Friedrich Ratzel and the nature of (political) geography

It is impossible to understand Ratzel's Politische Geographie without placing the figure of its author in the perspective of the critical bourgeois geography of the eighteenth century and the first half of the nineteenth century. From this point of view, Ratzel is the last representative of this bourgeois movement born in the first part of the eighteenth century in Germany with the name of “pure geography” or “natural geography”, and developed in the following century thanks to the great works of Karl Ritter and Alexander von Humboldt. The purpose of bourgeois critical geography was to create a geographical discourse (a reasoning) able to transcend the identification between geographic knowledge and cartographic representation that was maintained by the Staatsgeographen—that is by the state geographers who defended the feudal aristocratic regime. But it is precisely this identification that German bourgeois geographers appropriated in the second half of the nineteenth century, after the bourgeoisie came into power through a compromise with its ancient political opponent. Only Ratzel, direct heir of the Erdkunde tradition of Ritter and von Humboldt, was an exception by opposing the new bourgeois state geography with his own state-based geography.     

Citizens and scientists: toward a gendered history of scientific practice in post-revolutionary France

Because the French Revolution failed to produce a widely acceptable definition of citizenship, the limits of manhood suffrage in the early nineteenth century were uncertain. Social practices, in particular scientific activity, served as claims to the status of citizen. By engaging in scientific pastimes, bourgeois Frenchmen asserted that they possessed the rationality and autonomy that liberal theorists associated both with manliness and with civic capacity. However, bourgeois science was never a stable signifier of masculinity or of competence. As professional science emerged, the bourgeois amateur increasingly became the feminised object of satire rather than the sober and meritorious citizen-scientist.     

Montpellier and Genoa: The dilemma of dominance

During the high and late middle ages, Genoa was a dominant force in Mediterranean commerce. This study examines the relationship between Genoa and the Southern French town of Montpellier in three historical eras: the twelfth century to about 1180; from the 1180s to about 1270; and from 1270 through the mid-fourteenth century. In the first era Genoa, along with Pisa, exercised economic hegemony over the coast of Southern France. In the second period, Montpellier gradually emancipated itself from Genoese commercial control. In the third era interaction between Montpellier and Genoa became increasingly complex because of the growth of French influence in Languedoc. The French monarchy sought to control southern French commerce with a requirement in 1278 that Italian merchants reside in Nimes and trade through Aigues-Mortes, and later in the 1330s with the offer of a transport monopoly over goods from southern France to Genoese admirals Doria and Grimaldi. Montpellier resisted these French efforts, invoking its commercial independence and political allegiance to the Majorcan king. By the mid-fourteenth century Genoese pretensions to commercial dominance over Montpellier were hollow reminders of the past, but the Genoese legacy of business technology remained strong.     

Gender,Citizenship and Subjectivity: Some Historical and Theoretical Considerations

Because the French Revolution failed to produce a widely acceptable definition of citizenship, the limits of manhood suffrage in the early nineteenth century were uncertain. Social practices, in particular scientific activity, served as claims to the status of citizen. By engaging in scientific pastimes, bourgeois Frenchmen asserted that they possessed the rationality and autonomy that liberal theorists associated both with manliness and with civic capacity. However, bourgeois science was never a stable signifier of masculinity or of competence. As professional science emerged, the bourgeois amateur increasingly became the feminised object of satire rather than the sober andmeritorious citizen‐scientist.     

论法国七月王朝君主立宪制的建立

1830年革命爆发后,大资产创建了七月王朝．它是法国君主立宪制发展的最高和最后阶段。七月王朝君主立宪制的合法性基础在于它对复辟王朝的政治制度既肯定又否定,既继承又发展,既有趋同又有超越。法国大资产与土地贵族之间的天然敌对关系,则孕育了七月王朝取代复辟王朝统治的历史必然性。由于近代法国长期存在的宪政困境和大资产本身的局限性,致使七月王朝君主立宪制具有难以避免的缺陷。     

The historical dimension of French geography

In France, the study of history behind regional geography has suffered a long decline since the late nineteenth century, but a new historical dimension is beginning to emerge. In the nineteenth century, historians showed how much regional character owed to remains from antiquity while historical geographers traced the history of exploration and discovery from ancient to modern times. Vidal de la Blache integrated historical reconstruction with social analysis in the study of regions. Vidal's followers not only characterized the distinctiveness of regional features but also demonstrated that differences in regional ways of life were more pronounced before industrialization and urbanization than later. In the first quarter of the twentieth century, historical investigations by geographers were neither sufficiently comprehensive nor sufficiently rigorous to explain spatial patterns. Historians of the Annales school obtained deeper understandings of social and economic changes and took a broader view of long-term psychological, cultural and geographical changes. Their interpretations of agrarian structures illuminated problems fundamental to the development of European civilization. In the 1970s, reacting against mechanistic analyses of spatial organization, young scholars again turned to historical geography to examine problems of social evolution. At the moment, this revival of historical interest among geographers has not attracted much attention from historians.     

The Queen as ‘social mannequin’. Consumerism and expenditure at the Court of Isabeau of Bavaria, 1393–1422

Unjustifiably, but often, dismissed as the driest of sources, medieval accounts can be a mine of historical and social information, and those of Isabeau of Bavaria, queen of Charles VI of France, are particularly fascinating. One of the many consequences of the king's lifelong mental instability was the development of an entirely separate financial administration for his wife and children, and this combination of radical innovation and unprecedented levels of expenditure has meant that scrutiny of Isabeau's accounts — the best preserved and most extensive of any medieval queen of France — has been considered fundamental in almost all biographical works. Although this paper looks at what could be regarded as a frivolous topic in Isabeau's wardrobe, the social concept of the royal lady as decorative fashion-plate has been particularly pertinent in recent years, but also has a long-standing pedigree. The necessity and public display of wealth were always an intrinsic element of medieval queenship, and a number of these wider themes will be explored alongside detailed analysis of two example accounts.     

Dog in the Night: The Limits of European Nationalism, 1789–1895

Abstract. The article questions the widely held view that nationalism was a significant feature of modem civilisation and particularly of nineteenth-century Europe. Two groups of events are chosen for examination: reputedly classic instances of nationalism (the French Revolution, German responses to Napoleon, the Italian and German revolutions of 1848, Italian and German unification and the Eastern crisis of 1875-8), and important international events which in an age of nationalism should reflect it (the Crimean War, Bismarck's alliances and the Franco-Russian alliance). Defined as the effort of nation/peoples to defend/extend their power, nationalism is evaluated specifically for its breadth of support and its influence on decision-makers which prove to be limited. This conclusion has implications not only for these events but also brings into question the established system of historical periodisation which presumes the distinctiveness of the nineteenth century and modem civilisation precisely because of their distinguishing features such as nationalism.     

Mimi Pinson Goes to War: Taste,Class and Gender in France, 1900–18

In the years leading up to the First World War, the Frenchwomen of a free performing‐arts programme for female workers, known as the Mimi Pinsons, began to appear frequently in popular stories, articles, poems and songs as cultural shorthand for a renovated social vision of France. Founded by composer and philanthropist Gustave Charpentier in 1900, the Oeuvre de Mimi Pinson taught its worker–students elementary music, song and dance, and gradually expanded to include a charitable organisation and social network. A closer examination of the OMP reveals that its members were also used to reconcile early twentieth‐century French anxieties about working‐class militancy and even war by way of a potent cultural association of female sexuality, aesthetic refinement and labour. In the years before the First World War, the Mimi Pinsons were defined by journalists, government officials and the OMP's own organisers according to a formulaic type which at once modernised and constrained the role of the female Parisian worker. Associated almost exclusively with the luxury‐garment trades – seamstresses, flowermakers, milliners and department‐store clerks – the new Mimi Pinsons were embraced by the public as naturally chic yet diligent guardians of French art and craft. These female worker–students allowed an easy merging of the body of the female worker with particularly French notions of the patriotic responsibility of feminine taste. When the First World War came, many of the Mimi Pinsons joined the war effort as workers and nurses, yet they were embraced by the public primarily for their service as tasteful creators of patriotic decorative objects, and as an ideal symbolic figure for managing anxieties about the social dissolution that came with the war.     

DEFENDING SPIRIT,SPIRITUALIZING MATTER: NINETEENTH-CENTURY FRENCH ACADEMIC PHILOSOPHY AND THE MEDICAL SCIENCES

This review essay discusses Larry Sommer McGrath's Making Spirit Matter: Neurology, Psychology, and Selfhood in Modern France (2020), a history of the philosophical current known as “spiritualism.” The book covers the long nineteenth century, focusing especially on the first part of the Third Republic (1870–1914), and studies how French academic philosophers confronted the discourses about human cognition and behavior that were produced by physicians—namely, physiologists and pathologists, phrenologists, neurologists, alienists, and psychiatrists. It describes how, while engaged in this confrontation, French philosophy took a peculiar shape, eventually influencing the development of some sciences—namely, psychology, which emerged progressively as a discipline at the crossroads of medicine and philosophy. In the second part of the essay, starting from a terminological analysis of a series of terms dealing with “spirit,” I consider the formation of spiritualism by adopting an approach that diverges slightly from the ones proper to history of philosophy and intellectual history. I inscribe the philosophical discourses in their contexts of emergence, paying particular attention to institutional macrostructures and their inertia. This provides another perspective on “spiritualism,” which may no longer be conceived as a current or a school; rather, it should be conceived as the effect of the conditions of possibility of academic philosophy in France. It seems to me that, starting from the beginning of the nineteenth century, because of the organization of the educational institutions, the French philosophers’ agenda consisted mainly in opposing all forms of materialism, mechanism, and determinism and in defending the legitimacy of their discipline.     

Making Distinctions: The Contribution of Hector Landouzy to Differential Diagnosis in Relation to Hysteria and Epilepsy

Hector Landouzy (1818-1864) is known for his Traité Complet de l'Hystérie (1846), which was crowned by the Académie de Médecine, but this work is not given much importance in historical accounts. It deserves more attention because it was more than an orthodox statement about the nature of hysteria. In the context of the diagnostic confusion between epilepsy and hysteria, it introduced a method of presenting criteria to facilitate diagnosis. An examination of French authors on epilepsy and hysteria in the second half of the nineteenth century suggests that this method probably set the example which was to be followed by later clinicians, including Charcot at the Salpêtrière.     

An Enlightened path towards conservatism: critical junctures and changing elite perceptions in early nineteenth-century Russia

This article explores the historical roots of Russian conservatism by analyzing the evolution of Russia’s Westernized, Enlightenment-minded nobility to a conservative segment of Russian society in the early nineteenth century. The events of 1789 and 1812 were critical junctures that made the Russian nobility painfully aware of their own deep level of Westernization. The article first describes the reverberations of the French Revolution among the Russian elite. It also discusses the internal and external scrutiny of Russia’s relations with France under Napoleon, which made Russian conservatism a contingency. It then describes the evolution between 1789 and 1812 of a corpus of conservative ideas ranging from traditionalism to ardent patriotism and xenophobia. Napoleon’s 1812 campaign against Russia overshadowed the generational gap and diverging political and literary preferences among the elite. The reaction to it illustrates the intrinsic duality of the Russian elite: culturally Westernized, yet politically conservative. Yet the influence of several Western defenders of the ancien régime on Russia’s conservatives shows that the essentially conservative Russian identity as propagated by Putin these days originally might have been more pan-European than purely Russian.     

Unattached and Unhinged: The Spinster and the Psychiatrist in Liberal Italy, 1860–1922

This article explores the role nineteenth‐century Italian psychiatric sciences played in shaping attitudes towards adult women who never married. Initially in post‐unification Italy unmarried women were largely invisible, while the bachelor appeared to threaten the newly formed nation's fragile political and social stability. In the last decades of the nineteenth century fears about the bachelor faded, replaced by growing concerns about the social dangers posed by the ‘spinster’. Drawing on writings from psychiatrists, anthropologists, sociologists, on patient records from psychiatric asylums as well as popular literature, this article traces the way psychiatric practice and theories transformed the image of the unmarried single woman.     

Crusade narratives in French and German history textbooks, 1871–1914

This article is a comparative study of crusade portrayals in French and German history textbooks published between 1871 and 1914. The crusades had been events that had moved practically all of Europe in the Middle Ages. In the course of the nineteenth century the crusades once more became a matter of scientific, cultural and therefore public interest. Crusade narratives portrayed these events as the climax and the heroic period of the Middle Ages and thus offered highly varied patterns of interpretation. Although in this nationalist age France and Germany consigned themselves to national history and thus the glorification of one's own nation, this article will not only analyse the national and sub-national (denominational, Laicist …) images conveyed via this European event. It will also ask if and how the tension between nationalism and concepts of Europe were made subject of discussion in this historical ‘European event’. Therefore, it focuses on school textbooks as a source that, during the period in question, was responsible for a significant portion of national mythology and cultural memory as conveyed by media.     

Selling archaeology and anthropology: early medieval artefacts at the Expositions universelles and the Wiener Weltausstellung, 1867–1900

The archaeological and anthropological exhibits included in the four Expositions universelles held in Paris between 1867 and 1900 and the Wiener Weltausstellung in the Austro‐Hungarian capital in 1873, contributed to the commercialization of antiquarianism and granted international attention to the amateur practitioners of these emerging disciplines. Displays of archaeological artefacts and human remains from the migration period and the early Middle Ages, juxtaposed with more exotic ‘primitive’ art, permitted organizers to broaden the aesthetic sensibilities of fairgoers and promote the acquisition of native antiquities. Exhibiting private collections of early medieval objects likewise justified nineteenth‐century concepts of French and ‘pan‐Germanic’ identity by linking them to iconic artefacts and romanticizing the barbarity of this distant epoch.     

The Choir of Auxerre Cathedral and the Question of a Burgundian Gothic Architecture

Despite criticisms, the classification of the choir of Auxerre Cathedral as Burgundian persists in recent literature. Yet the cathedral’s choir, begun c. 1215, demonstrates the problematic nature of the existing regional categories for French medieval architecture. Based on the 19th-century idea of progress, the conceptual model that conceives Gothic France as consisting of ‘centre and periphery’ and notions such as regional styles or period styles are deeply at odds with medieval concepts of innovation as inclusive of tradition, as evidenced in the biography of Bishop William of Auxerre (1207–20). Indeed, 20th-century studies in support of the classification are contradicted by recent archaeological findings, and neither the historical evidence nor the architectural evidence support a Burgundian label for the choir. The architecture’s distinctly trans-regional character with a mixture of both traditional and up-to-date architectural elements as well as the fact that patronal identities were strongly based on local affiliations and not attached to the duchy of Burgundy, invite a profound reconsideration not only of the position of the choir in the architectural landscape of the early 13th century but also of Gothic architecture of north-eastern France in more general terms.     

Muscles,Nerves, and Sex: The Contradictions of the Medical Approach to Female Bodies in Movement in France, 1847–1914

From the early nineteenth century in France, the treatment of hysteria was connected to both physical and moral development. As a result, therapeutic treatments envisaged by medical practitioners were influenced by and related to the formulation of precepts of medical gymnastics. This article considers how ‘physical education’ for women became part of medical discourse, specifically the elaboration of ‘body treatment’ as a remedy against nervous disorders including hysteria. From the Second Republic (1848) to the years of the belle epoque (1914), the discourse concerning the medical cause of ‘hysterical madness’ is marked by the progressive discrediting of reflections that located the causes of pathology in the genitals. However, the shaping of a neuro‐cerebral etiology did not fully replace discussions of the relationship between hysteria, female bodies and the uterus. While the current historiography emphasises the participation of doctors in the production and legitimation of physical exercises in the nineteenth century, some aspects of this process are not yet fully explored. We examine the ambivalences of medical discourse, between the rhetoric of the eternally wounded woman and the need to develop women's abilities (intellectual, moral, and physical) to ensure healthy children. And despite the shadows that still obscure the etiology of nervous disorders, there is, in our period, a genuine dynamic favouring experimental therapeutics. The ‘movement disorders’, such as chorea, hysteria or neurasthenia, were handled by increasingly well‐established regimes utilising physical exercise. The introduction of gymnastics in the hospital played a fundamental role in this process; it enabled experimentation and lent legitimacy to physical exercise as therapy.     

Fashioning the American Man: The Arrow Collar Man, 1907–1931

This essay is about the Arrow Man, one of the most successful advertising images in early twentieth–century America, and a visual representation of the New Man. The Arrow Man was created by a noted artist, J. C. Leyendecker, to sell the Arrow collar, a new version of detachable collars, a wardrobe staple for most US men and all but working–class men in Britain and Europe since the 1840s. The Arrow Man’s story is part of the transformations in masculine ideals and physical appearance, heightened by the new visual and consumer culture. He carried messages of men’s self–management of appearance and public performance from the nineteenth century into the early twentieth, where it changed from a mark of European gentility into that of the typically American white–collar man. His story is part of fundamental shifts in the US: new occupational and social class configurations and emerging American popular culture.