Jean-Paul Sartre,Simone de Beauvoir and the Paris jazz scene

There is a substantial amount of common, if relatively unexplored, ground between the emergence of existentialist philosophy in France and the growth of a French jazz culture. Both Jean-Paul Sartre and Simone de Beauvoir play significant roles at the interface of these phenomena. This study investigates those roles and attempts to clarify the relationship between the 'home-grown' French philosophies and the cultural import. There are in fact two quite separate stories which have different outcomes, though there are important points of convergence. Both de Beauvoir and Sartre appropriate jazz, and for both of them the music is associated with fundamental freedoms, but where he uses it to inform and illustrate his philosophy, she derives from it a programme of action, or at least the basis for developing such a programme. Interestingly, the critical period for revealing the nexus between jazz and existentialism is not so much the post-Liberation era, but the time between the wars.     

Simone Weil's Political Theology

This article suggests that Simone Weil's political theology is characterized by the idea of labor and the event of laboring. I begin by arguing that her thinking is shaped by a materialist reading of Christianity that employs Marx's concepts — labor, capital and alienation — to examine the political implications of three theological ideas, fall, slavery and sin. Next, I suggest that although laboring should be understood as a creative endeavor, Weil argues that it is always conditioned and constrained by a force she terms social matter. This constraint produces what Marx called alienation and Weil will refer to as enslavement (and even sin). Finally, I contend that Weil's idea of labor — and its call for a minimization of constraint — provides a counter-force to social matter. I conclude by suggesting that Weil's labor provides a different way of conceptualizing not just the political subject, but political theology itself.     

War and Revolution: Friedrich Engels as a Military and Political Thinker

This article explores the link between political and military strategy and tactics in the work of Friedrich Engels. Though widely praised for his understanding of military affairs, Engels’ interlocutors have tended to be dismissive of his political works. By exploring his politics through the lens of his military writings this article challenges the view that Engels was a mechanical materialist and political fatalist thinker. It argues that his military writings cannot be understood apart from his political works, and that, whatever the historical limitations of the specific conclusions to which he came, his method in these writings illuminate his profound grasp of the relationship between strategy and tactics at both the military and political levels.     

Living With the Other's Pain: The Ethical Implications of Mitsein in Simone de Beauvoir's Le sang des autres

This article establishes that the suffering of the other represents a serious philosophical and ethical problem in Beauvoir's first post–World War II novel. In fact, the other's suffering poses such a complex problem in Le sang des autres particularly because Beauvoir depicts her characters’ world as a kind of Mitsein, which is Heidegger's word to describe how our lives necessarily intertwine with and envelop the lives of others while still allowing for the existential experience of separation. In the novel, the main characters’ potential responses to the other's suffering—quietism, indifference, charity, and empathy—fail according to the novel's existentialist ethical framework because of the ways these responses deny the fundamental ambiguity of Beauvoirian Mitsein. Only in accepting separation and connection as codependent ethical values do the characters find an ethically palatable response to the other's suffering at the end of the novel.     

“The New World” of Karl Barth: Rethinking the Philosophical and Political Legacies of a Theologian

ABSTRACT

It is only recently that a few histories of interwar European political thought have come to acknowledge that its discursive framing of ethical and social crises was closely interwoven with upheavals in the ways Europeans rethought and debated God. The first aim of the present article is to restore to Karl Barth (1886–1968) a central place in promulgating a thoroughly interdisciplinary approach to twentieth-century European ethical and political thought. Secondly, it seeks to correct the commonplace association of Barth’s theological revolution with radical and authoritarian political ideologies by exploring his early political thought and activities, whilst focusing on several of his most politically and intellectually influential ideas. The article concludes with a discussion of the wider implications of rethinking Barth’s role in intellectual history.     

满族作家马加及其小说中的民族气息

满族作家马加的创作跨越了中国现代和当代两个时期;他的作品反映了东北人民的生活以及民族风情。他是中国现当代文坛里很有特色的一位东北籍作家。     

Lost and Found: the Woman Writer in the Eighteenth Century

Jennifer Summit, Lost Property: the Woman Writer and English Literary History, 1380–1589 Jane Spencer, Aphra Behn's Afterlife Harriet Guest, Small Change: Women, Learning, Patriotism, 1750’1810 Elizabeth Eger, Charlotte Grant, Cliona O Gallchoir and Penny Warburton (eds), Women, Writing and the Public Sphere, 1700’1830     

Transforming Unjust Structures: A Philosophical and Theological Perspective

Abstract

This essay explores the difficult task of transforming unjust social structures (USS). It does so by an understanding of the moral features of interactions, drawing from Hannah Arendt's political philosophy and Paul Ricoeur's conception of institutions. Then a definition of what can be considered as USS is given and some of the characteristic features of these social phenomena specified. As a further step, this essay delves into a theological understanding of USS as structures of sin, for no rationale can be given for the most perverse USS (concentration camps/Gulag). Theology, through the notions of evil and sin, possesses some instruments to understand the absurd violence, the indifference and hopelessness of USS. The essay close with some remarks on how to deal with USS.