J.B. Priestley: Bradford and a provincial narrative of England, 1913–1933

J.B. Priestley's writing has been used to explore aspects of landscape and Englishness. Through an analysis of Priestley's early journalism in the Bradford Pioneer and the Yorkshire Observer, we argue that his critical disengagement to most of the landscapes of England was based on a connection to the landscapes of his youth in Bradford where he first developed his fictional and documentary narrative style. In his early journalism, Priestley articulated a sense of dwelling in Bradford that was rooted in the experience of two distinct local landscapes: the spaces of the city and the nature of the surrounding upland and moorland. Priestley's geographical ideal balanced the civility of the Edwardian city embedded in a landscape that offered escape to and commune with nature. The existential balance between the two was, we argue, central to the narrative geographies developed by Priestley in his fiction which is illustrated through an analysis of his two early novels: The Good Companions (1929) and Angel Pavement (1930). We suggest that the ways in which Priestley's interwar writing expressed dwelling in local landscapes might be thought of as a critical provincialisation of London and England.     

FEELING IS BELIEVING, OR LANDSCAPE AS A WAY OF BEING IN THE WORLD

This article is work‐in‐progress, an orientation of thought towards possibilities for individual human beings to diminish the distance between outer and inner landscapes imposed by cultural norms and happenstances such as exile. The dominance of visual landscapes and visual perceptions is seen as a pivotal problem, to be solved by the engagement of all the senses in landscape discourse and formation. All the senses are engaged in earliest childhood, as they have been in ‘primitive’ societies. While returning to either a state of childhood or primitivism is an impossible dream, it is possible to edge closer to human nature by engaging and honing all the senses, especially the ‘earth‐bound senses’ of feel, smell and taste. Cultivating those senses and developing discourse about them, and incorporating them into landscape formation and enjoyment, is much more difficult than having a discourse about sight and hearing, for which there is a rich and well‐developed symbolic language and which can be shared through various types of media. The way towards a deeper discourse about the earth‐bound senses, and the way out of the tyranny of the visual, is to be found in stories, as several thinkers suggest. The story told is autobiographical and literary – a mode of geographic writing that I developed in a 2004 book (Bunk?e 2004a), in which the complex dilemmas of home and road were explored. This article shows how in the early 1970s I defined the individual's landscape as ‘a unity in one's surroundings perceived through all the senses’, with imagination as the key human faculty. And I tell the story of how through complex circumstances, a visually and emotionally repugnant landscape became emotionally and intellectually attractive, with a scent, not a picture or image causing the initial attraction. The external and internal landscapes are thus unified, resulting in a sense of timelessness and placelessness of deep existential significance for the person.     

Concreting the frontier: Modernity and its entanglements in Sikkim,India

Sikkim is a geopolitically sensitive frontier state in India sharing borders with Bhutan, China and Nepal. As distinctions between urban and rural dissolve across the Himalaya, concrete narrates the transformation of these landscapes and the assemblages that hold them together. Using Cloke and Jones’s (2001) notion of ‘dwelling’ we explore Sikkim's concrete manifested in tourism, hydropower and housing to make four arguments. First, concrete is central to the way development is conceived and enacted in Sikkim and offers a critical reading of the ways landscape is imagined, reproduced and politicised. Second, concrete foregrounds the ways peoples' aspirations are materialised in the built environment of a ‘remote’, yet geopolitically significant territory. Third, concrete is an integral component of Sikkim's political culture, part of the assemblage of incongruent elements that undergird the state's dependency. Finally, concrete has further entangled Sikkim within India, producing a loyal border state out of a recently independent polity.     

“Where nothing was before”: (re)producing population and place in Ghana's Volta River Project

Significant infrastructural projects, and especially large hydroelectric dams, were envisioned and deployed by postcolonial governments to promote particular visions of industrialization, agriculture, democracy, and modernity. Newly independent states sought to annihilate formerly so-called backward and primitive landscapes and populations alike, promising to re-create both places and people as rational, economically productive entities. In this article, we re-examine such narratives as they related to Ghana's Volta River Project (VRP). Relying on archival and media sources between the 1950s and 1960s, we interrogate the Ghanaian state's pursuit of the VRP from a perspective rooted firmly in cultural geography and pay careful attention to the issues of population displacement/resettlement and landscape reconfiguration that permeated all dimensions of the project. We analyze the ways in which Ghanaian leaders used the VRP to translate a particular suite of cultural, economic, and political values into material reality, utilizing the techniques of displacement and population resettlement in efforts to enroll Ghana into a modern, global, industrial economic system. As such, this article augments the body of literature examining the modernist and state-building aspects of the VRP as well as studies critiquing the various processes of development that have unfolded in West Africa since the mid-twentieth century.     

Making heritage in an Australian coastal tourist resort: Constructing a cultural landscape through a comparative narrative

Abstract

The concept of cultural landscape embodies a dynamic understanding of history, in which past, present and future are seamlessly connected. This paper, drawn from a larger research project investigating the integration of tourism in small coastal settlements, introduces a multi‐method research strategy for interpreting cultural landscapes of tourism. The case study of a well‐known resort area on the east coast of Australia demonstrates the dynamic relationship between patterns in the landscape narrative and patterns in the built environment of small coastal settlements. In Noosa, a distinctive built form has evolved in parallel with the narrative of the place as a relaxed but stylish resort village dominated by nature. Both the narrative and physical landscape have been shaped by local and external processes of constant comparison and contrast with well known Australian and international coastal resorts. The paper illustrates how recurring themes in the local dialogue of place have flowed between key urban design/planning decisions, ephemeral tourism literature, publications, and the perceptions of residents, tourists and key informants as reported in focused conversational interviews.     

Heritage,amenity, and the changing landscape of the rural American West

The production landscapes that once dominated the rural American West are being transformed into amenity landscapes intended largely for consumption by in-migrants and visitors. However, once people settle in the rural West, a newly realized amenity may be recognized: the region's relic cultural landscape. This paper builds upon a 2007 study that used resident-employed photography to assess the varying environmental perspectives of, and social interactions between, newcomers and long-established ranchers in a rural Colorado valley. Photographs taken by both lifelong ranchers and newer nonagricultural residents highlighted two relic landscapes in the valley: its cemetery and one-room schoolhouse. This study investigates these particular cultural landscapes, their histories, meanings, and what their futures in this region may hold, given the in-migration. Using archives, landscape interpretation, and interviews with key informants, this paper analyzes how newcomers may appropriate these relic landscapes and further develop them as cultural amenities in their new environment. Simultaneously, long-established ranchers may defend these landscapes of their own heritage against such co-optation. The interests of newcomers in these historic relics impacts how they are, and will continue to be, managed, possibly creating new opportunities for social interaction among these groups.     

Ways of Belonging: Reconciliation and Adelaide's Public Space Indigenous Cultural Markers

As an arguably ‘post colonial’ society, Australia is evolving its particular identity and sense of self, but reconciliation with its Indigenous peoples remains a significant political and cultural issue. Social inclusion or marginalisation is reflected in the construct of the civic landscape and this paper traces and contextualises public space Indigenous representation or ‘cultural markers’, since the 1960s in Adelaide, South Australia, the Kaurna people's land. This paper identifies social phases and time periods in the evolution of the ways in which Indigenous people and their culture have been included in the city's public space. Inclusion of Indigenous peoples in civic landscapes contributes not only to their spiritual and cultural renewal and contemporary identity, but also to the whole community's sense of self and to the process of reconciliation. This has the potential to provide a gateway to a different way of understanding place which includes an Indigenous perspective and could, symbolically, contribute to the decolonisation of Indigenous people. An inter‐related issue for the colonising culture is reconciliation with the Indigenous nature of the land, in the sense of an intimate sense of belonging and connectedness of spirit through an understanding of Indigenous cultural landscapes, an issue which this paper explores. The paper also sets out suggestions for the facilitation of further Indigenous inclusion and of re‐imagining ways of representation.     

Mother-Die: Plant Names and Folk Beliefs

The use of the name mother-die for cow parsley (Anthriscus sylvestris (L.) Hoffm.) and beliefs associated with this name are examined, as well as the beliefs found to be essentially those of the twentieth century most prevalent in northern England. Other plants which have been called mother-die, plus other names given to cow parsley, are also discussed, as are folk beliefs associated with these names.     

Cultural Landscapes of Britain

'Britain' and 'cultural landscape' as used here are defined. The World Heritage categorisation provides the basis for a brief review of the range of such landscapes in Britain, with specific examples being named and briefly characterised. Relict landscapes are particularly noted. 'Threats to cultural landscapes are identified as of both development and decrepitude. A short discussion of the purpose and viability of cultural landscapes in Britain, for national and global purposes, concludes by noting a number of British cultural landscapes recognisable in World Heritage terms and potentially relevant to the European Landscape Convention 2000.     

Monuments, Memory and Marginalisation in Adelaide's Prince Henry Gardens

Social and cultural dominance is (re)produced in the landscape by the exclusion or marginalisation of subordinate and minority groups. This paper illustrates the long-standing and ongoing exclusion of representations of indigeneity in and around Prince Henry Gardens, part of one of the most significant cultural and memorial sites in South Australia. Prince Henry Gardens is home to a large number of monuments and memorials that commemorate almost solely non-indigenous people and events. This is a selective and deliberate landscape of the dominant culture. It confirms a legacy of indigenous dispossession and is symbolic of ongoing marginalisation. While there have been recent compensatory initiatives by state and city agencies to create landscapes of reconciliation through symbolic gestures such as renaming parkland areas, these are argued to be contentious. They associate indigeneity with the city's margins, with violent places and public drunkenness, and perpetuate problematic associations between ‘real’ indigeneity and nature. The paper concludes with some ideas for new memorial landscapes intended to help construct a postcolonial Australian city.     

基于景观生态的亚热带沿海景观及旅游保护性开发探讨——以福建省为例

沿海景观作为海洋景观与陆地景观的边界,是特色鲜明和空间异质性突出的系统整体。同时沿海地区一直是人类开发较早、人地关系紧密、系统物能交换最频繁、最集中的区域,对海-陆-气系统耦合力和内外营力具有高度的敏感性,因此保持沿海景观的生态整体性尤为重要。研究沿海景观的景观体系和开发利用,目前在我国仍属于薄弱环节。本文评述福建沿海景观分类并概括其生态特征,应用景观生态的原理,探讨福建沿海景观旅游保护性开发模式,构建和谐稳定的景观格局。     

On the Particularism of English Landscape Archaeology

The aim of this paper is to explore the question: why is the archaeology of English historic landscapes apparently so provincial? Inevitably the response must be that matters are more complex. In this paper, I examine the work of W. G. Hoskins, the “father of English landscape history,” and draw attention to: the complex way in which landscape is embedded in nationalism; the relations between locale, province, and nation; and the way wider tensions, in particular of colonialism are embedded within Hoskins's own discourse. In conclusion, I examine ways in which this problematic continues to structure enquiry into the English landscape today and to inhibit a genuinely international and comparative approach to historic landscapes.     

陕西窑洞传统乡村聚落景观基因组图谱构建及特征分析

窑洞聚落是黄土高原最典型的聚落形态，它具有悠久的历史、深厚的精神文化内涵以及独特的文化景观特征，在陕西渭北地区和陕北黄土高原丘陵沟壑区分布广泛。本研究基于传统聚落景观基因组图谱的相关研究，以陕西31个窑洞传统乡村聚落为研究对象，按照“单个窑洞聚落、多个窑洞聚落、特定研究区”三个层次，构建了窑洞聚落的典型院落图谱、空间序列图谱、院落模式图谱、排列模式图谱和空间格局图谱五大类型图谱体系。通过分析窑洞聚落景观基因组图谱的基本特征，进一步验证了构建窑洞聚落景观基因组图谱的必要性和迫切性。本研究旨在丰富景观基因组图谱层次，推动景观基因研究向区域层面发展，并为窑洞聚落景观基因信息链修复及景观基因区域识别系统构建等相关研究奠定基础，为保护与发展窑洞聚落提供科学依据。     

Early Maritime Desert Dwellers in Namaqualand,South Africa: A Holocene Perspective on Pleistocene Peopling

ABSTRACT

South Africa's northern Namaqualand coastal desert is the southern extension of the Namib. Today, this region is semi-desert with patchy subsistence resources and scarce, unpredictable rainfall. Yet this ancient desert landscape possesses residues of human activity stretching back into the Middle Pleistocene, evidenced by heavily weathered surface finds, including handaxes and Victoria West cores. Such old finds in so harsh an environment raise important questions: how do human movements into this area relate to local palaeoenvironmental changes, and how has this relationship changed through time? While no dated Middle Pleistocene sites presently exist to reconstruct the earliest hominin dispersals, several late Pleistocene sites now have chronostratigraphic sequences that can be brought to bear on these questions. This article presents chronological and subsistence-settlement data for one such site, Spitzkloof A Rockshelter in northern Namaqualand's rugged Richtersveld. Humans are shown to have visited the site very sporadically between ～50,000 and 17,000 cal BP. Unlike most of the subcontinent, the most intensive occupations occur during early Marine Isotope Stage 2, when multiple proxies suggest enhanced humidity associated with intensified winter rainfall. We examine these data using the region's better-developed Holocene archaeological record to create predictions about the earliest coastal desert dwellers.     

Cultural landscape protection in Australia: The Wingecarribee Shire study

Abstract

The concept of cultural landscapes as remarkable windows onto the past, and rich historical documents that can be read has gained increasingly wide acceptance in Australia over the past few years. Allied to this, and informing it. is the way in which landscape as a cultural construct plays a major role in attachment to place and sense of Australianness. The understanding of cultural landscapes as a setting where human history is on display is a community movement as well as a professional one. This paper reviews one particular study which focused on heritage evaluation of an historic rural landscape and moves for its protection.     

The construction of an alpine landscape: building,representing and affecting the Eastern Alps,c. 1885–1914

Between 1885 and the First World War, German and Austrian alpinists talked of “opening up” the Alps in Germany and the Austrian Empire with a vast network of huts and paths. This article argues that this effort to develop the Alps arose from a series of relationships between people, objects, representations and affects which linked urban spaces of middle-class conduct to the alpine environment. Alpinists utilised media such as landscape reliefs and panoramas not merely to represent the Alps, but to inculcate a particular affective response amongst Germany's urban middle-class, or Bürgertum. Instead of a Romantic ideal of mountains as unknowable symbols of nature's power, these alpinists promoted a modern gaze which would see all, from the safety of a controlled, governable landscape. In doing so, alpinists legitimised their intervention in the Eastern Alps, developing these once unknown landscapes as a bürgerlich [bourgeois, or middle-class] cultural resource.     

桂林旅游景区书法景观符号效应分析

书法景观是具有中国特色的特殊文化景观和文化符号,广泛应用于旅游景区而成为旅游景观的一种重要类型.本文以桂林旅游景区的书法景观为案例进行研究,结果表明,书法景观作为旅游景区的重要人文景观,旅游者总体上对其具有较高的认知和鉴赏兴趣;书法景观对旅游者产生了一定程度的符号效应,具体表现在书法鉴赏、文化象征、审美引导3个方面,对应于外在行为、文化环境知觉、景观审美活动3个层次的行为效应.书法景观的符号效应在书法鉴赏方面存在显著差异,而在文化象征和审美引导方面无显著差异.书法景观符号效应研究对于揭示人们的地方感和环境行为与书法景观之间的关系、旅游景区书法景观的设计和景区文化氛围的营造等具有指导意义.     

Regional cultural heritage versus national heritage in Scania's disputed national landscape

This article argues that the official landscape heritage in Sweden is formed in an interplay between regional and national discourses, and that the national ideology during the last century has promoted the preservation of stereotyped landscapes that partly ignores the conditions under which these landscapes were actually formed. This tends to naturalise the landscape, often cleansing it of human action and thereby generating a notion of an innate and given national landscape. To illustrate this, the landscape of the province of Skåne in southernmost Sweden is discussed from a heritage perspective. This province (which was Danish up to 1658) has a landscape characterised by its openness and contrasting to the emblematic Swedish cultural landscape of forests and small hamlets. A conclusion is that Skåne's landscape heritage runs the risk of being alienated when it is valued from a national criterion, and that a critical questioning of official heritage practice is therefore needed.     

The Class of Anthropogenic Industrial Landscapes

Anthropogenic landscapes fall into several classes: agricultural, forestation and aquatic landscapes, which tend to vary with natural zones, and industrial landscapes, which are azonal in character and depend largely on such azonal features as geological structure, hydrogeology, etc. Industrial landscapes are largely of the neo-landscape type, i.e., created by man from scratch. In terms of purposefulness, they are not a direct effect, but are incidental to man's industrial activities. The most common industrial landscape type consists of strip mines and their spoil banks. Such strip-mine landscapes may be denuded (devoid of vegetation); slag-cone terrain; weed-overgrown wasteland; denuded lacustrine wasteland; stone-quarry badlands; cultivated hydraulic spoil banks.     

Hockney Country

This paper reviews David Hockney RA, A Bigger Picture, an exhibition held at the Royal Academy in London, the Guggenheim Museum in Bilbao and the Museum Ludwig in Cologne in 2012–3, and the associated catalogue and DVD. Geographical and historical questions, of region and space, movement and dwelling, are evident in Hockney's work in a variety of genres, in portraiture and theatre design as well as more recent excursions into landscape. Particular attention is paid to Hockney's paintings of the Yorkshire Wolds.