experience of displacement among Taira and other so-called ‘war brides’ cannot be understood without a consideration of socio-historical and economic constraints that characterized their emigration, my aim here is not to analyse how Taira's senryu simply reflects her diasporic victimhood but to explore how she exercises her creative agency to make her new home familiar and habitable by engaging with the everyday poetry practice of alternation between ‘pause’ and ‘move’ in the midst of changing landscapes. I argue that to a member of the Japanese diaspora like Taira senryu can be thought of as a different mode of experiencing at once the local and the global in an organic way.     

The Levelling Process as a Function of the Masses in the View of Kierkegaard and Ortega Y Gasset

The present article is an analysis of the emergence of a new Uruguayan author, Armonía Somers (1914–94), as well as the publication in 1950 of her first novel, La mujer desnuda (The Naked Woman). It focuses on the Uruguayan social body of the 1950s, when society lived the paradox of recognizing women in its legal structure, but limiting them in the everyday social and cultural life. In this context, Somers's novel symbolically explores what I call the “crisis of feminine subjectivity,” through the creation of a woman who on her thirtieth birthday decided to throw away all the costumes and masks with which society and tradition imposed feminine roles and, naked, tried new ways of being, new subjectivities. Central to this study is an analysis of the different ways in which historical, social, and cultural demands produce certain kinds of human bodies, especially how they produce a woman's body. The specific argument that underlies this article is that the body inserts itself in conflictive and tense manners with the marks imposed on the genders. This article's theoretical contribution lies in its emphasis on the aesthetic and ethical ramifications of “feminine subjectivities” and “historical marked bodies” in a fiction that presents itself as a black box in which Somers finds herself as a woman who became a novelist in the 1950s and in which readers also find themselves questioning the persistence of gender marks on their own social bodies.     

Cultural Hybridity,Magical Realism,and the Language of Magic in Paulo Coelho's The Alchemist

Sister Francisca de la Concepción (Mother Castillo), a Neogranadine nun, articulated multiple, powerful discourses in her works Mi vida and Afectos espirituales. In what I call a "hegemonic confessional discourse," visible throughout her mystical works, the Spanish-American colonial nun affirmed the Iberian colonization and Catholic evangelization of the New Kingdom of Granada by accepting and supporting the Spanish's violent and discriminatory hegemony.

I will defend the aforementioned thesis by analyzing Mi vida and Afectos espirituales, using the construction of Otherness and an explanation of various mystical processes, and by scrutinizing Mother Castillo's social, economic, political, and religious views, as well as her Catholic orthodox, white, traditional perspective.     

Critique as delight,theory as praxis,mucking in

In this commentary, I call for a regenerative approach to critique, a ‘good judgment’ through which academics might nurture the capacity to name and undermine racist, patriarchal, colonising, and homophobic practices, while working relationally to create new worlds. Drawing from Eva Sedgwick's critique of ‘paranoid theory’ and taking inspiration from post‐colonial, feminist, and anti‐racist social movements and research collectives, I consider what it might mean to be an academic who ‘mucks in’, who is not afraid of putting her hands in the dung, and who moves reflexively towards, rather than away from, difficult questions and risky engagements.     

The Labor of (Re)reading Plantation Landscapes Fungible(ly)

This article centers Saidiya Hartman's and Hortense Spillers' theorizations of Black fungibility as well as two speculative visual works in order to read Black bodies on plantation landscapes as symbols of transition, process, genderlessness and boundarylessness. I argue that reading Black bodies in this way breaks with the totalizing visual, conceptual and ontological regime of labor that tends to over determine Blackness within critical theories. Two visual fields help me with this counter read: William Gerrard De Brahm's 1757 “Map of South Carolina and a Part of Georgia”, as well as Julie Dash's 1991 images of the porous indigo‐stained hands of former slaves who worked indigo in the film Daughters of the Dust. While these two images oppose one another, their visual conventions enable a break with colonial and humanist scopic regimes like “Black labor” that tend to subsume multiple and intricate processes into the governing logic of labor.     

AIDS as Occupational Hazard: Racial Mixing and Historical Space in Malaysia's Multinationals

In Malaysia, bangsa, a term blending race and ethnicity, structures modes of social and political‐economic organization that reflexively challenge and reinforce the significance of race, not just to the country's three main groups but to the construction of risk as well. Tracing this reflexivity, the author bridges a historical rendering of Malaysia's colonial‐capitalist incorporation with an ethnographic unpacking of its social artifacts: notions of space, place and race that confer on factories a high‐risk label for HIV/AIDS. It traces how multinational corporations, as landscapes of multiracial modernity, are both the quixotic trophies of Malaysia's global integration and a source of social dread. Risk is ethnographically shown to be more a sociohistoric dynamic than a statistical probability, reflecting ideas of racial individuation and ideals of social stability and cultural immiscibility anchored in colonial governance structures of nineteenth‐century Malaya and operative in contemporary Malaysia.     

Exploring subject positions and multiple temporalities through an Iranian migrant mother's family photograph albums

In this article, I draw on a research study of one Iranian migrant mother's generation of selves through her material configuration of her personal photograph albums and through our verbal reading of her photographs. The research engages in a visual-material feminist ethnographic approach, and is informed by the work of Gillian Rose and the understanding that family photographs are a means by which women negotiate subject positions. In this article, I discuss an unexpected finding of my research, the significance of multiple temporalities in a migrant mother's production of selves. The photo album practices of the participant mother of this study, ‘Parvin’, depart from the common social convention of mothers arranging their photograph albums to chart family growth following the model of milestones occurring over linear developmental time. Parvin does not limit herself to linear developmental time, but rather she mixes up photographs in her post-migration family albums to generate multiple temporalities woven together by an enveloping ‘mixed’ time. Drawing on both Julia Kristeva and Homi Bhaba's theories of temporality and the subject, I suggest that Parvin produces subject positions for self and family through a continual interweaving of a multitude of pasts into the present and through a subsuming of milestones within cyclical family time. Further, I suggest that through her generation of multiple temporalities, Parvin produces the subject position of ‘accommodating mother’. Finally, I highlight the potential afforded by considering the temporal and the spatial together in studies of migrant identity.     

Probability and certainty in seventeenth-century england. a study of the relationships between natural science,religion, history. law,and literature

Enlightenment optimism over mankind's progress was often voiced in terms of botanical growth by key figures such as John Millar; the mind's cultivation marked the beginning of this process. For agriculturists such as Arthur Young cultivation meant an advancement towards virtue and civilization; the cultivation of the mind can similarly be seen as an enlightenment concept which extols the human potential for improvable reason. In the course of this essay I aim to explore the relationship between ‘culture’ and ‘cultivation’ through botanical metaphor. By using the recurring motif of the mind's cultivation as a site from which to explore enlightenment views on female understanding, I investigate how far concerns with human progress extended to the female mind.

I examine the language of botany and cultivation in texts by authors such as Mary Wollstonecraft and Anna Laetitia Barbauld alongside that of Rousseau and Millar. Wollstonecraft's appropriation and subsequent inversion of the conventional cultivation metaphor, for example, demonstrates her desire to draw attention to society's neglect of women's educational potential by substituting images of enlightened growth with those of luxuriant decay. By pushing this analogy further she indicates how society has cultivated women rearing them like exotic flowering plants or ‘luxuriants’ where ‘strength of body and mind are sacrificed to libertine notions of beauty’. I discuss the antipastoral rationalism which enables her to unmask the false sentiment behind this traditional metaphoric association between women and flowers arguing that such familiar tropes are the language of male desire and are indicative of women's problematic relationship to culture.