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1.
This essay celebrates the publication of Duress, explores its concepts and themes, focuses on the way Ann Stoler rejects the notion of historical forgetting and develops a heuristic of “colonial aphasia” in an ethnographic chapter on the emergence of France's Far Right near Marseille in the 1990s. The essay also tracks how postcolonial scholars are using the notion of aphasia, drawing on Stoler's colonial usages in contexts like the Netherlands and Britain as well as using the notion to periodize. Those who came to aphasia before and without Stoler are also present here, and their contributions suggest a range of ways to think through radical, countercultural, and philosophical thought. That Gilles Deleuze and Paolo Virno use aphasia in contrary ways suggests that once aphasia departs from clinical settings, its poetics are rather up for grabs even if contained within activist gestures; both rethink matters of politics, dissent, and language. The example of Kurt Goldstein is also imported to show that clinical aphasia may go with the “detours” of patients, those stricken by war, catastrophe, and these peculiar speech disorders. That “detour” is also a Deleuzian word opens wide a “minor” register to history, speech, and forms of oppression. The semantic spectrum for aphasia in histories of politics and language is wide, from Stoler's colonial version that applies most to the privileged, to Deleuze's poetic transpositions that propose aphasia as an accomplishment, a rebellious refusal of communication. Aphasia has much promise as a historical category in and outside of colonial forms of duress.  相似文献   

2.
The Eurasianist movement launched a theory according to which Russia does not belong to Europe but forms, together with its Asian colonies, a separate continent named “Eurasia” whose Eastern border is the Pacific Ocean. Similarily, in the early 1920s, Richard Coudenhove-Kalergi, the founder of the Pan-European movement, developed, the idea of “Eurafrica.” I compare the writings of Coudenhove and those of Nicolas S. Trubetzkoy and show how the idea of Europe was used as an anti-essentialist model of a cultural community. Though both “Eurasia” and “Eurafrica” may be understood to express cultural and economic imperialism, the sophistication with which both concepts are brought forward makes their interpretation as simple derivatives of chauvinism impossible. Both Trubetzkoy and Coudenhove refuse national “egocentricity” which “destroys every form of cultural communication between human beings.” Above that, Trubetzkoy and Coudenhove agree that cultural apogees have often come about through fusion. I discuss the idea of “convergence” in the context of Bergson's and Deleuze's biophilosophies.  相似文献   

3.
This essay outlines a theoretical framework for investigating the links between the production of urban space (Lefebvre) and the production of ideology (Althusser) and hegemony (Gramsci) by proposing the concept of “the urban sensorium”. With a view to the aesthetics of urban experience and everyday life, this concept aligns Fredric Jameson's “postmodern” adaptation of city planner Kevin Lynch's research on “cognitive mapping” with Walter Benjamin's insights on “aestheticizing politics” in order to ask: how does urban space mediate ideology and produce hegemony while aestheticizing politics? In so doing, the spotlight falls on a conceptual constellation including four key theoretical terms: “ideology”, “aesthetics”, “mediation” and “totality”. While working through them, the essay argues that Jameson's outstanding contribution to a spatialized understanding of “postmodernism” lies above all in his Marxist (Lukácsian, Althusserian and Sartrean) theorization of mediation and totality; whereas radical students of the city can find the richest dialectical elaboration of these two concepts with special attention to space and urbanism in the oeuvre of Henri Lefebvre, especially in the recently translated The Urban Revolution.  相似文献   

4.
This essay is primarily a study of Derek Walcott's Tiepolo's Hound as an affirmation of Caribbean, tropical, blinding light through an engagement with the life and work of Camille Pissarro. Conceived as such, the poem, I argue, proposes an “adamic” vision and imagination attuned with “Time” rather than “History” (the concepts are Walcott's), as well as an intensification of sensory-perception beyond vision. In order to better appreciate the historical and contextual relevance of Tiepolo's Hound, the essay provides first a general introduction to: (1) a nuanced understanding of light and its “otherness” emerging from modern physics; (2) some of the ways in which western capitalism and Cartesian perspectivism, as a hegemonic aesthetic and philosophical tradition in the West, have attempted to capture and control light and its “otherness;” and (3) the blinding quality of light in the tropical context, which repositions light as a force against any and all exploitative capitalist desires.  相似文献   

5.
Thomas F. Gieryn's Truth-Spots: How Places Make Us Believe presents eight case studies to support his historical-sociological thesis that “Places … have agency and exert a force of their own on the direction and pace of knowledge and belief” (18). Gieryn adds a new angle to a century-old discourse on the social construction of truth: the emplacement of credibility in narrated material locations. Throughout his career, Gieryn has contributed extensively to the spatial and placeful analysis of knowledge and social power: from advancing the concept of discursive “boundary-work” in the 1980s, to a refined method of “cultural cartography” in the 1990s, and in the twenty-first century, toward investigations of places: defined as meaning-enriched material locations. He has now advanced “truth-spots” as a type of place that credibilizes truth-claims. This essay reviews the key concepts in the career of this historical sociologist of scientific knowledge, through a mapping of Gieryn's own trajectory within the arc of a long pragmatist tradition in US social science. I shall use Gieryn's own case studies to test two key claims in his account of how place operates in the social-cultural construction of belief: (1) The model of “place” that Gieryn proposed in 2000, and has used consistently ever since (termed here a “Gieryn-place”), and (2) Gieryn's claim that features of “truth-spots” exhibit an observably independent (“agentic”) effect on the credibility of claims made there. I argue that both Gieryn-places and truth-spots suffer from incomplete specification of the ways in which people attach meanings to locations; of the boundaries of places; and of the sites of conscious encounter with places. They suffer also from his own boundary-work to exclude imaginary, cultural, and virtual spaces from his conception of place. This essay argues that a credible account of how place operates in/as history will require a focus on situation and situatedness, drawing on the pragmatist tradition of the Thomas Theorem. The concept of situation completes the circuit between meaning-production and the attachment of meaning to places and opens a gate for historical investigation, across the boundary between imagined, virtual, and conceptual spaces, and lived, material embodied places.  相似文献   

6.
This article analyses the 1936 “Wotan” essay by Swiss psychologist Carl Gustav Jung in light of one of its reigning motifs, Ergriffenheit. First, this term is examined within the works of Protestant theologian Rudolf Otto and Indologist Jakob Wilhelm Hauer, who used it to describe what they claimed to be the original religious experience, a state of being deeply stirred or even seized by the “the holy” or by “the ultimate reality.” The article then examines antecedents in Jung's theory of states of psychic seizure, in which two halves of the psyche come into conflict, the resolution of which leads to an increased capacity to create the arts of culture. The analysis then moves to the “Wotan” essay itself, where Jung brings together his own theory of psychic seizure with the theory of the original religious experience as proposed by the above-named scholars of religion in order to suggest that, under National Socialism, the Germans were in the midst of a collective confrontation with their own inner divinity, which should lead to a national spiritual rebirth. The article then investigates the works of several of the men Jung mentions in the essay, as well as his use of ancient Germanic mythology, to support his claim. Through his portrait of the Germanic archetype Wotan, Jung psychologizes and thereby essentializes the Romantic image of the Germans as “a people of poets and philosophers” as well as that of a Nietzschean “master-race.” In conclusion, the article argues that, at least in 1936, Jung's attitude towards Hitler and National Socialism was much more favorable than has previously been recognized.  相似文献   

7.
This review essay examines James McFarland's Constellation: Friedrich Nietzsche and Walter Benjamin in the Now‐Time of History, which stages a comparative reading of the two thinkers’ works and argues that they shared a resistance to the conventions of nineteenth‐century historicism as well as a desire to attend not to causation as a force in history but rather to the importance of each individual “present.” Benjamin's term “dialectics at a standstill” is a formulation only a reader of Nietzsche could have produced, as McFarland ably demonstrates. This review essay also delves into Benjamin's own use of the “constellation” motif, identifying complexities McFarland leaves out of his account. Influenced by Nietzsche's own uses of astronomical and astrological motifs, Benjamin employed the image of the constellation as a symbol not only for temporality (say, of the time it takes for starlight to reach our planet). He also used it to examine our transforming relationship with the cosmos and with nature most broadly, and, in the famous “Theses on the Philosophy of History,” he used it as a figure for the proper relationship historians should establish between their own period and the past; this is what yields an understanding of the present moment as the Jetztzeit, the “time of the now” enjoying its own dignity beyond any causal relationship with the future it may have. However, and as this review essay suggests, Benjamin's uses of the constellation image, and of images of stars, telescopes, and planetariums more generally, were highly ambivalent. They can serve as indices of his shifting views of modernity and of his desire that modern experience, seemingly condemned to alienation, might be redeemed.  相似文献   

8.
Recognizing the contingent entanglement between historiography's social and political roles and the conception of the discipline as purely factual, this essay provides a detailed analysis of “revision” and its connection to “revisionism.” This analysis uses a philosophical approach that begins with the commonplaces of our understanding as expressed in dictionaries, which are compared and contrasted to display relevant confusions. The essay then turns to examining the questions posed by History and Theory's Call for Papers announcing its Theme Issue on Revision in History, and, where philosophically relevant, answers them. The issue of paradigm change proved to be quite significant and required particular attention. A “paradigm” is analyzed in terms of Quine's “web of belief,” and that web is itself explained as an ongoing process of revision, in analogy with Rawls's concept of pure procedural justice. Adopting this approach helps clarify the entanglement between politics and historiographical revision.  相似文献   

9.
Ozan Karaman 《对极》2012,44(4):1287-1306
Abstract: This paper is a critical engagement with immanentist approaches to cities. Geographers approaching the urban through an immanentist lens—primarily inspired by Gilles Deleuze's work—have called into question transcendent determination, namely the determination of material reality by an external and ontologically distinct substance. This has been an implicit assumption in approaches that reduce contemporary urban developments to “effects of globalization” or “impacts of neoliberalism”. I identify two major shortcomings within the recent immanentist critique: first, their rejection of the notion of a structure in toto, and second, their noticeable silence on Louis Althusser despite his unique contribution to the question of complex causality and his shared trajectories with and influence on Deleuze. By using illustrations from the ongoing urban renewal program in Istanbul, I speculate on the ways in which an Althusserian notion of “immanent structure” could contribute to a better understanding of cities as multiplicities.  相似文献   

10.
This essay identifies five paradigms that are basic to understanding the historical emergence and uses of the generic idea of “religion” in the Christian cultures of Europe and America. The spread of this concept has been sufficiently thorough in recent centuries as to make religion appear to be a “social fact,” to use Durkheim's phrase, rather than so many cultural expressions and different social practices. The supremacy of Euro‐American culture—and an academy still saturated with Christian ideas—has enjoined other cultures and forms of religiosity to conform to this idea of religion; for these cultures contentment with the status quo can vie with the anxieties of influence, including “modernization.” The key paradigms discussed are the following: Christianity as the prototype; religion as the opposite of reason; the modern formulation of “world religions”; the cultural necessity of religion; and critical analysis of the Western “construction” of religion. These paradigms demonstrate the limits on theoretical variety in the field, the difficulty in making real changes in set ways of thinking, and productive foci for interdisciplinary methods of study.  相似文献   

11.
Books Received     
This article is an analysis of Argentine writer Jorge Luis Borges's short text “Kafka and His Precursors.” Although appearing to be an example of literary criticism, Borges's essay is in fact the exploration of a certain logical paradox. It is a paradox that is to be found throughout Borges's work, with the result that “Kafka and His Precursors” can be read as a disguised literary manifesto on the part of Borges. I also explore the consequences of Borges's essay for thinking about questions of cultural transmission. I argue that Borges’ work lives on—like those literary, religious and philosophical traditions he admires—because its most profound subject is the relationship it has with the person who reads it.  相似文献   

12.
As one of the various Islamic groups in Morocco, each of which defends its case and concretizes Islamic activism in its way and according to its own philosophies, beliefs, goals and political agendas, the movement of Atawhid w'Al‐Islah presents itself through its discursive formations as the most open, flexible, and tolerant group in the Moroccan religious scene, and affirms values of dialogue, cooperation, tolerance, moderation, and embracement of otherness to be its founding beliefs and ideologies, while, in empirical reality, it fails to keep the same positive image and prove a real belief in the claimed principles and values. The two concepts of “group” and “belonging” stand as the shaping motives of the movement's actions and reactions, suggesting the notion of “distance” which controls interaction within and outside the group according to calculations of proximity, formed and framed by the belonging factor itself which dictates taxonomies and polarizations, defining people in terms of “X” and “Y.” This invigorates an intricate othering system that vacillates between the two extremes of simulation and stigmatization, and binary oppositions forged within a sphere of dissociativeness and inequality formulations. In this respect, this article aims to study the movement of Atawhid w'Al‐Islah's introversion and extroversion legacies, portraying the main features of its members and activities and scrutinizing its perception of “belonging” and “otherness” as two main concepts around which revolve its in‐group/out‐group taxonomies.  相似文献   

13.
Abstract

This essay is a reconstruction of Rene Girard's Christian apology in “I saw the Devil fall like Lightening.” It develops Nietzsche's antithesis between Christ and Dionysius which Girard identifies as the antithesis of modernity as such. Against Girard's own alliance with Carl Schmitt the essay adopts the Trinitarian point of view suggested by the author, in order to show that it is Erik Peterson's “Trinitarian” critique of Carl Schmitt's political theology of sovereignty which could fulfill the “true” aim of the author in fact much better.  相似文献   

14.
This essay reconsiders Karl Polanyi's famous thesis about the “embeddedness” of the economy through an examination of two recent books: For a New West, a collection of previously unavailable essays by Polanyi, and Fred Block and Margaret R. Somers's The Power of Market Fundamentalism: Karl Polanyi's Critique. The guiding thread of this analysis is the claim that a constant in Polanyi's thought was his belief in what he called “the reality of society,” that is, that society exists as a social fact over and above the individuals that constitute it. The essay begins by tracing Polanyi's intellectual development, drawing primarily on the essays found in For a New West. Polanyi's quest to reconcile individual freedom with social solidarity led him first, in the years between the First and Second World Wars, to embrace liberal socialism, before his readings in anthropology persuaded him that traditional economies “embed” the economy in social relations and that the nineteenth‐century liberal project of a “disembedded” economy (through the so‐called free market) is a departure from this anthropological norm. The essay then examines and questions Block and Somers's claim that Polanyi maintained that the economy is always “already embedded,” arguing notably that Polanyi believed that the advent of market society entailed an economy that was actually disembedded from social relations, not merely one that was re‐embedded in an alternative set of institutions.  相似文献   

15.
What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time‐consciousness” in twentieth‐century European philosophy. Hoy's book traces the turn‐of‐the‐century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project is to distinguish between the scientific‐objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective‐scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time‐consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time‐consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice.  相似文献   

16.
Reinhart Koselleck is an important thinker in part for his attempt to interpret the cultural changes resulting in our modern cultural outlook in terms of the (meta)historical categories of experience and expectation. In so doing he tried to pay equal attention to the static and the changing in history. This article argues that Koselleck's use of “experience” and “expectation” confuses their metahistorical and historical meaning, with the result that his account fails to do justice to the static, to continuity in history, and mischaracterizes what is distinctive of the modern era. As well as reconfiguring the categories of experience and expectation, this essay also introduces a third category, namely, imagination, in between experience and expectation. This is done to render intelligible what is obscure in Koselleck's account, and as a stimulus to a study of history that divides its attention equally between the static and the changing. In fact, it is argued that the category of imagination is pre‐eminently the category of history, on the concrete historical as well as the metahistorical level.  相似文献   

17.
This article argues for the analysis of temporal concepts such as “age,” “century,” and “epoch,” “past,” “present,” and “future,” formed during the Enlightenment, as an approach to the study of the history of modern historiography. Starting from the basic distinction of “empty” and “embodied” time in Leibniz's and Newton's dispute of 1715 about the philosophical nature of time, it traces the episteme of the eighteenth century using the metaphor of a “time garden” for describing some basic features of enlightened historiography. Finally, the paper discusses the consequences of the increasing employment of concepts of embodied time for the future development of the historical sciences.  相似文献   

18.
19.
The history of emotions is a burgeoning field—so much so, that some are invoking an “emotional turn.” As a way of charting this development, I have interviewed three of the leading practitioners of the history of emotions: William Reddy, Barbara Rosenwein, and Peter Stearns. The interviews retrace each historian's intellectual‐biographical path to the history of emotions, recapitulate key concepts, and critically discuss the limitations of the available analytical tools. In doing so, they touch on Reddy's concepts of “emotive,”“emotional regime,” and “emotional navigation,” as well as on Rosenwein's “emotional community” and on Stearns's “emotionology” and offer glimpses of each historian's ongoing research. The interviews address the challenges presented to historians by research in the neurosciences and the like, highlighting the distinctive contributions offered by a historical approach. In closing, the interviewees appear to reach a consensus, envisioning the history of emotions not as a specialized field but as a means of integrating the category of emotion into social, cultural, and political history, emulating the rise of gender as an analytical category since its early beginnings as “women's history” in the 1970s.  相似文献   

20.
This essay reflects critically on Martin Heidegger's remarks about authenticity and death with the aid of Christophe Bouton's Temps et liberté (2002), translated by Christopher Macann as Time and Freedom (2014). It first raises general questions concerning the possible thematic relationship between human endeavoring (action) and the experiences of finitude and freedom. Heidegger's Being and Time is particularly useful for exploring this relationship, but certain problems emerge when using this text for accessing the essay's themes. To wit: there are good reasons for mistrusting readings of Being and Time as a “practical” guide for grounding action. Against the practical reading, the essay wishes to reclaim the ontological‐existential significance of Heidegger's text. Although Bouton's treatment of Being and Time excludes its ontological dimensions and is entirely practical, even to the point of disregarding certain theoretical risks inherent in this approach, Bouton's study is indispensable for situating Being and Time in a historical‐intellectual context, whereby the experiences of freedom and time are understood within certain metaphysical presuppositions rendering them difficult to establish together on reliable grounds. Following Bouton's lead, the essay shows that the hermeneutic differences between practical and ontological readings of Being and Time can be explored through reflections on what Heidegger might have meant by the term “Möglichkeit” (“possibility”), from which Bouton infers “freedom.” It is alleged that Bouton does not fully consider all of Heidegger's assertions regarding Möglichkeit, most problematically the claim that the human being's most essential “possibility” is its “impossibility,” that is to say, its death.  相似文献   

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