Looking at Domestic Textiles: An Eye-Tracking Experiment Analysing Influences on Viewing Behaviour at Owlpen Manor

Decorative textiles were once ubiquitous and important, occupying a significant social and cultural space in the early modern interior, yet their impact upon how individuals engaged with domestic spaces is largely unknown. One way of approaching their impact is through an exploration of how present-day individuals engage visually with them in relation to other objects as they walk around an historic space. This article reports on one such investigation, an eye-tracking study which explored responses to the narrative hangings in Queen Margaret’s Chamber at Owlpen Manor in Gloucestershire. Using eye-tracking equipment, we compared the viewing behaviour of two groups of participants, to whom we gave key information before they entered the room. We found that both the expertise of the viewers and the information provided influenced their viewing behaviour. Our findings highlight the importance of individual understanding and information provided to viewers when engaging with historic spaces, and can inform museum and heritage practice as well as enhancing our comprehension of how viewers engage with such textiles in historic spaces.     

Heritage views through urban exploration: the case of ‘Abandoned Berlin’

This article frames the practice of urban exploration and its interest towards abandoned places from a heritage perspective. It is argued that most urban explorers prioritise the excitement of trespassing and the creation of their own narratives over the historic importance of the sites they explore. These ‘performative’ explorers avoid deliberate attention that may lead to vandalism or touristification – an alternative way of ‘preserving by not preserving’ that celebrates decay and assumes the sites’ progressive loss. To achieve this, they prefer not to disclose exact locations, creating a divergence towards a minority of practitioners who prefer to collect data on history and current state of conservation to make it public. Attention is paid to these ‘communicative’ explorers, whose documentation renders abandoned places visible, opening further debates about a more inclusive preservation and memorialisation. By distinguishing both heritage views, the objective of this article is to contribute to the enlargement of Heritage Studies by incorporating urban exploration as a space for reflection between loss and bottom-up preservation and interpretation.     

Unchanging boundaries: the reconstruction of Skopje and the politics of heritage

This study discusses the politics of urban planning and heritage in the city of Skopje, Macedonia. I compare three phases of urban reconstruction under three political systems: the inter-war Kingdom of Serbs Croats and Slovenes, the communist regime and present-day ‘democracy’. I show that the ambiguous marginalisation of Ottoman heritage has been a continuous practice, despite today’s reading of communist planning as ‘open’. Through a discussion of Yugoslav politics towards religious and national ‘minorities’, I show that Ottoman heritage has been preserved only insofar as it fits within the state’s definition of power. I specifically detail how the construction of ‘European’, ‘secular’ public space has worked as a tool through which state/nation building established new hierarchies of power. I show how this is reflected most clearly in the specific politics of heritage by discussing the creation, regulation and management of ‘?ar?ija’, the ‘old Turkish’ neighbourhood of Skopje.     

‘Anti–Mini Militants Meet Modern Misses’: Urban Style,Gender and the Politics of ‘National Culture’ in 1960s Dar es Salaam,Tanzania

This essay examines a 1968–9 campaign by Tanzania’s ruling party Youth League to outlaw mini–skirts and other ‘indecent’ fashions as ‘decadent’ affronts to Tanzanian ‘national culture’. It situates the intense, public debate on the campaign both in terms of the state’s contested national cultural project, and in relation to intersecting anxieties about shifts in women’s work and mobility in urban space, and the politics of sex in postcolonial Dar es Salaam. Arguing that ‘the city’ ndash; both as an imagined space and as the site of particular, gendered social struggles – is central to understanding the campaign, the essay charts attempts by the ban’s opponents to fashion viable personas and notes the limits of these attempts.     

Caught between nationalism and internationalism: replicating histories of Antarctica in Hobart

In December 2013, a replica of ‘Mawson’s Hut’ (a historic structure in Antarctica) joined a growing list of polar tourist attractions in the Australian city of Hobart, Tasmania. Initially promoted as the city’s ‘latest tourist hotspot,’ the ‘replica museum’ quickly took its place in Hobart’s newly redeveloped waterfront, reinforcing the city’s identity as an ‘Antarctic Gateway’. The hut forms part of a heritage cluster, an urban assemblage that weaves together the local and national, the past and present, the familiar and remote. In this article, we examine the replica hut in relation to the complex temporal and spatial relations that give it meaning, and to which it gives meaning. Our focus is the hut as a point of convergence between memory, material culture and the histories – and possible futures – of nationalism and internationalism. We argue that the replica hut, as a key site of Hobart’s Antarctic heritage tourism industry, reproduces and prioritises domestic readings of exploration and colonisation over a reading of Antarctic engagement as a transnational endeavour. However, like other ‘gateway city’ heritage sites, it has the potential for aligning with a larger trend in international heritage conservation and heritage diplomacy, that of prioritising narratives of the past that weave together transnational connections and associations.     

Mobility and modernity in Luang Prabang,Laos: re-thinking heritage and tourism

Numerous studies of tourism in Luang Prabang World Heritage site in Lao Peoples’ Democratic Republic are critical of the perceived impacts on heritage values of the city. Criticisms relate to the incursion of new buildings into the historic core, the loss of older dwellings, increases in foreigners renting and restoring properties as guest houses and restaurants and the movement of locals out of the historic core. Other criticisms relate to the effects on community support for the monastic communities that create the sacred and ritual geography of the city, the loss of community diversity within the World Heritage boundaries and increasing uniformity as the development of tourism continues apace. While our research does not challenge these observations it raises questions about the type of analyses and conclusions reached. Too often ‘heritage’, ‘tourism’ and ‘community’ are considered self-evident and bounded entities, with tourism something faintly alien that causes disruption to the urban fabric of Luang Prabang and, consequently, to the values for which it was inscribed. We propose a different way of conceptualising the relationship between heritage, community and tourism by examining the interaction between global, regional and local mobilities in the context of globalisation and under the aegis of modernity.     

Culture and nature in the mediterranean: towards an integrated approach

Tate Britain’s 2011 poster campaign boldly states ‘This is Britain’ and reproduces two works from the collection, one historic, one modern or contemporary, with a strip of Union Jack flag at the bottom. The design suggests a sense of coherence in the collection and in British art in general. This article questions the purpose of this supposed coherence, by questioning its art historical basis, and focusing on its consequences for the reception and perception of historic, modern and contemporary British art amongst Tate’s audience, both within and without the gallery space. The ideas presented draw on press commentary, visitor statistics and museum advertising practice and look at three points in Tate’s history: the Millbank gallery’s 1897 opening, the 2000 rebrand as Tate Britain and the current moment of this poster campaign. This article will argue that the transhistorical juxtapositions seen in these posters are a central tenet of how Tate builds its own identity and that of British art, and that these posters are used as a satellite exhibition space, but with a curatorial approach other to that of the gallery itself, so that the collection is displayed to attract the maximum potential audience.     

Expertise and the making of World Heritage policy

This paper contributes to two emergent areas of scholarship: first, the role of expertise within the domain of cultural heritage practice; and second, international heritage institutions and their processes of governance. It does so by exploring expertise within the context of World Heritage Committee meetings. These forums of international heritage policy formulation have undergone significant changes in recent years, with larger geopolitical forces increasingly shaping process and decisions. This paper foregrounds the idea of these annual meetings as ‘locales’ in order to explore the inflows of expertise that help constitute authoritative decision-making, how expert knowledge is crafted for and by bureaucratic structure, and how the interplay between technical knowledge and politics via an ‘aesthetics of expertise’ bears upon future directions. In offering such an analysis, the paper seeks to add nuance and conceptual depth to our understanding of international conservation policy and the regulatory, governmental practices of organisations such as UNESCO.     

Urban heritage ‘space’ under neoliberal development: a tale of a Jordanian plaza

What happens when urban heritage spaces within developing countries, such as Jordan, are subject to touristic development funded by international bodies, such as the World Bank? This question is explored theoretically and practically by considering a popular local plaza in the secondary Jordanian city of Jerash that has been subject to three tourism development projects funded by the World Bank. The study, which incorporates and critiques the discourse of neoliberalism within urban heritage development studies, seeks to analyse the World Bank projects and, more specifically, how they have defined, approached and produced outcomes in the Jerash plaza and its context. In so doing, the study triangulates the analysis with accounts by local respondents that identify major drawbacks in the World Bank approach, particularly its emphasis on conventional ‘readings’ of urban space that highlight universal values and histories, while neglecting and marginalising local values and understandings. The triangulation offers attentive ‘readings’ of the plaza as a place understood and experienced by a people. The challenge is to break with the neoliberal paradigm that dominates urban heritage development programmes (and their associated West–East dualisms and top-down approaches) by presenting local sociocultural and economic contexts as assets to enrich development projects, rather than obstacles to be ‘fixed’ and ‘fitted’ for tourism.     

The heritage practices in a Chinese historic neighbourhood: the manifestation of traditional Feng Shui in Langzhong,China

By describing different voices, practices, and understandings centred on Langzhong’s Feng Shui, this research explores a vernacular way of manifesting, practicing and valuing the past. The analysis shows that as a living heritage, Feng Shui still exists in Langzhong in both a physical and social sense. The study of Feng Shui demonstrates how a non-western discourse of narrating the historic urban form could be deployed in Chinese heritage practice to interweave the past and present. Through this study, a vernacular way of practicing and conceptualising heritage is established. Moreover, it is argued that Feng Shui as a locally meaningful heritage, which has spiritually enriched the historic neighbourhood, should be cherished and utilised for contemporary heritage conservation and cultural construction in China.     

Tropes of a Texan trauma: monumental Dallas after John F. Kennedy

Dealey Plaza in central Dallas serves both as a ‘cradle’ and a ‘grave’; at this historic site Dallas was born and an American president died. The assassination of President Kennedy on 22 November 1963 changed Dealey Plaza, the site where the first citizen of Dallas settled in 1841, from a symbol of civic pride into a place of guilt and shame. After the events of 1963, the Dallas community voiced a wish to forget and hence, the exact location where Kennedy was murdered was initially remembered by neither monument nor plaque. At the same time, America grieved and from all over the country US citizens started to visit the assassination site. Dealey Plaza became a place of pilgrimage, which caused a change in the monumental landscape and eventually transformed civic guilt into civic pride. This article offers an analysis of the responses to this Texan trauma in terms of commemorative heritage and describes Dallas’ shift from ‘amnesia’ to ‘identification’, two contrary responses to traumatic, or mourning, heritage.     

THE CO-PRODUCTION OF NARRATIVE IN AN ENTREPRENEURIAL CITY: AN ANALYSIS OF CINCINNATI, OHIO, IN TURMOIL

In April 2001 Cincinnati, Ohio, erupted into violence and protracted unrest after the police shooting of an unarmed African‐American named Timothy Thomas. African‐American interest groups in the city subsequently organized an economic boycott of downtown businesses. In response to the demonstration and the boycott, the Cincinnati government issued a marketing campaign entitled ‘We're On the Move!’, intending to give nod to past failures and launch forward movement on their part. In this article I investigate the entirety of these events as narrative moments under the auspices of urban entrepreneurialism to answer the question: How does the local population inform, rather than simply mediate, the narrative administration of an urban entrepreneurial form of governance? I then turn to a response to the campaign by an African‐American newspaper columnist in Cincinnati to underscore a dialogic relationship between an entrepreneurial city and its citizens as it forms the presentation of entrepreneurialism. In turn, this conception allows for a more nuanced version of entrepreneurial governance more generally.     

Relational concepts of space and place: Issues for planning theory and practice

This paper seeks to conceptualize and explore the changing relationships between planning action and practice and the dynamics of place. It argues that planning practice is grappling with new treatments of place, based on dynamic, relational constructs, rather than the Euclidean, deterministic, and one‐dimensional treatments inherited from the ‘scientific’ approaches of the 1960s and early 1970s. But such emerging planning practices remain poorly served by planning theory which has so far failed to produce sufficiently robust and sophisticated conceptual treatments of place in today's globalizing’ world. In this paper we attempt to draw on a wide range of recent advances in social theory to begin constructing such a treatment. The paper has four parts. First, we criticize the legacy of object‐oriented, Euclidean concepts of planning theory and practice, and their reliance on ‘containered’ views of space and time. Second, we construct a relational understanding of time, space and cities by drawing together four strands of recent social theory. These are: relational theories of urban time‐space, dynamic conceptualizations of ‘multiplex’ places and cities, the ‘new’ urban and regional socio‐economics, and emerging theories of social agency and institutional ordering. In the third section, we apply such perspectives to three worlds of planning practice: land use regulation, policy frameworks and development plans, and the development of ‘customized spaces’ in urban ‘regeneration’. Finally, by way of conclusion, we suggest some pointers for practising planning in a relational way.     

Preserving ‘the Enemy’s’ architecture: preservation and gentrification in a formerly Palestinian Jerusalem neighbourhood

This article relates to the preservation of Palestinian buildings in Jerusalem and raises the question why state-sanctioned institutions act to preserve Palestinian architecture built pre-1948, bearing in mind the context of a difficult past and an on-going conflict? The article addresses the manner in which Jerusalem’s authorised heritage discourse focuses only on preserving Palestinian buildings’ tangible aspects (architectural styles), and not on intangible aspects such as the narrative of their builders. The main argument is that while preservation is presented as a civilised practice, it is driven by the commodification of the buildings and sites and their valued ‘authenticity’. The common practice is to ‘preserve’ these buildings by developing them to create more housing units. This practice inevitably leads to gentrification. Moreover, even when intangible aspects of heritage are pushed aside, preserving these buildings comes with the ‘risk’ of them being used as memory sites for subaltern groups. The article focuses on one formerly Palestinian West Jerusalem neighbourhood, Baka, where gentrification was triggered by historic Palestinian homes and where the neighbourhood’s development continues to be linked with historic preservation.     

Spatializing transnational history: European spaces and territories

This article introduces the dossier ‘Spatializing Transnational History: European spaces and territories’. It examines the intersections between transnational history and the so-called ‘spatial turn’ in social sciences, and points at future directions in historical research. It reviews two main different methodological approaches to the problem of space in transnational, comparative and global history and examines recent contributions on the history of territory. Finally, it introduces the contributions to this dossier, which approach the history of modern Europe from a number of transnational and spatial perspectives. The dossier argues that incorporating a combination of spatial approaches, ranging from the examination of transnational spaces, to the interplay between different scales of analysis, and to the historicization of territoriality, into the practice of transnational, comparative and global history may contribute to a deeper, wider and more complex understanding of ‘Europe’.     

Heritage and resistance: irregularities,temporalities and cumulative impact

Urban social change and large-scale demolitions in the name of urban renewal often give rise to social conflicts. In this study, we investigate how resistances to this change emerge, coalesce and revolve, and how they use heritage to generate cumulative impact. The analyses of urban change and resistance in Gårda, a working-class neighbourhood of Gothenburg, Sweden, showed social conflicts to be instigated by their stigmatisation. Since the 1970s, Gårda has been called ‘out of place’ and marked for demolition. These demolitions were given legitimacy by the ‘housing quality standards’ that emerged in the 1930s as a means to reduce social inequalities. Over time these standards became an ‘intangible heritage’ employed in neoliberal urban policies. In response, five ‘Re-Gårda’ resistance strategies emerged to contest Gårda’s future. Resistance groups uncovered new values for Gårda, curating the vision with the slogan ‘have a coffee in Gårda’, and structuring the narrative ‘upgrade Gårda’. This challenged the dominant discourse ‘demolish’ or ‘conserve’ Gårda, and resulted in a government decision to protect Gårda as a ‘heritage site’. Investigating heritage and resistance in Gårda helped us reveal the potential of resistance in challenging the limits of authorised urban and heritage discourses, and in realising socially equal and just cities.     

Villagizing the city: turning rural ethnic heritage into urban modernity in southwest China

This paper examines the rural ethnic heritage-inspired transformation of the built environment of a relatively small county town in China. The paper explores the ways village-based ethnic heritage is being repositioned by local leaders as a resource for tourism-oriented revenue generation and for ‘improving’ the ‘quality’ and behaviour of town residents. Viewing heritage as a ‘technology of government,’ the paper provides an analysis based on three interrelated themes: the discourses by which town leaders and planners have conceived the heritage development project as one of improvement, the spatial practices by which those discourses have been realised in the built environment, and the ways residents themselves have appropriated and ‘inhabited’ this new ‘villagized’ city as they go about their everyday urban lives. Based on ethnographic field work, a survey, and extended interviews over a period of four years, the paper finds the town leadership’s faith in the ability of the built environment to shape and improve the conduct of citizens to be overstated. While the town’s transformation has generated a new sense of urban modernity among residents, their ways of inhabiting and using urban space have little relevance to the ‘heritagized’ environment in which they now live.     

Music in factories: a twentieth-century technique for control of the productive self

This paper discusses the historical use of music to produce more efficient, more committed, industrial workers. First emerging in academia early in the twentieth century, psychological interest in the industrial application of music had grown into a topic of popular interest and government investigation by the 1940s. Catalysed by the need for vast increases in production and the desire to cultivate ‘citizenship’ amongst industrial workers which the Second World War produced, consideration of how music could be employed as an affective soundtrack in factories—to raise employees' work rates, to increase their efficiency, to combat fatigue and boredom, to improve morale, to access and manipulate their emotions and loyalties—became a prominent area of psychological research. This paper examines that psychological research and its largest scale application in the BBC radio show Music While You Work, broadcast daily to millions of British factory workers from 1940 until 1967. The paper focuses particularly on conceptualizations of music's affective power and its utilization to exert ‘emotional control’ over spaces of work and the working self. This paper is centrally concerned with the practice of Music While You Work as a programme broadcasting specifically for factory spaces, and how this confronted the BBC's music policies for a national and domestic audience, impacting on the radical nature of the affective soundtrack to work which was produced.     

Ethnographic reflections on ‘oppositional heritage discourse’ in two post-earthquake Italian cities

This article explores the politicisation of cultural heritage during the aftermath of the 1980 earthquake in Naples and the 2009 earthquake in L’Aquila. It begins by critically addressing the positions of Tomaso Montanari and Salvatore Settis, two prominent heritage intellectuals at the forefront of national campaigns to restore the damaged historic centre of L’Aquila. Both have been instrumental in shaping an ‘oppositional heritage discourse’ in Italy that underscores the civic virtues of the nation’s cultural patrimony while simultaneously railing against its marketisation. Reflecting upon observations in L’Aquila, where locals involved in protests at government inaction have been scolded by fellow inhabitants for their lack of obeisance to cultural heritage, and drawing on longstanding ethnographic research in Naples, where heritage campaigns against redevelopment in the historic centre in the 1980s were later incorporated into an ambitious regeneration agenda, the article argues that this oppositional heritage discourse is not only premised upon idealist notions of collective identity but also, as a result of its attempts to legislate the boundaries of heritage citizenship and its disavowal of philologically incorrect relationships with historic centres, it ultimately provides tacit support to the very same neoliberal urban processes against which it claims to take a stand.     

Plotting Jane Austen: heritage sites as fictional worlds in the literary tourist’s imagination

Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.