Gender,Power, and the Denial Of Intimacy in Chinese Studies and Beyond

This article identifies and critically examines four recurring concerns in writings on Chinese gender and sexuality: (1) Emphasis on extreme cases of women's suffering to produce a more dramatic effect. (2) Focus only one gender's perspective and disregard of the role of social class. (3) De-emphasis on men's place within the subjective domain and overlooking how emotional bonds unite couples. (4) Depiction of the erotic as simply the manifestation of prevailing sexual ideology, which encourages viewing male/female interaction as an exercise in power and dominance, and discourages interpretation of the erotic as an aesthetic experience.     

Performance and the politics of gender: transgender performance in contemporary Chinese films

This article focuses on two different genres of gender transitivity or impersonation. First, male actors who impersonate female characters. The two examples used to examine these impersonations are Chinese films Farewell My Concubine (Ba Wang Bie Ji 1993) and Forever Enthralled (Mei Lanfang 2009). Both films are based on the historical practice of dan in Peking Opera. Second, women who cross-dress as men for the sake of transgressing into the public sphere that had traditionally been forbidden for women. The main example of this is Hua Mulan (2009), a live action movie based on a Chinese legend of a female warrior called Hua Mulan, who disguises herself as a man to replace her father in the military service. Based on my close reading of the transgender performance in these Chinese films, the article will engage discussions of Western gender theories by Garber, Butler and Halberstam to examine the discourse and politics of gender and sexuality in contemporary China. To be more specific, a critical analysis will be carried out in the following three aspects: first, gender performativity is not necessarily subversive, but only suggests that heterosexual norms are arbitrary and unnatural. Second, rather than challenging heterosexism and gender binarism in contemporary China, the three films seem to support and consolidate the gender hierarchy. Thirdly, the category of transgender is intersected with art, identity and ideology in the specific social and historical settings. The contextualized analysis not only sheds new light on the implications of transgender in contemporary Chinese culture and politics but also questions the universalism of Western gender theories in cross-cultural contexts.     

Blood from the Moon: Gender Ideology and the Rise of Ancient Maya Social Complexity

Archaeological data suggests that there is a direct link between the rise of social complexity and the erosion of women's status. Through a look at the ways in which gendered practices and symbols may shift as men and women (and males and females) negotiate their relationships and interactions within shifting social contexts, this article sets out to explore this linkage between social complexity and gender equality in the ancient Maya region. Building from the notion that ‘gender’ is produced and reproduced through practice and symbol as a culture constitutes and bounds gender roles and expectations by symbolically associating certain activities and materials with each gender as iconic representations and ritual enactments of those normative gender roles then serve to naturalise a gender ideology, this article argues that the rising ancient Maya elite attempted to legitimise increasing social inequalities through the manipulation, ritualisation and abstraction of female symbols of power associated with pregnancy, menstruation and childbirth. This appropriation and contestation of symbols and performances of gender identity can be observed in wide variety of powerful representations and practices within the Maya cosmology such as genital piercing, the 260‐day calendar and the neutering of female sexuality in monumental art.     

The Unveiled Apple: Ethnicity,Gender, and the Limits of Inter-discursive Interpretation of Iranian Contemporary Art

In the past two decades, Iranian contemporary art has been eagerly embraced by international art venues. The transportation of artworks from Tehran to mostly western European and North American cultural centers entails inter-discursive translations that will render them legible for their reception in a new context. This paper argues that bound up in these translations are performative acts of language that label these artworks as markers of ethnic alterity, unexplored localities and most of the time associates them with issues of gender and femininity (and therefore limited to the vocabulary of “veil,” “plight of women” and “sexual inequality”). Looking at a seven-minute piece of video-art by Ghazaleh Hedayat entitled Eve's Apple (2006), the article examines this predicament and the possibilities for the artists to circumvent it. It argues that Hedayat's video enables an observation of the performative dominance of Western discourses of art history that mark the limits of inter-discursive interpretation in disciplines such as art history and art criticism.     

Presenting the San Hunter-Gatherer Past to the Public: A View from the uKhahlamba-Drakensberg Park,South Africa

Abstract

The uKhahlamba-Drakensberg Park (UDP) was declared a World Heritage Site in 2000 on the basis of its magnificent scenery, biodiversity, and archaeological richness, comprising a rich corpus of rock paintings and occupation deposits relating to the San hunter-gatherers. The desire to encourage heritage tourism to the UDP following the declaration, along with the wish to present a more positive picture of the San hunter-gatherers, led to the development of the Kamberg (in 2002) and Didima Rock Art Centres (in 2003). These centres, together with the Main Caves visitor attraction, which had been redeveloped in 1998, distinguish the UDP as the premier region in South Africa for the interpretation of the San past. Cognizant of the critical role that public interpretation plays in the management of archaeological resources, this paper investigates which aspects of the archaeological record have been stressed and which have been overlooked, the relationship between the interpretations and the findings of UDP archaeological research since the 1970s, and whether these findings enhance the significance and value of the resources and thereby promote their management. It is shown that the overall interpretive emphasis is on rock art and that information derived from Later Stone Age hunter-gatherer excavations since the 1970s have been neglected. Furthermore, it is revealed that the display of Early and Middle Stone Age material at Didima is inconsistent with regional archaeological findings and that there is a neglect of local archaeological remains. It is concluded that the development of any further attractions should be based on an interpretive plan which considers the interpretive requirements of the region as a whole.     

Cross-cultural sexual narratives and gendered reception in Republican China

ABSTRACT

This article examines nonfiction sexual narratives inspired by foreign thought in Republican China. It highlights female viewpoints to recover their hidden voices in history and shows the socio-cultural significance of the gendered reception of cross-cultural theories. I focus on three foreign female thinkers – Ellen Key, Emma Goldman, and Alexandra Kollontai – whose works stood for different schools of free love and drew numerous adherents in China. My study shows a nuanced but telling difference in the focuses of sexual narratives along gender lines. Whereas male writers sought to modernize marriage and liberate sexuality from socio-eugenic perspectives, female writers pursued sexual autonomy from relatively more personal stances. The rhetorical feature of Chinese female essayists, I argue, was essentially iconoclastic towards sexual conventions and yet reticent about free sexuality, as opposed to the progressive eloquence often shown in male writings about sexual matters. In sum, this article illustrates how Chinese female essayists retained gender propriety when openly addressing intimate matters, while male writers glamorized free sexuality and free love as a panacea for nation-strengthening and social/racial progress in a cross-cultural context.     

Exclusion through Inclusion: Female Asian migration in the making of Canada as a white settler nation

In this article I explore the ways in which concerns over nation, ‘race’, gender and sexuality shaped late nineteenth and early twentieth century debates on whether Canada should exclude or include female migrants from China, Japan and India in the emerging nation-state. In the late nineteenth century, Canadians began to debate whether to allow female migration from China, Japan and India. The vast majority of those who participated in the debate argued that female migrants from Asia should be excluded, as their exclusion would insure that male migrants from Asia would be rendered as temporary residents. On the other hand, there was a small but vocal minority who argued that female migrants from Asia should be allowed into Canada. As the presence of single male Asian residents raised the specter of inter-racial sexuality, these Canadians suggested that it would be prudent to include female migrants from Asia within the nation-state. These debates raise important questions for scholars who study the relationships between nation, ‘race’, gender and sexuality. First, they point once again to the importance of gender in constituting the racialized practices of the nation. Second, as most scholars have focused on the exclusionary aspects of nationalism, they complicate our understanding of race, gender and nation by illustrating that racialized politics of nation can lead to not only exclusionary but also inclusionary practices.     

Persistent pasts,present struggles,imagined futures: Gender geographies in South Africa after apartheid

Abstract

Any analysis of South African gendered performances, identities and inequalities confront past and present experiences of and struggles with race, colonialism, post-colonial development and sexuality. These tensions shape gendered geographical work, highlighting the importance of histories of race, class, and sexuality, as well as the ways in which gender itself can be approached as an analytical category and epistemic framing in South Africa. In this paper we focus on two avenues that have engaged scholars since the end of apartheid, namely: gender and development; and gender and geographies of sexualities. The former articulates the particular ways that the historical spatially exclusionary trajectory of the country has impacted especially on women and their ability to engage with state and national building projects post-apartheid. The latter explores how South African geographies (despite the country’s progressive post-apartheid constitution with regard to LGBT rights) continue to reflect and (at times) enable spatial segregation and inequalities related to gender. A key strength of research in South African gender scholarship is that it complicates and challenges how we might approach gender and gender-based inequalities, and the diverse ways in which gender categories and framings can be imagined, deployed and troubled in post-colonial states and cities.     

Re-analysing the Baining: The Mytho-Poetics of Race,Gender and Art

This article criticises primitivist caricatures of the Baining in Melanesia as a society that lacks exegesis, symbolic logics, religion, structures of power and control, and even an interest in play. The mytho-poetics of gender and procreation in Mali Baining society are documented by focusing on how art and sexuality are traced onto each other. The formative power of painting, barkcloth, dancing masks, netbags and music are merged with the formative power of women. Art and sexuality are made to inform each other's generative potential, and even each other's aesthetic charm. These fertile mytho-poetic practices also underpin Mali political practices. Mali indigenous identity is celebrated as local control over the original powers of creation, which continue to reside in the earth, in the local landscape and, above all, in that which underpins all creation, women's procreative bodies with their creative potential to bring forth something new. The Mali localise creative processes so as to empower and revalue themselves within a culture of resistance to the hegemony of colonialism, modernity, settlers and regional ethnic elites.     

The Evolution of Theory, Method and Technique in Southern African Rock Art Research

Southern African rock art research has progressed from an essentially denigrating social and political milieu, through an empiricist period, to contemporary social and historical approaches. Empiricism, once thought to be the salvation of southern African rock art research, was a theoretically and methodologically flawed enterprise. Attempts to see the art through an emic perspective facilitated by copious nineteenth- and twentieth-century San ethnography is a more useful approach. It began briefly, but was then abandoned, in the nineteenth century. Today, diverse theoretical and methodological approaches are being constructed on an ethnographic foundation. The centrality of the San in South African national identity has been recognized.

Geographies of gender and sexuality in Australia,from 1994 to 2018

Abstract

Corresponding with Gender, Place and Culture’s twenty-fifth anniversary, this country report surveys geographies of gender and sexuality in Australia over the last twenty-five years, from 1994 to 2018. It is a necessarily selective, rather than comprehensive, review. We map out some broad areas tackled by geographers of gender and sexuality in Australia, and accordingly scaffold our survey through themes that include the geographies of women, feminist approaches across the discipline, geographies of masculinities and geographies of sexualities. We highlight research that has investigated gender and sexuality in relation to private and public spaces, workplaces and leisure spaces, urban and rural spaces, digital spaces, and disasters, inter alia.     

‘Pounding dirt all day’: labor,sexuality and gender in the British Columbia reforestation sector

In this article, I examine the relationship between sexuality, gender and labor in the context of the British Columbia, Canada, tree planting industry. I examine how sexuality and gender are central to how the labor process of planting trees is organized and ‘experienced’ by workers. I focus on how workers' productivity is managed through the regulation of sexuality while also interrogating the heteronormative character of this process. In addition, I examine the homosocial and homoerotic dimensions of tree planting labor in order to understand the fragile and tremulous nature of sexual boundaries, which, importantly, are bound up with questions of power and gender. My goal is to stimulate debate on the relationship between sexuality and labor, which is an understudied area compared to the attention that has been paid to the gendering of working life.     

Tomboy Tales: The rural,nature and the gender of childhood

By following and connecting certain well-trodden routes through constructions of childhood, it is possible to arrive at a point at which the 'natural' gender of childhood is apparently male. This is indicated by the fact that girls are often termed 'tomboys' in both popular and lay discourses, even when they are partaking in what are seen to be the purest, most ideal childhoods which are present in notions of country childhood idylls. Children, nature, and the countryside as surrogate nature, are all seen as innocent, and thus notions of idyllic 'natural' country childhoods become a powerful force. Heavily influenced by romantic constructions of, and connections between, childhood, nature and the countryside, such views, it will be shown, leave little space for girl children to adopt female identities. The author suggests that this ideal association of male children and nature, and the accompanying notion that it is the development of female sexuality which in particular marks a departure from the natural state of childhood, and thus ends childhood, merits consideration. This is particularly so in the contexts of various discourses, such as romanticism, feminism and ecofeminism, which have explored links between the female and the natural. The aim is not to challenge these constructions and theorisations of gender and nature directly, but rather to show how the introduction of the notion of childhood might cross-cut, problematise and even illuminate them to some degree.     

‘Some Very Queer Couples’: Gender Migrants and Intimacy in Nineteenth-Century America

This article contends that the term gender migrant – which describes a person who changed gender on a long-term basis in their everyday life – offers a useful tool for grappling with the ambiguities of nineteenth-century transgender history. Examining four cases of gender change that circulated in the popular press between the antebellum era and the turn of the twentieth century, the article brings to light intimate relationships that do not fit within the categories of female husbands or sexual inverts that have become familiar to historians of sexuality. Some female-assigned gender migrants lived as men and sought same-gender intimacy in the company of other men. Reading ambiguous cases of love and marriage from multiple angles provides insight into the strategies that resourceful gender migrants used to legitimise their public gender identities.     

Imagining Cihuacoatl: Masculine Rituals,Nahua Goddesses and the Texts of the Tlacuilos

‘Imagining Cihuacoatl’ examines the conundrum of the multiple identities of the ‘serpent woman’, a Mexica goddess, analysing her relationship with other goddesses in the Nahua pantheon. She and the others were marked in a particular sexualised and gendered manner in the Nahua world. This article argues that Cihuacoatl and the fertility goddesses cannot be conceptualised in a symbolic universe that has binary divisions between male and female, nor can they be analysed by the methods currently employed in the social and cultural history of sexuality. This article follows images of various goddesses of warfare and fertility from pre‐conquest and early post‐conquest texts, suggesting ways in which the Spanish attempted to reconceptualise all of them into a framework of demonic sin. ‘Imagining Cihuacoatl’ will interrogate the sexual performance involved in Nahua ritual, lost in the translation not just from Nahuatl to Spanish but from a system that linked sex with rites of fertility to one that linked sex with sin. ‘Imagining Cihuacoatl’ shows that Gayle Rubin's call to develop a theory of sexuality separate from gender is a project fraught with contradictions, and one that remains incomplete.     

Trans geographies,embodiment and experience

Queer geographers have long been interested in the interconnections between sexuality and space. With queer theorizing as its hallmark, queer geographical research has made substantial contributions to our understandings of genders, sexualities and embodiment and their constitution in, and production of, space and place. This article examines how trans scholarship intersects with several themes central to queer geographical research – subjectivity/performativity; experience/embodiment; and the historical, political and social constitution of what are now called ‘traditional’ LGBTQ or ‘queer’ urban spaces – and offers geographers interested in intersections between sexuality, gender and the body, alternative and challenging avenues of inquiry. This scholarship highlights, in part, the discontinuities and silences embedded in so-called LGBTQ and queer communities and spaces and points to the need to explore more particularly historical and political conceptualizations of the formations of subjectivities, identities and forms of embodiment in play in these spaces.     

Gender geography in Japan: the trajectory,fruits of research and future challenges

Abstract

The indication by female geographers outside of Japan that, due to the original dearth of female geographers, a gender perspective had been missing from geography held true for Japan as well. In 1993, Yoshida was the first person to discuss the importance of a gender perspective in a Japanese journal of geography. Nearly 25 years have passed since its publication, and the aim of this paper is to investigate what developments have taken place in Japanese geography on gender research. As the accomplishments of feminist geography in English-speaking countries was merely ‘imported’ to Japan around 1990, there is no firm starting point of ‘feminist’ geography, which originated in women’s liberation movement of the 1970s, in the country. Rather, it can be said that Japanese geographers, regardless of sex, undertake gender geography, which does not limit a particular sex as the sole subject and/or object of research. The results of research on gender geography by men geographers began to appear from the year 2000. The use of life history method emerged as a trend in research since 2000. While there has been gradual progress in research on gender geography in Japan, the number of researchers are still by no means large. While Japanese geography has hitherto involved a one-way absorption of the fruits of overseas research on gender/feminist geographies, at least based on studies that have already accumulated in Japan, it is now necessary that Japanese study results also be communicated to overseas.     

Death and salvation of refugee women on European borders: Race,gender and class of bodies and power

Black Lives Matter, along with the local movements it has generated around the world, has foregrounded how the differential value of bodies and human lives is deeply rooted in the colour line. However, the movement's claims also push us to consider the analytical legacy of past struggles against racial and gender hierarchies. In this article, I will refer to the intersectional perspective – which black feminism systematized in the 1980s – to analyze certain aspects of the ‘salvation’ policies that target refugee women, showing how Mediterranean border regimes are regulated by ethnic-racial and gender norms. In particular, the article discusses how the sexuality of the racialized body has been constantly recoded by border regimes in order to establish gradations of inclusion and exclusion for migrants arriving in Italy through the Central Mediterranean route. These dynamics are reinforced by a humanitarian discourse depicting refugee women as subjects to be emancipated by the saving arms of the West.     

Nationalism and Sexuality,What are the Issues?

Abstract. This article attempts to clarify in a systematic fashion the relationship between nationalism and sexuality. Whilst a relationship is now generally recognised between the two phenomena, it has been neglected relative to other issues. There are genuine reasons for this, the relationship being fraught with conceptual and empirical problems. Such problems are evident in the writings to date directly on nationalism and sexuality. This discussion attempts to initially disentangle racism and gender from nationalism and sexuality, respectively, before outlining what I consider to be the three major intersections: national sexual stereotypes, sexuality in national conflict and sexuality in nation-building. Each of the intersections are indicated by an assessment of their conceptual relationship, and illustrated by various historical instances.     

The Charms of Women and Priests: Sex,Magic, Gender and Public Order in Late Medieval Italy

How did judicial authorities in late medieval Italy understand the relationship between gender, sexuality, social status, magic and public order, especially when magic was used to facilitate the crime of adultery? What might this reveal about the intersection of gender, magic and public order in a place and time so fraught with political and social tensions? This study qualitatively compares four love‐magic trials from fourteenth‐century Lucca and suggests that the anxieties underpinning these trials were both particular to late medieval Italian communes and projected onto two populations, women and priests, whose unchecked sexuality posed the greatest threat to civic order. Historians examining gender in medieval European magic trials have often treated judicial officials’ anxieties as portents of the ‘witch craze’ of early modern Europe. Historians of medieval Lucca have tended to treat the political and gender histories of the city as largely separate. This article suggests that the courts’ increasing regulation of gender and sexuality in late medieval Lucca reflected larger ecclesiastical and communal concerns about the dissolution of civic order. In a world of civic power that increasingly belonged to secular men, the unchecked sexuality of women and clergy represented a dual threat to the stability of the family and, by extension, the city. This article argues that secular and ecclesiastical judicial officials feared not magic itself, but the ability of magic to invert power relations between men and women and between clergy and laity, destroying public order.