Sacred Narratives in Secular Contexts

Although sacred narratives are thought to have lost their numinous aura for secular receivers (readers/listeners), their presence is evident whenever mythology, usually taken to reflect a mode of thinking typical of primeval cultures, and its associated themes are used in fictional works. This study aims at elucidating sacred narratives for people who do not subscribe to their sacredness. It attempts to show (1) that myths reflect a fictional mode of thinking; (2) that meaningful myths map the unconscious drives of secular readers/listeners, enabling them to confront them in terms of their own culture; and (3) that fictional thinking thus operates as a psychical laboratory. I illustrate these claims through myths that feature animosity between parents and children, such as the stories of Oedipus, Isaac, and Jesus.     

HISTORY'S DEMARCATION PROBLEM

In his 1998 book Heterocosmica: Fiction and Possible Worlds, Lubomír Dole?el put forth a theory of narrative fiction based on the interdisciplinary framework of possible worlds. In Possible Worlds of Fiction and History: The Postmodern Stage, Dole?el takes his earlier theory further and applies it to historiography as well, with the specific aim of showing how the study of history might be defended against the postmodern challenge via the use of possible worlds (PW) semantics. Dole?el's book is essentially an argument against the postmodern views expressed by Roland Barthes and Hayden White, who have claimed that fundamentally, there is no difference between fictional and historical narratives. According to Dole?el, this difference can be saved if the focus of attention is shifted from the textual features of these narratives to the fictional or historical worlds that the narratives project. Dole?el's comparison of fictional and historical worlds to each other is quite illuminating and thorough. However, the question remains whether the application of PW semantics does anything besides offering a detailed analysis of the structure of the different types of narrative worlds. After all, one should not overlook the perhaps more practical way of differentiating between historical and fictional narratives through their institutional status. Furthermore, we argue that by focusing on the properties of the end products, that is, the resulting narratives, Dole?el concedes too much to postmodernists. A stronger way to give postmodernists a taste of their own medicine would be to argue that the rules that historians follow in the process of generating, constructing, and evaluating weighed causal explanations (or historical models of the past) are fundamentally different from whatever rules govern the generation and construction of fiction.     

Arrival: Anthropology in Hollywood

The recent Hollywood science fiction film Arrival features as its main character a linguist who explicitly references the Sapir‐Whorf hypothesis and linguistic relativism. Unusually for a mainstream film, Arrival presents the insights of linguistic anthropology as a key to the human‐alien encounter and combines these concerns with other key anthropological insights, particularly in relation to notions of time and the embodied nature of writing/drawing. In this article, the author argues that the film can be useful in thinking about anthropological debates on ‘strong’ and ‘weak’ versions of Sapir‐Whorf and suggests that a careful parsing of the anthropological concepts drawn on in the film provides food for thought about the possible usefulness of popular fictional concoctions for thinking through contemporary issues in anthropology and conveying them to a wider audience.     

Cultural policy through the prism of fiction (Michel Houellebecq)

Cultural policy studies tends to talk about fiction without actually using it. A typical move is to place it in an aesthetic realm to be protected, situated and/or critiqued. This is an eminently worthwhile activity. However, this paper explores some ways in which works of fiction may, following their own dynamic, yield significant perspectives upon the world of cultural policy itself. In what ways do fictional works offer us prisms through which to reappraise the worlds of cultural policy? What are the effects of the reconfigurative imaginative play to which they subject the institutions of that world? How are the discourses of cultural policy reframed when redeployed by novelists within free indirect style or internal monologue? The article begins by distinguishing four broad modes in which fictional works refract the world of cultural policy, and then analyses in more fine-grained detail two novels by the leading French writer Michel Houellebecq.     

The Mongol Invasion in Iranian Drama: The Case of Bahram Beyzaie

New Historicists view history as a text through whose discontinuities and breaks the repressed and suppressed voices find ways of articulation. Likewise, a literary text, in its underlying layers, alludes to the historical conditions at the time of its production. In some cases, as in Bahram Beyzaie's works, however, the author intentionally uses the past to reread the present. He recreates history as a text in which the voices repressed in the classified history are heard. As the Mongols played an important role in the history of Iran, some of Beyzaie's works pay particular attention to them. This paper analyzes some of Beyzaie's plays and screenplays to investigate the presentation of the Mongols in his fictional worlds.     

Theory and Fiction: Rorty's View of Philosophy as Literature

Richard Rorty was one of the most committed and respected critics of the distinction between philosophy and literature. He urged philosophers to adapt an ironist stance, characterized by a double commitment to historicism and nominalism, thereby simultaneously abandoning their inveterate representationalism as well as their predilection for hypostasizing abstract concepts. The ensuing return to the individual and contingent was also supposed to facilitate the absorption of philosophy into the realm of literature proper. This brief essay focuses on some aspects of the relationship between philosophy, literature, and history, highlighting thereby the role that theorizing of an abstract kind plays in the construction of fictional worlds—marking out a territory within the crafting of literature itself that draws on the non-nominalist mode of discourse usually favored by philosophers.     

Walking with preschool‐aged children to explore their local wellbeing affordances

An increasingly well‐developed body of research uses neighbourhood walks to better understand primary school children's experiences of local environments, yet virtually nothing is known about preschool‐aged children's connections to their neighbourhoods. A reason for this omission is the commonly held view that preschool children lack competency to reflect on lived environments beyond playgrounds, kindergartens, and other confined settings that dominate early childhood. However, preliterate children walk around, use, and create intimate relationships with local environments as shown by 10 children aged 3–5 years from Dunedin in New Zealand during go‐along interviews. We asked each to walk us around their locale, explaining and pointing out favourite and less beloved places and activities. In this article, we advance two arguments: first that preschoolers are knowledgeable meaning makers of place; second that walking with them is a key step to understanding their life worlds and provides a way for preliterate and preverbal children to demonstrate knowledge and understanding of their spatial worlds, including as research participants. We challenge the idea that children of this age lack large‐scale spatial competency and understanding. Walking with them generated an in‐depth appreciation of their experiences of environments and revealed deep connections they had with their locales at varied scales. The work enables us to offer novel insights into spatial competency, sociospatial complexities, and the multiple dimensions of young children's wellbeing affordances in urban environments. Such insights are highly relevant for geographers, planners, and others who shape children's urban environments.     

Montaigne et la « vanité » des utopies

This article examines Montaigne’s contribution to the sixteenth-century European debate about the utopia as a form of political thinking concerned with the creation of a better society. It argues that Montaigne participates in that debate, as he does in others, by retreating to the margins. It explores the form this retreat takes in book III of the Essais. The suggestion is that, by retreating to the margins of political debate, the author creates a textual space open to a virtual community of friends, among them the author and the reader, who have in common a mode of free and frank discussion as a truth-seeking and quarrelsome “exercise of minds”. Montaigne is thus able to conduct an unresolved quarrel with others, and with himself, as he weighs in the balance the value–and vanity–of utopias.     

试论东方学理论视野中的“夷学”构建

文化研究的重要目的之一是探讨文化创造的可能性机制。在西方,萨义德东方学理论的提出,对于西方文化语境中东西方文化关系的反思有极其重要的现实意义,对于我们用以分析和反思以夏文化为主流的中原文化跟周边偏远地区的文化关系亦有着重要的启示意义。但由于文化背景的差异,东方学理论限于对抗性、批判性的局限,向中国的文化现实提出了创造性地创建新型文化关系理论的要求。本文从东方学理论入手,论证了“夷学”提出的理论必要性和现实性,并且论述了“夷学”与文化创造的思维模式与内在联系。     

Representing Science that Isn’t: Harvest as Science Fiction Theatre

Abstract

Engaging with the difficulty of plausibly staging scientific developments that have not yet been realized (or even those which might never occur), Manjula Padmanabhan’s 1997 play Harvest relies upon science fictional developments in two technologies, communications and medicine. Rather than merely working around them, Padmanabhan’s play makes use of the challenges inherent in staging a fictional future, calling both representation and power into question. In so doing the play exemplifies the increasing openness of science drama to science fictional ideas.     

Out of The Shadow of Vasari: Towards A New Model of The ‘Artist’ in Colonial Latin America

Within shifts affecting colonial studies, a ‘life-work model’ employed in colonial art history has been left unexamined. Developed by a contemporary of Michelangelo, Giorgio Vasari (Italy, 1511–1574), this methodology was grounded in particular European social conditions that allowed the creation of the ‘artist’ whose ‘artwork’ was the inalienable product of a single mind and hand. Following the art historical paths laid by Vasari in the viceroyalties leads to dead ends: indigenous artists who efface their individuality; painters who exist with little social or historical context; and artworks whose conservation denies finding the traces of the hands that made them. Because artworks were and are the connective tissue of complex social networks, reconfiguring concepts of ‘artist’ and ‘artwork’ and recasting them in accordance with social practices within Latin America, gains us purchase on how colonial subjects, in their engagement with their material worlds, came to be constructed.

Resemblance to European prototypes is an essential historical reality of colonial artworks: much artwork, particularly the painting, of colonial Latin America ‘looks’ like that of early modern Europe and thus has generated a foundational expectation, laid out in purest form by Manuel Toussaint (Mexico, 1890–1955), that Latin American art history might also look like Europe's. We argue that a mismatch with Europe and its methodologies means that certain, foundational historiographic assumptions about writing art history for Latin America need to be reassessed, in particular the ‘artist’ and ‘artwork.’     

‘Affirmative Signalling’: Dickens’s Railway Journalism and Victorian Risk Society

This essay explores Charles Dickens’s railway journalism of the 1850s and 1860s and its differences from his more well-known fictional accounts of the British railway network. While fictional works such as Dombey and Son and ‘The Signalman’ emphasize the catastrophic aspects of railway accidents, Dickens’s journalism in Household Words and All the Year Round examines the modern systematicity of the railway network, which by its nature as system, necessitated accidents on the lines. The essay incorporates theoretical readings of risk by Ulrich Beck and Paul Virilio into its critical assessment of Dickens’s railway journalism. Fundamentally, it aims to demonstrate that Dickens’s railway journalism illuminates the complexity of Victorian narratives of technological and bureaucratic industrial and transport systems by prioritizing the global dimensions of systematic accidents over the period’s tendencies to focus merely on local accidental events.     

Double‐Thinking and Contradictory Arrangements in Iranian Law and Society

Although thinking double thoughts and living dual lives are not specifically Iranian traits, Iranians have, nevertheless, become more susceptible to them for historical reasons, which may be traced back to when Persians became Muslims. The gradual normalization of double‐thinking over the centuries has given rise to social and political patterns of behavior and institutional arrangements which oscillate between opposing regimes of truths and different sets of ethical concerns, often without merging them into a new process. Once double‐thinking is normalized at the level of society, it helps people to cope with the cognitive dissonance they experience in circumstances where it is difficult to change attitude and behavior. It also affects the organization of society by making contradictory arrangements appear normal. It promotes reflexive thinking and subversive action as much as it facilitates misrecognition of sociopolitical suppression and legitimization of symbolic violence. This state of affairs generates a form of modernity which appears, at least on the surface, to be comfortable with contradictory social arrangements, while deep down it remains ill at ease with its inner contradictions.     

Geopolitics at the margins? Reconsidering genealogies of critical geopolitics

Critical geopolitics has become one of the most vibrant parts of political geography. However it remains a particularly western way of knowing which has been much less attentive to other traditions of thinking. This paper engages with Pan-Africanism, and specifically the vision of the architect of post-colonial Tanzania, Julius Nyerere, to explore this overlooked contribution to critical engagements with geopolitics. Pan-Africanism sought to forge alternative post-colonial worlds to the binary geopolitics of the Cold War and the geopolitical economy of neo-colonialism. The academic division of labour has meant that these ideas have been consigned to African studies rather than being drawn into wider debates around the definitions of key disciplinary concepts. However Nyerere's continental thinking can be seen as a form of geopolitical imagination that challenges dominant neo-realist projections, and which still has much to offer contemporary political geography.     

论地理策划本质及实施要点

地理学和地理教育需要顺应国家经济发展的形式,在理论与实践层面不断创新,尤其是在应用层面将人文与自然要素结合起来,建立一个符合市场运作需求的综合理论体系。地理策划是策划人通过创新性思维和理念,发现、发掘、提升和实现地理系统要素价值的过程,是地理研究成果转化成价值的关键环节。它不仅包括区域性课题,还包括广泛的地理要素和地理事件的价值发现与创造过程。通过对地理策划关键问题的梳理,构建了地理策划的基本理论框架,以使地理学更直接地面向市场。     

Reading for Difference in the Archives of Tropical Geography: Imagining An(Other) Economic Geography for Beyond the Anthropocene

This paper is based on the 2016 Neil Smith Lecture presented at St Andrews University. It honours the work of a geographer whose pioneering work on uneven development and the complex relations between capitalism and nature shaped late 20^th century thinking inside and beyond the discipline of Geography. Today the collision of earth system dynamics with socio-economic dynamics is shaking apart Enlightenment knowledge systems, forcing questions of what it means to be a responsible inhabitant on planet earth and how, indeed, to go onwards “in a different mode of humanity”, to quote eco-feminist philosopher Val Plumwood (2007; Australian Humanities Review 42:1). “The Great Acceleration” since the 1950s of trends in key aspects of earth system health and socio-economic change highlights powerful dynamics that have shaped a new geological epoch, contentiously named the Anthropocene—or more perhaps to Neil’s liking, the Capitalocene. In this paper I ask how might we do geographic research in these times? I reflect on this question by drawing on the feminist anti-essentialist thinking strategy of reading for difference developed by J.K. Gibson-Graham. I attempt to open up new ways of working with uncertain possibilities. I do so with reference to field research into place-based knowledges of resilience in Monsoon Asia—a region that is experiencing increasingly uncertain and extreme “natural” events that signal Anthropogenic climate change. I return to “area studies” scholarship of Monsoon Asia conducted in the 1950s when the engines of economic change were starting to rev, fuelled by dire predictions of population explosion and the fear of communism. Like Neil, I am interested in the genealogy of geographical scholarship and the institutional contexts in which it developed and was influential. I look back to see how local knowledge was described and appreciated by two of our geographic forefathers and I consider how reading against the grain of capitalocentrism might play a role in making other worlds possible.     

History, the Referent, and Narrative: Reflections on Postmodernism Now

This essay surveys the present position of postmodernism with respect to the effect of its ideas upon historiography. For this purpose it looks at a number of writings by historians that have been a response to postmodernism including the recently published collection of articles, The Postmodern History Reader . The essay argues that, in contrast to scholars in the field of literary studies, the American historical profession has been much more resistant to postmodernist doctrines and that the latters' influence upon the thinking and practice of historians is not only fading but increasingly destined to fade. The essay also presents a critical discussion of the current philosophy of postmodernism in its bearing upon historiography, directed chiefly against its claim that the world has undergone an epochal transition from the modern to a postmodern age; its theory of language and linguistic idealism; its opposition to historical realism and denial of the actuality of the past as a possible object of reference; and its theory of historical narrative as unconstrained fictional construction. This discussion includes a consideration of the work of postmodernist thinkers such as J.-F. Lyotard, of the recent books by David Roberts and Robert F. Berkhofer, Jr. which espouse a postmodernist theory of history, and of the narrativist theory of Hayden White. The essay also notes some of the reasons for postmodernism's appeal; and while it does not deny that postmodernist philosophy may have served a useful purpose in provoking historians to be more self-critical and aware of their presuppositions and procedures, it maintains that its skeptical and politicized view of historical inquiry is deeply mistaken, out of accord with the way historians themselves think about their work, and incapable of providing an understanding of historiography as a form of thought engaged in the attainment of knowledge and understanding of the human past.     

后现代主义思潮与人类学、考古学的研究——地域文化研究要注意的一个理论问题

20世纪70年代以来西方学术界的后现代主义思潮,全面颠覆了西方传统的学术思维方式,其对于人类学和考古学的影响相对较迟,而“范式转换”以及文化相对主义对多样性的考古学文化研究提供了新视角。