Popular culture,post-truth and emotional framings of world politics

ABSTRACT

With the election of US President Donald Trump, the separation between high and low politics and the line between fiction and reality has become fundamentally blurred. Yet popular culture offers an important vector through which we might make sense of this political turmoil. The purpose of this essay is two-fold: conceptually, I examine how television provides opportunities for the insight into the visual and emotional registers of the post-truth era. I illustrate this empirically by examining two popular television series – Homeland and The Good Fight. I argue that the power of popular culture is derived from its visuality as the intersection of image and sound, through which emotional registers related to anxiety and outrage can be elicited and visually narrated. Even more so, the visual nature of popular culture has a strong affective component that shapes how we experience representations of reality and reveals the power and political significance of popular culture.     

The material culture of the modern world

SUMMARY: We discuss results of a content analysis of material culture articles in Post-Medieval Archaeology in the context of the development of historical archaeology as a discipline. We conclude that the journal remains an important outlet for detailed field reports, but in recent years, influenced by social and anthropological theories, the discipline has matured and articles have changed from antiquarian artefact presentations to contextualized material culture studies. Expansion of the journal’s temporal frame to include the recent past has so far had little effect, but the journal has benefited from the broadened international range of articles and the intellectual and theoretical backgrounds they convey.     

Captain Canuck,audience response,and the project of Canadian nationalism

This paper addresses the role of comic books in interpellating national identities, locating the process of national identity formation in the interplay between popular culture producers and their audiences as described by Althusser (1977 Althusser, L. 1977. Lenin and Philosophy and Other Essays, London: New Left Books.  [Google Scholar]) and McGee (1975 McGee, M. 1975. In search of ‘the people’: a rhetorical alternative. Quarterly Journal of Speech, 61: 235–249. [Taylor & Francis Online], [Web of Science ®] , [Google Scholar]). The empirical section of this paper focuses on Captain Canuck, a Canadian-produced comic book originating in the 1970s and sporadically published through the present day. The authors engaged in a qualitative content analysis of the Captain Canuck comic books, searching for themes and markers of Canadian-ness and looking for audience identifications with those themes and markers in the ‘letter to the editor’ columns published within the comic books themselves. The study finds that through the many incarnations of Captain Canuck various versions of Canadian identity have been projected, with varying degrees of support by the readership. The role of the USA in Canadian identity formation looms large, especially in the positioning of Canadian quality and multiculturalism against the tacitly American lack thereof. Another finding of this research is that there has been a fundamental change in the way Canadian identity is structured as a new, commercially driven Canadiana culture industry has arisen since the 1970s.     

Markets,regions, and the world system: Explorations beyond the local community

Mines, Mattison. The Warrior Merchants: Textiles, Trade, and Territory in South India. New York: Cambridge University Press, 1984. xiii + 178 pp. including 2 maps, references, glossary, and index. $34.50 cloth.

Plattner, Stuart, ed. Markets and Marketing (Monographs in Economic Anthropology, No. 4). Lanham, Maryland: University Press of America, 1985. xx + 418 pp. including chapter references, 3 maps, and tables and figures throughout. $16.75 paper.

Smith, Joan, Immanual Wallerstein, and Hans‐Dieter Evers, eds. Households and the World Economy: Explorations in the World‐Economy. Beverly Hills: Sage Publications, 1984. 296 pp. including chapter references, tables, and index. $25.00 cloth.     

Exploring the potential of the popular culture and world politics agenda: actors,artefacts and the everyday

ABSTRACT

The PCWP agenda has contributed a great deal to the discipline of world politics, empirically, methodologically and theoretically. However, there is scope to expand upon certain aspects of this body of scholarship. In particular, the agenda is developing some unfortunate hierarchies in its focus on high-budget ‘blockbusters’ at the expense of data from the everyday. It is displaying a lack of imagination in terms of its methodologies and forms of output, despite the aesthetic and creative nature of many of the artefacts. Finally, it is evincing a reluctance to explore representations beyond the textual or the visual, at the expense of other forms of representation, including sound, taste or, as I argue in this paper, artefactuality.     

An Andean regional economy in the world system

Winterhalder, Bruce, and Eric Alden Smith, eds. Hunter‐Gatherer Foraging Strategies: Ethnographic and Archaeological Analyses. Chicago: University of Chicago Press, 1982. x + 268 pp. including bibliography and index. $18.00 cloth, $7.50 paper.     

The 1864 Sully Expedition and the Death of Captain John Feilner

This article addresses an area of nineteenth century American history that is often ignored in history textbooks. While a great deal of emphasis is often placed on the Civil War era (1861–65), it is also important to realize that other notable events occurred during the same time on the northern plains of the United States. As a result of the 1862 Minnesota Uprising by the Santee Sioux, the United States military began an aggressive campaign to break the will of the Sioux Indian nation. General Alfred Sully’s first retaliatory campaign in 1863, which resulted in the disgraceful events at Whitestone Hill, and his follow‐up campaign of 1864, in which Captain John Feilner was killed, reflect the attitudes and hostilities that existed during the 1860s. This article addresses the situation on the northern plains as whites continued to move westward.     

The beach at the end of the world: Eilat in Israeli popular culture

Located on the southernmost tip of Israel, at the meeting point of the Negev desert and the Red Sea, Eilat was occupied in March 1949 in the last military operation of Israel's War of Independence. Notwithstanding official notions of Eilat as a strategic asset and efforts to sustain Israeli presence there in the form of a permanent settlement, in Israeli popular culture Eilat, which later evolved into a thriving tourist resort, has had from the outset the reputation of being ‘different, special, distinct’. This article explores the unique position of Eilat in Israeli popular culture. The underlying argument is that this unique position of Eilat both evinced and reflected a dynamic interplay of liminal conditions and phenomena that rendered Eilat an exceptional experience. Furthermore, being situated at the southernmost tip of Israel, the location of Eilat at the geographical margin of Israel was productive of its image as an extraordinary place and sustained its prominence in popular imagination. The article charts and analyses a variety of liminal phenomena in their social and cultural contexts in different periods of Eilat's history.