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The Kfar Blum festival is an annual chamber music festival at a kibbutz in northern Israel involving three public bodies. Soon after its inauguration, it was dominated by audiences of élite groups who gave it a specific character and made it a highly desirable social event. The demand created for participation caused the festival to change in character, and what had been an artistic celebration became a cultural commodity. This challenged the overall purpose of the festival and brought changes in artistic direction, as new audiences were sought through programmes with wider appeal. The Kfar Blum festival is an example of a contested arena reflecting social trends in Israel. Place becomes a metaphor for social trends.  相似文献   

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Examination of the archaeological evidence for the expression of identity in later European prehistory provides a new and promising approach to understanding change in this period. New views of the role of material culture in the communication of meanings, of the nature of identity, and of agency in the past provide a useful framework for approaching the evidence. Analysis of patterns of sameness and difference in style and decoration of manufactured objects indicates how people used their material culture to structure and to communicate their identities—on the level of the individual, of groups such as families and residential communities, and of larger entities commonly referred to as ethnic groups. This approach offers insights that complement social and economic models of change in later prehistory.  相似文献   

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Krause, Richard A. The Clay Sleeps: An Ethnoarchaeological Study of Three African Potters. University: University of Alabama Press, 1985. xii + 203 pp. including bibliography and index. $17.50 cloth.

Arnold, Dean E. Ceramic Theory and Cultural Process. Cambridge: Cambridge University Press, 1985. xi + 268 pp. including photographs, maps, bibliography, and index. $37.50 cloth.  相似文献   

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