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五四以来新文化特别是戏剧电影界的成功者中间,一种有趣的现象值得注意:许多艺术家是“南人北相”。所谓南人北相者,就是祖籍在南方,却生于北方;或者幼年在南方,却成长于北方。具有南方人的文化遗传基因,而受到北方的风土 相似文献
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阳春三月,南方春暖花开,北方仍春寒料峭。老纪有时出差,晨练绕着湖跑步,看到三五成群的鸭子在冰冷的池塘或江中游泳。它们时而把头潜入水中,时而又展翅在水中歌唱,仿佛在告诉人们寒冷的天气即将结束,春天就要来临。果然是“春江水暖鸭先知”。 相似文献
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Jason Willwerscheid 《Irish Studies Review》2014,22(2):129-146
Synge's interest in evolutionary theory is well-documented, and his plays are often viewed as representations of an Irish culture in decline. In response, this article argues that Synge's tramps, tinkers, and outcasts function as figures for species migration and cultural renewal. To demonstrate that Synge's drama has a footing in the science of speciation, the article details the extent to which Synge was directly familiar with works of evolutionary theory. Although he read Darwin and Herbert Spencer at about the same time, their respective influences show up at much different stages of his literary career. While Synge's earliest prose is most strongly influenced by Spencer's progressivist interpretation of evolution, Synge's Spencerianism soon gives way to a Darwinian interest in the bizarre affinities between the human and animal worlds, as well as to an appreciation of difference rather than a fetishisation of fitness. 相似文献