Jerusalén celestial en los Andes: apropiación iconográfica y autorrepresentación en la pintura mural tardo-colonial

Este artículo estudia la pintura mural de finales del período colonial como fenómeno de un cristianismo andino transcultural y agente. La investigación rastrea y analiza la representación de iglesias locales (en tanto autorrepresentadas en sus propios muros), observando en el motivo iconográfico la apropiación comunitaria del arte de la evangelización y la configuración de identidades locales en nuevas formas visuales. Se destacan las redes de referencia visual de estas imágenes con representaciones coetáneas, así como también su contraste con las técnicas del control doctrinario y con los registros documentales, con el objetivo de comprender la epistemología del espacio religioso forjada en los poblados indígenas de los siglos XVIII y XIX.     

Huacayñán (1952–1953) and the biopolitics of in(ex)clusion

The foundation of the modern Ecuadorian State in the 1940s and early 1950s coincides with a series of attempts to synchronize and incorporate certain “problematic” sectors of the population that were supposedly resistant to progress and whose forms of life were incompatible with modernity, a capitalist economy, and a cohesive nation. This biopolitical project for the modernization and governance of the population also had repercussions on—and analogous manifestations within—the discourse of national identity, the design of cultural policies, and the production of State-sponsored national art. This article analyzes Huacayñán / El camino del llanto / The Way of Tears (1952–1953), a collection of FIGURE 3 aintings by Oswaldo Guayasamín that was commissioned by the government of Ecuador in 1951. Huacayñán was conceived within the ideology of mestizaje as an instrument of aesthetic cultural modernization and as a visual artistic showcase of the harmonious integration of ‘Ecuadorians.’ Despite, or even because of its governmental overdetermination, however, this article shows how Huacayñán instead materialized the exclusionary logic of the syncretic and biopolitical policies of the State, displaying dystopic visions of violence and exclusion, and of a fractured nation inhabited by monsters and resistant to mestizo-ization.     

Felipe Quinto,de austríaco a borbón,según sermones de la época (Nueva España, 1701–1747)

Este artículo se basa en dieciocho sermones predicados en Nueva España, cuyo tema central es la figura de Felipe de Anjou (Felipe V), primer representante de la dinastía borbónica en España. Desde que accedió; al trono por primera vez hasta su muerte, pasando por la Guerra de Sucesión, importantes eclesiásticos de las élites novohispanas pusieron la predicación al servicio de la propaganda borbónica, buscando propiciar adhesión en los fieles. Según conviniera acercar la figura del rey a la de monarcas anteriores o resaltar, en cambio, las características particulares de la nueva dinastía, los sermones que se conservan muestran cómo la retórica se ponía al servicio del poder imperante, modificando realidades e instalando visiones de mundo desde el púlpito.     

En tiempos del condestable Dávalos: Enrique de Aragón,poeta quejoso en Crónica. Año de 1420, de Jerónimo de la Escosura

Infants of Aragon are very important figures in the history and literature of the nineteenth century, but it is rare that one of them, Don Enrique, is the protagonist. This work analyzes the romantic story Cronica. Año de 1420, published by Jerónimo de la Escosura in 1839. In it, Enrique de Aragón is a cunning courtier and a poet in love, and he manages to change history because he changes the story with his verses.     

‘Recíbanlos con cautela y consideración’: las pugnas por el poder entre el personal de la Compañía de Jesús en la Nueva España durante el generalato de Claudio Acquaviva (1581–1615)

Los obstáculos impuestos a los americanos para entrar a la Compañía de Jesús fueron una constante en la Nueva España durante el generalato de Claudio Acquaviva (1581–1615). Si bien aquellos pueden ser considerados como la prolongación de un debate que había comenzado con la llegada de los primeros franciscanos en 1524, y como parte de tensiones que existían a nivel global sobre la viabilidad de aceptar no europeos en las órdenes religiosas, esta cuestión evolucionó conforme a los nuevos estándares de la Iglesia postridentina, y a los cambios sociales y políticos del virreinato. Las tensiones provocadas por diversos grupos sociales emergentes al reclamar sus propios espacios dentro de la sociedad novohispana, ocasionaron que la discusión en torno a la creación de un clero indígena se subsumiera en una serie de pugnas entre diferentes facciones de la Compañía de Jesús, bajo la sombra de los poderes de la Corona española y Roma. Así, en una época en donde la Compañía de Jesús se debatía sus prioridades apostólicas con la disyuntiva colegios/misiones, el caso de la Provincia de México nos muestra cómo este problema estuvo inmerso en una lucha de bandos por los puestos de poder.     

La espada,la cruz y el padrón: soberanía,fe y representación cartográfica en el mundo ibérico bajo la monarquía hispánica, 1503–1598

Antique Maps of Wales. By John Booth. Montacute, Somerset, 1977. pp. xiv, 132, illustrated, £4.95.

Sir Francis Drake. An exhibition to commemorate Francis Drake's voyage around the world, 1577–1580. Pp. 128, illustrated. British Museum Publications, 1977. Price £2.50.

Nautical charts on vellum in the Library of Congress. Compiled by Walter W. Ristow and R. A. Skelton. Washington 1977.

Collection for the History of Cartography. By Roy. V. Boswell. Fullerton, California: Published by Roy V. Boswell, 1976. pp. 41. (typewritten and xeroxed in an edition of 100 copies).

Maps for an emerging nation: Commercial cartography in nineteenth century America. By Walter W. Ristow. Library of Congress, Washington, 1977, pp. 66, 20 figures, U.S. $5.00.

The Nature of Maps. Essays toward Understanding Maps and Mapping. By Arthur H. Robinson and Barbara Bartz Petchenik. Chicago and London, The University of Chicago Press, 1976, pp. 138.

Lee, Chan, Old Maps of Korea. The Korean Library Science Research Insitute, Seoul, Korea, 1977, 249 pages (22,000 Hwan, $50.00).     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Challenging the Quimera (Sirena) Negra: Unamuno Reads Pardo Bazán

This article examines the literary relationship of Emilia Pardo Bazán and Miguel de Unamuno by analyzing Unamuno's 1905 review of La Quimera, as well as his tribute to Pardo Bazán on the occasion of her death in 1921. These two critical pieces, together with Unamuno's Dos madres and La tía Tula, reveal that while Unamuno dismisses Pardo Bazán's realism in his discussion of her works, he develops in his own fiction alter egos who struggle with dominant female figures, just as he competes with Pardo Bazán's model of authorship.     

Doing business in Macedonia: Greek problems in British perspective (1912–1921)

British financial concerns in Greek Macedonia in the aftermath of the Balkan Wars were four: the status of the port and the city of Salonica after the partition of its hinterland and under Greek law; the regular conduct of trade; the sufficient provisioning of the allied expeditionary forces (from the fall of 1915 onwards) under the auspices of the Greek Provisional Government of Eleftherios Venizelos; and business, not necessarily related directly to the war effort. None of these cares was an isolated target nor were they the consequent stages of a single plan. They were simply aspects of a global financial interest which aimed to restore British influence in the region as well as to safeguard the spoils of victory against Bulgaria. After considerable difficulties in the region, foreign interest failed to take the shape of British investments. Moreover, the inability of the Greek state to provide sufficiently for the development of the Macedonian economy and the integration of its society led to diplomatic confrontations with its neighbours.     

Rodrigo Gil de Hontañón and 16th-Century Building Techniques: The Cimborio Vault of Archbishop Fonseca College Chapel in Salamanca (Spain)

Rodrigo Gil is one of the greatest masters of Spanish architecture. His brilliant career is partially explained by the efficiency of his design methods and his building techniques, especially evident in his ribbed vaults. If we examine the latter as a whole, the first aspect to be noted is undoubtedly their great formal complexity. However, the detailed study discloses that rather limited geometric and building techniques are hidden behind those elaborated patterns, aimed at simplifying and making the execution more economical. In order to bring some of these devices to light, one of his best-known vaults was selected for an in-depth study. The construction of a large-scale model of it also revealed some interesting features regarding the placing of the centerings and shorings during the erection.     

“Voy a empeñar la Edad de Oro”: Historia,música y política en la crisis española (2011–2016)

ABSTRACT

Spain's current economic and social crisis has involved a profound reappraisal of the country's history, institutions, and official narratives, especially after the emergence of the 15M or indignados movement in 2011. A crucial example of this shift has been the widespread criticism of Spain's “Transition to Democracy” or Transición, widely considered Spain's “foundational” narrative. In this article, a series of examples from the musical field—including essays, songs, and public uses of music—are studied and contextualized in order to analyze different interpretations and critiques of the Transición developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its “climate” (Fernández Savater). In these examples, two complementary trends are identified: on the one hand, an intention to reclaim part of the Transición's collective mood through its musical symbols; on the other, a rejection of its political legacy, as expressed in criticisms of its musical canon.     

Writing violence in Seventeenth-Century Yucatan: Fray Bernardo de Lizana's Devocionario de nuestra Señora de Izamal y Conquista espiritual de Yucatán (1633)

Although long considered a minor work, Franciscan friar Bernardo de Lizana's Devocionario de nuestra Señora de Izamal y Conquista espiritual de Yucatán (1633) is key for understanding what the author himself termed the ‘spiritual conquest’ of colonial Yucatan. Deploying José Rabasa's concept of ‘writing violence,’ this essay shows how this text works to promote a culture of forceful spiritual conquest, reminiscent of the culture of spiritual conquest of the primitive Yucatecan church (1545–1562), in order to complete the conquest of the last independent Maya on the peninsula.