Official Life： Homoerotic Self-Representation and Theater in Li Ciming＇s Yuemantang Riji

Homoerotic play was central to the recreational culture of theatergoing from the mid-Qing to the beginning of the twentieth century, especially in Beijing. Theatergoing literati in particular played an important role in the production and reproduction of an elite, theater-based, homoerotic sub-culture, heavily investing themselves in the pursuit of social distinction. While it is important not to underestimate the importance of lower-status audiences in the popularisation of Peking opera, the literati doubtlessly considered themselves the aesthetic vanguard in terms of both the judgment of staged drama and the literary promotion of romances between themselves and the boy-actors offstage. Unlike ＂flower-guides＂ （Huapu） that circulated between friends, diaries from the period record private thoughts on the scene that would not, and could not, be expressed in public. Drawing on the diary of the influential late-Qing scholar-official Li Ciming （1830-94）, I focus on the question of how an understanding of public participation entered Li＇s diaries, as well as examining what his self-representations have to say about Qing literati ownership of homoerotic sensibilities and spaces, which is to say, how he saw himself as presenting to others and how that self-presentation is （re-）presented in his writing.     

＂Bankers Are Stingy？＂ Re-Examining Stock Exchanges and Public Debt in Prewar Shanghai （1920s-1930s）

This review article surveys new studies of China＇s economy in the early twentieth century that have been published in both China and the West. It analyses the nuances that we find in these recently published studies and how those might improve our conventional understanding of the era, with particular emphasis on the link between fiscal revenue and stock-exchanges. First, a detailed introduction treats the evolution, beginning in the nineteenth century, of Shanghai＇s segmented stock exchanges in the context of wider global currents. Section two reprises the still common notion that heavy domestic borrowing by the Nationalist （Kuornintang, or GMD） government in the 1920s-1930s forestalled industrialization. Section three discusses at length the degree to which Chinese banks in that period may be seen as merely a GMD conduit of borrowing. Chinese banks were probably more conducive to Shanghai＇s industrialization than is usually acknowledged, and they also played a key role in stabilizing China＇s monetary environment well beyond their perceived focus on managing public debt. But more evidence needs to come to light, and this article sets out the areas in which future research might advance our knowledge. The conclusion will underscore how the various findings of scholars might, as a whole, remould current conceptions.     

Wu Jen-shu,Jibian liangmin： ehuantong Zhongguo chengshi qunzhong jiti xingdong zhi fenxi （Good Citizens Turning Rebel： Analyses of Urban Mass Collective Actions in Traditional China）

Scholars have long been interested in rebellions and revolution in Chinese history The interest has a real-world basis： China＇s long and turbulent past is a rich minefor academic study, and the country＇s seemingly endless conflicts and struggles in recent centuries give such study relevance to reality. For obvious reasons, most studies of Chinese rebellions and revolutions focus on rural society. Wu Jen-shu＇s Jibian liangmin is among relatively few works that devote attention to public, and often violent, expressions of displeasure in Chinese cities and towns before modern times.     

Female Workers,Political Mobilization,and the Meaning of Revolutionary Citizenship in Beijing, 1948-1950

After entering Beijing in January 1949, the Communist Party immediately sent cadres to local factories in order to mobilize female industrial workers into a women＇s movement and to establish the idea of ＂revolutionary citizenship.＂ The Party wished to nurture this idea in both the local political arena and in women＇s lives inside and outside the factories. This article demonstrates that a host of factors defined revolutionary citizenship, including party directives, choices in revolutionary strategy, cadres＇ interpretations of directives and their own initiatives, and workers＇ reactions to mobilization. It was in this complex mix of mobilization, women＇s strategies to protect and advance their own interests, and the politics of group representation in the revolution, that female workers came to understand the meaning and impact of revolutionary citizenship and the shape of labor-state relations in the emerging socialist China.     

Intolerable Cruelty： Marriage,Law, and Society in Early Twentieth-Century China

In Intolerable Cruelty： Marriage, Law, and Society in Early Twentieth-Century China, Margaret Kuo argues that legal reforms allowed wives in the Republican era unprecedented opportunities to leave abusive or undesirable marriages. In addition to reevaluating Republican-era law, Kuo significantly contributes to scholarship by acknowledging the agency of the wives who brought forth their cases in court. In contrast to CCP scholarship that ＂has worked to expunge GMD contributions＂ to women＇s rights and family law （p. 12）, Kuo argues that the Republican era offered flexible solutions during ＂an important transitional period＂ （19. 198）.     

Chinese Socialism as Vernacular Cosmopolitanism

This paper follows the life of an idea, a fundamental concept in modern Chinese intellectual life： socialism. It explores this idea as an alternative form of Chinese cosmopolitanism, drawing from Pheng Cheah＇s identification of two kinds of Chinese cosmopolitanism： mercantile and revolutionary. If part of what we mean by cosmopolitanism is the local use of an external, or international, or otherwise ＂independent＂ （relative to local power and practice） ideology or discourse to promote an agent＇s sense of social good at home and connection to the world, then the ways that socialist thought, ideology and praxis have been employed in China in the twentieth century constitute one such strain of cosmopolitanism. Shehuizhuyi （socialism） meant related but significantly different things to Chinese in the twentieth century. This essay argues that Chinese socialism can be viewed as a version of vernacular cosmopolitanism through two examples： Wang Shiwei in the 1940s and Deng Tuo in the 1960s, as well as the discourse of Pan-Asianism before and after the Mao era. Chinese socialism was as much a terrain of debate and contestation about what it means to be ＂Chinese and modern＂ as it was a shared vocabulary and set of aspirations. All along it has been able to play the role of cosmopolitan thought for some influential Chinese thinkers and doers--connecting China to the world in order to pursue universal values.     

History,Culture, and Politics： On Historical Formation and Identity Dilemmas of ＂China＂

This lecture is concerned with some historical issues of ＂China,＂ ＂territory, culture＂ and ＂identity＂ that are placed against the background of politics, culture and scholarship in contemporary China. I want to draw attention to the question of how historians understand and interpret ＂China.＂ It addresses the following questions. First, where did the idea of ＂China＂ come from？ and how did it become a topic of scholarly research？ What kind of dilemmas does ＂China＂ confront in its current condition and historical interpretation？ Second, how do various new historical theories and methods in international academic circles enrich our understanding of ＂China＂？ Third, how does China＇s history and reality challenge the theories of ＂empire＂ and ＂nation-state＂？ Fourth, is it possible to write ＂East Asian history＂？ Does ＂national history＂ prove still effective in describing China or East Asia？     

Lady Avengers in Jin He＇s （1818-1885） Narrative Verse of Female Knight-Errantry

Jin He 金和 (1818–1885), a pioneering poet of mid-nineteenth century China, wrote in a colloquial style strongly influenced by the ballad tradition. Jin’s style was prose-like and broke all the structural limitations of earlier poetry in order to create formal innovations, while at the same time experimenting with new subject matter. Liang Qichao 梁啟超 (1873–1929) and Hu Shi 胡適 (1891–1962) considered Jin He and Huang Zunxian 黃遵憲 (1848–1905) to be the major poets of the nineteenth century. Jin had a major impact both on other late nineteenth-century poets and on the “Poetic Revolution” that led to the rise of modern Chinese literature. However, his verse has been largely ignored ever since. Among the most striking contributions Jin made to the literary transition in the nineteenth century was his innovation in presenting the female knight-errant 女俠 (nüxia). This invented image of the female knight-errant reflected a new tradition of women’s voices in the literary works of his time, and had a great impact on the representation of swordswomen in modern literature. This paper examines how the image of nüxia in Jin’s writing is distinct from those found in past poetry, how the female knight-errant in Jin’s works inverts conventional gender norms, and how Jin’s female knight-errant image is both connected with and distinct from those in other literary forms.     

“Let Me Come to Tell You”: Loide Shikongo,the King,and Poetic License in Colonial Ovamboland

In this paper, I explore cultural discourse, gender and the subjectivities of local people on the frontier of empire in mid‐20th century southern Africa. Using the example of Nekwaya Loide Shikongo, a prominent woman from Ondonga in northern Namibia (the colonial “Ovamboland”), and an epic poem on the deposed King Iipumbu yaShilongo that she performed in 1953, I discuss how gender was constituted and mediated. The narrative of a remarkable woman’s life and her poetry is told to understand how gender in relation to other forms of identity was constructed in different cultural discourses. I argue that both the Christian mission’s cultural discourse and the South African colonial administration’s efforts to masculinise the “native” political authority gendered Owambo elite women whose identities had previously included “gender” only as a rather contingent component. The example of Loide Shikongo, however, also shows that many Owambo continued to pursue heterogeneous, and sometimes ambiguous, strategies in their claims to Christian models of modernity.     

Celebrity Philanthropy in Mainland China

Celebrity philanthropy in mainland China is a recent phenomenon that has attracted both media publicity and public controversy. Despite its visibility, few data exist regarding how widespread the phenomenon is, and whether it has been growing over time. This paper addresses this gap, using a sample of entertainment and sports celebrities obtained from publicly available sources to answer three key questions. What proportion of celebrities in mainland China engage in philanthropic activities? When did they become involved in philanthropic activities? With what kinds of philanthropic causes and organisations are they connected, and in what capacity? The paper reveals that, in a very short period of time, mainland China’s top celebrities have become just as involved with philanthropic causes as their North American counterparts. The rapid rise of celebrity philanthropy has been correlated with a series of natural disasters and the explicit encouragement of government authorities, offsetting the absence of a tradition of private charitable activities in the People’s Republic of China since its founding.     

The Ethics of Philanthropy

Abstract

This essay considers the ancient antecedents to the “new field” of the ethics of philanthropy, arguing that key questions such as “to whom should we give our money?” have already been explored by ancient authors and that the answers they give to these questions can be quite different to the answers given by contemporary scholars. By analysing the treatment of giving in Aristotle’s Nicomachean Ethics, Cicero’s De Officiis, and Seneca’s De Beneficiis, I argue that the focus of ancient thinkers upon giving within one’s own community can be viewed as a possible response to a number of issues that have been raised by modern scholars, including the “problem of acting at a distance” and the “problem of accountability.” Moreover, these ancient thinkers have additional, positive reasons for thinking that philanthropy should take place within one’s own community, based upon their ideas of man’s natural duty to his political community, and the social benefits that can be derived from local philanthropy. The integration of ancient perspectives, then, into these modern debates, can serve to complement and broaden research in this emerging field.     

Bakhtin,Boredom, and the ‘Democratization of Skepticism’

This article examines recent scholarly work on boredom by drawing on Mikhail Bakhtin’s account of modernity, irony, and mass skepticism. In The Arcades Project, Walter Benjamin noted that, beginning in the 1840s, Western societies had been gripped by an “epidemic of boredom.” He was referring to a peculiarly modern form of mass boredom, associated with the “atrophy of experience” in a mechanized and urbanized social life—a boredom Elizabeth S. Goodstein has characterized as the “democratization of skepticism.” Although Bakhtin says little about “boredom” directly, he probes the sociocultural conditions that give rise to it. Bakhtin, for example, celebrates the liberatory and egalitarian promise of modern vernacular speech, which displays a healthy suspicion of “monotonic” qualities of elite genres, and which springs not from the pulpit or the palace, but from the street, the marketplace and the public square. Bakhtin is concerned about the nihilistic implications of this disenchantment of the world and the threats it poses—indifference, reification and alienation—to the “participative” mode of social life he favours.     

A Transnational Feminist Critique of Queer Tourism

This article frames queer tourism through two lenses. First, I explore how queer tourism and queer spatiality occlude questions of gender and efface the varied modalities of travel, tourism, mobility, and space/place–making activities of women, especially with respect to queer women and lesbians. Second, I point out the neocolonial impulses of all queer travel by highlighting the colonial history of travel and tourism and the production of mobility through modernity, and vice versa. Following M Jacqui Alexander’s (1997) claim that white gay capital follows the path of white heterosexual capital, how are queer women, queers of color, and postcolonial lesbian and gays also implicated in this process? Through these questions I propose to think about queer tourism and space through theories of intersectionality. In other words, how do we acknowledge and theorize “difference” in queer spaces? How do multiple identities, intersectionality, and social differences make the construction of queer space impossible?     

(Re)Producing and challenging gender in and through urban space: women bicyclists’ experiences in Chicago

This research, which uses an intersectional feminist methodological approach, explores the relationships and intersections among women, public urban space, and bicycling, and the gendered processes through which the use of space is claimed, negotiated, and constrained. It builds on the existing scholarship on the gendered nature of public space, and uniquely uses bicycling as the site of inquiry. Drawing primarily from interviews with women cyclists in Chicago, this article explores how gender and other social identities are constructed, challenged, and constituted through an interaction with public space, urban processes and structures, and societal expectations and attitudes. It brings to the forefront and centers these narratives and empirically contextualizes them by linking the scholarship on the gendered (and raced, classed, and sexualized) nature of public space with the scholarship on women’s participation rates and barriers to bicycling. This research examines, through the everyday lived experiences of bicyclists and their multiple subject positions and privileges, how the gendered nature of public space affects the participation and experiences of women cyclists; how public space is negotiated and constrained; and how gender can be both (re)produced and challenged in and through urban space via women bicyclists’ actions. In particular, the research findings explore how women bicyclists must demand and negotiate public space; how their movement and activities are constrained in public space; how gender roles and social reproduction issues intersect with bicycling; and how social, quasi-advocacy group bicycle rides are used as a strategy, with mixed results, to address barriers to women bicyclists’ mobility.     

MODERNITY: A PROBLEMATIC CATEGORY IN THE HISTORY OF EMOTIONS

Emotions in History: Lost and Found by Ute Frevert is a lively introduction to some of the issues that historians must address when writing about emotions. Emotions in History notes some of the uses emotions have had in both public and private life, and it charts the changing fate of several emotions—particularly acedia, honor, and compassion—that have been either “lost” or “found” over time. Nevertheless, it suffers from a notion of modernity that obscures rather than clarifies. Making “modernity” the cause of changes in emotional ideas, comportment, and feeling, it cuts today's society off from its earlier roots and fails to see the continuities not only in emotions themselves but also in the mechanisms by which emotions have changed over time. Frevert's assumption that only the modern world has been interested in emotions is belied by eloquent learned writings on the topic in the medieval period (though not using the term “emotions”). Further, modernity is not alone in having effective mechanisms by which ideal standards of emotions and their expression are transmitted to a larger public.     

Celebrity-inspired,Fan-driven: Doing Philanthropy through Social Media in Mainland China

This paper provides the first detailed study of the links between celebrity-fan communication networks and philanthropy in the People’s Republic of China. It explains how the evolution of the Chinese Internet, and especially the rise of social media, has created new spaces in which fans of entertainment celebrities may be induced to engage with philanthropic causes. It then outlines the history of Chinese fan-driven philanthropic initiatives centred on people who became famous through reality-television popular music competitions. Finally, it offers a case study of the initiatives connected to popstar Li Yuchun, and examines the rationales provided by fans in online forums and interviews for their philanthropic engagement. Critics of celebrity-inspired philanthropy highlight its supposedly inauthentic and passive nature. Yet we find that fans actively exploit the forms of sociality that are provided by celebrity-fan communication networks, both to establish virtual participatory communities and to generate social action in the form of non-government-organised volunteering.     

The Construction of Gender in Modern Chinese Law: Discrepant Gender Meanings in the Republican Civil Code

This article examines the intersection of law, gender, and modernity during the transitional Republican era (1912–49). It approaches the topic through a critical reading of the Republican Civil Code of 1929–30, and related commentary on the code by Chinese legal experts. By analyzing the gender assumptions embodied in several newly emergent categories of legal regulation, including legal personhood, minimum marriage age, consent, domicile, surnames, marital property, and child custody, the article’s line of questioning reveals how gender meanings helped to shape modern concepts like universality, equality, and freedom. The findings illustrate the ways in which Republican civil law broke with late imperial legal and gender norms tied to Confucian patrilineal ideology and in addition established new legal and gender meanings that helped to consolidate Chinese politics on a republican basis and to reconfigure modern gender difference on a conjugal basis.     

The New View of Makeup and the Consumption of Cosmetics among the Women of Shanghai in the Modern Age

Under the pressure of the national crisis in modern China, millennia-old traditional concepts have been broken and adjusted, and new trends and ideas have emerged in large numbers. In order to defeat local cosmetics, from the moment they entered China foreign cosmetics companies attacked the traditional Chinese cosmetics of eyebrow pigment (dai), lip pigment (gong), rouge (zhi), and face powder (fen). Corresponding to the enlightenment ideas of the early twentieth century, women could no longer pursue beauty in a way that harmed their bodies. In the movement to liberate women’s bodies in the 1920s, radical intellectuals developed a severe criticism of the bad habits of using corsets and applying powder, and the concept of “healthy beauty” came into being. However, in the context of the development of the women’s liberation movement and the respect for women’s consumer rights, the healthy beauty theory failed to suppress women’s consumption of beauty products, and “natural beauty” and “artificial beauty” ultimately coexisted in lifestyles of women in the modern era of Shanghai.