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M. A. Czaplicka 《Folklore》2013,124(3):248-258
THE POLISH PEASANT IN EUROPE AND AMERICA. Monograph of an Immigrant Group. By WILLIAM I. THOMAS and FLORIAN ZNANIECKI. 5 vols. The University of Chicago Press. 1918. Reviewed by M. A. Czaplicka.  相似文献   

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The tremendous fluctuations in public mobilization against United States nuclear weapons policy, a relatively stable policy over four decades, present a difficult riddle to social scientists. Since the dawn of the nuclear age small groups of activists have consistently protested both the content of United States national security policy and the process by which it is made. Only occasionally, however, has this protest spread beyond a handful of relatively marginal groups, generated substantial public support, and reached mainstream political institutions. This article examines the political cycles of peace movement engagement and quiescence, and their relation to external political context, particularly public policy. I begin with a brief review of the relevant literature on the origins of the movements, noting parallels in the study of interest groups. Building on recent literature on political opportunity structure. I suggest a theoretical framework which emphasizes the interaction between activists choices and political context. I then describe the cycles of peace movement activism and quiescence on nuclear weapons issues in the United States using mass media sources to delineate periods of mobilization. I outline a number of policy variables which may help explain protest mobilization. My conclusions address the importance of policy and political context in explaining movement cycles and the potential influence of protest movements on policy.  相似文献   

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In given circumstances, art can play a crucial role in motivating people to participate in altruistic acts of protest and in initiating the formation of social movements. The story of the most controversial work of art in Norwegian cultural history, the so-called Vietnam Picture from 1965, provides an illuminating illustration of how and why artists and their work can have and have had a significant impact on peace and solidarity movements. The article discusses the qualities of artistic production and its reception that can stimulate and sustain protest. Picasso’s Guernica provides an interesting parallel to the Vietnam Picture, and the two pictures are briefly compared.  相似文献   

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Veronica Crossa 《对极》2013,45(4):826-843
Play, laughter and theatrical forms of activism have been recently documented by scholars interested in the politics and spatiality of resistance. This article focuses on the playful techniques of resistance deployed by street vendors and artisans in Mexico City as a result of the displacement generated by a recently implemented policy popularly called Plazas Limpias (clean plazas). Through a case study Coyoacan, a tourist‐oriented neighbourhood known for its historical richness and aesthetic qualities, I show how street vendors and artisans who were removed from plazas in the area engaged in a number of playful resistance strategies which drew on the symbolic and material importance of place. I argue the street vendors and artisans deployed playful techniques of resistance for two reasons. First, play helped develop emotions that were crucial for the sustainability of the movement. Second, playful strategies of resistance were practiced because of the symbolic importance of Coyoacan as a place of creativity, play, performance, and art.  相似文献   

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The article describes the preliminary results of an archaeological survey of a protest camp occupied since 1999 in Derbyshire, England, and reflects briefly on the role of archaeology in researching contemporary activism and protests. The camp is structured by the everyday activities involved in living in the landscape, by the ‘manufactured vulnerability’ created using characteristics of the environment to contest an attempted eviction, and the public statements of protest that symbolise the campaign to the wider world. Through its longevity and the high profile of the wider anti-quarry campaign the camp is now a key element in the history of its landscape, and it is on these terms that it became the subject of archaeological research.  相似文献   

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This article explores the cultural assumptions expressed in the self-proclaimed ‘alternative’ and ‘protest’ sector of French popular music, and how these become problematic when leading a charity concert. Liberté de circulation (1999) is a small-scale concert set up for the benefit of the Groupe d'Information et de Soutien des Travailleurs Immigrés (GISTI) in support of illegal immigrants, and its participants (artists and organisers) have a confused relationship with contestation and media exposure. While they convincingly wrap their pro-migration discourse in notions of solidarity and universality, they often confine themselves in artistic and production terms to a certain marginality, which fails the objective of raising funds and public awareness for the charity targeted. Drawing on a comparison between Liberté de Circulation and Les Enfoirés, a high-profile, televised charity show supporting the destitute, the article observes the problematic articulation of charity to political commitment and, in so doing, contributes to debate about the formation of cultural identities around the concept of ‘resistance’ in contemporary France. This discussion follows the pluridisciplinary method of popular music studies and includes an analysis of song lyrics, orchestration, artists' declarations in interviews and the media reception of charity concerts.  相似文献   

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In Poland three types of flint (chocolate, spotted and banded) were intensively mined from the Terminal Palaeolithic to the Early Bronze Age. Although heating of flint to improve its flaking properties was practised across the world from ∼110,000 years ago to the recent, particularly in southwestern Europe, heat treatment of flint in Poland is known from only two sites.  相似文献   

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This paper examines and critically interprets the interrelations between religion and the Occupy movements of 2011. It presents three main arguments. First, through an examination of the Occupy Movement in the UK and USA—and in particular of the two most prominent Occupy camps (Wall Street and London Stock Exchange)—the paper traces the emergence of postsecularity evidenced in the rapprochement of religious and secular actors, discourses, and practices in the event‐spaces of Occupy. Second, it examines the specific set of challenges that Occupy has posed to the Christian church in the UK and USA, arguing that religious participation in the camps served at least in part to identify wider areas of religious faith that are themselves in need of redemption. Third, the paper considers the challenges posed by religious groups to Occupy, not least in the emphasis on postmaterial values in pathways to resistance against contemporary capitalism.  相似文献   

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