Competing models of nationalism: an analysis of memorial ceremonies in schools

ABSTRACT. By analysing school memorial ceremonies in Israel, this article demonstrates how dominant groups in Israeli society (upper‐ and middle‐class, secular, educated Jews of European origin) exploit their historical monopoly over the Israeli warrior ethos in order to retreat from their unconditional commitment to the state and the military, which stands at the very core of traditional ‘heroic nationalism’. Nonetheless, despite their withdrawal from the military ethos, analysis of the school ceremonies shows that rather than distancing themselves from the national collective, they are promoting a different kind of nationalism – one that I term ‘traumatic nationalism’. This model departs from the warrior ethos and places mourning and a feeling of victimhood at its centre. Thus, through the arena of education, the dominant groups – which mark out the global as their sphere of action – promote a model of nationalism that meets the demands of the post‐national discourse.     

Language as an instrument of nationalism in Central Europe

This article presents a brief survey and analysis of the most intimate coupling of culture and national projects that occurred in Central Europe following the success of the Italian and German nation‐states established in this manner during the third quarter of the nineteenth century. Language is the very ‘stuff’ of culture as well as the instrument of communicating and reaffirming cultural difference vis‐à‐vis other cultures. As such, language became central to the processes of nation‐ and nation‐state‐building in Central Europe, leading to politicisation of language and also of linguistics and philology, which were expected to fortify the nations and their nation‐states than rather to lend themselves to objective research. It is proposed that this specific Central European interweaving of language and national projects may be better comprehended through the application of Einar Haugen's model of language standardisation and Miroslav Hroch's model of nation‐building. These two models in the Central European case seem to be closely corresponding to each other. The short catalogue of language elements used to produce national differentiation closes this contribution.     

The role of classical music in the construction of nationalism: an analysis of Danish consensus nationalism and the reception of Carl Nielsen

ABSTRACT. Very little research has been conducted into the relationship between classical music and nationalism. This is a shame as music has played a significant role in the construction and consolidation of nationalism in many European countries. This article illustrates this by analysing the role of classical music and, in particular, contemporary serious music in the construction of Danish consensus nationalism in the 1930s and 1940s. In so doing, it explores the repression of the modernist expression which was and still is considered a Continental European phenomenon in favour of a local and traditional expression. Furthermore, it analyses the elevation of Carl Nielsen to the position of Danish composer par excellence.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

Narratives of nationalism in Eritrea: research and revisionism*

Abstract. Eritrean politics is increasingly captured in competing narratives of nationalism. ‘Official’ narratives emphasize Eritrea's purported stability, orderliness, and uniqueness. This discourse defends and supports the current government's policies. In contrast, recent research challenges those policies, and contributes to a nationalist counter‐narrative. This article seeks to investigate the discursive power of conventional narratives and the implications of new research for accounts of state and nation‐building in Eritrea. The Eritrean case – one of the newest states in the world – intersects with and informs a number of broader debates on nationalism and nation‐building: the impact of globalization, secessionism, and war as well as the relationship between ethnicity and nationalism. The penetration of state and nation‐building projects into every sector of Eritrean life means that all social research is deeply politicised. Journalists and researchers have long been key players in the contested process of conceptualising Eritrean nation‐hood, and this continues in the post‐liberation period. Research thus both buttresses and challenges official discourses, even where it is not explicitly framed in terms of nationalism.     

Sweet nationalism in bitter days: a commercial representation of Zionism

ABSTRACT. This article identifies several theoretical approaches to the role of culture in the construction of national identity. Embedded in the presently emerging approach, which emphasises the relations between popular culture/consumerism and national identity, this study focuses on a specific consumer good manufactured in Israel in the early 2000s, the height of the second Palestinian Intifada (uprising): small sugar packets bearing portraits of the patriarchs of Zionism. The analysis of this product, employing semiotic analysis, interviews and focus groups, locates it in the five ‘moments’ of du Gay's ‘circuit of culture’ (i.e. identity, representation, production, consumption and regulation). Three main gen e ral arguments were stated, empirically examined and largely sustained: (1) Consumer goods are used not only for constructing national identity but also as a means for ‘healing’ it; (2) in their ‘healing’ capacity, representations of nationalism on consumer goods do not add new elements to representations offered by the ‘high’ official version of nationalism but replicate them in a simplified way; (3) while trivialising the insights and concepts that originated in ‘high’ culture, consumer goods expose the prejudices, stereotypes and rules of inclusion and exclusion that in ‘high’ culture are often hidden in a sophisticated manner.     

To Garden,to Market: Gendered meanings of work on an African urban periphery

This article traces the historical origins of a localized gender division of labor found in two villages on the edge of the city of Bobo-Dioulasso, Burkina Faso. Through social-historical analysis, this article demonstrates that gender divisions of labor are not simply constructed in particular places; they are constructs located near or far from other places, and thus influenced by multidimensional interactions between those places. Specifically, this article shows how the villages' location on the periphery of an important regional city has shaped their experience of European colonialism, religious change and market expansion in ways that have given particular meanings to certain kinds of work in commercial gardening. More generally, this article shows how a focus on the historical meanings of work can provide insights into local variations in gender divisions of labor.     

Securing disunion: Young people's nationalism,identities and (in)securities in the campaign for an independent Scotland

This paper explores ethnic and religious minority youth perspectives of security and nationalism in Scotland during the independence campaign in 2014. We discuss how young people co-construct narratives of Scottish nationalism alongside minority ethnic and faith identities in order to feel secure. By critically combining literature from feminist geopolitics, international relations (IR) and children's emotional geographies, we employ the concept of ‘ontological security’. The paper departs from state-centric approaches to security to explore the relational entanglements between geopolitical discourses and the ontological security of young people living through a moment of political change. We examine how everyday encounters with difference can reflect broader geopolitical narratives of security and insecurity, which subsequently trouble notions of ‘multicultural nationalism’ in Scotland and demonstrate ways that youth ‘securitize the self’ (Kinnvall, 2004). The paper responds to calls for empirical analyses of youth perspectives on nationalism and security (Benwell, 2016) and on the nexus between security and emotional subjectivity in critical geopolitics (Pain, 2009, Shaw et al., 2014). Funded by the Arts and Humanities Research Council (AHRC), this paper draws on focus group and interview data from 382 ethnic and religious minority young people in Scotland collected over the 12-month period of the campaign.     

A tale of ambiguity: citizenship,nationalism and democracy in Turkey

ABSTRACT. We argue that historically the official Turkish nationalism and citizenship regime have been marked by an ambiguity that arises from the simultaneous existence of – and repeatedly occurring swings between – the ethno‐centric and civic‐political understandings of citizenship. We also suggest that the concept of territoriality, which took precedence over other factors in the creation of a new state in 1923, has functioned as a hegemonic reference in the official conceptualisations of the Turkish nation and self. The territorial focus, over time, has been conflated with the ethnic conceptualisations of the nation: both become the underlining elements of the discourse of official nationalism in Turkey, and are utilised in the successive reformulations of citizenship into the 2000s. Through the analysis of schoolbooks and curricula, we further argue that the major oscillations in nationalism nevertheless coincided with the ruptures that characterised the making of modern Turkey: modernisation, democratisation, globalisation and Europeanisation.     

Regionalising resource security in the Asia-Pacific: the challenge of economic nationalism

In recent years, efforts to institutionalise resource security cooperation in the Asia-Pacific region have intensified. Soaring world prices for minerals and energy have seen a range of resource security strategies launched—through the Association of Southeast Asian Nations (ASEAN), ASEAN Plus Three, Asia-Pacific Economic Cooperation and the East Asia Summit—all of which aim to promote intergovernmental dialogue, policy coordination and the integration of regional resource markets. However, the practical achievements of these regional efforts have been limited, as none have advanced beyond dialogue activities to more formalised types of resource security cooperation. This article examines the dynamics of these abortive attempts to regionalise resource cooperation in the Asia-Pacific, arguing that economic nationalist resource policy preferences held by governments have acted as a major obstacle to cooperation. Through an analysis of national resource policy regimes and the outputs of recent cooperative efforts, it demonstrates how economic nationalism has encouraged inward-looking and sovereignty-conscious actions on the part of major resource players in the Asia-Pacific. As a result, intergovernmental resource cooperation has been limited to informal and voluntary ‘soft-law’ initiatives, which have not made a substantive contribution to the resource security of economies in the region.     

The limits of constructedness: memory and nationalism in the Arab Middle East

Abstract. This paper examines the influence of the historical trajectory on the creation of nationalism in the twentieth century Middle East. While it is not claimed here that everything was decided in preexisting history, the paper claims that history was important. If the story of Middle Eastern nationalism is the story of the tension between ethnic Pan‐Arabism and geographical state nationalism, the fact is both these phenomena are highly distinct in the sources used for this study, mainly seventeenth‐ and eighteenth century biographical dictionaries. The modern countries (Egypt, Syria) are in daily use, serving partially as terms of identity, non‐political though it might have been. A sense of Arabism existed as well, probably surviving from the early Islamic period. It had much to do with the survival of Arabic literary genres as the preoccupation of the intellectual elite. The Ottomans did their bit in this regard, by treating the Arabic‐speaking Middle East as substantially one unified unit, their provinces being superficial and unimportant barriers, mentally no less than physically. Thus, when the Ottoman Empire disappeared in the early twentieth century, the ambivalence between Arabism and state‐based nationalism already existed, and was by no means invented by colonialism. The later success of this or that version of nationalism could only be explained by reference to modern factors, but the repertory owed much to the cultural history of the region.     

Market civilisation meets economic nationalism: the discourse of nation in Russia's modernisation

This article examines how the discourse of nation functions as a mechanism furthering the expansion of a neoliberal market civilisation in Russia. It contributes to discussions that have challenged the assumed mutual exclusivity of economic nationalism and neoliberalism. The article develops its argument in the context of the idea of contemporary international society as a market civilisation characterised by an adaptation to and adoption of neoliberal standards by states. The ongoing modernisation project in Russia illustrates the workings of such standards, as exemplified by the project for an innovation city in Skolkovo, in the Moscow metropolitan area. Building on an analysis of the Skolkovo debate, the article agues that there is no inherent contradiction between economic nationalism and neoliberalism. Rather, the nation is an important symbolic system that produces a cultural susceptibility to, and a discursive field for, the introduction of neoliberal standards of market civilisation in Russia.     

Time‐bubbles of nationalism: dynamics of solidarity ritual in lived time

The growth of modern nationalism can be attributed to structural causes, especially the growth of the strong bureaucratic state that penetrates society, creating cultural uniformity and national identity. But structurally based nationalism need not be very intense, or constant; even when institutionalised in periodic formal rituals, it can be routine, low in emotion – even boring. We need to explain sudden upsurges in popular nationalism, but also their persistence and fading in medium‐length periods of time. Nationalist surges are connected with geopolitical rises and falls in the power‐prestige of states: strong and expanding states absorb smaller particularistic identities into a prestigious whole; weaker and defeated states suffer delegitimation of the dominant nationality and fragment in sudden upsurges of localising nationalities. Passing from macro‐patterns to micro‐sociological mechanisms, conflict producing solidarity is a key mechanism: dramatic events focus widespread attention and assemble crowds into spontaneous ‘natural rituals’ – mass‐participation interaction rituals, as distinct from formal rituals. Evidence from public assemblies and the display of national symbols following the terrorist attacks of 11 September 2001 (9/11) shows an intense period of three months, then gradual return to normal internal divisions by around six months. Spontaneous rituals of national solidarity are produced not only by external conflict but by internal uprisings, where an emotional upsurge of national identity is used to legitimate insurgent crowds and discredit regimes. Although participants experience momentary feelings of historic shifts, conflict‐mobilised national solidarity lives in a 3–6‐month time‐bubble, and needs to institutionalise its successes rapidly to have long‐term effects.     

Anatomy of the national myth: archetypes and narrative in the study of nationalism

This paper argues that recognising types of underlying narrative form which repeatedly occur across cases is critical to the study of nationalism. It proposes a method borrowed from the literary theory of Northrop Frye – archetypal criticism – for identifying the four basic forms of emotional architecture that characterise the myths of particular nations: tragic, romantic, comic and satiric. The study of nationalism has long acknowledged the importance of narrative in political behaviour. But consideration of how distinct types of narratives affect specific emotions is missing. The ‘narrative turn’ in the social sciences, which has responded to instrumentalist scepticism, has thus far focused on the cognitive functions of narrative. That is, how narrative influences the acquisition and interpretation of information and how stories are used to construct or reinforce a collective understanding of events. The undertheorised dimension of narrative in nationalism relates to the emotional structures embedded within narrative. This is where this paper makes its contribution.     

The shape of the nation: Visual production of nationalism through maps in Turkey

Nationalism, as a political discourse requiring a fundamental connection to a particular territory has constantly referred to maps as evidence of the eternal existence of the respective nation. In the case of modern Turkey, the national map has been a symptomatic signifier of a constant anxiety of territorial loss. Built around such anxiety, Turkish nationalism has been sensitive towards the borders defining national territory. This article analyzes the use of national maps as instruments for the cultural production of nationalism in Turkey throughout the last three decades. In the process, it is intended to differentiate between official maps produced under state authority and popular maps circulated in mass media.Throughout the 1980s, national maps included in school textbooks presented a country surrounded by hostile neighbors on all sides, in tune with the political climate of the Cold War. A crucial aspect of these official maps was the cartographic awareness they generated which, in the following decade, would become operational in the widespread use of the map as a nationalist sign. With the emergence of the Kurdish question in the 1990s, the national map became a key instrument in promoting nationalist sentiments with the invention of the flag-map logo as a favorite symbol. After the US-led invasion of Iraq in 2003, the Kurdish issue was projected on to Northern Iraq, and a new mode of cartographic representation was invented. “Appropriated maps” produced through the digital retouching of random maps found on the Internet visualized irredentist desires enlarging the country’s territory especially into Northern Iraq and invoking the Ottoman past. These maps, which consciously distorted geographical information, turned to historical references to sustain their cartographic validity.     

Nationalism studies between methodological nationalism and orientalism: an alternative approach illustrated with the case of El Greco in Toledo,Spain

Methodological nationalism is still dominant in nationalism studies. When studying the construction of national identities, scholars generally limit their study to the borders of one nation‐state, while only paying attention to members of that particular nation. Implicitly, foreign actors and influences are left out of the picture. I will challenge this methodological nationalism with a case study, which demonstrates that the place of Toledo within the Spanish national imagination, and more particularly that of El Greco, the most important representative of the city's artistic heritage, was largely determined by foreigners. During the nineteenth century, El Greco was rediscovered primarily by foreign scholars and artists. Moreover, it would be the rise of international tourism in the early twentieth century that convinced Toledans to adopt El Greco as the city's main artistic icon. This case, thus, clearly shows that in nationalism studies methodological nationalism can be avoided by also including foreign actors.     

Nomads of the Desert West: A shifting continuum in prehistory

The Desert West, a term first employed by Jesse D. Jennings to describe the geographic region where Desert culture evolved, is used to frame a discussion of adaptive diversity that focuses on the time period 1250 to 750 B.P. Variable pathways into and out of sedentism are explored and subsistence intensification, exchange, ideology, and warfare are discussed in relation to an adaptive mosaic of nomads and agriculturalists. I argue that a conjoint prehistory of the Great Basin and the Southwest is both possible and desirable and is needed to illuminate general social processes and major episodes of culture change affecting groups in the Desert West.