Catholicisme,protestantisme et laïcité: Réflexion sur la trace religieuse dans l'histoire contemporaine de la France

This article examines the traces of Protestantism in contemporary French history and political culture. After contextualising the legacies of Protestantism and Catholicism and recalling the latter's primary role in conceptions of French identity, the study focusses on how Protestant cultural influences came to bear. The article weighs the contributions of renowned Protestant historians and politicians, in the case of the latter, right down to the contemporary period.     

Le Texte et le corps: la pensée dialectique de Diderot dans Le Supplément au voyage de Bougainville

By using a dialogical method in Le Supplément au voyage de Bougainville (1772), Diderot contrasts two places: the civilized European world and the primitive island of Tahiti. The dialogical structure of his work entails a questioning of the concept of libertinage through the theme of the corporeal. Indeed, the dialectical method he employs in the text unifies his vision on what the body represents. This work will demonstrate that for Diderot the body can be defined as three entities: the text, the physical, and the social. All these three categories are intertwined for him. Using them as a leitmotiv enables him to call into question the moral and social conventions of his own country.     

Les représentations de l'Allemagne dans la presse sportive française: l'exemple des rencontres de football France-Allemagne dans les années trente

ARP (la Société Civile des Auteurs, Réalisateurs et Producteurs) is one of the most significant cinema lobby groups in France today. Among its most important manifestations are the annual Rencontres de Beaune, a series of debates that attract some of the most influential figures in both the cultural and political domains internationally. This article aims to document the political successes and impact of ARP through a presentation and analysis of the 2000–2004 Rencontres Cinématographiques de Beaune.     

Le modèle des petites filles: structure familiale dans l'œuvre de la comtesse de Ségur

This article discusses how Petrarch's self-portrayal as a spokesman for peace, armed with quill and inkpot, is brought forward in the canzone "Italia mia benché 'l parlar sia indarno" and in his epistles of the 1350s. The poet's activity as peace mediator appears in this famous canzone dedicated to Italy well before the epistles were written. Dated to 1344, the poem's thematic kernel seems to have been subsequently unfolded and broken down into the epistles that Petrarch later sent to the political leaders of his day. Petrarch's cry for peace in the Rerum vulgarium fragmenta is threefold: he invokes spiritual, societal, and teleological peace. The different faces of this threefold pining for harmonic conciliation find an outlet in the invocations of, respectively, Chiare fresche e dolci acque, "Italia mia," and the Canzone alla Vergine. "Italia mia," his most distinctly political text as well as heartfelt plea to the lords of Italy, marks Petrarch's last attempt to recompose the political fractures of Italy within the peninsula itself; from the 1350s onward, Petrarch addresses his political appeals solely to foreign rulers, a sign of the waning independence of Italian states.     

Écrire la (non-)violence : le cas de Laëtitia ou la fin des hommes d’Ivan Jablonka

This article analyses Ivan Jablonka’s Laëtitia ou la fin des hommes, which garnered three major prizes in the fall of 2016 (Le Prix Littéraire du Monde, Le Médicis et Le Prix des Prix) while also receiving quasi-unanimous acclaim from French press and media. My purpose is to explain how Jablonka’s writing contributes to exposing, denouncing and even, as far as possible ex post facto and by means of a text, undertaking a kind of reparation of the masculine violence inflicted on the 18-year-old young woman not only at the end, but throughout her entire life. To this end, the paradigm of violence laid out by Lévinas and Derrida will allow us to explore the ethics and poetics of non-violence. If on the one hand Jablonka’s text reveals the subjective involvement of the researcher and writer, we will see on the other hand that his project carries social, political and human stakes: his writing of a ‘crime story’ constitutes a manner of understanding the tragedy in the context of French society, with its social, judiciary and political institutions.     

Dynamiques hydrogéomorphologiques historiques et actuelles d'une rivière perturbée par les activités de la drave et analyse des impacts d'un démantèlement de barrage

In Quebec, the fluvial dynamics of the Escoumins River have been disturbed by the forestry industry for over a century. Most specifically, a dam was built near the mouth of the river in 1846 and dismantled in 2013. These disturbances had significant repercussions on the equilibrium of the river and Atlantic salmon habitat. This study therefore proposes to characterize the fluvial dynamics of the Escoumins River and to analyze the impacts of the dam dismantling from the perspective of restoring hydrogeomorphological processes and improving Atlantic salmon habitat. The results suggest that the trajectory of the river evolved differently depending on the fluvial style and the grain size composition of each of its homogeneous segments. However, log drive activities in river and dam removal appear to have been the most important controlling factors on the evolution of the stream trajectory. The dismantling notably allowed the restoration of hydrogeomorphological processes and the free movement of salmonids. A better procedure for dam removal and monitoring should be put in place in Canada to encourage this practice.     

Du ‘géant remueur de terre’ à ‘Monsieur jardine’: valorisation et dévalorisation des images de la terre à la Belle Époque

Images of the Earth in Belle Époque fiction are frequently called upon to express an author's view of what defines an individual's relationship to self, history, and society. This article focuses on two examples whose significance is highlighted by the fact that the authors have radically opposed ideologies. In Diary of a Chambermaid (1900), Octave Mirbeau uses the provincial backyard garden satirically, as a site where society's repressed, sadistic and anal impulses are let loose. By contrast, René Bazin's highly conservative Donatienne (1903) illustrates the author's Catholic belief in the biblical sanctity of the relationship between a man and his native place. How uniquely relevant to the representation of the fictional Subject these images are is further demonstrated by the fact that women are unapologetically excluded from them. As it happens, these novels' female protagonists are both domestic servants, whose defining relationship is not to the Earth where they were born, but—second in the order of Creation—to the home where they live.     

Apology of Liberty in Lettres sur les ouvrages et le caractère de J.-J. Rousseau: Mme de Staël's Contribution to the Discourse on Natural Sociability

This article analyses Mme de Staël's ideas on liberty as they were expressed in Lettres sur les ouvrages et le caractère de J.-J. Rousseau of 1788–1789. Lettres sur les ouvrages et le caractère de J.-J. Rousseau was a reaction to highly polemical debates on liberty that originated in the discourse on natural sociability and that existed in the Parisian salon society between the 1770s and 1780s. Staël combined the two opposing philosophical and economic viewpoints, by the philosophes and Rousseau on the one hand and by Necker and the economists on the other, into a set of liberal values applicable to a new political era despite some self-contradictions. As such, Staël sustained the intellectual legacy of the French enlightenment into revolutionary France.